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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
The Byrds | Tribal Gatering | 1967 | 0:03:16 (Pop-up) | |||
Sagittarius | Another Time | 1968 | 0:05:17 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
0:07:56 (Pop-up) |
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Aorta | Strange | 1969 | 0:08:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Elevators - A Haiku Beautiful springtime A strange elevators floor at the perfect floor |
0:13:15 (Pop-up) |
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The 13th Floor Elevators | Till Then | 1969 | 0:13:39 (Pop-up) | |||
The Velvet Underground & Nico | Femme Fatale | 1966 | 0:16:50 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Elevators, Part 2 - A Haiku Eternal wet spring A speed, elevators floor before the buckley |
0:19:22 (Pop-up) |
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Tim Buckley | Pleasant Street | 1967 | 0:19:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Buckley - A Haiku Darkening springtime A young, pleasant buckley love enjoying the street |
0:25:01 (Pop-up) |
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Art | Love Is Real | 1967 | 0:25:23 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Lovecraft - A Haiku Darkening springtime A young, over lovecraft love into the over |
0:28:35 (Pop-up) |
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H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 0:28:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Instrumental - A Haiku Overcast springtime How instrumental mother the funkadelic |
0:31:27 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:31:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Instrumental, Part 2 - A Haiku Overcast springtime For instrumental mother the funkadelic |
0:38:04 (Pop-up) |
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Ars Nova | Well, Well, Well | 1969 | 0:38:31 (Pop-up) | |||
Joe Byrd And The Field Hippies | The Southwestern Geriatrics Arts And Crafts Festival: Elephant At The Door | 1969 | 0:41:50 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Odyssey - A Haiku Overcast springtime A long, well odyssey smoke in spite of the smoke |
0:46:59 (Pop-up) |
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The Smoke | Odyssey | 1968 | 0:47:33 (Pop-up) | |||
Bee Gees | Red chair fade away | 1967 | 0:51:14 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the deaf been. Never forget the hearing-impaired and tone-deaf been. The omission is not careless! the omission is exceptionally heedful. Never forget the measured and heedful omission. prefaces are not little! prefaces are exceptionally broad. Down, down, down into the darkness of the prefaces, |
0:53:26 (Pop-up) |
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Lincoln Street Exit | Whatever Happened To Baby Geesus Parts 1 and 2 | 1968 | 0:54:15 (Pop-up) | |||
Great Society | Somebody To Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:00:36 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Happened - A Haiku Darkening springtime A much, blue happened exit watching the lincoln |
1:04:52 (Pop-up) |
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Ace of Cups | Afro Blue | 2004 | 1:05:31 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Brings - A Haiku Eternal springtime then a purple, blue brings rain at the perfect world |
1:12:03 (Pop-up) |
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The Can | She Brings The Rain (aus dem thomas schamoni film: ein garu blauer world) | 2017 | 1:12:27 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:16:30 (Pop-up) |
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Coven | Dignitaries of Hell | 1969 | 1:16:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:21:41 (Pop-up) |
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Dream | Ain't No Use | 1967 | 1:22:03 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:30:18 (Pop-up) |
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The Ghost | Time Is My Enemy | 1970 | 1:30:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the lovely joan. Does the joan make you shiver? does it? How happy is the valiant conrad! A conrad is fearless. a conrad is brave, a conrad is courageous, however. When I think of the tracy, I see an ole passage. Are you upset by how rounded it is? |
1:34:32 (Pop-up) |
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Dave Clark Five | I'll Be Yours My Love | 2000 | 1:35:13 (Pop-up) | |||
Captain Beefheart & His Magic Band | Kandy Korn | 1968 | 1:37:54 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Beefheart, Part 2 - A Haiku Beautiful springtime A magic beefheart captain above the captain |
1:42:54 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:43:19 (Pop-up) | |||
October Country | Cowboys And Indians | October Country | 1968 | 1:46:02 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the little juanita! Does the juanita make you shiver? does it? The coppola is not noncritical! the coppola is exceptionally serious. Now severe is just the thing, To get me wondering if the coppola is serious. Antonia is charming taste. |
1:48:07 (Pop-up) |
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Serpent Power | Up & Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:48:52 (Pop-up) | |||
Created by Bruce Haack | Cherubic Hymn | 1970 | 1:53:17 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
1:55:32 (Pop-up) |
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Salvation | Why | 1969 | 1:56:00 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 1:58:59 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Salvation - A Haiku Darkening springtime An own, salvation listen watching the purple |
2:00:25 (Pop-up) |
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Deep Purple | Listen, Learn, Read On | 1968 | 2:00:57 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Collectors - A Haiku Perpetual spring A purple collectors listen under the purple |
2:04:56 (Pop-up) |
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the Collectors | One Act Play | 1968 | 2:05:19 (Pop-up) | |||
Richie Furay & Stephen Stills | Sit Down I Think I Love You | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:08:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Why would you think the absent is less? the absent is the most more go away of all. Does the absent make you shiver? does it? A deceased, however hard it tries, Will always be second. Down, down, down into the darkness of the deceased, Gently it goes - the ordinal, the sec, the 2d. |
2:11:38 (Pop-up) |
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Hamilton Streetcar | Wouldn't It Be Nice (To Have Wings And Fly) | Original Lp - Dot Records DLP 25939 | 1969 | 2:14:24 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Streetcar - A Haiku Depressing springtime A crowded, nice streetcar foot by the hamilton |
2:17:46 (Pop-up) |
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Fifty Foot Hose....... | If Not This Time | 1968 | 2:18:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:21:51 (Pop-up) |
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The CAN | Father Cannot Yell | 1969 | 2:22:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy are american matthews! Do matthews make you shiver? do they? I cannot help but stop and look at the beautiful tyler. Are you upset by how neat it is? Does it tear you apart to see the tyler so sweet? When I think of the jeffrey, I see a sorry arm. Does the jeffrey make you shiver? |
2:29:05 (Pop-up) |
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Kevin Ayers | Religious Experience | 1969 | 2:29:47 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Experience - A Haiku Perpetual spring religious experience out of religious |
2:34:26 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 2:34:53 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The Better And Growing Concern Whose concern is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concern a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:39:44 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:40:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The On And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:52 (Pop-up) |
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Steve Miller Band | Quicksilver Girl | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:43:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Acid And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:47:20 (Pop-up) |
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Velvet Illusions | Acid Head | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:48:14 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Instrumental - A Haiku Darkening springtime A non, instrumental head the instrumental |
2:51:17 (Pop-up) |
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Electric Banana | (Instrumental Tracks): The Dark Theme (Moody melodic instrumental) | even more electric banana | 1969 | 2:51:49 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Instrumental, Part 2 - A Haiku Overcast springtime shall instrumental second an instrumental |
2:54:41 (Pop-up) |
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The Fox | Second Hand Love | 1970 | 2:55:11 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:58:10 (Pop-up) | ||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 2:59:18 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Retsiem - A Haiku Overcast springtime A second retsiem second beyond the second |
3:00:25 (Pop-up) |
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Bokaj Retsiem | So Bad | 1969 | 3:01:19 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the language revised! Pause to update, like the revised does. Pay attention to the absent, the absent is the most very vanish of all. Are you upset by how real it is? Does it tear you apart to see the absent so selfsame? Just like a far page, is the left. Are you upset by how bitty it is? |
3:07:17 (Pop-up) |
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U.S. 69 | Yesterday's Folks | 1969 | 3:08:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the language revised! Pause to update, like the revised does. Pay attention to the absent, the absent is the most very vanish of all. Are you upset by how real it is? Does it tear you apart to see the absent so selfsame? Just like a far page, is the left. Are you upset by how bitty it is? |
3:11:13 (Pop-up) |
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The Golden Dawn | Starvation | 1967 | 3:11:58 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the scarce been! Down, down, down into the darkness of the been, Gently it goes - the insufficient, the abundant, the tight. The fault that's really notable, Above all others is the omission. Never forget the known and noted omission. Just like a turkish center, is the left. Never forget the smaller and miserly left. |
3:15:22 (Pop-up) |
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Arzachel | Queen St. Gang | 1969 | 3:16:11 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:20:34 (Pop-up) |
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Procol Harum | Skip Softly (My Moonbeams) | 1968 | 3:20:46 (Pop-up) | |||
the FUGS | Group Grope | 1966 | 3:24:26 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Moonbeams - A Haiku Overcast springtime A beautiful moonbeams skip above the procol |
3:28:06 (Pop-up) |
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It's a Beautiful Day | White Bird | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:28:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I cannot help but stop and look at the dear willie. Now earnest is just the thing, To get me wondering if the willie is dearest. One afternoon I said to myself, "Why isn't the ernie more unsubstantial?" Now nominal is just the thing, To get me wondering if the ernie is true. I cannot help but stop and look at the yellow elliott. |
3:34:38 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:35:26 (Pop-up) | |||
London Phogg | The Times To Come | 1969 | 3:40:17 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the amiable lindsey. Never forget the friendly and genial lindsey. I cannot help but stop and look at little travis. Never forget the big and smaller travis. Just like a republican society, is the bennett. Down, down, down into the darkness of the bennett, Gently it goes - the crafty, the adroit, the slick. Refresh until you're happy with your poem. |
3:43:04 (Pop-up) |
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Rick Nelson | Marshmallow Skies | Where the Action Is! Los Angeles Nuggets 1965-1968 | 3:43:58 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:47:07 (Pop-up) |
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Gun | Race With The Devil | 1968 | 3:47:32 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the amiable lindsey. Never forget the friendly and genial lindsey. I cannot help but stop and look at little travis. Never forget the big and smaller travis. Just like a republican society, is the bennett. Down, down, down into the darkness of the bennett, Gently it goes - the crafty, the adroit, the slick. Refresh until you're happy with your poem. |
3:51:03 (Pop-up) |
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The Who | Mary Anne With The Shaky Hand | mono | 3:51:50 (Pop-up) | |||
The Vampires' Sound Incorporation | Psycho Contact - Part Three | 1969 | 3:54:24 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
An abby, however hard it tries, Will always be sweet. Never forget the angelic and melodic abby. How happy is the local talent! A talent is district. a talent is national, a talent is homegrown, however. I cannot help but stop and look at the little aunty. Are you upset by how large it is? |
3:55:48 (Pop-up) |
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The Brain Train | Me | 1967 | 3:56:41 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 3:59:01 (Pop-up) | ||
Spirit | Dream Within A Dream | 1968 | 4:04:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
All that is articulate is not haha, haha, by all account is inarticulate. A haha is silent. a haha is speechless, a haha is unarticulated, however. The card game that's really beloved, Above all others is the michigan. Now dear is just the thing, To get me wondering if the michigan is dearest. |
4:07:49 (Pop-up) |
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Sagittarius | You Know I've Found A Way | You Know I've Found A Way / The Truth Is Not Real | 1968 | 4:08:41 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
All that is right is not lol, lol, by all account is left. Never forget the left-wing and leftist lol. A thompson, however hard it tries, Will always be english. Does the thompson make you shiver? does it? How happy is the little steve! |
4:11:30 (Pop-up) |
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Bear | Greetings! | 1968 | 4:12:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Greetings - A Haiku Eternal moist spring A first, walking greetings bear under the garden |
4:14:35 (Pop-up) |
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Them | Walking In The Queen's Garden | 1968 | 4:15:08 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Elevators - A Haiku Eternal springtime A large, elevators floor above the garden |
4:18:06 (Pop-up) |
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The 13th Floor Elevators | Never Another | 1969 | 4:18:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
4:20:53 (Pop-up) |
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The Fox | Butterfly | 1970 | 4:21:06 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the time gordon. Does the gordon make you shiver? does it? I cannot help but stop and look at the amateur dawson. A dawson is recreational. a dawson is nonprofessional, a dawson is unskilled, however. The zany jim sings like a plain salt Never forget the cockamamie and unreasonable jim. |
4:24:23 (Pop-up) |
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Tim Buckley | Pleasant Street | 1967 | 4:25:16 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Buckley - A Haiku Darkening springtime An old, pleasant buckley love enjoying the street |
4:30:26 (Pop-up) |
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Art | Love Is Real | 1967 | 4:31:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Common - A Haiku Overcast springtime A most, common common down enjoying the cold |
4:34:13 (Pop-up) |
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Common Cold | Come Down | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:34:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Retsiem - A Haiku Depressing springtime before afraid retsiem down beyond the common |
4:37:51 (Pop-up) |
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Bokaj Retsiem | I'm So Afraid | 1969 | 4:38:20 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Newsboys - A Haiku Overcast springtime An afraid newsboys mother after the retsiem |
4:41:55 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bad News | 1968 | 4:42:19 (Pop-up) | |||
Ars Nova | March Of The Mad Duke's Circus | 1968 | 4:45:31 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
cries are not close! cries are exceptionally faraway. Down, down, down into the darkness of the cries, Gently they go - the close, the faraway, the removed. Don't belive that applicants are undesirable? applicants are desirable beyond belief. Do applicants make you shiver? do they? |
4:48:40 (Pop-up) |
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The Shayds | Search the Sun | 2008 | 4:49:27 (Pop-up) | |||
Bee Gees | One minute woman | 1967 | 4:52:03 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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