WFMU: The Stork Club with Stork: Playlist from June 5, 2022

The Stork Club with Stork: Playlist from June 5, 2022

With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.

Sunday Noon - 3pm (EST) | On WFMU's Give the Drummer Radio
Give the Drummer Radio LIVE Audio Streams (Get help): Pop-up | 128k MP3

June 5, 2022: Laurie Anderson Thinks "Multi-Media Artist" Is a Meaningless Term
Painter, sculptor, composer, violinist, vocalist, collaborator and dog-owner Laurie Anderson celebrates 75 years in the world today.

Listen to this show: Pop-up listen Pop-up player!

Artist	Track	Album	Comments	Approx. start time
Ingram Marshall	Fog Tropes "Fog Tropes" by "Ingram Marshall"	Fog Tropes / Gradual Requiem	Conductor – John Adams ====French Horn – Brian McCarty, William Klingelofer ====Mandolin – Foster Reed ====Trombone – Don Kennelly, Marc Kenley ====Trumpet – Jim Miller, Tim Wilson ====Voice, Piano, Electronics [Serge Modular] – Ingram Marshall Fog Tropes" is scored for brass sextet and pre-recorded tape. The brass music is processed through a tape delay or digital delay system. Recorded at Tres Virgos Studio, San Rafael, California. "Gradual Requiem" was recorded at Möbius Studio, San Francisco, California	0:00:00 (Pop-up)
DJ Foggy Top 'n Bottom	"DJ Foggy Top 'n Bottom"			0:10:45 (Pop-up)
Laurie Anderson	New York Social Life	New Music For Electronic And Recorded Media		0:14:49 (Pop-up)
Laurie Anderson	Two Songs For Tape Bow Violin: Ethics Is The Esthetics Of The Few-Ture (Lenin) / Song For Juanita	Airwaves		0:18:12 (Pop-up)
Laurie Anderson	Classified "Classified" by "Laurie Anderson"	United States Live (Part 4)	Clarinet, Saxophone – Chuck Fisher ====Flute, Saxophone – Bill Obrecht ====Percussion, Drums – David Van Tieghem ====Soprano Vocals – Shelley Carson ====Synthesizer [Synclavier, Obxa] – Ann DeMarinis ====Tape Op [Tape Operator] – Bob Davis ====Violin [Electric], Synthesizer [Obxa, Synclavier], Vocoder, Performer [Telephone], Jew's Harp, Voice – Laurie Anderson ====Written-By – Laurie Anderson - - - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	0:22:13 (Pop-up)
Laurie Anderson	Lying Grandad "Lying Grandad" by "Laurie Anderson"	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	0:27:35 (Pop-up)
Laurie Anderson	Let X=X "Let X=X" by "Laurie Anderson"	Big Science	Handclaps [Claps] – Anderson, Hoberman, Baran* ====Rototoms – David Van Tieghem ====Trombone – George Lewis ====Vocals, Vocoder, Keyboards [Farfisa], Synthesizer [OBXa], Marimba – Laurie Anderson ====Handclaps [Claps] – Anderson, Hoberman, Baran* ====Rototoms – David Van Tieghem ====Trombone – George Lewis ====Vocals, Vocoder, Keyboards [Farfisa], Synthesizer [OBXa], Marimba – Laurie Anderson - - 1982	0:28:20 (Pop-up)
Laurie Anderson	The Ugly One With The Jewels	The Ugly One With The Jewels	Laurie Anderson – vocals, keyboards, violin • Joey Baron – drums • Cyro Baptista – gong, surdo • Greg Cohen – bass, guitar, keyboards . - Recorded live at Saddler's Wells, London, UK ca. 1995	0:32:12 (Pop-up)
Laurie Anderson	The Nineteen Stars Of Heaven	Landfall	Cello – Sunny Yang; ====Viola – Hank Dutt; ====Violin – David Harrington, John Sherba; ====Violin, Composed By, Vocals, Keyboards, Percussion – Laurie Anderson — Recorded on April 13–15, 2014, at Studio Trilogy, San Francisco, CA	0:37:16 (Pop-up)
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith	Jigten	Songs From The Bardo	Cello – Rubin Kodheli ====Chanter, Producer, Singing Bowls – Tenzin Choegyal ====Percussion – Shahzad Ismaily ====Piano, Gong, Producer, Singing Bowls – Jesse Paris Smith ====Vocals, Violin, Producer, Arranged By – Laurie Anderson. - - 2019	0:39:23 (Pop-up)
Laurie Anderson	Change "The" to "A"	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	0:45:59 (Pop-up)
Laurie Anderson	Sh (1977 From The Record Of The Time)	From The Record Of The Time	Voice, Tape [Thunder], Piano – Laurie Anderson - - also on: It's Not The Bullet That Kills You, It's The Hole (1974 - 1981) 1977	0:47:10 (Pop-up)
Laurie Anderson	In Our Sleep "In Our Sleep" by "Laurie Anderson"	Bright Red	Tambourine – Cyro Baptista - -Vocals, Guitar, Lyrics By – Lou Reed	0:48:18 (Pop-up)
Laurie Anderson	Excellent Birds "Excellent Birds" by "Laurie Anderson"	Mister Heartbreak	Laurie Anderson – Synclavier • Peter Gabriel – vocals, Synclavier, LinnDrum • Nile Rodgers – guitar - -Recorded: The Lobby (New York City) RCA (New York City) A & R (New York City) 39th Street Music (New York City) - -Recorded July–December 1983	0:50:48 (Pop-up)
Jean Michel Jarre	Diva "Diva" by "Jean Michel Jarre"	Zoolook	Bass – Marcus Miller ====Composed By, Producer, Technician [Ethnic Vocals Processed By], Keyboards, Performer [Electronic Devices] – Jean-Michel Jarre ====Drums – Yogi Horton ====Guitar [Additional] – Ira Siegel ====Guitar, Effects – Adrian Belew ====Keyboards [Additional] – Frederick Rousseau Recorded at Klinton Studio, New York. Sony PCM 1610 mixing at Croissy Studio, France - 1984	0:53:56 (Pop-up)
DJ ❤️ LA	"DJ ❤️ LA"			1:01:20 (Pop-up)
Laurie Anderson	Example #22 "Example #22" by "Laurie Anderson"	Big Science	Accordion – Roma Baran ====Alto Saxophone, Tenor Saxophone – Chuck Fisher ====Backing Vocals – Ungar, Hoberman ====Baritone Saxophone, Clarinet, Bassoon, Bass Clarinet – Richard Cohen ====Drums, Percussion – David Van Tieghem ====Flute, Piccolo Flute – Perry Hoberman ====Vocals, Violin, Keyboards [Farfisa] – Laurie Anderson ====Whistling – Anderson, Baran - - 1982	1:12:58 (Pop-up)
Laurie Anderson	Three Expediences	It's Not The Bullet That Kills You, It's The Hole (1974 - 1981)		1:15:54 (Pop-up)
Laurie Anderson	Tell All The Animals	Heart of A Dog		1:18:50 (Pop-up)
Laurie Anderson	Strange Perfumes "Strange Perfumes" by "Laurie Anderson"	Homeland	Laurie Anderson – vocals, keyboards, percussion, violin • Peter Scherer – keyboards • Rob Burger – accordion, marxophone • Antony Hegarty – vocals • Shahzad Ismaily – percussion (4) Recorded 2007–2010 at Masterdisk (New York City)	1:21:01 (Pop-up)
Laurie Anderson	Avoiding Branding	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	1:25:36 (Pop-up)
Laurie Anderson	New Jersey Turnpike	United States Live (Part 1)	Electric Violin, Performer [Violin Bows], Synthesizer [Harmonizer, Electronics [Pillow Speaker], Saxophone ====[Toy], Voice – Laurie Anderson ====Saxophone – Bill Obrecht ====Synthesizer [Prophet] – Peter Gordon ====Tape Op [Tape Operator] – Bob Davis ====Violin [Electric], Synthesizer [Obxa, Synclavier], Vocoder, Performer [Telephone], Jew's Harp, Voice – Laurie Anderson ====Voice – Geraldine Pontius, Joe Kos ====Written-By – Laurie Anderson - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	1:26:27 (Pop-up)
Marisa Monte; Laurie Anderson	Enquanto Isso	Verde Anil Amarelo Cor de Rosa e Carvão	Bass – Arthur Maia ====Composed By – Marisa Monte ====Composed By, 12-String Acoustic Guitar, Guitar [Craviola] – Nando Reis ====Ganzá, Shekere – Marcos Suzano ====Percussion [Frigideira], Ganzá – Carlinhos Brown ====Piccolo Trumpet – Marvin Stamm ====Sampler – Chico Neves ====Surdo [Virado], Vocals – Jorginho Gomes ====Vocals – Laurie Anderson - - 1994	1:37:42 (Pop-up)
Hector Zazou	Ocean of sound "Ocean of sound" by "Hector Zazou"	Strong Currents	Guitar – Mathias Desmier ====Hector Zazou - flute	1:42:08 (Pop-up)
Lou Reed and Laurie Anderson	Gentle Breeze	Mary Had a Little Amp		1:43:29 (Pop-up)
Laurie Anderson	Thomas Pynchon Opera	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	1:45:40 (Pop-up)
Laurie Anderson	The Dream Before "The Dream Before" by "Laurie Anderson"	Strange Angels	Keyboards – Laurie Anderson ====Vocals – Bobby McFerrin ====Vocals, Words By, Music By – Laurie Anderson	1:46:52 (Pop-up)
Philip Glass	Forgetting "Forgetting" by "Philip Glass"	Songs From Liquid Days	Backing Vocals – The Roches ====Backing Vocals [The Roches] – Maggie Roche, Suzzy Roche, Terre Roche ====Lyrics By – Laurie Anderson ====Strings – The Kronos String Quartet ====Strings [The Kronos String Quartet] – David Harrington, Hank Dutt, Joan Jeanrenaud, John Sherba ====Vocals – Linda Ronstadt	1:49:53 (Pop-up)
DJ Diva Diver	"DJ Diva Diver"			1:57:59 (Pop-up)
Laurie Anderson	Big Science "Big Science" by "Laurie Anderson"	United States Live (Part 3)	Bagpipes – Rufus Harley ====Electric Violin, Violin [Tape Bow, Neon], Synthesizer [Obxa, Synclavier], Vocoder, Synthesizer ====[Harmonizer], Performer [Glasses, Telephone], Voice – Laurie Anderson ====Flute, Saxophone – Bill Obrecht ====Percussion, Drums – David Van Tieghem ====Soprano Vocals – Shelley Carson ====Synthesizer [Synclavier, Obxa] – Ann DeMarinis ====Tape Op [Tape Operator] – Bob Davis ====Written-By – Laurie Anderson - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	2:00:05 (Pop-up)
Laurie Anderson	It Was Up In The Mountains (1981 From You're The Guy I Want To Share My Money With)	It's Not The Bullet That Kills You, It's The Hole (1974 - 1981)		2:07:23 (Pop-up)
Vinicius Cantuaria	Retirante "Retirante" by "Vinicius Cantuaria"	Tucuma	Percussion – Davi Vieira, Marivaldo Dos Santos ====Vocals, Acoustic Guitar, Electric Guitar, Sampler, Percussion – Vinicius Cantuária ====Vocals, Violin – Laurie Anderson ====Written-By – Vinicius Cantuária	2:09:27 (Pop-up)
Eva Quartet & Hector Zazou	Gospodi, Pomiluy	The Arch	Alto Vocals – Evelina Christova ====Conductor – Milen Ivanov ====Contralto Vocals – Daniela Stoichkova ====Electronics – Hector Zazou ====Harp – Cecilia Chailly ====Kaval – Kostadin Gentchev ====Mezzo-soprano Vocals – Sofia Kovacheva ====Orchestra – Bollywood Orchestra ====Soprano Vocals – Gergana Dimitrova ====Vibraphone – Radosvet Kukudov ====Voice, Violin – Laurie Anderson	2:13:26 (Pop-up)
Laurie Anderson	Advice to Artists	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	2:18:37 (Pop-up)
Laurie Anderson	Language Is A Virus	Home of the Brave	Backing Vocals – Brenda White-King, Curtis King, Diane Garisto, Frank Simms, Tawatha Agee ====Drums – Jimmy Bralower ====Guitar, Producer, Keyboards, Synthesizer [Synclavier] – Nile Rodgers ====Performer [Crowd] – Knut Bohn*, Laurie Anderson, Nile Rodgers, Tom Durack ====Saxophone – Robert Arron - - 1986	2:20:11 (Pop-up)
Laurie Anderson	Old Motors And Helicopters	Landfall	Cello – Sunny Yang; ====Viola – Hank Dutt; ====Violin – David Harrington, John Sherba; ====Violin, Composed By, Vocals, Keyboards, Percussion – Laurie Anderson — Recorded on April 13–15, 2014, at Studio Trilogy, San Francisco, CA	2:24:23 (Pop-up)
Laurie Anderson	From The Air "From The Air" by "Laurie Anderson"	Heart of A Dog		2:27:07 (Pop-up)
Laurie Anderson	Slip Away "Slip Away" by "Laurie Anderson"	Life On A String	Bass – Skúli Sverrisson ====Cello – Erik Friedlander ====Drums – Joey Baron ====Huqin [Baritone Banhu] – Liheng ====Keyboards, Percussion – Peter Scherer ====Strings, Keyboards [Additional] – Jamshied Sharifi ====Vocals, Keyboards – Laurie Anderson - - Recorded 2000-2001 Lobby Studio, New York City; The Magic Shop, New York City; Edison Recording, New York City	2:33:57 (Pop-up)
Laurie Anderson	Roses from JFK "Roses from JFK" by "Laurie Anderson"	Laurie Anderson Interview: A Life of Storytelling	nterviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	2:39:57 (Pop-up)
Laurie Anderson	The Rotowhirl "The Rotowhirl" by "Laurie Anderson"	The Ugly One With The Jewels And Other Stories	Laurie Anderson – vocals, keyboards, violin • Joey Baron – drums • Cyro Baptista – gong, surdo • Greg Cohen – bass, guitar, keyboards . - Recorded live at Saddler's Wells, London, UK ca. 1995	2:41:21 (Pop-up)
DJ From the Air	"DJ From the Air"			2:45:18 (Pop-up)
Laurie Anderson	The Big Top "The Big Top" by "Laurie Anderson"	Köln Philharmonie, 1982 CD2		2:58:53 (Pop-up)
Laurie Anderson	Is Anybody Home "Is Anybody Home" by "Laurie Anderson"	Airwaves	Bass – Scott Johnson ====Clarinet – Peter Gordon ====Drums – Joe Kos ====Voice, Violin – Laurie Anderson ====Bass – Scott Johnson ====Clarinet – Peter Gordon ====Drums – Joe Kos ====Voice, Violin – Laurie Anderson - - 1976	3:02:44 (Pop-up)
Laurie Anderson	Love Among the Sailors	Bright Red	Laurie Anderson - Keyboards - - 1994	3:06:56 (Pop-up)
Laurie Anderson	Burroughs and "You"	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	3:09:43 (Pop-up)
Laurie Anderson	Sharkey's Night "Sharkey's Night" by "Laurie Anderson"	Mister Heartbreak	Laurie Anderson – Keyboards • Adrian Belew – guitar • William S. Burroughs – vocals (track 7 - -Recorded: The Lobby (New York City) RCA (New York City) A & R (New York City) 39th Street Music (New York City) - -Recorded July–December 1983	3:10:10 (Pop-up)
Hector Zazou	Into Your Dreams "Into Your Dreams" by "Hector Zazou"	Strong Currents		3:12:37 (Pop-up)
Laurie Anderson	O Superman "O Superman" by "Laurie Anderson"	United States Live (Part 2)	Clarinet, Saxophone – Chuck Fisher ====Electric Violin [Neon], Synthesizer [Obxa], Vocoder, Synthesizer [Harmonizer], Performer [Glasses], Voice – Laurie Anderson ====Flute, Saxophone – Bill Obrecht ====Percussion, Drums – David Van Tieghem ====Synthesizer [Synclavier, Obxa] – Ann DeMarinis ====Tape Op [Tape Operator] – Bob Davis ====Written-By – Laurie Anderson - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	3:13:31 (Pop-up)
Laurie Anderson	Turning Time Around	Heart of A Dog	With Lou Reed	3:24:34 (Pop-up)
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith	Moon in the Water	Songs From The Bardo	Cello – Rubin Kodheli ====Chanter, Singing Bowls – Tenzin Choegyal ====Percussion – Shahzad Ismaily ====Piano, Gong,Singing Bowls – Jesse Paris Smith ====Vocals, Violin, Arranged By – Laurie Anderson. - - 2019	3:28:51 (Pop-up)
Laurie Anderson	Falling "Falling" by "Laurie Anderson"	Homeland	Laurie Anderson – vocals, keyboards, percussion, violin - - Recorded 2007–2010 at Masterdisk (New York City)	3:34:06 (Pop-up)
Laurie Anderson	Understanding Creatures Better	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	3:37:23 (Pop-up)
Laurie Anderson	Time To Go (For Diego)	New Music For Electronic And Recorded Media	Rec'd at LA's studio - - ca.1977	3:38:07 (Pop-up)
Thank You, LA	"Thank You, LA"			3:41:25 (Pop-up)
Grachan Moncur III	Space Spy "Space Spy" by "Grachan Moncur III"	New Africa	Bass – Alan Silva ====Drums – Andrew Cyrille ====Piano – Dave Burrell ====Saxophone [Alto], Flute [Piccolo] – Roscoe Mitchell ====Saxophone [Tenor] – Archie Shepp (tracks: B2) ====Trombone, Written-By, Arranged By – Grachan Moncur III - - Recorded August 11, 1969 in Paris	3:47:03 (Pop-up)
DJ Agitates The Gravel	"DJ Agitates The Gravel"		See you back here in two weeks - Lady C with you for 7 blessed hours on the next Sabbath.	3:54:05 (Pop-up)

Listener comments!
	11:50am Stork: Welcome, Laurie-ans!!
	🥁 11:58am listener james from westwood: The shot of Laurie and Lou just hanging out enjoying sodas is sending me. I would've triple-taked had I walked by.
	12:00pm rw: Ha! That's my favorite image too. Good morning!
	12:00pm chresti: Greetings Stork and swell-Os!
	12:01pm monkeyz: woop
	🥁 12:01pm WR: Include my bill with Mr. Diamond's expenses please Mr. Sears, ok Idiots?
	12:02pm Stork: G'day, listener james from westwood, rw, chresti! and welcome monkey z!!!!
	12:03pm Jim F: Well if this isn't the most appropriate opening for an early summer morning on the western edge of San Francisco ... thx Stork.
	12:04pm βrian: This is the thing.
	12:05pm Stork: Good San Franciso morning, Jim F - 9 timezones hence!! I thank Irene Trudel for sending this track just in the nick of (show)time!!
	12:05pm fred: Greetings Stork and patrons. adamdoesit is out biking, so I'm duty bound to drink his share of Glen Passaic until he's back (who knows what happens if GP is left to go stale)
	12:05pm Yvang: Hi Stork and clubbers!
	🥁 12:05pm listener james from westwood: Wave hello to Karl the Fog if spotted, @Jim F!
	12:06pm Jeff Golick: This'll get me home just fine. Thanks, @Stork. (Oh also, re Laurie, I saw that VR thing that's depicted in one of the photos ("who owns the moon") and it absolutely blew my mind.)
	12:06pm chresti: Hi Jim F, I was in sf last week, love the mornings there!
	12:06pm Stork: fred - in 400,000 years of running the Stork Club, we've never seen a barrel of Glen Passaic go bad. A lot of patrons, yes, but never the precious GP!!
	12:08pm Stork: Drive care-free-ly, Jeff G! It's Sunday!! Haven't seen that VR thing yet - sounds groovay!!
	12:09pm Stork: Welcome, Yvang!!
	12:11pm Listening Out There: LOT…presente!
	12:11pm rw: JG, I just looked up the LA VR thing. Looks cool...
	🥁 12:12pm Revolution Rabbit Nov63: ...wonder if there's a Laurie Group called O Superfan...
	🥁 12:13pm David (in London): checks trench coat in the cloakroom, slips into a booth, lights a Gitane A pint of bitter. In a thin glass! Afternoon El Storkerino and assembled Club-groovers.
	12:15pm rw: Wow. She sounds so young!
	12:16pm chresti: Glen Ellen is spitting distance from Wheaton, where me and my family are originally from!
	12:20pm Stork: chresti - let's raise a lead-lined glass of Glenn Passaic to Glen Ellyn! And to Wheaton!
	12:20pm Stork: David (in London) - hip hip hooray!
	12:21pm chresti: We moved to California in this truckhouse in 65! Cheers Stork, down the hatch!
	12:21pm Stork: Listening Out There and Revolution Rabbit Nov63 have entered the building!
	12:23pm Stork: Revolution Rabbit Nov63 sez: ...wonder if there's a Laurie Group called O Superfan... - yuck yuck yuck!!!
	12:24pm fred: I know his birthday isn't today, but years ago I got into a mild argument with a coworker about Braxton. We both liked the music, but for widely different reasons, and our disagreement got heated. It turned out that Anthony and Toni are different persons. Neither of us had heard of the "other" Braxton
	🥁 12:24pm David (in London): Chrestikins, Rev D, rw, LOT, james, Brian, Jeff, WR, fred, Yvang, Jim, Ahoy one and all.
	12:26pm chresti: Davidkins!
	🥁 12:27pm Revolution Rabbit Nov63: @fred: I had that once with ChuckBerry & ChuckBarris - believe it or not...
	12:27pm Yvang: Heya David (in London) !
	12:31pm Stork: Good one, fred!
	🥁 12:32pm Revolution Rabbit Nov63: ⦿Sun in ♊︎Gemini, Year of Fire 🐖Boar Laura Phillips Anderson born June 5, 1947
	🥁 12:37pm Revolution Rabbit Nov63: ⦿Sun in ♊︎Gemini, Year of Wood 🐓Rooster Anthony Braxton born June 4, 1945
	12:43pm coelacanth∅: greetings Stork, Storkles
	12:44pm Stork: 'Tis coelacanth∅ !
	12:47pm βrian: … who brings the good radio-keepng coel of approval.
	12:48pm alanr: buen día de CDMX y Guten Abend.
	12:49pm coelacanth∅: βrian i wonder if there's a coeling for puns
	12:50pm Stork: ßrian, alanr!! Shots at the bar!!
	12:58pm fred: I'm at the bar, so... Frederick Rousseau (yeah, that one) was one of my many bosses for a while. Cool guy, but scattered so hard to work for
	12:59pm Jeff Moore: yawn Hey Stork and other leggy wadingfowl. Fine choice of honoree today!
	12:59pm Stork: Jeff Moore to the fore!
	🥁 1:04pm Revolution Rabbit Nov63: [thick Murikan accent] ...ya mean ...Jon MyKull Jar ??...
	1:10pm βrian: Indefinitely!
	1:13pm fred: Irene had her birthday last Monday, she deserves a shout out!
	1:24pm Stork: @Revolution Rabbit Nov63: - uh-yup!
	1:38pm coelacanth∅: time for me to hit a road hopefully return here when i get somewhere Thanks Stork!
	1:43pm fred: Let's have a round of Glen Passaic for adamdoesit's achievement!
	1:48pm Stork: Thanks, coel! See you round the joint.
	1:51pm βrian: How many shots comprise one liquid day?
	1:52pm fred: Of course it's Glass, a nice one
	1:53pm Stork: Linda Ronstadt!
	1:53pm Stork: ...with the Roches!!!!
	1:54pm Stork: This is like minimalist doo-wop, this tune.
	1:55pm Jeff g. via app: My god, the indelibility of Laurie Anderson’s work. I don’t think I’ve heard “Let X=X” for 30+ years and I was singing/speaking right along. Monumental and immediate.
	1:57pm Stork: @Jeff G. - she is for me one of those formative NY musicians of the 70/80's that having heard her ended whatever resistance to my budding musically obsessions that there theoretically might have been. Ditto Glass.
	1:58pm βrian: True dat.
	2:08pm fred: Weird thing is that I tend to associate Lucinda Childs with Glass, even though I like Available Light much more. To the point I forgot the music, maybe. Dance remains important, but I resent how it overshadows other things
	🥁 2:09pm Revolution Rabbit Nov63: Of course Laurie Anderson is perplexingly & impressively bivalent in being so representative of the Avant-garde in its strangeness & intellectual remove - & yet so Human & accessible & affectively potent ...the perfect ♊︎Gemini ...like BobDylan, both just channeling the Information in a really gifted manner - & also somehow reflecting on it & even commenting on it as an Auteur @ the same moment. ...& / Or ...maybe as a Woman (& ♊︎Gemini / Messenger ☿Mercury is Traditionally Neutral & the Alchemical Catalyst...) - Anderson adds to the Avant-garde the Feminine - in a way like I think Frida Kahlo & KateBush do to their male-dominated fields...
	2:13pm Jeff Moore: It's amazing how many of these are so familiar that I chime in and recite them in my head, even though I haven't heard many of them in decades. Then you find something I've never even heard!
	2:16pm Stork: @Jeff Moore: my exact experience putting this together. I especially enjoy her outings with other musicians, like Jarre, Zazou, et al.
	🥁 2:16pm WR: Dished are washed and before getting back to work, wanna comment the It Was Up In The Mountains recording with the story about the tigers reminded me of Franco stories.
	🥁 2:18pm Revolution Rabbit Nov63: Interesting her geography was Illinois - California - NYC. She's very 'schooled' apparently...
	🥁 2:18pm Michael 98145: Greetings on this 156th day of that memorable year, twenty twenty-two
	🥁 2:24pm Revolution Rabbit Nov63: This does kinda sound '1980s' honestly - which is fair enuff.
	2:24pm Jeff Moore: And of course I've been to some of her live shows at various places in her evolution... and one of the main things I remember those performances having in common (aside from my always enjoying the experience in general) is that I always ended up finding it just a little annoying that she often paused just a little bit too long after saying something clever to make sure the audience got it before moving on.
	🥁 2:28pm Revolution Rabbit Nov63: ...start the next joke while there's still laughter / number when still applause ...could make too much of that, but interesting maybe in terms of roots...
	2:29pm fred: She captured a lot, which means it will take time to sort what was hers and what was being there. Which maybe shouldn't matter in the first place
	🥁 2:30pm Revolution Rabbit Nov63: Yeah not even feeling near even the doorway of considering her Content critically - Forms aside...
	🥁 2:32pm Revolution Rabbit Nov63: Love this piece.
	2:33pm βrian: Some things in life give one a brand new expression.
	2:34pm adamdoesit: Hello Stork and swells. I arrive at the club in the same way I do the work of Laurie Anderson: better late than never.* * Better Late Than Never 2oz Glen Passaic 3/4 oz Fernet Branca 1/4 oz Maraschino cherry juice Stir over ice, serve hastily in a chilled coupe or a hot hatchback.
	🥁 2:35pm Revolution Rabbit Nov63: Always say I have a special respect / appreciation / awe for Artists who (successfully) create their own Palette. She kind of conveniently represents this.
	🥁 2:35pm Michael 98145: It just occurred to me i can't imagine -any- other station doing a show like this. Probably why we are here.
	2:36pm Stork: adamdoesit enters, bearing cocktail recipe; crowd surges toward him....
	🥁 2:36pm Revolution Rabbit Nov63: Maybe WKCR giving many hours to one Artist.
	🥁 2:36pm WR: I'd like obe of those Better Late Than Never cocktails. Make it a double.
	2:37pm Stork: Michael 98145- greetees and thankees!
	🥁 2:37pm Revolution Rabbit Nov63: It's also just right for Sundays imho.
	2:38pm fred: I'll get a Better Late Than Never; but give me the Glenn Branca limited edition GP instead of the the Fernet thing
	🥁 2:38pm Michael 98145: Yes
	2:41pm fred: @Michael 98145: It's kind of the idea
	2:41pm adamdoesit: fred, much better. I'm scratching Fernet out of the recipe and writing in Glenn.
	🥁 2:44pm David (in London): May I have a Glen Passaic and ginger please Barman?
	2:45pm _Ike_: I’ll have a potato margarita, please!
	2:54pm adamdoesit: I'm reading a Pynchon novel right now, "Against the Day," a book so fat it's almost cubic. Come to think of it, Pynchon might best be dosed by the cc.
	3:00pm adamdoesit: A Mormon whiskey called Valley Tan turned up in the last chapter. Glen Passaic can't be far behind.
	3:01pm Stork: Wow, the drink orders have been piling up while I was off doing my silly DJ stuff.... priorities!!! Ike! potato margarita coming right up - just as soon as we invent one. adamdoesit, David in L - fred - lets get those glasses ta bangin, and throwin' back!!
	3:01pm fred: @adamdoesit: Pynchon's books are getting shorter, though I haven't been keeping up (I'm focused on Colson Whitehead hese days)
	🥁 3:05pm Revolution Rabbit Nov63: It's like her voice changed !...
	3:05pm adamdoesit: fred, I'm getting shorter with age, too, so why not? I prefer short books as a rule, but give Pynchon a pass, so long as he keeps up a good ratio of funny names per page. I haven't delved into Colson Whitehead yet, but there's a book or two of his around here, so maybe next…
	🥁 3:11pm Revolution Rabbit Nov63: Here's a Trio I can get behind.
	3:11pm fred: @adamdoesit: re: Whitehead, maybe give a pass if those are the popular ones (Underground Railroad, Nickel Boys), these are not his best. Harlem Shuffle is great, as are his earlier ones (I love John Henry Days, The Intuitionist is great too)
	3:12pm adamdoesit: fred, solid. Thanks for the tip.
	3:16pm fred: Solid is nice, but what about questionably liquid? Barkeep, a round of Glen Passaic for those who dare!
	3:19pm fred: I saw a few dance shows that used that track, most failed but one really pulled it off
	🥁 3:24pm Revolution Rabbit Nov63: Well ...if you really could make a Hit Record out of Burroughs or Ginsberg maybe this is it. Thoroughly remarkable.
	🥁 3:25pm David (in London): fred, I'll have mine with a dash of Thames water please.
	3:30pm fred: I once used a reading of Howl to fix bugs in software used to disguise the voices of witnesses in Rwanda genocide trials. Both victims and perps, I should add
	3:31pm Stork: I wanna know more about that whole thing, fred.
	3:31pm Hams: what a treat this has been.
	3:31pm Stork: Anybody else hear her quote Hendrix's 1983 just now?
	3:33pm Stork: Thanks you Hams, welcome.
	3:34pm Stork: I say, David in London! So very English!
	3:36pm Hams: my last show on air during my college radio years, i closed my set with "let x=x/it tango".
	3:37pm Hams: she always use to come into film forum when i worked there.
	3:37pm Hams: stork, afternoon!
	3:39pm rw: Hey. I'm back. What did I miss? ...oh, crap.
	🥁 3:40pm Revolution Rabbit Nov63: Agree Laurie ! Sign Language with Gorillas is as impressive a boundary crossing to me as some jock golfing on the Moon.
	3:40pm fred: @Stork: I don't know much. It was important to disguise voices on both sides to get candid testimony. The software tended to get out of sync after a while, so I used a Ginsberg reading from UbuWeb as a test case. I fixed the small issue, I'm not sure the trial fixed the real one
	3:41pm βrian: Had to step out for chores and to ride the bike to nowhere. I hope this will be archived.
	🥁 3:41pm Revolution Rabbit Nov63: fred but probly a great thing to enable.
	🥁 3:42pm WR: rw, depends on how ling you were gone. . .
	3:42pm Stork: Hams: almost played It Tango - never enough time - Time to Go, almost!
	3:43pm Hams: ah!
	3:44pm βrian: Made a strong batch of dark-roast sumatran, currently cooling in the fridge. Inspiration on ice.
	3:48pm adamdoesit: La lune est grise, Moncur aussi? Thanks for another great birthday episode, Herr DJ Barkeep Stork!
	3:52pm solo mon: heyyy stork! hey everyone!
	3:54pm Stork: Vunderful dahlinks!! Sank yoo zo much for ze lovely eve-ah-nink!!! Zee yoo in a fortnight!! Enjoy 7 hours next Sunday with the inestimable Lady Chanticleer!!!!
	3:54pm Stork: solo mon!!! coooool!!!
	🥁 3:54pm listener james from westwood: Many thanks, Stork!!
	3:54pm adamdoesit: Buone vacanze, Storkerino!
	🥁 3:55pm Revolution Rabbit Nov63: ~ TY Always DJ Stork ~
	3:55pm Stork: adamdoesit, et al, and you too, Al!!! Thanks for the hang!!
	3:55pm fred: Something sad is that was something important to me alone at work. Casual racism? White supremacy as a background
	3:56pm chresti: Nice mask solo mon! Thanks Stork!
	3:57pm Yvang: Nice Laurie Anderson show. Thanks!
	3:57pm Stork: thanks, chresti, thanks yvang, thanks RevRabb!!!!
	🥁 3:58pm WR: Thank you Herr Stork!
	3:59pm chresti: Yeah, not really that familiar with Laurie's work, thanks for this lovely survey!
	3:59pm fred: Please give Lady C the keys to the Glen Passaic vault (and the hazmat suits)
	3:59pm rw: Thankyou Stork!
	4:06pm Stork: 💥
	7:01pm Bas NL: Great show! Thanks very much Stork!

View Stork's profile

<-- Previous playlist | Back to The Stork Club with Stork playlists | Next playlist -->

Artist	Track	Album	Comments	Approx. start time
Ingram Marshall	Fog Tropes "Fog Tropes" by "Ingram Marshall"	Fog Tropes / Gradual Requiem	Conductor – John Adams ====French Horn – Brian McCarty, William Klingelofer ====Mandolin – Foster Reed ====Trombone – Don Kennelly, Marc Kenley ====Trumpet – Jim Miller, Tim Wilson ====Voice, Piano, Electronics [Serge Modular] – Ingram Marshall Fog Tropes" is scored for brass sextet and pre-recorded tape. The brass music is processed through a tape delay or digital delay system. Recorded at Tres Virgos Studio, San Rafael, California. "Gradual Requiem" was recorded at Möbius Studio, San Francisco, California	0:00:00 (Pop-up)
DJ Foggy Top 'n Bottom	"DJ Foggy Top 'n Bottom"			0:10:45 (Pop-up)
Laurie Anderson	New York Social Life	New Music For Electronic And Recorded Media		0:14:49 (Pop-up)
Laurie Anderson	Two Songs For Tape Bow Violin: Ethics Is The Esthetics Of The Few-Ture (Lenin) / Song For Juanita	Airwaves		0:18:12 (Pop-up)
Laurie Anderson	Classified "Classified" by "Laurie Anderson"	United States Live (Part 4)	Clarinet, Saxophone – Chuck Fisher ====Flute, Saxophone – Bill Obrecht ====Percussion, Drums – David Van Tieghem ====Soprano Vocals – Shelley Carson ====Synthesizer [Synclavier, Obxa] – Ann DeMarinis ====Tape Op [Tape Operator] – Bob Davis ====Violin [Electric], Synthesizer [Obxa, Synclavier], Vocoder, Performer [Telephone], Jew's Harp, Voice – Laurie Anderson ====Written-By – Laurie Anderson - - - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	0:22:13 (Pop-up)
Laurie Anderson	Lying Grandad "Lying Grandad" by "Laurie Anderson"	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	0:27:35 (Pop-up)
Laurie Anderson	Let X=X "Let X=X" by "Laurie Anderson"	Big Science	Handclaps [Claps] – Anderson, Hoberman, Baran* ====Rototoms – David Van Tieghem ====Trombone – George Lewis ====Vocals, Vocoder, Keyboards [Farfisa], Synthesizer [OBXa], Marimba – Laurie Anderson ====Handclaps [Claps] – Anderson, Hoberman, Baran* ====Rototoms – David Van Tieghem ====Trombone – George Lewis ====Vocals, Vocoder, Keyboards [Farfisa], Synthesizer [OBXa], Marimba – Laurie Anderson - - 1982	0:28:20 (Pop-up)
Laurie Anderson	The Ugly One With The Jewels	The Ugly One With The Jewels	Laurie Anderson – vocals, keyboards, violin • Joey Baron – drums • Cyro Baptista – gong, surdo • Greg Cohen – bass, guitar, keyboards . - Recorded live at Saddler's Wells, London, UK ca. 1995	0:32:12 (Pop-up)
Laurie Anderson	The Nineteen Stars Of Heaven	Landfall	Cello – Sunny Yang; ====Viola – Hank Dutt; ====Violin – David Harrington, John Sherba; ====Violin, Composed By, Vocals, Keyboards, Percussion – Laurie Anderson — Recorded on April 13–15, 2014, at Studio Trilogy, San Francisco, CA	0:37:16 (Pop-up)
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith	Jigten	Songs From The Bardo	Cello – Rubin Kodheli ====Chanter, Producer, Singing Bowls – Tenzin Choegyal ====Percussion – Shahzad Ismaily ====Piano, Gong, Producer, Singing Bowls – Jesse Paris Smith ====Vocals, Violin, Producer, Arranged By – Laurie Anderson. - - 2019	0:39:23 (Pop-up)
Laurie Anderson	Change "The" to "A"	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	0:45:59 (Pop-up)
Laurie Anderson	Sh (1977 From The Record Of The Time)	From The Record Of The Time	Voice, Tape [Thunder], Piano – Laurie Anderson - - also on: It's Not The Bullet That Kills You, It's The Hole (1974 - 1981) 1977	0:47:10 (Pop-up)
Laurie Anderson	In Our Sleep "In Our Sleep" by "Laurie Anderson"	Bright Red	Tambourine – Cyro Baptista - -Vocals, Guitar, Lyrics By – Lou Reed	0:48:18 (Pop-up)
Laurie Anderson	Excellent Birds "Excellent Birds" by "Laurie Anderson"	Mister Heartbreak	Laurie Anderson – Synclavier • Peter Gabriel – vocals, Synclavier, LinnDrum • Nile Rodgers – guitar - -Recorded: The Lobby (New York City) RCA (New York City) A & R (New York City) 39th Street Music (New York City) - -Recorded July–December 1983	0:50:48 (Pop-up)
Jean Michel Jarre	Diva "Diva" by "Jean Michel Jarre"	Zoolook	Bass – Marcus Miller ====Composed By, Producer, Technician [Ethnic Vocals Processed By], Keyboards, Performer [Electronic Devices] – Jean-Michel Jarre ====Drums – Yogi Horton ====Guitar [Additional] – Ira Siegel ====Guitar, Effects – Adrian Belew ====Keyboards [Additional] – Frederick Rousseau Recorded at Klinton Studio, New York. Sony PCM 1610 mixing at Croissy Studio, France - 1984	0:53:56 (Pop-up)
DJ ❤️ LA	"DJ ❤️ LA"			1:01:20 (Pop-up)
Laurie Anderson	Example #22 "Example #22" by "Laurie Anderson"	Big Science	Accordion – Roma Baran ====Alto Saxophone, Tenor Saxophone – Chuck Fisher ====Backing Vocals – Ungar, Hoberman ====Baritone Saxophone, Clarinet, Bassoon, Bass Clarinet – Richard Cohen ====Drums, Percussion – David Van Tieghem ====Flute, Piccolo Flute – Perry Hoberman ====Vocals, Violin, Keyboards [Farfisa] – Laurie Anderson ====Whistling – Anderson, Baran - - 1982	1:12:58 (Pop-up)
Laurie Anderson	Three Expediences	It's Not The Bullet That Kills You, It's The Hole (1974 - 1981)		1:15:54 (Pop-up)
Laurie Anderson	Tell All The Animals	Heart of A Dog		1:18:50 (Pop-up)
Laurie Anderson	Strange Perfumes "Strange Perfumes" by "Laurie Anderson"	Homeland	Laurie Anderson – vocals, keyboards, percussion, violin • Peter Scherer – keyboards • Rob Burger – accordion, marxophone • Antony Hegarty – vocals • Shahzad Ismaily – percussion (4) Recorded 2007–2010 at Masterdisk (New York City)	1:21:01 (Pop-up)
Laurie Anderson	Avoiding Branding	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	1:25:36 (Pop-up)
Laurie Anderson	New Jersey Turnpike	United States Live (Part 1)	Electric Violin, Performer [Violin Bows], Synthesizer [Harmonizer, Electronics [Pillow Speaker], Saxophone ====[Toy], Voice – Laurie Anderson ====Saxophone – Bill Obrecht ====Synthesizer [Prophet] – Peter Gordon ====Tape Op [Tape Operator] – Bob Davis ====Violin [Electric], Synthesizer [Obxa, Synclavier], Vocoder, Performer [Telephone], Jew's Harp, Voice – Laurie Anderson ====Voice – Geraldine Pontius, Joe Kos ====Written-By – Laurie Anderson - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	1:26:27 (Pop-up)
Marisa Monte; Laurie Anderson	Enquanto Isso	Verde Anil Amarelo Cor de Rosa e Carvão	Bass – Arthur Maia ====Composed By – Marisa Monte ====Composed By, 12-String Acoustic Guitar, Guitar [Craviola] – Nando Reis ====Ganzá, Shekere – Marcos Suzano ====Percussion [Frigideira], Ganzá – Carlinhos Brown ====Piccolo Trumpet – Marvin Stamm ====Sampler – Chico Neves ====Surdo [Virado], Vocals – Jorginho Gomes ====Vocals – Laurie Anderson - - 1994	1:37:42 (Pop-up)
Hector Zazou	Ocean of sound "Ocean of sound" by "Hector Zazou"	Strong Currents	Guitar – Mathias Desmier ====Hector Zazou - flute	1:42:08 (Pop-up)
Lou Reed and Laurie Anderson	Gentle Breeze	Mary Had a Little Amp		1:43:29 (Pop-up)
Laurie Anderson	Thomas Pynchon Opera	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	1:45:40 (Pop-up)
Laurie Anderson	The Dream Before "The Dream Before" by "Laurie Anderson"	Strange Angels	Keyboards – Laurie Anderson ====Vocals – Bobby McFerrin ====Vocals, Words By, Music By – Laurie Anderson	1:46:52 (Pop-up)
Philip Glass	Forgetting "Forgetting" by "Philip Glass"	Songs From Liquid Days	Backing Vocals – The Roches ====Backing Vocals [The Roches] – Maggie Roche, Suzzy Roche, Terre Roche ====Lyrics By – Laurie Anderson ====Strings – The Kronos String Quartet ====Strings [The Kronos String Quartet] – David Harrington, Hank Dutt, Joan Jeanrenaud, John Sherba ====Vocals – Linda Ronstadt	1:49:53 (Pop-up)
DJ Diva Diver	"DJ Diva Diver"			1:57:59 (Pop-up)
Laurie Anderson	Big Science "Big Science" by "Laurie Anderson"	United States Live (Part 3)	Bagpipes – Rufus Harley ====Electric Violin, Violin [Tape Bow, Neon], Synthesizer [Obxa, Synclavier], Vocoder, Synthesizer ====[Harmonizer], Performer [Glasses, Telephone], Voice – Laurie Anderson ====Flute, Saxophone – Bill Obrecht ====Percussion, Drums – David Van Tieghem ====Soprano Vocals – Shelley Carson ====Synthesizer [Synclavier, Obxa] – Ann DeMarinis ====Tape Op [Tape Operator] – Bob Davis ====Written-By – Laurie Anderson - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	2:00:05 (Pop-up)
Laurie Anderson	It Was Up In The Mountains (1981 From You're The Guy I Want To Share My Money With)	It's Not The Bullet That Kills You, It's The Hole (1974 - 1981)		2:07:23 (Pop-up)
Vinicius Cantuaria	Retirante "Retirante" by "Vinicius Cantuaria"	Tucuma	Percussion – Davi Vieira, Marivaldo Dos Santos ====Vocals, Acoustic Guitar, Electric Guitar, Sampler, Percussion – Vinicius Cantuária ====Vocals, Violin – Laurie Anderson ====Written-By – Vinicius Cantuária	2:09:27 (Pop-up)
Eva Quartet & Hector Zazou	Gospodi, Pomiluy	The Arch	Alto Vocals – Evelina Christova ====Conductor – Milen Ivanov ====Contralto Vocals – Daniela Stoichkova ====Electronics – Hector Zazou ====Harp – Cecilia Chailly ====Kaval – Kostadin Gentchev ====Mezzo-soprano Vocals – Sofia Kovacheva ====Orchestra – Bollywood Orchestra ====Soprano Vocals – Gergana Dimitrova ====Vibraphone – Radosvet Kukudov ====Voice, Violin – Laurie Anderson	2:13:26 (Pop-up)
Laurie Anderson	Advice to Artists	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	2:18:37 (Pop-up)
Laurie Anderson	Language Is A Virus	Home of the Brave	Backing Vocals – Brenda White-King, Curtis King, Diane Garisto, Frank Simms, Tawatha Agee ====Drums – Jimmy Bralower ====Guitar, Producer, Keyboards, Synthesizer [Synclavier] – Nile Rodgers ====Performer [Crowd] – Knut Bohn*, Laurie Anderson, Nile Rodgers, Tom Durack ====Saxophone – Robert Arron - - 1986	2:20:11 (Pop-up)
Laurie Anderson	Old Motors And Helicopters	Landfall	Cello – Sunny Yang; ====Viola – Hank Dutt; ====Violin – David Harrington, John Sherba; ====Violin, Composed By, Vocals, Keyboards, Percussion – Laurie Anderson — Recorded on April 13–15, 2014, at Studio Trilogy, San Francisco, CA	2:24:23 (Pop-up)
Laurie Anderson	From The Air "From The Air" by "Laurie Anderson"	Heart of A Dog		2:27:07 (Pop-up)
Laurie Anderson	Slip Away "Slip Away" by "Laurie Anderson"	Life On A String	Bass – Skúli Sverrisson ====Cello – Erik Friedlander ====Drums – Joey Baron ====Huqin [Baritone Banhu] – Liheng ====Keyboards, Percussion – Peter Scherer ====Strings, Keyboards [Additional] – Jamshied Sharifi ====Vocals, Keyboards – Laurie Anderson - - Recorded 2000-2001 Lobby Studio, New York City; The Magic Shop, New York City; Edison Recording, New York City	2:33:57 (Pop-up)
Laurie Anderson	Roses from JFK "Roses from JFK" by "Laurie Anderson"	Laurie Anderson Interview: A Life of Storytelling	nterviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	2:39:57 (Pop-up)
Laurie Anderson	The Rotowhirl "The Rotowhirl" by "Laurie Anderson"	The Ugly One With The Jewels And Other Stories	Laurie Anderson – vocals, keyboards, violin • Joey Baron – drums • Cyro Baptista – gong, surdo • Greg Cohen – bass, guitar, keyboards . - Recorded live at Saddler's Wells, London, UK ca. 1995	2:41:21 (Pop-up)
DJ From the Air	"DJ From the Air"			2:45:18 (Pop-up)
Laurie Anderson	The Big Top "The Big Top" by "Laurie Anderson"	Köln Philharmonie, 1982 CD2		2:58:53 (Pop-up)
Laurie Anderson	Is Anybody Home "Is Anybody Home" by "Laurie Anderson"	Airwaves	Bass – Scott Johnson ====Clarinet – Peter Gordon ====Drums – Joe Kos ====Voice, Violin – Laurie Anderson ====Bass – Scott Johnson ====Clarinet – Peter Gordon ====Drums – Joe Kos ====Voice, Violin – Laurie Anderson - - 1976	3:02:44 (Pop-up)
Laurie Anderson	Love Among the Sailors	Bright Red	Laurie Anderson - Keyboards - - 1994	3:06:56 (Pop-up)
Laurie Anderson	Burroughs and "You"	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	3:09:43 (Pop-up)
Laurie Anderson	Sharkey's Night "Sharkey's Night" by "Laurie Anderson"	Mister Heartbreak	Laurie Anderson – Keyboards • Adrian Belew – guitar • William S. Burroughs – vocals (track 7 - -Recorded: The Lobby (New York City) RCA (New York City) A & R (New York City) 39th Street Music (New York City) - -Recorded July–December 1983	3:10:10 (Pop-up)
Hector Zazou	Into Your Dreams "Into Your Dreams" by "Hector Zazou"	Strong Currents		3:12:37 (Pop-up)
Laurie Anderson	O Superman "O Superman" by "Laurie Anderson"	United States Live (Part 2)	Clarinet, Saxophone – Chuck Fisher ====Electric Violin [Neon], Synthesizer [Obxa], Vocoder, Synthesizer [Harmonizer], Performer [Glasses], Voice – Laurie Anderson ====Flute, Saxophone – Bill Obrecht ====Percussion, Drums – David Van Tieghem ====Synthesizer [Synclavier, Obxa] – Ann DeMarinis ====Tape Op [Tape Operator] – Bob Davis ====Written-By – Laurie Anderson - - - recorded at the Brooklyn Academy of Music in New York City in February 1983	3:13:31 (Pop-up)
Laurie Anderson	Turning Time Around	Heart of A Dog	With Lou Reed	3:24:34 (Pop-up)
Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith	Moon in the Water	Songs From The Bardo	Cello – Rubin Kodheli ====Chanter, Singing Bowls – Tenzin Choegyal ====Percussion – Shahzad Ismaily ====Piano, Gong,Singing Bowls – Jesse Paris Smith ====Vocals, Violin, Arranged By – Laurie Anderson. - - 2019	3:28:51 (Pop-up)
Laurie Anderson	Falling "Falling" by "Laurie Anderson"	Homeland	Laurie Anderson – vocals, keyboards, percussion, violin - - Recorded 2007–2010 at Masterdisk (New York City)	3:34:06 (Pop-up)
Laurie Anderson	Understanding Creatures Better	Laurie Anderson Interview: A Life of Storytelling	Interviewed by Christian Lund at the Louisiana Museum of Modern Art, Denmark in May 2016	3:37:23 (Pop-up)
Laurie Anderson	Time To Go (For Diego)	New Music For Electronic And Recorded Media	Rec'd at LA's studio - - ca.1977	3:38:07 (Pop-up)
Thank You, LA	"Thank You, LA"			3:41:25 (Pop-up)
Grachan Moncur III	Space Spy "Space Spy" by "Grachan Moncur III"	New Africa	Bass – Alan Silva ====Drums – Andrew Cyrille ====Piano – Dave Burrell ====Saxophone [Alto], Flute [Piccolo] – Roscoe Mitchell ====Saxophone [Tenor] – Archie Shepp (tracks: B2) ====Trombone, Written-By, Arranged By – Grachan Moncur III - - Recorded August 11, 1969 in Paris	3:47:03 (Pop-up)
DJ Agitates The Gravel	"DJ Agitates The Gravel"		See you back here in two weeks - Lady C with you for 7 blessed hours on the next Sabbath.	3:54:05 (Pop-up)

RSS feeds for The Stork Club with Stork: Playlists feed | MP3 archives feed

| E-mail Stork | Other WFMU Playlists | All artists played by The Stork Club with Stork |

Listener comments!
	11:50am Stork: Welcome, Laurie-ans!!
	🥁 11:58am listener james from westwood: The shot of Laurie and Lou just hanging out enjoying sodas is sending me. I would've triple-taked had I walked by.
	12:00pm rw: Ha! That's my favorite image too. Good morning!
	12:00pm chresti: Greetings Stork and swell-Os!
	12:01pm monkeyz: woop
	🥁 12:01pm WR: Include my bill with Mr. Diamond's expenses please Mr. Sears, ok Idiots?
	12:02pm Stork: G'day, listener james from westwood, rw, chresti! and welcome monkey z!!!!
	12:03pm Jim F: Well if this isn't the most appropriate opening for an early summer morning on the western edge of San Francisco ... thx Stork.
	12:04pm βrian: This is the thing.
	12:05pm Stork: Good San Franciso morning, Jim F - 9 timezones hence!! I thank Irene Trudel for sending this track just in the nick of (show)time!!
	12:05pm fred: Greetings Stork and patrons. adamdoesit is out biking, so I'm duty bound to drink his share of Glen Passaic until he's back (who knows what happens if GP is left to go stale)
	12:05pm Yvang: Hi Stork and clubbers!
	🥁 12:05pm listener james from westwood: Wave hello to Karl the Fog if spotted, @Jim F!
	12:06pm Jeff Golick: This'll get me home just fine. Thanks, @Stork. (Oh also, re Laurie, I saw that VR thing that's depicted in one of the photos ("who owns the moon") and it absolutely blew my mind.)
	12:06pm chresti: Hi Jim F, I was in sf last week, love the mornings there!
	12:06pm Stork: fred - in 400,000 years of running the Stork Club, we've never seen a barrel of Glen Passaic go bad. A lot of patrons, yes, but never the precious GP!!
	12:08pm Stork: Drive care-free-ly, Jeff G! It's Sunday!! Haven't seen that VR thing yet - sounds groovay!!
	12:09pm Stork: Welcome, Yvang!!
	12:11pm Listening Out There: LOT…presente!
	12:11pm rw: JG, I just looked up the LA VR thing. Looks cool...
	🥁 12:12pm Revolution Rabbit Nov63: ...wonder if there's a Laurie Group called O Superfan...
	🥁 12:13pm David (in London): checks trench coat in the cloakroom, slips into a booth, lights a Gitane A pint of bitter. In a thin glass! Afternoon El Storkerino and assembled Club-groovers.
	12:15pm rw: Wow. She sounds so young!
	12:16pm chresti: Glen Ellen is spitting distance from Wheaton, where me and my family are originally from!
	12:20pm Stork: chresti - let's raise a lead-lined glass of Glenn Passaic to Glen Ellyn! And to Wheaton!
	12:20pm Stork: David (in London) - hip hip hooray!
	12:21pm chresti: We moved to California in this truckhouse in 65! Cheers Stork, down the hatch!
	12:21pm Stork: Listening Out There and Revolution Rabbit Nov63 have entered the building!
	12:23pm Stork: Revolution Rabbit Nov63 sez: ...wonder if there's a Laurie Group called O Superfan... - yuck yuck yuck!!!
	12:24pm fred: I know his birthday isn't today, but years ago I got into a mild argument with a coworker about Braxton. We both liked the music, but for widely different reasons, and our disagreement got heated. It turned out that Anthony and Toni are different persons. Neither of us had heard of the "other" Braxton
	🥁 12:24pm David (in London): Chrestikins, Rev D, rw, LOT, james, Brian, Jeff, WR, fred, Yvang, Jim, Ahoy one and all.
	12:26pm chresti: Davidkins!
	🥁 12:27pm Revolution Rabbit Nov63: @fred: I had that once with ChuckBerry & ChuckBarris - believe it or not...
	12:27pm Yvang: Heya David (in London) !
	12:31pm Stork: Good one, fred!
	🥁 12:32pm Revolution Rabbit Nov63: ⦿Sun in ♊︎Gemini, Year of Fire 🐖Boar Laura Phillips Anderson born June 5, 1947
	🥁 12:37pm Revolution Rabbit Nov63: ⦿Sun in ♊︎Gemini, Year of Wood 🐓Rooster Anthony Braxton born June 4, 1945
	12:43pm coelacanth∅: greetings Stork, Storkles
	12:44pm Stork: 'Tis coelacanth∅ !
	12:47pm βrian: … who brings the good radio-keepng coel of approval.
	12:48pm alanr: buen día de CDMX y Guten Abend.
	12:49pm coelacanth∅: βrian i wonder if there's a coeling for puns
	12:50pm Stork: ßrian, alanr!! Shots at the bar!!
	12:58pm fred: I'm at the bar, so... Frederick Rousseau (yeah, that one) was one of my many bosses for a while. Cool guy, but scattered so hard to work for
	12:59pm Jeff Moore: yawn Hey Stork and other leggy wadingfowl. Fine choice of honoree today!
	12:59pm Stork: Jeff Moore to the fore!
	🥁 1:04pm Revolution Rabbit Nov63: [thick Murikan accent] ...ya mean ...Jon MyKull Jar ??...
	1:10pm βrian: Indefinitely!
	1:13pm fred: Irene had her birthday last Monday, she deserves a shout out!
	1:24pm Stork: @Revolution Rabbit Nov63: - uh-yup!
	1:38pm coelacanth∅: time for me to hit a road hopefully return here when i get somewhere Thanks Stork!
	1:43pm fred: Let's have a round of Glen Passaic for adamdoesit's achievement!
	1:48pm Stork: Thanks, coel! See you round the joint.
	1:51pm βrian: How many shots comprise one liquid day?
	1:52pm fred: Of course it's Glass, a nice one
	1:53pm Stork: Linda Ronstadt!
	1:53pm Stork: ...with the Roches!!!!
	1:54pm Stork: This is like minimalist doo-wop, this tune.
	1:55pm Jeff g. via app: My god, the indelibility of Laurie Anderson’s work. I don’t think I’ve heard “Let X=X” for 30+ years and I was singing/speaking right along. Monumental and immediate.
	1:57pm Stork: @Jeff G. - she is for me one of those formative NY musicians of the 70/80's that having heard her ended whatever resistance to my budding musically obsessions that there theoretically might have been. Ditto Glass.
	1:58pm βrian: True dat.
	2:08pm fred: Weird thing is that I tend to associate Lucinda Childs with Glass, even though I like Available Light much more. To the point I forgot the music, maybe. Dance remains important, but I resent how it overshadows other things
	🥁 2:09pm Revolution Rabbit Nov63: Of course Laurie Anderson is perplexingly & impressively bivalent in being so representative of the Avant-garde in its strangeness & intellectual remove - & yet so Human & accessible & affectively potent ...the perfect ♊︎Gemini ...like BobDylan, both just channeling the Information in a really gifted manner - & also somehow reflecting on it & even commenting on it as an Auteur @ the same moment. ...& / Or ...maybe as a Woman (& ♊︎Gemini / Messenger ☿Mercury is Traditionally Neutral & the Alchemical Catalyst...) - Anderson adds to the Avant-garde the Feminine - in a way like I think Frida Kahlo & KateBush do to their male-dominated fields...
	2:13pm Jeff Moore: It's amazing how many of these are so familiar that I chime in and recite them in my head, even though I haven't heard many of them in decades. Then you find something I've never even heard!
	2:16pm Stork: @Jeff Moore: my exact experience putting this together. I especially enjoy her outings with other musicians, like Jarre, Zazou, et al.
	🥁 2:16pm WR: Dished are washed and before getting back to work, wanna comment the It Was Up In The Mountains recording with the story about the tigers reminded me of Franco stories.
	🥁 2:18pm Revolution Rabbit Nov63: Interesting her geography was Illinois - California - NYC. She's very 'schooled' apparently...
	🥁 2:18pm Michael 98145: Greetings on this 156th day of that memorable year, twenty twenty-two
	🥁 2:24pm Revolution Rabbit Nov63: This does kinda sound '1980s' honestly - which is fair enuff.
	2:24pm Jeff Moore: And of course I've been to some of her live shows at various places in her evolution... and one of the main things I remember those performances having in common (aside from my always enjoying the experience in general) is that I always ended up finding it just a little annoying that she often paused just a little bit too long after saying something clever to make sure the audience got it before moving on.
	🥁 2:28pm Revolution Rabbit Nov63: ...start the next joke while there's still laughter / number when still applause ...could make too much of that, but interesting maybe in terms of roots...
	2:29pm fred: She captured a lot, which means it will take time to sort what was hers and what was being there. Which maybe shouldn't matter in the first place
	🥁 2:30pm Revolution Rabbit Nov63: Yeah not even feeling near even the doorway of considering her Content critically - Forms aside...
	🥁 2:32pm Revolution Rabbit Nov63: Love this piece.
	2:33pm βrian: Some things in life give one a brand new expression.
	2:34pm adamdoesit: Hello Stork and swells. I arrive at the club in the same way I do the work of Laurie Anderson: better late than never.* * Better Late Than Never 2oz Glen Passaic 3/4 oz Fernet Branca 1/4 oz Maraschino cherry juice Stir over ice, serve hastily in a chilled coupe or a hot hatchback.
	🥁 2:35pm Revolution Rabbit Nov63: Always say I have a special respect / appreciation / awe for Artists who (successfully) create their own Palette. She kind of conveniently represents this.
	🥁 2:35pm Michael 98145: It just occurred to me i can't imagine -any- other station doing a show like this. Probably why we are here.
	2:36pm Stork: adamdoesit enters, bearing cocktail recipe; crowd surges toward him....
	🥁 2:36pm Revolution Rabbit Nov63: Maybe WKCR giving many hours to one Artist.
	🥁 2:36pm WR: I'd like obe of those Better Late Than Never cocktails. Make it a double.
	2:37pm Stork: Michael 98145- greetees and thankees!
	🥁 2:37pm Revolution Rabbit Nov63: It's also just right for Sundays imho.
	2:38pm fred: I'll get a Better Late Than Never; but give me the Glenn Branca limited edition GP instead of the the Fernet thing
	🥁 2:38pm Michael 98145: Yes
	2:41pm fred: @Michael 98145: It's kind of the idea
	2:41pm adamdoesit: fred, much better. I'm scratching Fernet out of the recipe and writing in Glenn.
	🥁 2:44pm David (in London): May I have a Glen Passaic and ginger please Barman?
	2:45pm _Ike_: I’ll have a potato margarita, please!
	2:54pm adamdoesit: I'm reading a Pynchon novel right now, "Against the Day," a book so fat it's almost cubic. Come to think of it, Pynchon might best be dosed by the cc.
	3:00pm adamdoesit: A Mormon whiskey called Valley Tan turned up in the last chapter. Glen Passaic can't be far behind.
	3:01pm Stork: Wow, the drink orders have been piling up while I was off doing my silly DJ stuff.... priorities!!! Ike! potato margarita coming right up - just as soon as we invent one. adamdoesit, David in L - fred - lets get those glasses ta bangin, and throwin' back!!
	3:01pm fred: @adamdoesit: Pynchon's books are getting shorter, though I haven't been keeping up (I'm focused on Colson Whitehead hese days)
	🥁 3:05pm Revolution Rabbit Nov63: It's like her voice changed !...
	3:05pm adamdoesit: fred, I'm getting shorter with age, too, so why not? I prefer short books as a rule, but give Pynchon a pass, so long as he keeps up a good ratio of funny names per page. I haven't delved into Colson Whitehead yet, but there's a book or two of his around here, so maybe next…
	🥁 3:11pm Revolution Rabbit Nov63: Here's a Trio I can get behind.
	3:11pm fred: @adamdoesit: re: Whitehead, maybe give a pass if those are the popular ones (Underground Railroad, Nickel Boys), these are not his best. Harlem Shuffle is great, as are his earlier ones (I love John Henry Days, The Intuitionist is great too)
	3:12pm adamdoesit: fred, solid. Thanks for the tip.
	3:16pm fred: Solid is nice, but what about questionably liquid? Barkeep, a round of Glen Passaic for those who dare!
	3:19pm fred: I saw a few dance shows that used that track, most failed but one really pulled it off
	🥁 3:24pm Revolution Rabbit Nov63: Well ...if you really could make a Hit Record out of Burroughs or Ginsberg maybe this is it. Thoroughly remarkable.
	🥁 3:25pm David (in London): fred, I'll have mine with a dash of Thames water please.
	3:30pm fred: I once used a reading of Howl to fix bugs in software used to disguise the voices of witnesses in Rwanda genocide trials. Both victims and perps, I should add
	3:31pm Stork: I wanna know more about that whole thing, fred.
	3:31pm Hams: what a treat this has been.
	3:31pm Stork: Anybody else hear her quote Hendrix's 1983 just now?
	3:33pm Stork: Thanks you Hams, welcome.
	3:34pm Stork: I say, David in London! So very English!
	3:36pm Hams: my last show on air during my college radio years, i closed my set with "let x=x/it tango".
	3:37pm Hams: she always use to come into film forum when i worked there.
	3:37pm Hams: stork, afternoon!
	3:39pm rw: Hey. I'm back. What did I miss? ...oh, crap.
	🥁 3:40pm Revolution Rabbit Nov63: Agree Laurie ! Sign Language with Gorillas is as impressive a boundary crossing to me as some jock golfing on the Moon.
	3:40pm fred: @Stork: I don't know much. It was important to disguise voices on both sides to get candid testimony. The software tended to get out of sync after a while, so I used a Ginsberg reading from UbuWeb as a test case. I fixed the small issue, I'm not sure the trial fixed the real one
	3:41pm βrian: Had to step out for chores and to ride the bike to nowhere. I hope this will be archived.
	🥁 3:41pm Revolution Rabbit Nov63: fred but probly a great thing to enable.
	🥁 3:42pm WR: rw, depends on how ling you were gone. . .
	3:42pm Stork: Hams: almost played It Tango - never enough time - Time to Go, almost!
	3:43pm Hams: ah!
	3:44pm βrian: Made a strong batch of dark-roast sumatran, currently cooling in the fridge. Inspiration on ice.
	3:48pm adamdoesit: La lune est grise, Moncur aussi? Thanks for another great birthday episode, Herr DJ Barkeep Stork!
	3:52pm solo mon: heyyy stork! hey everyone!
	3:54pm Stork: Vunderful dahlinks!! Sank yoo zo much for ze lovely eve-ah-nink!!! Zee yoo in a fortnight!! Enjoy 7 hours next Sunday with the inestimable Lady Chanticleer!!!!
	3:54pm Stork: solo mon!!! coooool!!!
	🥁 3:54pm listener james from westwood: Many thanks, Stork!!
	3:54pm adamdoesit: Buone vacanze, Storkerino!
	🥁 3:55pm Revolution Rabbit Nov63: ~ TY Always DJ Stork ~
	3:55pm Stork: adamdoesit, et al, and you too, Al!!! Thanks for the hang!!
	3:55pm fred: Something sad is that was something important to me alone at work. Casual racism? White supremacy as a background
	3:56pm chresti: Nice mask solo mon! Thanks Stork!
	3:57pm Yvang: Nice Laurie Anderson show. Thanks!
	3:57pm Stork: thanks, chresti, thanks yvang, thanks RevRabb!!!!
	🥁 3:58pm WR: Thank you Herr Stork!
	3:59pm chresti: Yeah, not really that familiar with Laurie's work, thanks for this lovely survey!
	3:59pm fred: Please give Lady C the keys to the Glen Passaic vault (and the hazmat suits)
	3:59pm rw: Thankyou Stork!
	4:06pm Stork: 💥
	7:01pm Bas NL: Great show! Thanks very much Stork!

The Stork Club with Stork: Playlist from June 5, 2022

Listener comments!

(C) 2024 WFMU. Generated by KenzoDB, written 2000-2024 by Ken Garson