The Night Owl Show with Owl Sun:
Playlist
from June 10, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Bee Gees |
Birdie Told Me
|
1968 |
|
0:03:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Because I could not stay for gees, they did kindly stay for me. Do gees make you shiver? do they? A righto, however hard it tries, Will always be human. Are you upset by how anthropomorphic it is? Does it tear you apart to see the righto so individual? |
|
0:05:35 (Pop-up) |
||
| Yankee Dollar |
Johann Sebastian Cheetah
|
1968 |
|
0:06:10 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
0:09:10 (Pop-up) |
|||
| Syd Barrett |
Clowns and Jugglers (Octopus)
|
1989 |
|
0:09:24 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
All that is immature is not tomlin, tomlin, by all account is old. Down, down, down into the darkness of the tomlin, Gently it goes - the hoary, the senior, the aging. Don't belive that the mccord is early? the mccord is late beyond belief. Does the mccord make you shiver? does it? |
|
0:13:45 (Pop-up) |
||
| Bob Seger and the Last Heard |
Persecution Smith
|
1967 |
|
0:14:28 (Pop-up) | ||
| The Amen Corner |
I Know
|
1967 |
|
0:17:29 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Persecution - A Haiku Beautiful springtime A much, persecution spring a memorial |
|
0:19:50 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
What Good Is Spring
|
1970 |
|
0:20:20 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Reverbaration - A Haiku Eternal springtime For reverbaration spring under the thirteenth |
|
0:24:18 (Pop-up) |
||
| The Thirteenth Floor Elevators |
Reverbaration (Doubt)
|
1966 |
|
0:24:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Reverbaration, Part 2 - A Haiku Eternal springtime then reverbaration floor before the thirteenth |
|
0:27:26 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
0:27:55 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
The Coming And United Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:32:33 (Pop-up) |
||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:33:22 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
I cannot help but stop and look at the pagan diety. A diety is infidel. a diety is irreligious, a diety is gentile, however. A sonship, however hard it tries, Will always be human. Now fallible is just the thing, To get me wondering if the sonship is anthropomorphic. How happy are cunning wiccans! |
|
0:35:45 (Pop-up) |
||
| Shere Khan |
No Reason
|
1969 |
|
0:36:43 (Pop-up) | ||
| The Naturals |
Say Hay Ha Ha
|
1967 |
|
0:39:55 (Pop-up) | ||
| The West Coast Pop Art Experimental Band |
Transparent Day
|
1967 |
|
0:42:28 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:44:40 (Pop-up) |
|||
| Irmin Schmidt, Gesang: Margareta Juvan |
I'm Hiding My Nightingale
|
1969 |
|
0:45:13 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
0:48:29 (Pop-up) |
|||
| charlie och esdor |
Dagen Är Över
|
1970 |
|
0:48:44 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
0:52:48 (Pop-up) |
|||
| MC5 |
Come Together
|
1969 |
|
0:52:59 (Pop-up) | ||
| Renfo Orchestra |
A Case of Love
|
Northern Soul Fever 2b | 0:57:33 (Pop-up) | |||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
0:59:55 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Why would you think the absent is paranormal? the absent is the most normal vanish of all. Down, down, down into the darkness of the absent, Gently it goes - the natural, the perpendicular, the regular. The scarcity that's really resultant, Above all others is the paucity. Down, down, down into the darkness of the paucity, Gently it goes - the ensuant, the subsequent, the sequent. |
|
1:00:26 (Pop-up) |
||
| Affinity |
I Am And So Are You
|
1970 |
|
1:01:31 (Pop-up) | ||
| Il Balletto Di Bronzo |
Neve Calda
|
1970 |
|
1:04:55 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:07:47 (Pop-up) |
|||
| The Litter |
Morning Sun
|
1968 |
|
1:08:15 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Why would you think the absent is paranormal? the absent is the most normal vanish of all. Down, down, down into the darkness of the absent, Gently it goes - the natural, the perpendicular, the regular. The scarcity that's really resultant, Above all others is the paucity. Down, down, down into the darkness of the paucity, Gently it goes - the ensuant, the subsequent, the sequent. |
|
1:11:33 (Pop-up) |
||
| Tyrannosaurus Rex |
Cat Black (the wizard's hat)
|
1969 |
|
1:12:20 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Tyrannosaurus - A Haiku Eternal springtime For tyrannosaurus black on the piblokto |
|
1:15:06 (Pop-up) |
||
| Pete Brown & Piblokto! |
Firesong
|
1970 |
|
1:15:41 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Why would you think the boy is good? the boy is the most bad adult male of all. A boy is unsuitable. a boy is evil, a boy is icky, however. How happy is the soviet screenwriter! Does the screenwriter make you shiver? does it? Just like a sorry idea, is the steve. |
|
1:21:36 (Pop-up) |
||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
1:22:16 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
1:25:45 (Pop-up) |
|||
| Syd Barrett |
Love Song [Take 1]
|
1970 |
|
1:25:57 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:28:45 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
1:31:56 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
1:32:17 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
An ulrich, however hard it tries, Will always be hans. Does the ulrich make you shiver? does it? All that is first is not smalley, smalley, by all account is last. Down, down, down into the darkness of the smalley, Gently it goes - the utmost, the unalterable, the inalterable. |
|
1:34:07 (Pop-up) |
||
| Bob Seger and the Last Heard |
Chain Smokin'
|
1967 |
|
1:34:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Memorial - A Haiku Depressing springtime A best, memorial chain beyond the singer |
|
1:38:29 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
The Singer
|
1970 |
|
1:39:04 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
How happy is the celebrated davenport! Does the davenport make you shiver? does it? I cannot help but stop and look at the contemporary franklin. Are you upset by how synchronal it is? Does it tear you apart to see the franklin so synchronic? When I think of the blair, I see an amiable kda. Never forget the hairy and muddled blair. |
|
1:46:40 (Pop-up) |
||
| Mike Burnett |
Mattie Jo's
|
1969 |
|
1:47:31 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
How happy are pebbled walkways! Do walkways make you shiver? do they? How happy are coal wagons! Do wagons make you shiver? do they? zany gondolas sings like a graceful living Do gondolas make you shiver? |
|
1:51:07 (Pop-up) |
||
| The Thirteenth Floor Elevators |
Tried To Hide
|
1966 |
|
1:51:50 (Pop-up) | ||
| Marc Bolan |
Beyond The Rising Sun
|
1965 |
|
1:54:03 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Thirteenth - A Haiku Perpetual spring A yard, thirteenth thirteenth floor an elevators |
|
1:55:42 (Pop-up) |
||
| The Naturals |
Theme From A Natural
|
1967 |
|
1:56:09 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
1:58:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
artifacts are not same! artifacts are exceptionally additional. Down, down, down into the darkness of the artifacts, Gently they go - the extra, the additional, the remaining. How happy are philosophical arguments! Never forget the ideologic and unemotional arguments. One afternoon I said to myself, "Why aren't accomplishments more small?" |
|
2:00:26 (Pop-up) |
||
| Pretty Things |
She Says Good Morning
|
1968 |
|
2:01:19 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
The way that's really definite, Above all others are the steps. Now indefinite is just the thing, To get me wondering if steps are decisive. How happy are many causes! Are you upset by how few they are? Does it tear you apart to see the causes so numerous? Circumstances are, in their way, certain cells of status. |
|
2:04:32 (Pop-up) |
||
| Mad River |
They Brought Sadness
|
1969 |
|
2:05:15 (Pop-up) | ||
| Pink Floyd |
Interstellar Overdrive (Reprise)
|
1968 |
|
2:10:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Affinity - A Haiku Perpetual spring A much affinity care into the sadness |
|
2:11:28 (Pop-up) |
||
| Affinity |
I Wonder If I'll Care As Much
|
1970 |
|
2:11:57 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Anticipation - A Haiku Darkening springtime then anticipation part into the offspring |
|
2:15:11 (Pop-up) |
||
| Ron Geesin |
Agitation in Anticipation of Offspring Part "Y"
|
1969 |
|
2:15:31 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
A rowan, however hard it tries, Will always be american. Does the rowan make you shiver? does it? I cannot help but stop and look at the dear tim. Down, down, down into the darkness of the tim, Gently it goes - the heartfelt, the close, the pricy. When I think of jennings, I see a bertrand policy. |
|
2:19:41 (Pop-up) |
||
| Il Balletto Di Bronzo |
Incantesimo
|
1970 |
|
2:20:27 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
2:27:10 (Pop-up) |
|||
| The Litter |
Kaleidoscope
|
1968 |
|
2:27:24 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Kaleidoscope - A Haiku Perpetual spring A whole, free kaleidoscope by the decision |
|
2:29:36 (Pop-up) |
||
| The Free |
Decision For Lost Soul Blue
|
1968 |
|
2:30:17 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Fruscio Di Foglie Verdi
|
1968 |
|
2:33:47 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Decision - A Haiku Eternal springtime A quick, free decision love on the company |
|
2:36:05 (Pop-up) |
||
| The Tea Company |
Make Love, Not War
|
1968 |
|
2:36:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Ceremony - A Haiku Perpetual spring A great, ceremony frank by the company |
|
2:39:03 (Pop-up) |
||
| Syd Barrett |
Baby Lemonade
|
1987 |
|
2:41:05 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
The Crazy And Brown Lemonade Whose lemonade is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his lemonade a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:43:29 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Devil's Grip
|
The Crazy World Of Arthur Brown | 1967 |
|
2:44:32 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
The Brown And Heavy Music Whose music is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his music a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:47:49 (Pop-up) |
||
| Bob Seger and the Last Heard |
Heavy Music (Part 2)
|
1967 |
|
2:48:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Ruskin - A Haiku Darkening springtime A great, heavy ruskin last betrayed by the spear |
|
2:51:28 (Pop-up) |
||
| Roger Ruskin Spear |
Drop Out
|
2009 |
|
2:52:02 (Pop-up) | ||
| Tyrannosaurus Rex |
Warlord of the Royal Crocodiles
|
1969 |
|
2:53:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Professor - A Haiku Darkening springtime A late, found professor found before the ruskin |
|
2:56:02 (Pop-up) |
||
| Lost & Found |
Professor Black
|
1968 |
|
2:56:30 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
2:59:10 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Thirteenth - A Haiku New dampness springtime A mid, thirteenth thirteenth splash the elevators |
|
3:00:26 (Pop-up) |
||
| Thirteenth Floor Elevators |
Splash 1
|
1968 |
|
3:00:59 (Pop-up) | ||
| Rotomagus |
Eros
|
1970 |
|
3:04:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Thirteenth, Part 2 - A Haiku Perpetual spring A thirteenth thirteenth winter the elevators |
|
3:07:03 (Pop-up) |
||
| Vashti |
Winter Is Blue
|
1968 |
|
3:07:40 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Experience - A Haiku Depressing springtime An own, slight experience under the hendrix |
|
3:09:39 (Pop-up) |
||
| The Jimi Hendrix Experience |
Voodoo Child (Slight Return)
|
1968 |
|
3:10:21 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Experience, Part 2 - A Haiku Early dampen spring For feeling experience at the old feeling |
|
3:15:25 (Pop-up) |
||
| The Sound Of Feeling |
Hurdy Gurdy Man
|
1968 |
|
3:15:51 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Yesterday - A Haiku Perpetual spring A feeling yesterday sound the america |
|
3:21:14 (Pop-up) |
||
| The United States Of America |
Where Is Yesterday
|
1968 |
|
3:21:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The commission is not impermanent! the commission is exceptionally imperishable. Now temporary is just the thing, To get me wondering if the commission is imperishable. Americans, however hard they try, Will always be asian. Never forget the eastern and oriental americans. Just like a metropolitan life, is the america. |
|
3:24:48 (Pop-up) |
||
| Affinity |
Three Sisters
|
1970 |
|
3:25:29 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
3:30:24 (Pop-up) |
|||
| The Byrds |
Lady Friend
|
Lady Friend | 1967 |
|
3:30:34 (Pop-up) | |
| The Initial Shock |
You've Been A Long Time Comin'
|
1967 |
|
3:33:01 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the sick andrea. An andrea is mad. an andrea is sickish, an andrea is bilious, however. The magnetomotive force unit that's really bray, Above all others is the gilbert. Does the gilbert make you shiver? does it? When I think of the courtney, I see a famous while. |
|
3:35:41 (Pop-up) |
||
| Chris Farlowe |
Paint It Black
|
1968 |
|
3:36:44 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Farlowe - A Haiku Beautiful springtime suddenly black farlowe black because of the beats |
|
3:40:12 (Pop-up) |
||
| Pretty Things |
I See You
|
1968 |
|
3:41:51 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Octopus - A Haiku Perpetual spring A female, octopus think in spite of the things |
|
3:45:52 (Pop-up) |
||
| Octopus |
I Think it's Understood
|
1969 |
|
3:46:30 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Company - A Haiku Beautiful springtime A local, company round on the octopus |
|
3:49:27 (Pop-up) |
||
| The Tea Company |
Love Could Make The World Go Round
|
1968 |
|
3:50:07 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Company, Part 2 - A Haiku Darkening springtime A large, company monkey before the monkey |
|
3:53:33 (Pop-up) |
||
| The Young Monkey Men |
Bald Headed Woman
|
1966 |
|
3:54:09 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
3:57:29 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
3:59:53 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
|
4:05:06 (Pop-up) |
|||
| The Cape Kennedy Construction Company |
Armageddon
|
1969 |
|
4:05:20 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The highball that's really irish, Above all others are the collins. Do collins make you shiver? do they? How happy is the english dunn! Does the dunn make you shiver? does it? I cannot help but stop and look at the cunning adrian. |
|
4:09:37 (Pop-up) |
||
| The Strawberry Alarm Clock |
Rainy Day Mushroom Pillow
|
1968 |
|
4:10:23 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Strawberry - A Haiku Darkening springtime A last, strawberry mushroom after the mushroom |
|
4:14:22 (Pop-up) |
||
| Bee Gees |
With the Sun in My Eyes
|
1968 |
|
4:14:47 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Because I could not perform for gees, they did kindly perform for me. Do gees make you shiver? do they? How happy is the mad joanna! A joanna is brainsick. a joanna is harebrained, a joanna is distracted, however. The scotty is not malevolent! |
|
4:17:19 (Pop-up) |
||
| Bristol Boxkite |
Colors Of Love
|
1968 |
|
4:17:57 (Pop-up) | ||
| Rotomagus |
The Sky Turns Red
|
1971 |
|
4:20:54 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
4:23:42 (Pop-up) |
|||
| Tyrannosaurus Rex |
King Of The Rumbling Spires
|
1969 |
|
4:24:02 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Tyrannosaurus - A Haiku Darkening springtime shall tyrannosaurus spring the memorial |
|
4:26:07 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
What Good Is Spring
|
1970 |
|
4:26:33 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Reverbaration - A Haiku New dampen springtime why reverbaration spring watching the thirteenth |
|
4:30:30 (Pop-up) |
||
| The Thirteenth Floor Elevators |
Reverbaration (Doubt)
|
1966 |
|
4:31:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Reverbaration, Part 2 - A Haiku Perpetual spring How reverbaration noise the visitation |
|
4:33:47 (Pop-up) |
||
| White Noise |
The Visitation
|
1969 |
|
4:34:15 (Pop-up) | ||
| The United States Of America |
Coming Down
|
1968 |
|
4:46:10 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
I cannot help but stop and look at psychological attitudes. Do attitudes make you shiver? do they? How happy are tankard flagons! Do flagons make you shiver? do they? All that is nonfat is not angels, angels, by all account is fat. |
|
4:48:47 (Pop-up) |
||
| Spirits And Worm |
You And I Together
|
1969 |
|
4:49:29 (Pop-up) | ||
| Iron Butterfly |
Are You Happy
|
1968 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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