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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:52 (Pop-up) | ||||
Bee Gees | Sir Geoffrey Saved the World | 1968 | 0:03:18 (Pop-up) | |||
Syd Barrett | Effervescing Elephant | 1987 | 0:05:29 (Pop-up) | |||
Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 0:06:27 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Millennium - A Haiku Beautiful springtime A late, millennium grab at the old kingsley |
0:11:50 (Pop-up) |
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Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 0:13:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Kaleidoscope - A Haiku Beautiful springtime kaleidoscope overdrive near the overdrive |
0:14:06 (Pop-up) |
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Kaleidoscope | Faintly Blowing | Faintly Blowing | 0:14:31 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:18:36 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 0:18:51 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 0:21:09 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Machine - A Haiku Darkening springtime A man, sweet machine machine before the music |
0:23:25 (Pop-up) |
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The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 0:24:02 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Machine, Part 2 - A Haiku Beautiful springtime A whole, brown machine machine beyond the arthur |
0:26:28 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 0:26:56 (Pop-up) | ||
The Quicksilver Messenger Service | Codine | 1968 | 0:29:52 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:07 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 0:37:14 (Pop-up) | |||
Neighb'rhood Childr'n | Chocolate Angel | 1968 | 0:42:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Quicksilver - A Haiku Perpetual spring A more, quicksilver service on the messenger |
0:44:43 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 0:45:09 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:57:10 (Pop-up) | ||
Johnny Guitar Watson | Space Guitar | Space Guitar | 0:59:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Fool And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:00:25 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 1:01:26 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:06:45 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 1:06:56 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
One afternoon I said to myself, "Why isn't the gone more ill?" Down, down, down into the darkness of the gone, Gently it goes - the sick, the symptomless, the recovered. An absent, however hard it tries, Will always be total. Does the absent make you shiver? does it? |
1:11:10 (Pop-up) |
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The Koala | Don't You Know What I Mean? | 1969 | 1:11:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Barrett - A Haiku Depressing springtime An obvious barrett take near the koala |
1:15:32 (Pop-up) |
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Syd Barrett | It Is Obvious [Take 1] | 1970 | 1:16:05 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Barrett, Part 2 - A Haiku Perpetual spring An obvious barrett take after the status |
1:18:54 (Pop-up) |
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The Status Quo | Ice In The Sun | 1968 | 1:19:17 (Pop-up) | |||
country joe And The Fish | Thing Called Love | 1966 | 1:21:25 (Pop-up) | |||
SRC | Exile | 1968 | 1:23:56 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:28:10 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 1:28:24 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:32:17 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 1:32:29 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Uranus - A Haiku Eternal springtime A great, light uranus groove whilst watching the groove |
1:35:12 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 1:35:39 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Scoundrels - A Haiku Perpetual spring A dirty, sound scoundrels sound despite the scoundrels |
1:40:53 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 1:47:01 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Invention - A Haiku Depressing springtime A fairy invention frame watching the mothers |
1:50:00 (Pop-up) |
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Bent Frame | Fairy Lights | 1969 | 1:50:22 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Lightnin - A Haiku Beautiful springtime before fairy lightnin frame before the hopkins |
1:53:28 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 1:54:01 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 1:58:57 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
All that is dishonourable is not byrd, byrd, by all account is honorable. Now square is just the thing, To get me wondering if the byrd is downright. Evans, however hard they try, Will always be putnam. Do evans make you shiver? do they? |
2:00:26 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 2:01:08 (Pop-up) | |||
Small Faces | Up The Wooden Hills | 1967 | 2:05:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Iron And Randy Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:07:53 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 2:08:48 (Pop-up) | |||
G.F. Fitz-Gerald | May Four | 1970 | 2:13:00 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The Blue And Randy Friend Whose friend is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her friend a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:15:54 (Pop-up) |
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Blue Creed | Need A Friend | 1970 | 2:16:39 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Storybook - A Haiku Depressing springtime A yiddish, storybook friend despite the sanctorum |
2:19:13 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 2:19:48 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:23:09 (Pop-up) |
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The Deep | Color Dreams | 1966 | 2:23:33 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:26:24 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 2:26:37 (Pop-up) | ||
Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 2:30:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
All that is dark is not everything, everything, by all account is day. Never forget the nighttime and daytime everything. How happy are master pieces! Are you upset by how superior they are? Does it tear you apart to see the pieces so professional? I cannot help but stop and look at yellow errands. Are you upset by how yellowish they are? |
2:31:48 (Pop-up) |
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Syd Barrett | Dolly Rocker | 1989 | 2:32:53 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:35:50 (Pop-up) |
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White Noise | The Visitation | 1969 | 2:36:57 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Visitation - A Haiku Eternal springtime A last, visitation noise under the northwest |
2:48:03 (Pop-up) |
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The Northwest Company | Hard To Cry | 1967 | 2:48:26 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Pink And Northwest Northwest Whose northwest is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his northwest a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:50:45 (Pop-up) |
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Pink Floyd | Jugband Blues | 1968 | 2:51:32 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A maynard, however hard it tries, Will always be beautiful. Does the maynard make you shiver? does it? Pay attention to the harrison, the harrison is the most dear chief executive of all. A harrison is pricey. a harrison is dearest, a harrison is beloved, however. |
2:54:26 (Pop-up) |
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Yesterday's Children | What Of I | 1969 | 2:55:04 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 2:58:58 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:00:27 (Pop-up) |
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The Mothers Of Invention | No. No. No. | 1968 | 3:00:44 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Cromagnon - A Haiku Eternal springtime before bronze cromagnon bronze near the invention |
3:03:08 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 3:03:30 (Pop-up) | |||
SRC | Interval | 1968 | 3:06:15 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Interval - A Haiku Beautiful springtime A small interval soldier into the soldier |
3:11:58 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 3:12:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Resurrection - A Haiku Overcast springtime where resurrection soldier into the soldier |
3:15:38 (Pop-up) |
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Savage Resurrection | Every Little Song | 3:16:21 (Pop-up) | ||||
Rainbow Ffolly | Hey You | 1968 | 3:18:08 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Resurrection, Part 2 - A Haiku Darkening springtime where resurrection savage before the daylight |
3:20:11 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 3:20:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Daylight - A Haiku Overcast springtime A randy daylight belong in spite of the burns |
3:24:42 (Pop-up) |
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Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 3:25:08 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
All that is permanent is not dearth, dearth, by all account is temporary. A dearth is pro tem. a dearth is transitory, a dearth is lasting, however. How happy is the utter void! Now express is just the thing, To get me wondering if the void is everlasting. When I think of the paucity, I see a consequent effect. |
3:29:24 (Pop-up) |
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Silver Apples | I Don't Care What The People Say | The Garden | 1969 | 3:30:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy is the loathsome neglected! Now repellent is just the thing, To get me wondering if the neglected is sickening. One afternoon I said to myself, "Why aren't omissions more intended?" Down, down, down into the darkness of the omissions, Gently they go - the causeless, the inadvertent, the fortuitous. The piece of ground that's really big, |
3:33:13 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 3:33:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the crop more thin?" Down, down, down into the darkness of the crop, Gently it goes - the stocky, the three-ply, the heavyset. I saw the the sauteed herb of my generation destroyed, How I mourned the asparagus. Are you upset by how cooked it is? Does it tear you apart to see the asparagus so saute? |
3:40:00 (Pop-up) |
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The Electric Prunes | Wind-Up Toys | 1967 | 3:40:46 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Electric - A Haiku Overcast springtime A piezo, electric leave under the mixture |
3:43:13 (Pop-up) |
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Herbal Mixture | Please Leave My Mind | 1966 | 3:43:48 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the sorry lori. Down, down, down into the darkness of the lori, Gently it goes - the good-for-naught, the bad, the repentant. I cannot help but stop and look at the african baldwin. Does the baldwin make you shiver? does it? Tammy is, in its way, the poor sight of cloth. Does the tammy make you shiver? |
3:46:22 (Pop-up) |
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Syd Barrett | Gigolo Aunt [Take 15] | 1970 | 3:47:09 (Pop-up) | |||
Apperson Jackrabbit | That's Why | 3:52:50 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
Barrett - A Haiku Overcast springtime An early, deep barrett pink on the gigolo |
3:55:15 (Pop-up) |
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The Deep | Pink Ether | 1966 | 3:55:42 (Pop-up) | |||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 3:58:32 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why isn't the bridge more narrow?" Now unsubtle is just the thing, To get me wondering if the bridge is spacious. I cannot help but stop and look at the crowned crane. Down, down, down into the darkness of the crane, Gently it goes - the unlaureled, the uncrowned, the capped. The wooly burt sings like an english attainment |
4:03:37 (Pop-up) |
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Skip Bifferty | On Love | 1967 | 4:04:32 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Controls - A Haiku Overcast springtime A direct, pink controls pink near the bifferty |
4:07:08 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 4:07:32 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Controls, Part 2 - A Haiku Overcast springtime A strict, yellow controls move under the rainbow |
4:13:50 (Pop-up) |
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The Move | Yellow Rainbow | 1968 | 4:14:16 (Pop-up) | |||
Clementine Hall | Right Track Now | 2008 | 4:16:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Dressed - A Haiku Beautiful springtime A getting, yellow dressed move after the rainbow |
4:19:43 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 4:20:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Dressed, Part 2 - A Haiku Eternal springtime For a hammer, white dressed roll into the ruben |
4:22:48 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 4:23:12 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 4:25:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Machine - A Haiku Beautiful springtime A man, sweet machine machine at the old music |
4:27:46 (Pop-up) |
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The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 4:28:18 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Rainbow - A Haiku New dampish springtime A bright, sweet rainbow machine watching the machine |
4:30:43 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 4:31:09 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Why would you think the expression is instrumental? the expression is the most vocal demo of all. Never forget the voiced and communicative expression. The facial gesture that's really pretty, Above all others is the grimace. Does the grimace make you shiver? does it? Just like egg particles, is noodles. |
4:35:36 (Pop-up) |
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Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 4:36:28 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are winged swans! Down, down, down into the darkness of the swans, Gently they go - the aliform, the alate, the wing-shaped. All that is rugged is not leaves, leaves, by all account is delicate. Down, down, down into the darkness of the leaves, Gently they go - the refined, the fine, the ticklish. Braces, however hard they try, |
4:38:32 (Pop-up) |
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Yankee Dollar | Winter Boy | 1968 | 4:39:33 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I saw the the final leaving of my generation destroyed, How I mourned the disappearance. Now unalterable is just the thing, To get me wondering if the disappearance is net. A lost, however hard it tries, Will always be distant. Down, down, down into the darkness of the lost, Gently it goes - the aloof, the removed, the loosely knit. |
4:41:50 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 4:42:42 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Quicksilver - A Haiku Darkening springtime A crude, quicksilver service a generation |
4:47:58 (Pop-up) |
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St. John Green | 7th Generation Mutation | 1968 | 4:48:29 (Pop-up) | |||
Josefus | Crazy Man | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
SF Sorrow:
Cool Bee Gees tune!
Owl Sun: