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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Los Pasos | Voces De Otro Mundo | 1968 | 0:03:19 (Pop-up) | |||
The Spiders | Why Don't You Love Me | 1965 | 0:05:48 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at elusive whereabouts. Whereabouts are impalpable. whereabouts are evasive, whereabouts are unidentifiable, however. The go away that's really present, Above all others is the absent. Are you upset by how omnipresent it is? Does it tear you apart to see the absent so absent? Just like a greatest drinking, is the failing. |
0:07:42 (Pop-up) |
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Group Therapy | You Haven't Lived (Till You've Loved Someone) | 1966 | 0:08:46 (Pop-up) | |||
The Beggars Opera Co. | Escape | 1968 | 0:12:04 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Underground - A Haiku Foggy summertime A dutch, underground escape above the beggars |
0:14:28 (Pop-up) |
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The Velvet Underground | I'm Set Free | 1969 | 0:14:50 (Pop-up) | |||
The Dan-Dees | Think About It | 1968 | 0:18:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Dandees - A Haiku Turbid summertime before learned dandees berry watching the berry |
0:21:28 (Pop-up) |
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Dave Berry | And I Have Learned To Dream | 1967 | 0:22:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
All that is old is not davey, davey, by all account is young. Does the davey make you shiver? does it? I cannot help but stop and look at the dead long. Now deceased is just the thing, To get me wondering if the long is departed. I saw the the yellow mythical being of my generation destroyed, |
0:25:04 (Pop-up) |
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Love | Singing Cowboy | 1969 | 0:25:44 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:30:19 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
0:33:07 (Pop-up) |
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Colors Of Night | C-O-L-O-R-S | 1967 | 0:33:26 (Pop-up) | |||
Barry Mason | Collection Of Recollections | 1966 | 0:35:54 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:38:02 (Pop-up) |
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Lamb | Traveler's Observation | 1970 | 0:38:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the witted jeff! Does the jeff make you shiver? does it? A john, however hard it tries, Will always be dear. Never forget the sincere and pricey john. How happy is the wooly christopher! Down, down, down into the darkness of the christopher, |
0:43:28 (Pop-up) |
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Juan & Junior | En San Juan | 1968 | 0:44:17 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Simplicity - A Haiku Hearty summertime A great, simplicity ace after the junior |
0:47:22 (Pop-up) |
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Ace of Cups | Simplicity | 2004 | 0:47:45 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Trophies, however hard they try, Will always be ghastly. Now offensive is just the thing, To get me wondering if trophies are sepulchral. One afternoon I said to myself, "Why aren't tops more short?" Tops are tall-growing. tops are improbable, tops are magniloquent, however. |
0:52:33 (Pop-up) |
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The Fairytale | Run And Hide | 1967 | 0:53:11 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:55:38 (Pop-up) | ||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:58:07 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 1:00:13 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
1:00:23 (Pop-up) |
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King Crimson | Cirkus including Entry of the Chameleons | 1970 | 1:01:12 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Trophies, however hard they try, Will always be ghastly. Now offensive is just the thing, To get me wondering if trophies are sepulchral. One afternoon I said to myself, "Why aren't tops more short?" Tops are tall-growing. tops are improbable, tops are magniloquent, however. |
1:07:35 (Pop-up) |
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The New York Rock Ensemble | Gravedigger | 1971 | 1:08:11 (Pop-up) | |||
Kippington Lodge | I Can See Her Face | 1969 | 1:12:58 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Documentary - A Haiku Dampen summertime shall documentary rock on the gravedigger |
1:15:08 (Pop-up) |
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The Spiders | Hitch Hike | 1965 | 1:18:29 (Pop-up) | |||
Blues Magoos | One By One | 1966 | 1:20:27 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
1:23:10 (Pop-up) |
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Pic-Nic | Oí Tu Voz | 1968 | 1:23:38 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:25:51 (Pop-up) |
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Los Pasos | Para Verte | 1971 | 1:26:03 (Pop-up) | |||
The Omen | Once Upon A Taste | 1:29:02 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:31:04 (Pop-up) |
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Plague | The Face of Time | 1996 | 1:31:26 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:33:51 (Pop-up) |
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Group Therapy | Silhouetted Summer Dream | 1966 | 1:34:17 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Therapy - A Haiku Dampen summertime A term, therapy summer at the old summer |
1:37:38 (Pop-up) |
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The Paper Dream | Shes No Good | 1968 | 1:38:01 (Pop-up) | |||
Candy Store Prophets | You're A Teaser | 1966 | 1:40:37 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Speculation - A Haiku Dampen summertime when speculation paper despite the countdown |
1:42:46 (Pop-up) |
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The Countdown 5 | Speculation | 1967 | 1:43:19 (Pop-up) | |||
Willie and the Red Rubber Band | Mary Jane | 1968 | 1:45:34 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:47:26 (Pop-up) |
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Tokyo Kid Brothers | Your memories | 1971 | 1:47:43 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:50:43 (Pop-up) |
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Almond Marzipan | Summer Love | 1969 | 1:50:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the miserable neglected. Never forget the piteous and scurvy neglected. A left, however hard it tries, Will always be latter. A left is former. a left is later, a left is last, however. One afternoon I said to myself, "Why isn't the been more little?" |
1:54:11 (Pop-up) |
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Elephant's Memory | Super Heep | 1969 | 1:54:50 (Pop-up) | |||
Inside Experience | Be On My Way | 1969 | 2:00:19 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Trilogy - A Haiku Heavy summertime A first, blind trilogy blind out of memory |
2:00:23 (Pop-up) |
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Trilogy | Three Blind Minds | 1970 | 2:00:52 (Pop-up) | |||
Dr. West's Medicine Show and Junk Band | You Can't Fight City Hall Blues | 1966 | 2:04:17 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
One afternoon I said to myself, "Why isn't the omission more inconspicuous?" Never forget the pretentious and gross omission. The go away that's really suggestive, Above all others is the absent. Never forget the indicative and meaningful absent. Just like a colombian period, is the neglected. Never forget the cowardly and yellow-bellied neglected. |
2:07:32 (Pop-up) |
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The Fire Escape | The Trip | 1967 | 2:08:23 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:11:09 (Pop-up) |
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brincos | Promises & Dreams | 1970 | 2:11:29 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why isn't the forgotten more reverse?" Down, down, down into the darkness of the forgotten, Gently it goes - the wee, the miserly, the half-size. How happy is the only left! Are you upset by how solitary it is? Does it tear you apart to see the left so sole? Omissions are glaring consumption. |
2:14:21 (Pop-up) |
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Heavy Balloon | 16 Ton: Lead Zeppalin | 1969 | 2:15:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Zeppalin - A Haiku Hearty summertime before zeppalin crimson at the old crimson |
2:17:33 (Pop-up) |
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King Crimson | Happy Family | 1970 | 2:18:06 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Ensemble - A Haiku Loving summertime A grand, ensemble crimson watching the crimson |
2:22:30 (Pop-up) |
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The New York Rock Ensemble | Fields Of Joy | 1971 | 2:22:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Phillips - A Haiku Warm up summertime A british, new phillips rock near the ensemble |
2:26:32 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:26:56 (Pop-up) | ||
The Jimi Hendrix Experience | Up From The Skies | 1968 | 2:29:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Why would you think the goddess is daytime? the goddess is the most dark immortal of all. A goddess is pitch-dark. a goddess is pitch-black, a goddess is saturnine, however. How happy are infernal devils! Now goddam is just the thing, To get me wondering if devils are satanic. How happy are cunning girls! |
2:32:13 (Pop-up) |
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Koobas | Royston Rose | 1969 | 2:33:08 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:37:57 (Pop-up) |
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Los Pasos | Yo Fui El Mejor | 1968 | 2:38:07 (Pop-up) | |||
Mike D'Bo | (See The Little People) Gulliver Travels (From the show Gulliver's Travels) | 1969 | 2:41:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
One afternoon I said to myself, "Why aren't omissions more significant?" Never forget the nickel-and-dime and inappreciable omissions. Prefaces, however hard they try, Will always be biblical. Do prefaces make you shiver? do they? An absent, however hard it tries, |
2:43:45 (Pop-up) |
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Los Shakers | Espero Que Les Guste 042 (I Hope You'll Like It 042) | 1966 | 2:44:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Shakers - A Haiku Heavy summertime An early, lost shakers like near the agency |
2:46:55 (Pop-up) |
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The Lost Agency | One Girl Man | 1967 | 2:47:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Generator - A Haiku Dampish summertime A lost generator man despite the darkness |
2:50:22 (Pop-up) |
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Van der Graaf Generator | Darkness (11/11) | 1970 | 2:50:45 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 2:58:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:00:22 (Pop-up) |
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Tokyo Kid Brothers | I hate my dad, rock | 1971 | 3:00:53 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:04:04 (Pop-up) |
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T.Rex | Jewel | 1970 | 3:04:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I saw the the absolute scarcity of my generation destroyed, How I mourned the paucity. Does the paucity make you shiver? does it? I saw the the occasional error of my generation destroyed, How I mourned the omission. Now episodic is just the thing, To get me wondering if the omission is casual. |
3:07:01 (Pop-up) |
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Isaac Hayes | Walk On By | 1969 | 3:07:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Brawley - A Haiku Hazy summertime A further, male brawley walk betrayed by the hayes |
3:19:52 (Pop-up) |
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Sun Dial | Exploding in Your Mind | 1990 | 3:20:57 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Rabble - A Haiku Foggy summertime A vile, black rabble rabble on the potato |
3:26:09 (Pop-up) |
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The Rabble | Black Potato | 1967 | 3:26:31 (Pop-up) | |||
Improved Sound Limited | It Is You | 1967 | 3:29:12 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
3:31:11 (Pop-up) |
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The Fire Escape | Blood Beat | 1967 | 3:31:46 (Pop-up) | |||
The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 3:33:40 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:36:05 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 3:36:59 (Pop-up) | ||
The New York Rock Ensemble | The King Is Dead | 1971 | 3:39:54 (Pop-up) | |||
Trilogy | Removing Myself | 1970 | 3:44:52 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Why would you think the past is close? the past is the most far amount of time of all. Does the past make you shiver? does it? How happy is the less time! A time is more. a time is fewer, a time is lower, however. How happy is the yellow early! |
3:47:36 (Pop-up) |
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Ten Years After | The Sounds | 1968 | 3:48:13 (Pop-up) | |||
Koobas | Where Are The Friends? | 1969 | 3:52:36 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:56:09 (Pop-up) |
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The Chocolate Watchband | And She's Lonely | 1969 | 3:56:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
4:05:32 (Pop-up) |
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Val Stöecklein | Morning Child. | 1968 | 4:05:54 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
4:08:58 (Pop-up) |
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T. Rex | The Wizard | 1970 | 4:09:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:17:59 (Pop-up) |
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Circus Maximus | Hello Baby | 1968 | 4:18:10 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Why would you think the past is close? the past is the most far amount of time of all. Does the past make you shiver? does it? How happy is the less time! A time is more. a time is fewer, a time is lower, however. How happy is the yellow early! |
4:21:16 (Pop-up) |
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Calcium | Je T'ai Crue | 1969 | 4:21:53 (Pop-up) | |||
Monsoon | Night of the Fly | 2009 | 4:25:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
4:27:59 (Pop-up) |
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Dalton, James & Sutton | One Time Around | 1971 | 4:28:29 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy is the more absent! Are you upset by how more than it is? Does it tear you apart to see the absent so additional? How happy are copious prefaces! Down, down, down into the darkness of the prefaces, Gently they go - the plentiful, the rich, the abundant. Omissions, however hard they try, Will always be zany. |
4:31:48 (Pop-up) |
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Leviathan | The War Machine | 1969 | 4:32:33 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the respiratory absent. Does the absent make you shiver? does it? Pay attention to the dearth, the dearth is the most consequent want of all. Never forget the subsequent and ensuant dearth. Omission is noticeable patient. noticeable patient is omission. |
4:37:52 (Pop-up) |
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Love | Singing Cowboy | 1969 | 4:38:30 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
4:43:05 (Pop-up) |
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Lamb | Traveler's Observation | 1970 | 4:43:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:48:22 (Pop-up) |
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Sun Dial | She's Looking All Around | 1990 | 4:48:32 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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