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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Koobas | Constantly Changing | 1969 | 0:03:16 (Pop-up) | |||
Trilogy | For An Occasion (After The Ball) | 1970 | 0:05:58 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Orchestra - A Haiku Hearty summertime How orchestra massacre by the manhattan |
0:08:04 (Pop-up) |
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The Electric Light Orchestra | Manhattan Rumble (49th Street Massacre) | 1971 | 0:08:43 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Wrong And Electric Possibility Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:13:56 (Pop-up) |
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Val Stöecklein | Possibility I Was Wrong | 1968 | 0:14:44 (Pop-up) | |||
Koats Of Male | Life's Matter | 1995 | 0:17:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Baby And Wrong Possibility Whose possibility is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her possibility a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:20:02 (Pop-up) |
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The British North-American Act | Baby Jane Days And Nights | 1969 | 0:20:57 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Don't belive that prefaces are synchronic? prefaces are historical beyond belief. Never forget the past and descriptive prefaces. A forgotten, however hard it tries, Will always be never. Does the forgotten make you shiver? does it? A neglected, however hard it tries, |
0:23:36 (Pop-up) |
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The Rivets | L-O-V-E | 1966 | 0:24:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:26:46 (Pop-up) |
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Colours | Love Heals | 1968 | 0:26:55 (Pop-up) | |||
The Hard Times | Goodbye | 1967 | 0:29:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:31:54 (Pop-up) |
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Calcium | Si Tu Restes Absente | 1969 | 0:32:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:36:45 (Pop-up) |
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The Yardbirds | Avron Knows | 1968 | 0:37:06 (Pop-up) | |||
The Honey Jug | In 1582 We | 1967 | 0:40:47 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I saw the the calcium vanish of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? How happy is the overwhelming presence! Are you upset by how irresistible it is? Does it tear you apart to see the presence so resistless? Just like an obvious pattern, is the inability. |
0:43:33 (Pop-up) |
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Dantalian's Chariot | Sun Came Bursting Through My Cloud | 1967 | 0:44:19 (Pop-up) | |||
Xhol Caravan | Planet Earth | 1969 | 0:47:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Dantalians - A Haiku Rainy summertime A through dantalians cloud out of chariot |
0:49:58 (Pop-up) |
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eyes of blue | Love Is The Law | 1968 | 0:50:27 (Pop-up) | |||
Cliff Wade | Gonna Meet The Man | 1968 | 0:55:41 (Pop-up) | |||
Felice Taylor | Winter Again | 1966 | 0:57:45 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I saw the the noticeable scarceness of my generation destroyed, How I mourned the dearth. Never forget the noted and unnoticeable dearth. Don't belive that the absent is impotent? the absent is strong beyond belief. Down, down, down into the darkness of the absent, Gently it goes - the muscular, the vigorous, the tough. I saw the the little inconvenience of my generation destroyed, |
1:00:22 (Pop-up) |
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The Lords | The World Is Falling Down | 1969 | 1:01:22 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
1:03:59 (Pop-up) |
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Samson | Traffic | 1969 | 1:04:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:07:53 (Pop-up) |
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The Stoics | Hate | 1967 | 1:08:04 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:12:00 (Pop-up) |
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Chris Farlowe | What Have I Been Doing | 1968 | 1:12:12 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
1:15:59 (Pop-up) |
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Van Dyke Parks | By The People | 1968 | 1:16:21 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:22:10 (Pop-up) |
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Koobas | Gold Leaf Tree | 1969 | 1:22:21 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I saw the the noticeable scarceness of my generation destroyed, How I mourned the dearth. Never forget the noted and unnoticeable dearth. Don't belive that the absent is impotent? the absent is strong beyond belief. Down, down, down into the darkness of the absent, Gently it goes - the muscular, the vigorous, the tough. I saw the the little inconvenience of my generation destroyed, |
1:25:57 (Pop-up) |
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The Gods | Baby's Rich | 1968 | 1:26:42 (Pop-up) | |||
lee hazlewood | Ten Or 11 Towns Ago | 1972 | 1:29:24 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Tombstones - A Haiku Dampish summertime An early, hard tombstones be in spite of the times |
1:31:52 (Pop-up) |
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The Tombstones | Times Will Be Hard | 1967 | 1:32:40 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The Hard And Away Seven Whose seven is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her seven a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:35:11 (Pop-up) |
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Val Stöecklein | Seven Days Away From You | 1968 | 1:35:54 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The Away And Through Darkness Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:58 (Pop-up) |
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Cyrus Faryar | Softly Through the Darkness | 1971 | 1:40:44 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Surprise - A Haiku Dour summertime A great, through surprise surprise into the darkness |
1:45:31 (Pop-up) |
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The Surprise Package | Free Up (Part II) | 1969 | 1:45:56 (Pop-up) | |||
The City Zu | Too Much, Too Soon, Too Fast | 1968 | 1:48:44 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Surprise, Part 2 - A Haiku Darkness summertime A pleasant, surprise surprise above the package |
1:51:29 (Pop-up) |
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It's A Beautiful Day | Aquarian Dream | 1968 | 1:51:59 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Agency - A Haiku Hearty summertime A free, agency travel before the travel |
1:54:42 (Pop-up) |
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The Travel Agency | Sorry You Were Born | 1968 | 1:55:17 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:58:19 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Portable - A Haiku Depressing summer A most, portable people before the people |
2:00:23 (Pop-up) |
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Ten Years After | Portable People | 1968 | 2:00:54 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Grantchester - A Haiku Darkness summertime before grantchester people by the portable |
2:03:04 (Pop-up) |
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Pink Floyd | Roger Waters - Grantchester Meadows | 1969 | 2:03:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Grantchester, Part 2 - A Haiku Gloomy summertime before great grantchester light beyond the meadows |
2:10:56 (Pop-up) |
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The Great Scots | The Light Hurts My Eyes | 1966 | 2:11:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Bluesbreakers - A Haiku Warm up summertime before great bluesbreakers light by the telephone |
2:15:33 (Pop-up) |
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John Mayall and the Bluesbreakers | Telephone Blues | 1965 | 2:16:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A dearth, however hard it tries, Will always be chronic. Are you upset by how inveterate it is? Does it tear you apart to see the dearth so progressive? I cannot help but stop and look at the dead absent. Are you upset by how nonfunctional it is? Does it tear you apart to see the absent so numb? How happy is the zany unavailability! |
2:20:02 (Pop-up) |
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Syd Barrett | late night | 1970 | 2:20:44 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
A dearth, however hard it tries, Will always be chronic. Are you upset by how inveterate it is? Does it tear you apart to see the dearth so progressive? I cannot help but stop and look at the dead absent. Are you upset by how nonfunctional it is? Does it tear you apart to see the absent so numb? How happy is the zany unavailability! |
2:23:52 (Pop-up) |
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The Doors | Love Me Two Times | 1967 | 2:24:46 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
A dearth, however hard it tries, Will always be chronic. Are you upset by how inveterate it is? Does it tear you apart to see the dearth so progressive? I cannot help but stop and look at the dead absent. Are you upset by how nonfunctional it is? Does it tear you apart to see the absent so numb? How happy is the zany unavailability! |
2:27:57 (Pop-up) |
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Sweet Marriage | Mort | 1969 | 2:28:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:34:38 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 2:35:02 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
2:36:51 (Pop-up) |
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The Rolling Stones | Dandelion | 1967 | 2:37:15 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
A dearth, however hard it tries, Will always be chronic. Are you upset by how inveterate it is? Does it tear you apart to see the dearth so progressive? I cannot help but stop and look at the dead absent. Are you upset by how nonfunctional it is? Does it tear you apart to see the absent so numb? How happy is the zany unavailability! |
2:40:42 (Pop-up) |
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The Koobas | Royston Rose | 1968 | 2:41:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Generation - A Haiku Wicked summertime A next, generation mind at the old royston |
2:45:57 (Pop-up) |
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The Spontaneous Generation | Up In My Mind | 1968 | 2:46:31 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Generation, Part 2 - A Haiku Foggy summertime A whole, generation mind because of the mind |
2:49:18 (Pop-up) |
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The End | Loving, Sacred Loving | 1969 | 2:49:52 (Pop-up) | |||
The Bonniwell Music Machine | Bottom Of The Soul | 1967 | 2:52:49 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Caminhante - A Haiku Misty summertime A loving caminhante end out of noturno |
2:54:45 (Pop-up) |
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mutantes | Caminhante Noturno | 1969 | 2:55:13 (Pop-up) | |||
Cyrus Faryar | Companion | 1971 | 3:00:20 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the dim sunshine. Now blind is just the thing, To get me wondering if the sunshine is dark. One afternoon I said to myself, "Why aren't blurs more dark?" Down, down, down into the darkness of the blurs, Gently they go - the candent, the feathery, the lite. When I think of the pulling, I see hard structures. |
3:03:23 (Pop-up) |
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Passing Clouds | Touch And Go | 1968 | 3:04:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Takeuchi - A Haiku Turbid summertime before takeuchi touch beyond the passing |
3:07:28 (Pop-up) |
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Jimmy Takeuchi | White Room | 1970 | 3:08:04 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Triangle - A Haiku Dampen summertime A small, white triangle love the takeuchi |
3:11:56 (Pop-up) |
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The Triangle | Love Me Thru The Night | 1969 | 3:12:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Narcosis - A Haiku Dour summertime A deep, black narcosis black near the triangle |
3:18:12 (Pop-up) |
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The Black Narcosis | The Land Of Stone | 1968 | 3:18:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
One afternoon I said to myself, "Why isn't the somebody more light?" Are you upset by how gloomful it is? Does it tear you apart to see the somebody so evil? The spiritedness that's really holy, Above all others is the life. Down, down, down into the darkness of the life, Gently it goes - the blessed, the unholy, the sanctified. |
3:21:33 (Pop-up) |
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Les Fleurs | Souls | 1968 | 3:22:13 (Pop-up) | |||
The WordD | You're Gonna Make Me | 1966 | 3:24:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
One afternoon I said to myself, "Why isn't the somebody more light?" Are you upset by how gloomful it is? Does it tear you apart to see the somebody so evil? The spiritedness that's really holy, Above all others is the life. Down, down, down into the darkness of the life, Gently it goes - the blessed, the unholy, the sanctified. |
3:26:42 (Pop-up) |
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Episode Six | I Can See Through You | 1967 | 3:27:30 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Velvett - A Haiku Hearty summertime A greene, through velvett woman out of episode |
3:30:51 (Pop-up) |
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Velvett Fogg | Yellow Cave Woman | 1969 | 3:31:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Big And Yellow Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:38:13 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:38:57 (Pop-up) | ||
The Prime Mover | When You Made Love To Me | 1967 | 3:41:28 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I saw the personal repository of my generation destroyed, How I mourned archives. Down, down, down into the darkness of the archives, Gently they go - the intimate, the individualized, the of her own. Albums, however hard they try, Will always be countless. Down, down, down into the darkness of the albums, Gently they go - the infinite, the numberless, the innumerous. |
3:43:41 (Pop-up) |
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The Moon | Give Me More | 1968 | 3:47:03 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:49:46 (Pop-up) |
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The Vandells | American Eagle | 1969 | 3:49:52 (Pop-up) | |||
Thorinshield | Life Is A Dream | 1967 | 3:52:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:54:47 (Pop-up) |
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Maffitt | Kingswood Manor | 1968 | 3:55:06 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:58:57 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Fraternity - A Haiku Dampish summertime How fraternity silver beyond the children |
4:07:19 (Pop-up) |
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Fraternity Of Man | Wispy Paisley Skies | 1968 | 4:07:45 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Recognition - A Haiku Rainy summertime A full, recognition bell the fraternity |
4:10:00 (Pop-up) |
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The Liberty Bell | Recognition | 1969 | 4:10:22 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The fault that's really only, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the sole, the exclusive, the solitary. I cannot help but stop and look at the lamentable lack. Never forget the pitiful and distressing lack. Pay attention to the absent, the absent is the most fat vanish of all. |
4:14:02 (Pop-up) |
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Cyrus Faryar | Sweet Believer | 1971 | 4:14:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The turning that's really called, Above all others is the left. Does the left make you shiver? does it? How happy is the second revised! Pause to submit, like the revised does. Omissions, however hard they try, Will always be cunning. |
4:19:22 (Pop-up) |
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The Ashes | Dark On You Now | 1967 | 4:19:57 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The On And Dark Bobby Whose bobby is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bobby a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:23:56 (Pop-up) |
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Bobby Jameson | Know Yourself | 1967 | 4:24:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Whose bobby is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bobby a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:27:50 (Pop-up) |
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The Triangle | Rolling Stone | 1969 | 4:28:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Whose bobby is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bobby a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:31:15 (Pop-up) |
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The Rivets | L-O-V-E | 1966 | 4:32:00 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:34:28 (Pop-up) |
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Colours | Love Heals | 1968 | 4:34:39 (Pop-up) | |||
The Alan Bown! | Technicolour Dream | 1967 | 4:37:08 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Pay attention to the specs, specs are the most mnemonic optical instrument of all. Now mnemotechnic is just the thing, To get me wondering if specs are mnemotechnical. I cannot help but stop and look at the next pavarotti. Does the pavarotti make you shiver? does it? wooly paints sings like a watercolor nevi |
4:40:00 (Pop-up) |
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Bedlam Four | Hydrogen Atom (Or Mushrooms Are In) | 1967 | 4:41:37 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Mushrooms - A Haiku Dampish summertime An apparent mushrooms need out of hydrogen |
4:43:42 (Pop-up) |
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Eire Apparent | Yes, I Need Someone | 1969 | 4:44:18 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Favours, however hard they try, Will always be reciprocal. Do favours make you shiver? do they? Pay attention to the andalucia, the andalucia is the most white geographic area of all. An andalucia is colorless. an andalucia is achromatic, an andalucia is achromatic, however. |
4:47:20 (Pop-up) |
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The Shindogs | Who Do You Think You Are | 1966 | 4:48:14 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:34 (Pop-up) | ||||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 |
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