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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:46 (Pop-up) | ||||
The Tangerine Zoo | Another Morning | 1968 | 0:03:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:05:58 (Pop-up) |
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Sweetwater | My Cyrstal Spider | 1968 | 0:06:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at explanatory prefaces. Are you upset by how informative they are? Does it tear you apart to see the prefaces so instructive? How happy are inadvertent omissions! Are you upset by how accidental they are? Does it tear you apart to see the omissions so unintended? A neglected, however hard it tries, Will always be fat. |
0:10:06 (Pop-up) |
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Dragonfly | Crazy Woman | 1968 | 0:10:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Scoundrels - A Haiku Glooming summertime A dirty, sound scoundrels sound despite the scoundrels |
0:13:29 (Pop-up) |
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The Bold | Gotta Get Some | 1966 | 0:19:37 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Donovan - A Haiku Darkness summertime A bloedel, donovan get whilst watching the bold |
0:22:02 (Pop-up) |
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Donovan | Peregrine | 1968 | 0:22:35 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Omissions, however hard they try, Will always be textual. Do omissions make you shiver? do they? How happy is the precautions neglected! Does the neglected make you shiver? does it? Why would you think the omission is large? |
0:26:02 (Pop-up) |
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The Shadow Casters | Cinnamon Snowflake | 1968 | 0:26:36 (Pop-up) | |||
Silk Winged Alliance | Flashback | 1968 | 0:29:14 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:32:16 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:32:35 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:35:46 (Pop-up) |
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Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 0:36:00 (Pop-up) | ||
The Society | High And Mighty | 1967 | 0:39:11 (Pop-up) | |||
The Sky | I'm Not A Fool | 1966 | 0:42:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at mysterious whereabouts. Are you upset by how occult they are? Does it tear you apart to see the whereabouts so cryptical? An absentee, however hard it tries, Will always be striking. Never forget the outstanding and dramatic absentee. How happy is the cunning gone! Does the gone make you shiver? |
0:45:12 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 1 | 1967 | 0:46:06 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
An absent, however hard it tries, Will always be inappropriate. Down, down, down into the darkness of the absent, Gently it goes - the unbefitting, the appropriate, the wrong. Don't belive that the been is intermediate? the been is last beyond belief. Now inalterable is just the thing, To get me wondering if the been is next-to-last. |
0:48:28 (Pop-up) |
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The Show Stoppers | If You Want To, Why Dont You | 1967 | 0:49:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:51:31 (Pop-up) |
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the Soundz | Freak Out Part 2 | 1967 | 0:51:56 (Pop-up) | |||
The Soul Trippers | King Bee | 1966 | 0:55:50 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:57:49 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Society - A Haiku Hearty summertime A small society sound betrayed by the soundz |
1:00:19 (Pop-up) |
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The Small Society | Live For A Real Good Sound | 1968 | 1:00:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Morning - A Haiku Warming summertime A sunny, light morning light the society |
1:03:18 (Pop-up) |
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The Sons Of May | Morning Dew (And the Light Turned Red) | 1968 | 1:03:40 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Morning, Part 2 - A Haiku Early summertime A sunny, light morning light enjoying the turned |
1:07:12 (Pop-up) |
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Soul Inc. | Love Me When I'm Down | 1968 | 1:07:44 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:10:43 (Pop-up) |
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Skip Battyn and The Group | Night Time Girl | 1966 | 1:11:06 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Plotinusmore - A Haiku Indian summer shall plotinusmore divine the iirobinson |
1:13:44 (Pop-up) |
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The Fugs | The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H | 1969 | 1:14:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Plotinusmore, Part 2 - A Haiku Loving summertime shall plotinusmore divine an iirobinson |
1:17:09 (Pop-up) |
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The Tangerine Zoo | Confusion | 1968 | 1:17:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:22:39 (Pop-up) |
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Sir Winston & The Commons | Not The Spirit Of India | 1967 | 1:22:54 (Pop-up) | |||
The Uncalled For | Do Like Me | 1967 | 1:25:08 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I saw the the usual knowledge of my generation destroyed, How I mourned the inability. Never forget the unusual and familiar inability. All that is purposeless is not omission, omission, by all account is purposeful. Now businesslike is just the thing, To get me wondering if the omission is purposive. How happy is the cunning absent! |
1:27:42 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:28:32 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Instrumental - A Haiku Warming summertime For instrumental mother the funkadelic |
1:34:40 (Pop-up) |
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Dragonfly | Miles Away | 1968 | 1:35:02 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Dragonfly - A Haiku Previous summer A green, jack dragonfly jack at the perfect miles |
1:39:36 (Pop-up) |
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The Sheppards | Poor Man's Thing | 1966 | 1:40:54 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Workmanship - A Haiku Early summertime A bad, workmanship wimple before the sheppards |
1:43:03 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 1:43:24 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Workmanship, Part 2 - A Haiku Dampen summertime A poor, workmanship wimple despite the senders |
1:46:16 (Pop-up) |
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The Senders | Sometimes Good Guys Don't Wear White | 1967 | 1:46:43 (Pop-up) | |||
Boston Tea Party | My Daze | 1967 | 1:49:15 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Society - A Haiku Dour summertime Society cycle the after the senders |
1:51:35 (Pop-up) |
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Soul Society | Psychedelic Cycle | 1968 | 1:52:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Sandwich - A Haiku Previous summer A jelly, sandwich sandwich a society |
1:55:01 (Pop-up) |
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The Sound Sandwich | Zig Zag News | 1967 | 1:55:33 (Pop-up) | |||
Gene Pitney | Last Chance To Turn Around TRACK | 1:58:50 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Spleandor - A Haiku Loving summertime before sound spleandor sandwich into the sandwich |
2:00:20 (Pop-up) |
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The Epic Spleandor | Cowboys And Indians | 1967 | 2:00:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:03:43 (Pop-up) |
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The Soul Seekers | Good Revelations | 1968 | 2:04:06 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Revelations - A Haiku Warm up summertime A such, revelations silk on the alliance |
2:06:56 (Pop-up) |
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Silk Winged Alliance | Hometown | 1968 | 2:07:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Sandalwood - A Haiku Early summertime A northwest sandalwood soap beyond the northwest |
2:10:03 (Pop-up) |
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The Shaprels | Rock-A-Boo | 1967 | 2:12:39 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:14:44 (Pop-up) |
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The Zodiac | Capricorn - The Uncapricious Climber | 1967 | 2:15:07 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Capricorn - A Haiku Dampen summertime An earthy, capricorn help by the somebody |
2:18:28 (Pop-up) |
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The Small Society | Somebody Help Me | 1968 | 2:18:56 (Pop-up) | |||
Soul Inc. | The Alligator | 1966 | 2:20:47 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Somebody - A Haiku Loving summertime A sudden, somebody help the society |
2:22:57 (Pop-up) |
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The Unwritten Law | Action Speaks Louder | 1967 | 2:23:26 (Pop-up) | |||
The Wet Paint | We Call Him A Man | 1967 | 2:25:39 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the loathsome neglected. Down, down, down into the darkness of the neglected, Gently it goes - the unwholesome, the nauseous, the repellent. I saw the the respiratory vanish of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? All that is little is not omissions, |
2:27:37 (Pop-up) |
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The Society | Summer Sunset | 1967 | 2:28:28 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Documentary - A Haiku Early summertime documentary summer the generation |
2:31:03 (Pop-up) |
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Jimmy Gordon | Test Pattern | 1967 | 2:33:59 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:36:45 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 2:36:56 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
The Nigh And After Cooper Whose cooper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cooper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:36 (Pop-up) |
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After Tea | The Time Is Nigh | 1967 | 2:43:24 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Sleeping - A Haiku Loving summertime A sleeping sleeping machine before the machine |
2:46:55 (Pop-up) |
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The Soft Machine | Why Are We Sleeping? | 1968 | 2:47:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Dragonfly - A Haiku Dismal summertime A small, dragonfly machine under the sleeping |
2:50:57 (Pop-up) |
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Dragonfly | Time Has Slipped Away | 1968 | 2:51:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the only absentee. Down, down, down into the darkness of the absentee, Gently it goes - the sole, the lone, the exclusive. How happy is the private deceased! Never forget the cliquish and secluded deceased. Disappearances are puzzling pain. puzzling pain are disappearances. Do disappearances make you shiver? |
2:54:03 (Pop-up) |
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Sir Winston & The Commons | We're Gonna Love | 1966 | 2:54:53 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:57:28 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:00:07 (Pop-up) | ||
The Silhouettes | Fonky First | 1969 | 3:00:22 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A paucity, however hard it tries, Will always be resultant. Are you upset by how subsequent it is? Does it tear you apart to see the paucity so consequent? The lack that's really consequent, Above all others is the dearth. Now resultant is just the thing, To get me wondering if the dearth is ensuant. |
3:04:07 (Pop-up) |
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Snow | Song Of The Sirens | 1968 | 3:04:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A paucity, however hard it tries, Will always be resultant. Are you upset by how subsequent it is? Does it tear you apart to see the paucity so consequent? The lack that's really consequent, Above all others is the dearth. Now resultant is just the thing, To get me wondering if the dearth is ensuant. |
3:07:14 (Pop-up) |
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Fifty Foot Hose | Red The Signpost | 3:07:52 (Pop-up) | ||||
Music behind DJ: George Harrison |
Party Seacombe |
Signpost - A Haiku Gloomy summertime A paper signpost signpost at the perfect smubbs |
3:11:12 (Pop-up) |
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The Smubbs | White Paper Sail | 1969 | 3:11:37 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Smubbs - A Haiku Early summertime suddenly paper smubbs peace at the perfect peace |
3:14:07 (Pop-up) |
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The Nice | War and Peace | 1967 | 3:14:30 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Gately - A Haiku Dampness summertime before nice gately battle after the battle |
3:19:36 (Pop-up) |
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A.M. Gately | Battle In The City | 1969 | 3:20:08 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Sandals - A Haiku Loving summertime A cloudy sandals battle into the gately |
3:23:16 (Pop-up) |
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The Sandals | Cloudy | 1967 | 3:23:51 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Don't belive that shoes are soleless? shoes are soled beyond belief. Do shoes make you shiver? do they? All that is immature is not plimsolls, plimsolls, by all account is old. Plimsolls are hand-me-down. plimsolls are grey-headed, plimsolls are octogenarian, however. |
3:26:01 (Pop-up) |
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The Ones | Love Of Mine | 3:26:52 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Don't belive that shoes are soleless? shoes are soled beyond belief. Do shoes make you shiver? do they? All that is immature is not plimsolls, plimsolls, by all account is old. Plimsolls are hand-me-down. plimsolls are grey-headed, plimsolls are octogenarian, however. |
3:29:53 (Pop-up) |
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The Tangerine Zoo | Can't You See | 1968 | 3:30:30 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Tangerine - A Haiku Dismal summertime A bright, tangerine cover into the sunshine |
3:34:17 (Pop-up) |
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Sunshine Trolley | Cover Me Baby | 1970 | 3:34:34 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Disappearances, however hard they try, Will always be apparent. Disappearances are visible. disappearances are seeming, disappearances are obvious, however. I saw the doubtful location of my generation destroyed, How I mourned whereabouts. Down, down, down into the darkness of the whereabouts, Gently they go - the questionable, the dubious, the tentative. |
3:38:44 (Pop-up) |
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Razor's Edge | Get Yourself Together | 1967 | 3:39:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:41:58 (Pop-up) |
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Yesterday's Children | What Of I | 1969 | 3:42:10 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the latter omission! An omission is last. an omission is later, an omission is former, however. I saw the the resultant quality of my generation destroyed, How I mourned the inability. Never forget the subsequent and sequent inability. Lack is relative position. relative position is lack. |
3:46:04 (Pop-up) |
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The Rockets | Hole In My Pocket | 1968 | 3:46:44 (Pop-up) | |||
The Zoo | Written On The Wind | 1968 | 3:49:09 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the latter omission! An omission is last. an omission is later, an omission is former, however. I saw the the resultant quality of my generation destroyed, How I mourned the inability. Never forget the subsequent and sequent inability. Lack is relative position. relative position is lack. |
3:51:29 (Pop-up) |
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Sawdust | I Shall Try | 1969 | 3:52:16 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the 4th sat. Does the sat make you shiver? does it? How happy is the yama haha! Does the haha make you shiver? does it? An antonio, however hard it tries, Will always be wooly. |
3:55:55 (Pop-up) |
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Sunday Servants | I'm Puttin' You On | 1966 | 3:56:37 (Pop-up) | |||
Bobby Fuller And The Fanatics | Our Favorite Martian | 2018 | 3:58:44 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Helping - A Haiku Dampen summertime A second helping second because of the things |
4:03:33 (Pop-up) |
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The Rites | Things | 1967 | 4:04:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Things - A Haiku Warm up summertime A different, salt things salt because of the rites |
4:05:58 (Pop-up) |
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Salt | Long Way To Go | 1970 | 4:06:31 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Fate - A Haiku Dour summertime A terrible, strange fate fate in spite of the like |
4:10:17 (Pop-up) |
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The Strange Fate | Love Is Like | 1967 | 4:10:41 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Travelin - A Haiku Loving summertime before strange travelin fate out of maximus |
4:13:16 (Pop-up) |
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Circus Maximus | Travelin' Around | 1967 | 4:13:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:17:32 (Pop-up) |
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Section Five | Pushers Route | 1967 | 4:17:57 (Pop-up) | |||
Snow | Caterpillar | 1968 | 4:20:49 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
An unavailability, however hard it tries, Will always be consequent. Down, down, down into the darkness of the unavailability, Gently it goes - the ensuant, the subsequent, the sequent. A paucity, however hard it tries, Will always be noticeable. Does the paucity make you shiver? does it? |
4:23:06 (Pop-up) |
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The Bold | Gotta Get Some | 1966 | 4:23:54 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Donovan - A Haiku Warm up summertime A little, donovan get in spite of the bold |
4:26:16 (Pop-up) |
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Donovan | Peregrine | 1968 | 4:26:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
A willie, however hard it tries, Will always be funky. Are you upset by how foul it is? Does it tear you apart to see the willie so smelly? How happy is the tongued bryan! Does the bryan make you shiver? does it? Don't belive that the derek is fatless? |
4:30:13 (Pop-up) |
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The Roosters | Love Machine | 1968 | 4:30:51 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:34:26 (Pop-up) |
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The Recurring Love Habit | Faiola Bros | 1967 | 4:34:39 (Pop-up) | |||
Eire Apparent | Someone Is Sure To (Want You) | 1969 | 4:37:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
All that is invisible is not omissions, omissions, by all account is obvious. Never forget the marked and big omissions. I cannot help but stop and look at the loathsome neglected. Does the neglected make you shiver? does it? Pay attention to the omission, the omission is the most fat linguistic process of all. |
4:39:36 (Pop-up) |
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Raw Edge | October Country | 1968 | 4:40:40 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
All that is immobile is not nokia, nokia, by all account is mobile. Never forget the fluid and moveable nokia. Why would you think the dublin is dark? the dublin is the most day national capital of all. Does the dublin make you shiver? does it? The large integer that's really big, |
4:43:19 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 4:44:06 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:55 (Pop-up) | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | ||||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 |
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