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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
Randy And The Rest | Confusion | 1967 | 0:03:15 (Pop-up) | |||
Summerhill | Friday Morning's Paper | 1968 | 0:05:15 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Impression - A Haiku Dampish summertime A wrong, impression sugar out of confusion |
0:07:43 (Pop-up) |
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The Sugar Cube Blues Band | My Last Impression | 1968 | 0:08:14 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Impression, Part 2 - A Haiku Loving summertime A secret impression frank the ceremony |
0:11:46 (Pop-up) |
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Sweet Marie | Remember Mary | 1970 | 0:13:50 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Heathcliff - A Haiku Warming summertime A sweet heathcliff remember into the justin |
0:17:11 (Pop-up) |
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Justin Heathcliff | To Live In Peace | 1971 | 0:17:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Heathcliff, Part 2 - A Haiku Loving summertime A wondering heathcliff peace at the old aircoach |
0:22:45 (Pop-up) |
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Royal Aircoach | Wondering Why | 1968 | 0:23:19 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Aircoach - A Haiku Nighttime summertime A wondering aircoach head because of the youre |
0:26:20 (Pop-up) |
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Roy Head | You're (Almost) Tuff | 1966 | 0:26:56 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:29:39 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
0:32:11 (Pop-up) |
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The Ones | Love Of Mine | 0:32:41 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Why would you think the disappearance is explicable? the disappearance is the most inexplicable departure of all. Now paradoxical is just the thing, To get me wondering if the disappearance is explicable. I cannot help but stop and look at the other stolen. Are you upset by how extra it is? Does it tear you apart to see the stolen so different? A lost, however hard it tries, |
0:35:43 (Pop-up) |
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Super-Fine Dandelion | The Other Sidewalk | 1967 | 0:36:27 (Pop-up) | |||
Ry Cooper | 1983 | 1966 | 0:40:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Sidewalks - A Haiku Warm up summertime A superfine sidewalks hand a dandelion |
0:43:19 (Pop-up) |
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The Moving Sidewalks | I Want to Hold Your Hand | 1996 | 0:43:49 (Pop-up) | |||
R. E. Houchins and The Green Fuz | There Is A Land | 1969 | 0:47:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Sidewalks, Part 2 - A Haiku Loving summertime A paved, moving sidewalks hand by the josefus |
0:49:48 (Pop-up) |
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Josefus | I'm gettin' on | 1970 | 0:50:22 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Josefus - A Haiku Warm up summertime before josefus woman beyond the rising |
0:52:49 (Pop-up) |
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The Rising Sons | Devil's Got My Woman | 1966 | 0:53:10 (Pop-up) | |||
Sweet Cherry | Funny Things Floating | 1967 | 0:56:11 (Pop-up) | |||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 0:59:03 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Sandals - A Haiku Warm up summertime A white, painted sandals glass above the rising |
1:00:21 (Pop-up) |
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The Sandals | House Of Painted Glass | 1967 | 1:01:10 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Sandals, Part 2 - A Haiku Hearty summertime A beautiful sandals stone before the garden |
1:03:33 (Pop-up) |
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Stone Garden | It's A Beautiful Day | 1969 | 1:03:56 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Curtis, however hard they try, Will always be brown. Now colored is just the thing, To get me wondering if curtis are brownish. I cannot help but stop and look at the sunny weekend. Does the weekend make you shiver? does it? All that is little is not pete, |
1:07:22 (Pop-up) |
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Sunday Servants | Who Do You Love | 1966 | 1:07:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Curtis, however hard they try, Will always be brown. Now colored is just the thing, To get me wondering if curtis are brownish. I cannot help but stop and look at the sunny weekend. Does the weekend make you shiver? does it? All that is little is not pete, |
1:10:41 (Pop-up) |
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Scorpio Tube | Yellow Listen | 1970 | 1:11:19 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Curtis, however hard they try, Will always be brown. Now colored is just the thing, To get me wondering if curtis are brownish. I cannot help but stop and look at the sunny weekend. Does the weekend make you shiver? does it? All that is little is not pete, |
1:14:07 (Pop-up) |
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Bobby Callender | Awaken John - Lord Am I Dreaming | 1971 | 1:14:42 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Don't belive that the trew is worthless? the trew is valuable beyond belief. Our trew is of import and invaluable, it likes to score, it likes to write. It does score, it does write, it does try. The chapmen is not uncertain! |
1:17:37 (Pop-up) |
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Stoned Circus | Try Love | 1970 | 1:18:13 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Alligators, however hard they try, Will always be vicious. Are you upset by how roughshod they are? Does it tear you apart to see the alligators so savage? I cannot help but stop and look at brown puppies. Down, down, down into the darkness of the puppies, Gently they go - the colored, the brownish, the dark-brown. pigs are not big! |
1:22:26 (Pop-up) |
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The Roosters | You Gotta Run | 1966 | 1:23:18 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Roosters - A Haiku Foggy summertime An initial roosters shock near the initial |
1:25:37 (Pop-up) |
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The Initial Shock | You've Been A Long Time Comin' | 1967 | 1:25:59 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Shock And Initial Initial Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:28:38 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 1:29:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Whose initial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her initial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:35:10 (Pop-up) |
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Sandy Gurley and the San Francisco Bridge | Mind Pucker | 1968 | 1:36:10 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Francisco - A Haiku Dampish summertime A party francisco search betrayed by the search |
1:39:21 (Pop-up) |
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The Search Party: | So Many Things Have Got Me Down | 1969 | 1:39:45 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Whisper - A Haiku Warm up summertime A hopeless whisper whisper enjoying the search |
1:48:49 (Pop-up) |
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SMASH | One Hopeless Whisper | 1969 | 1:49:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Whisper, Part 2 - A Haiku Loving summertime A hopeless whisper whisper because of the street |
1:54:08 (Pop-up) |
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Street | What A Strange Town | 1968 | 1:54:42 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Cooper - A Haiku Dampness summertime A young, strange cooper cooper betrayed by the street |
2:00:21 (Pop-up) |
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The Flower Pot | Gentle People | 1967 | 2:00:38 (Pop-up) | |||
Ry Cooper | The Game Of Life | 1966 | 2:00:52 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
An absent, however hard it tries, Will always be pent. Does the absent make you shiver? does it? I saw the the obvious scarceness of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the outstanding, the in evidence, the manifest. |
2:03:08 (Pop-up) |
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Sugar Creek | Memory Tree | 1969 | 2:03:47 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:09:08 (Pop-up) |
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The Rubber Band | Rubber Jam | 1969 | 2:09:20 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
2:15:30 (Pop-up) |
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Stone Garden | Woodstick | 1969 | 2:15:50 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Furry And Several Species Whose species is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his species a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:24:12 (Pop-up) |
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Pink Floyd | Roger Waters - Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict | 1969 | 2:25:15 (Pop-up) | |||
The Savage Resurrection | Every Little Song | 1968 | 2:30:09 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Piblokto - A Haiku Sunless summertime suddenly piblokto pink by the electric |
2:31:55 (Pop-up) |
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Pete Brown & Piblokto! | High Flying Electric Bird | 1970 | 2:32:40 (Pop-up) | |||
Burt Ward | Boy Wonder I Love You | Boy Wonder I Love You b/w Orange Colored Sky | 1966 | 2:36:55 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Piblokto, Part 2 - A Haiku Muddy summertime suddenly piblokto paint by the electric |
2:38:58 (Pop-up) |
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The Wet Paint | We Call Him A Man | 1967 | 2:39:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Nebulas - A Haiku Dampness summertime A wet nebulas people into the people |
2:41:33 (Pop-up) |
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The Nebulas | A Mind Where People Smile | 1970 | 2:41:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:45:51 (Pop-up) |
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Steve Baron Quartet | Bertha Was The Mother Of Us All | 1969 | 2:46:06 (Pop-up) | |||
Amerika | The Sky Is Falling | 1970 | 2:49:37 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Francisco - A Haiku Dampish summertime A sandy francisco bridge beyond the quartet |
2:52:01 (Pop-up) |
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Sandy Gurley and the San Francisco Bridge | Can't Buy Me Love | 1968 | 2:52:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Whispering - A Haiku Loving summertime A little, whispering bridge near the francisco |
2:56:00 (Pop-up) |
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The Maze | Whispering Shadows | 1968 | 2:56:24 (Pop-up) | |||
Steeplechase | Wrought Iron Man | 1970 | 3:00:38 (Pop-up) | |||
Street | There's One Kind Favor | 1968 | 3:04:44 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Whispering, Part 2 - A Haiku Muddy summertime A gentle, whispering come despite the shadows |
3:07:42 (Pop-up) |
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Velvet Night | I'm Sure He'll Come Most Anytime | 1969 | 3:08:13 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Pay attention to the imprint, the imprint is the most faint concave shape of all. An imprint is light-headed. an imprint is timid, an imprint is fearful, however. Pay attention to the implant, the implant is the most spherical introduce of all. Down, down, down into the darkness of the implant, Gently it goes - the globular, the spheric, the ball-shaped. |
3:10:43 (Pop-up) |
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Lyd | The time of hate and struggle | 1970 | 3:11:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy are puzzling disappearances! Do disappearances make you shiver? do they? Pay attention to the disappearance, the disappearance is the most mysterious occurrence of all. A disappearance is mystical. a disappearance is occult, a disappearance is cryptic, however. Whereabouts, however hard they try, |
3:15:41 (Pop-up) |
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Sugar Creek | Night Flash | 1969 | 3:16:33 (Pop-up) | |||
The Velvet Underground | Candy Says | 1969 | 3:19:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Underground, Part 2 - A Haiku Warm up summertime A polish, underground band beyond the rubber |
3:23:54 (Pop-up) |
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The Rubber Band | Strange Brew | 1969 | 3:24:28 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Rubber - A Haiku Sunless summertime A butyl, strange rubber flash because of the flash |
3:27:25 (Pop-up) |
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Womb | Flash | 1969 | 3:27:58 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:34:16 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 3:35:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Crazy And Brown Country Whose country is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his country a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:38:06 (Pop-up) |
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Raw Edge | October Country | 1968 | 3:38:53 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Resurrection - A Haiku Sunless summertime For resurrection savage out of tahitian |
3:41:31 (Pop-up) |
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The Savage Resurrection | Tahitian Melody | 1968 | 3:42:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Brown And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:46:48 (Pop-up) |
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Pete Brown & Piblokto! | Walk For Charity, Run For Money | 1970 | 3:47:35 (Pop-up) | |||
Sweetwater | For Pete's Sake | 1968 | 3:53:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Piblokto - A Haiku Glooming summertime A county piblokto think by the charity |
3:55:47 (Pop-up) |
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Linn County | Think | 1968 | 3:56:18 (Pop-up) | |||
tangerine dream | Ultima Thule, Teil 1 | 1971 | 3:59:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Players - A Haiku Dampness summertime A gentle players gentle enjoying the blaine |
4:02:58 (Pop-up) |
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Steve Allen And The Gentle Players, featuring Gabor Szabo and Hal Blaine | Fox | 1967 | 4:03:29 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Quartet - A Haiku Wicked summertime A feeling quartet gentle into the feeling |
4:07:24 (Pop-up) |
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Steve Baron Quartet | Don't You Hate The Feeling | 1969 | 4:07:50 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Steeplechase - A Haiku Hazy summertime A 3000m, feeling steeplechase watching the quartet |
4:13:38 (Pop-up) |
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Steeplechase | Lady Bright | 1970 | 4:14:16 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Steeplechase, Part 2 - A Haiku Early summertime A big, trident steeplechase out of productions |
4:18:20 (Pop-up) |
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The Nebulas | I Can Always Love | 1970 | 4:24:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:26:44 (Pop-up) |
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T.I.M.E. | Label It Love | 1968 | 4:27:16 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
4:29:38 (Pop-up) |
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Lyd | Need you | 1970 | 4:29:57 (Pop-up) | |||
Velvet Night | Velvet Night | 1970 | 4:32:29 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:35:20 (Pop-up) |
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The Ones | Love Of Mine | 4:35:35 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
The linguistic process that's really obvious, Above all others is the omission. Now apparent is just the thing, To get me wondering if the omission is palpable. Pay attention to the absent, the absent is the most beloved disappear of all. Does the absent make you shiver? does it? |
4:38:35 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 4:39:21 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Pay attention to the left, the left is the most enough manus of all. Are you upset by how adequate it is? Does it tear you apart to see the left so sufficient? How happy is the great been! Are you upset by how of import it is? Does it tear you apart to see the been so good? I cannot help but stop and look at the fat neglected. |
4:41:53 (Pop-up) |
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Womb | Love | 1969 | 4:42:37 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Pay attention to the left, the left is the most enough manus of all. Are you upset by how adequate it is? Does it tear you apart to see the left so sufficient? How happy is the great been! Are you upset by how of import it is? Does it tear you apart to see the been so good? I cannot help but stop and look at the fat neglected. |
4:48:22 (Pop-up) |
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Edgar Broughton Band | Evil | 1969 | 4:49:03 (Pop-up) | |||
Rotary Connection | Trip I (cont.) : Didn't Want To Have To Do It | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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