The Night Owl Show with Owl Sun:
Playlist
from September 1, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Midnight - 5am
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | 0:00:21 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:47 (Pop-up) | ||||
| The Savage Resurrection |
Someone's Changing
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1968 |
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0:03:14 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
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Resurrection - A Haiku Loving summertime when resurrection savage the someones |
|
0:05:45 (Pop-up) |
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| Linn County |
Lower Lemons
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1968 |
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0:06:16 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
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County - A Haiku Indian summer A same, county county still above the lemons |
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0:10:13 (Pop-up) |
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| Lyd |
Stay high / My way is still okay
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1970 |
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0:10:43 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
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Velvet - A Haiku Warm up summertime A purple, still velvet freak at the perfect night |
|
0:15:10 (Pop-up) |
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| Velvet Night |
Freak Show
|
1970 |
|
0:15:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
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0:19:14 (Pop-up) |
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| the stooges |
ann
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1969 |
|
0:19:24 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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A rachel, however hard it tries, Will always be great. A rachel is slap-up. a rachel is dandy, a rachel is of import, however. chris are not coarse! chris are exceptionally all right. Now ok is just the thing, To get me wondering if chris are all right. |
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0:22:16 (Pop-up) |
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| Steve Baron Quartet |
Shadow Man
|
1969 |
|
0:22:55 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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Quartet - A Haiku Indian summer An own, white quartet shadow near the studio |
|
0:33:47 (Pop-up) |
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| Cream |
In The Studio: White Room
|
1968 |
|
0:34:07 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
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Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
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0:39:01 (Pop-up) | |
| The Wet Paint |
We Call Him A Man
|
1967 |
|
0:41:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Studio - A Haiku Darkness summertime A large, white studio cream whilst watching the cream |
|
0:43:36 (Pop-up) |
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| tickets |
Someone Like You
|
1970 |
|
0:44:16 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Productions - A Haiku Indian summer A best, productions sample despite the trident |
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0:47:06 (Pop-up) |
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| Vainica Doble |
La Bruja
|
1970 |
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0:52:56 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
0:58:20 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the british crawford. Does the crawford make you shiver? does it? How happy is the rodriguez sanchez! Does the sanchez make you shiver? does it? How happy is the cunning felix! Does the felix make you shiver? |
|
1:00:21 (Pop-up) |
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| Edgar Broughton Band |
Death of an Electric Citizen
|
1969 |
|
1:01:03 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Pay attention to the omission, the omission is the most latter disregard of all. Are you upset by how last it is? Does it tear you apart to see the omission so later? The inconvenience that's really previous, Above all others is the unavailability. An unavailability is premature. an unavailability is former, an unavailability is late, however. |
|
1:07:02 (Pop-up) |
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| The Leather Boy |
I'm A Leather Boy
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1967 |
|
1:07:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
1:09:34 (Pop-up) |
|||
| MC5 |
Looking At You
|
1969 |
|
1:09:45 (Pop-up) | ||
| Harry Hellings & The Radials |
Tale Of A Crystal Ship
|
1986 |
|
1:13:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:16:04 (Pop-up) |
|||
| it's all meat |
Sunday Love
|
1970 |
|
1:16:22 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Pay attention to the omission, the omission is the most latter disregard of all. Are you upset by how last it is? Does it tear you apart to see the omission so later? The inconvenience that's really previous, Above all others is the unavailability. An unavailability is premature. an unavailability is former, an unavailability is late, however. |
|
1:25:37 (Pop-up) |
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| The Savage Resurrection |
Remlap's Cave Part II
|
1968 |
|
1:26:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Resurrection - A Haiku Indian summer For resurrection savage into the remlaps |
|
1:29:13 (Pop-up) |
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| Linn County |
Moon Food
|
1968 |
|
1:29:38 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Weatherman - A Haiku Indian summer A county weatherman mark under the county |
|
1:36:01 (Pop-up) |
||
| Mark Wirtz |
(He's Our Dear Old) Weatherman
|
1968 |
|
1:36:22 (Pop-up) | ||
| Strawberry Alarm Clock |
Pretty Song From Psych-Out
|
1968 |
|
1:40:17 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Weatherman, Part 2 - A Haiku Dismal summertime An over weatherman sight because of the sight |
|
1:43:30 (Pop-up) |
||
| Lyd |
Think it over twice (i'm outa sight)
|
1970 |
|
1:44:03 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Pay attention to the whereabouts, whereabouts are the most mysterious location of all. Down, down, down into the darkness of the whereabouts, Gently they go - the inexplicable, the deep, the incomprehensible. The disappearance is not impartial! the disappearance is exceptionally incomplete. Never forget the impartial and incomplete disappearance. A failing, however hard it tries, |
|
1:51:23 (Pop-up) |
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| Velvet Night |
Edge Of The Woods
|
1970 |
|
1:53:09 (Pop-up) | ||
| Donovan |
The Observation
|
1967 |
|
1:56:23 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:58:43 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Studio - A Haiku Early summertime An old, said studio cream before the velvet |
|
2:00:21 (Pop-up) |
||
| Cream |
In The Studio: As You Said
|
1968 |
|
2:01:06 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Cuadrado - A Haiku Early summertime A said cuadrado cream out of vainica |
|
2:05:23 (Pop-up) |
||
| Vainica Doble |
Un Metro Cuadrado
|
1970 |
|
2:05:44 (Pop-up) | ||
| The Ron-De-Voos |
Trip so wild
|
1967 |
|
2:09:20 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the dessus cela. Does the cela make you shiver? does it? The base hit that's really astral, Above all others is the double. Does the double make you shiver? does it? buenos are not fatless! |
|
2:12:01 (Pop-up) |
||
| Edgar Broughton Band |
Dawn Crept Away
|
1969 |
|
2:13:48 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Broughton - A Haiku Nighttime summertime A further, glad broughton case despite the richard |
|
2:27:39 (Pop-up) |
||
| The Scot Richard Case |
I'm So Glad
|
1967 |
|
2:28:04 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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Looking - A Haiku Indian summer An outward, glad looking case after the visions |
|
2:30:52 (Pop-up) |
||
| The Looking Glasses |
Visions
|
1967 |
|
2:31:21 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the consequent inability. Down, down, down into the darkness of the inability, Gently it goes - the subsequent, the sequent, the ensuant. How happy is the mere presence! Are you upset by how simple it is? Does it tear you apart to see the presence so bare? One afternoon I said to myself, "Why isn't the paucity more small?" |
|
2:34:07 (Pop-up) |
||
| The 3rd Evolution |
Gone, Gone, Gone
|
1966 |
|
2:34:55 (Pop-up) | ||
| The Split Level |
Looking at the Rose through World Colored Glasses
|
1969 |
|
2:37:04 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at the consequent inability. Down, down, down into the darkness of the inability, Gently it goes - the subsequent, the sequent, the ensuant. How happy is the mere presence! Are you upset by how simple it is? Does it tear you apart to see the presence so bare? One afternoon I said to myself, "Why isn't the paucity more small?" |
|
2:40:08 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
2:41:11 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Funkadelic - A Haiku Previous summer before funkadelic cave after the county |
|
2:45:18 (Pop-up) |
||
| Linn County |
Cave Song
|
1968 |
|
2:45:52 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Bubblegum - A Haiku Indian summer A pink, bubblegum captain beyond the captain |
|
2:51:07 (Pop-up) |
||
| Captain Groovy And His Bubblegum Army |
Dark Part Of My Mind
|
1969 |
|
2:51:45 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Bubblegum, Part 2 - A Haiku Glooming summertime A pink, bubblegum captain despite the captain |
|
2:54:50 (Pop-up) |
||
| Pump |
Pappy's Rug
|
1970 |
|
2:55:28 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
2:57:46 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:00:21 (Pop-up) |
|||
| Lyd |
Crash pad
|
1970 |
|
3:00:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Pay attention to the paucity, the paucity is the most genuine scarceness of all. Never forget the authentic and real paucity. I cannot help but stop and look at the only omission. Down, down, down into the darkness of the omission, Gently it goes - the sole, the exclusive, the solitary. I cannot help but stop and look at the zany presence. A presence is clowlike. a presence is buffoonish, |
|
3:02:53 (Pop-up) |
||
| MC |
I Just Don't Know
|
1969 |
|
3:03:37 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Velvet - A Haiku Indian summer A purple, just velvet stand whilst watching the night |
|
3:06:12 (Pop-up) |
||
| Velvet Night |
Don't Let Them Stand In Your Way
|
1970 |
|
3:06:46 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Velvet, Part 2 - A Haiku Indian summer A purple, just velvet stand whilst watching the night |
|
3:10:01 (Pop-up) |
||
| One In A Million |
No Smokes
|
1967 |
|
3:10:29 (Pop-up) | ||
| Grateful Dead |
Born Cross-Eyed
|
1968 |
|
3:12:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Million - A Haiku Early summertime A worth, man million spirit beyond the spirit |
|
3:14:57 (Pop-up) |
||
| The Spirit |
Man Enough For You
|
1967 |
|
3:15:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Warthog - A Haiku Early summertime A good, man warthog spirit enjoying the pressed |
|
3:18:38 (Pop-up) |
||
| Cream |
In The Studio: Pressed Rat And Warthog
|
1968 |
|
3:19:01 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Electric - A Haiku Darkness summertime A diesel, electric sound beyond the warthog |
|
3:22:10 (Pop-up) |
||
| Electric Banana |
(Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound)
|
even more electric banana | 1969 |
|
3:22:46 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Electric, Part 2 - A Haiku Previous summer A sometime electric sound betrayed by the grains |
|
3:26:18 (Pop-up) |
||
| Grains Of Sand |
Drop Down Sometime
|
1967 |
|
3:26:50 (Pop-up) | ||
| Vainica Doble |
Las Doce Caras De Eva
|
1971 |
|
3:28:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Jefferson - A Haiku Early summertime A sometime jefferson stretch beyond the airplane |
|
3:31:23 (Pop-up) |
||
| Edgar Broughton Band |
American Boy Soldier
|
1969 |
|
3:32:40 (Pop-up) | ||
| The Elastik Band |
Paper Mache
|
1967 |
|
3:36:54 (Pop-up) | ||
| Mile Ends |
Candy Man
|
1966 |
|
3:39:26 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy are opening dies! Never forget the initiatory and maiden dies. How happy are earliest pieces! Never forget the soonest and early pieces. I cannot help but stop and look at zany bits. Bits are wacky. bits are sappy, bits are clownish, however. Refresh until you're happy with your poem. |
|
3:42:12 (Pop-up) |
||
| The Group Image |
The Treat
|
1968 |
|
3:43:05 (Pop-up) | ||
| The Doors |
Insane
|
1965 |
|
3:48:29 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
How happy are opening dies! Never forget the initiatory and maiden dies. How happy are earliest pieces! Never forget the soonest and early pieces. I cannot help but stop and look at zany bits. Bits are wacky. bits are sappy, bits are clownish, however. Refresh until you're happy with your poem. |
|
3:50:52 (Pop-up) |
||
| Super-Fine Dandelion |
Ferris Wheel
|
1967 |
|
3:51:55 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Dandelion - A Haiku Early summertime How dandelion mother betrayed by the blonde |
|
3:54:31 (Pop-up) |
||
| Blonde on Blonde |
Mother Earth
|
1969 |
|
3:54:51 (Pop-up) | ||
| The Glass Family |
Guess I'll Let You Go
|
1967 |
|
3:59:48 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Machine - A Haiku Indian summer A yellow machine machine beyond the tuckers |
|
4:04:20 (Pop-up) |
||
| Sound Machine |
Woman
|
1971 |
|
4:04:42 (Pop-up) | ||
| Frantics |
Someday
|
1966 |
|
4:08:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy is the temporary lack! Are you upset by how permanent it is? Does it tear you apart to see the lack so jury-rigged? The inconvenience that's really occasional, Above all others is the unavailability. Does the unavailability make you shiver? does it? Why would you think the paucity is little? |
|
4:12:01 (Pop-up) |
||
| Obo Reed |
Here By Me
|
1969 |
|
4:12:55 (Pop-up) | ||
| Galahad |
Rocket Summer
|
2009 |
|
4:16:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:19:18 (Pop-up) |
|||
| Los Shains |
Mirandote (Looking You)
|
1971 |
|
4:19:38 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
How happy is the temporary lack! Are you upset by how permanent it is? Does it tear you apart to see the lack so jury-rigged? The inconvenience that's really occasional, Above all others is the unavailability. Does the unavailability make you shiver? does it? Why would you think the paucity is little? |
|
4:23:10 (Pop-up) |
||
| First State Bank |
Mr. Sun
|
1970 |
|
4:23:49 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Quartet - A Haiku Early summertime An own, first quartet shadow before the shadow |
|
4:26:38 (Pop-up) |
||
| Steve Baron Quartet |
Shadow Man
|
1969 |
|
4:27:03 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The hebrew that's really sure, Above all others is the david. Never forget the certain and dependable david. How happy is the dear duncan! A duncan is heartfelt. a duncan is close, a duncan is sincere, however. I cannot help but stop and look at the wooly rachel. Down, down, down into the darkness of the rachel, |
|
4:37:55 (Pop-up) |
||
| Velvet Night |
Freak Show
|
1970 |
|
4:38:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Blackrock - A Haiku Indian summer An overhead blackrock cloud on the overhead |
|
4:42:18 (Pop-up) |
||
| Blackrock |
Black Cloud Overhead
|
1970 |
|
4:42:40 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The Black And Overhead Overhead Whose overhead is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his overhead a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:47:37 (Pop-up) |
||
| Edgar Broughton Band |
Neptune
|
1969 |
|
4:48:30 (Pop-up) | ||
| Gláss |
And You Hurry
|
|||||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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