The Night Owl Show with Owl Sun:
Playlist
from September 2, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:16 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:42 (Pop-up) | ||||
| Cream |
In The Studio: Those Were The Days
|
1968 |
|
0:03:08 (Pop-up) | ||
| Mother Tucker's Yellow Duck |
Funny Feeling
|
1968 |
|
0:06:00 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
0:09:38 (Pop-up) |
|||
| The Masque |
Lady Of The Land
|
1970 |
|
0:09:53 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Don't belive that coefficients are verbal? coefficients are numerical beyond belief. Coefficients are numeric. coefficients are quantitative, coefficients are numeral, however. I cannot help but stop and look at complicated scenarios. Do scenarios make you shiver? do they? The zany override sings like enthalpy characteristics |
|
0:13:53 (Pop-up) |
||
| The Glass Family |
Agorn (Elements of Complex Variables)
|
1967 |
|
0:14:51 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Uncertainties, however hard they try, Will always be parametric. Do uncertainties make you shiver? do they? Divisors, however hard they try, Will always be integer. Do divisors make you shiver? do they? |
|
0:18:10 (Pop-up) |
||
| U.S. 69 |
Never A Day Goes By
|
1969 |
|
0:18:45 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Uncertainties, however hard they try, Will always be parametric. Do uncertainties make you shiver? do they? Divisors, however hard they try, Will always be integer. Do divisors make you shiver? do they? |
|
0:23:32 (Pop-up) |
||
| Matchbox |
Metaphysical Composition
|
2014 |
|
0:24:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Merrygoround - A Haiku Darkening summer before merrygoround get near the renaissance |
|
0:27:03 (Pop-up) |
||
| The Renaissance |
Mary Jane (Get Off The Devil's Merry-Go-Round)
|
1967 |
|
0:27:25 (Pop-up) | ||
| Love |
Stephanie Knows Who
|
Stephanie Knows Who |
|
0:29:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Merrygoround, Part 2 - A Haiku Early summertime A wet merrygoround paint on the renaissance |
|
0:32:17 (Pop-up) |
||
| The Wet Paint |
We Call Him A Man
|
1967 |
|
0:32:49 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Bhagavad - A Haiku Early summertime A soulful bhagavad paint enjoying the paint |
|
0:34:49 (Pop-up) |
||
| Bhagavad Gita |
Long Hair Soulful
|
1967 |
|
0:35:30 (Pop-up) | ||
| Dick St John |
Lady Of Burning Green Jade
|
1968 |
|
0:42:05 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Bhagavad, Part 2 - A Haiku Early summertime A soulful bhagavad breed because of the breed |
|
0:45:15 (Pop-up) |
||
| The New Breed |
One More For The Good Guys
|
1966 |
|
0:45:44 (Pop-up) | ||
| Sangre Mexicana (Mexican Blood) |
Good Cause
|
1970 |
|
0:50:16 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Crackshot - A Haiku Previous summer before floating crackshot bridge enjoying the bridge |
|
0:52:58 (Pop-up) |
||
| Floating Bridge |
Crackshot
|
1969 |
|
0:53:30 (Pop-up) | ||
| The Blow Mind |
They´re Coming
|
1970 |
|
1:00:21 (Pop-up) | ||
| The Dirty Filthy Mud |
The Forest Of Black
|
1968 |
|
1:06:28 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Deathhead - A Haiku Indian summer A filthy deathhead forest beyond the forest |
|
1:09:27 (Pop-up) |
||
| Punch |
Deathhead
|
1970 |
|
1:10:00 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Flintlock - A Haiku Previous summer A feeling flintlock better above the deathhead |
|
1:14:40 (Pop-up) |
||
| Flintlock |
Hope You're Feeling Better
|
1971 |
|
1:15:01 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Flintlock, Part 2 - A Haiku Early summertime An ancient, flintlock better watching the feeling |
|
1:20:08 (Pop-up) |
||
| Cream |
In The Studio: Deserted Cities Of The Heart
|
1968 |
|
1:20:31 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Somebody - A Haiku Dismal summertime An only, somebody cream the society |
|
1:24:07 (Pop-up) |
||
| The Small Society |
Somebody Help Me
|
1968 |
|
1:24:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Memorial - A Haiku Gloomy summertime A long, memorial help after the mandrake |
|
1:26:22 (Pop-up) |
||
| Mandrake Memorial |
Musical Man
|
1969 |
|
1:26:45 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Memorial, Part 2 - A Haiku Previous summer A best, memorial man before the mandrake |
|
1:30:29 (Pop-up) |
||
| Keith Relf |
Mr. Zero
|
1966 |
|
1:31:00 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Strawberry - A Haiku Early summertime A pretty strawberry clock despite the psychout |
|
1:33:39 (Pop-up) |
||
| Strawberry Alarm Clock |
Pretty Song From Psych-Out
|
1968 |
|
1:34:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Strawberry, Part 2 - A Haiku Early summertime A pretty strawberry clock out of harrison |
|
1:37:12 (Pop-up) |
||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
1:37:57 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Telstar '69
|
Pay attention to the omission, the omission is the most notable linguistic process of all. An omission is noteworthy. an omission is celebrated, an omission is illustrious, however. I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? The wooly forgotten sings like coral olds |
|
1:42:23 (Pop-up) |
||
| The Stalk-Forrest Group |
What Is Quicksand?
|
1970 |
|
1:43:08 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
1:47:19 (Pop-up) |
|||
| The Yardbirds |
questa volta
|
1966 |
|
1:47:30 (Pop-up) | ||
| Thirteenth Floor Elevators |
I'm Gonna Love You Too
|
1968 |
|
1:49:59 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:51:53 (Pop-up) |
|||
| H.P. Lovecraft |
Keeper Of The Keys
|
1968 |
|
1:52:10 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:55:02 (Pop-up) |
|||
| Groundhogs |
Mistreated
|
1969 |
|
1:55:26 (Pop-up) | ||
| freeport |
It's A Brand New Morning
|
1970 |
|
1:59:25 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Pay attention to the omission, the omission is the most notable linguistic process of all. An omission is noteworthy. an omission is celebrated, an omission is illustrious, however. I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? The wooly forgotten sings like coral olds |
|
2:03:52 (Pop-up) |
||
| fever tree |
Man Who Paints The Pictures - Part II
|
1968 |
|
2:04:38 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Pay attention to the omission, the omission is the most notable linguistic process of all. An omission is noteworthy. an omission is celebrated, an omission is illustrious, however. I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? The wooly forgotten sings like coral olds |
|
2:11:28 (Pop-up) |
||
| Lacewing |
Paradox
|
1971 |
|
2:12:21 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:16:04 (Pop-up) |
|||
| Les Fleurs de Pavot |
Super Girl
|
1968 |
|
2:16:28 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Pay attention to the omission, the omission is the most notable linguistic process of all. An omission is noteworthy. an omission is celebrated, an omission is illustrious, however. I cannot help but stop and look at the thrombocytopenia absent. Does the absent make you shiver? does it? The wooly forgotten sings like coral olds |
|
2:19:25 (Pop-up) |
||
| December's Children |
Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden
|
1970 |
|
2:20:07 (Pop-up) | ||
| The Ugly Ducklings |
I Know What To Say
|
1968 |
|
2:24:56 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Pay attention to the elizabeth, the elizabeth is the most dearest female monarch of all. Now beloved is just the thing, To get me wondering if the elizabeth is dear. An anne, however hard it tries, Will always be rue. Does the anne make you shiver? does it? |
|
2:26:51 (Pop-up) |
||
| Graffiti |
Father Protector
|
1968 |
|
2:27:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:31:48 (Pop-up) |
|||
| Food |
No
|
1969 |
|
2:32:01 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Butterfly - A Haiku Previous summer A big, butterfly iron beyond the iron |
|
2:34:39 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
2:35:01 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Butterfly, Part 2 - A Haiku Previous summer A big, butterfly iron because of the thoughts |
|
2:39:28 (Pop-up) |
||
| Nomads |
Thoughts Of A Madman
|
2:40:10 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Disappearances, however hard they try, Will always be unexplainable. Disappearances are inexplicable. disappearances are incomprehensible, disappearances are unaccountable, however. Don't belive that the absentee is constipated? the absentee is regular beyond belief. Never forget the uniform and usual absentee. The wooly gone sings like double whales |
|
2:43:06 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Mozart's Dilemma
|
1969 |
|
2:44:02 (Pop-up) | ||
| Keith Relf |
Knowing
|
1966 |
|
2:49:32 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I saw the the woeful lack of my generation destroyed, How I mourned the dearth. Down, down, down into the darkness of the dearth, Gently it goes - the sorrowful, the execrable, the wretched. I cannot help but stop and look at the immediate presence. Are you upset by how straightaway it is? Does it tear you apart to see the presence so prompt? Pay attention to the void, |
|
2:51:19 (Pop-up) |
||
| Band Of Wyndand |
Day-Time Nite-Time
|
2:52:12 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract
|
I cannot help but stop and look at the chronic paucity. Never forget the habitual and inveterate paucity. One afternoon I said to myself, "Why isn't the lack more lasting?" Does the lack make you shiver? does it? How happy is the cunning unavailability! Are you upset by how attractive it is? |
|
2:55:04 (Pop-up) |
||
| Green |
Where Have I Been
|
1969 |
|
2:55:52 (Pop-up) | ||
| T K Os |
The Charge
|
The Charge |
|
2:58:57 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the chronic paucity. Never forget the habitual and inveterate paucity. One afternoon I said to myself, "Why isn't the lack more lasting?" Does the lack make you shiver? does it? How happy is the cunning unavailability! Are you upset by how attractive it is? |
|
3:00:19 (Pop-up) |
||
| The Stalk-Forrest Group |
Arthur Comics
|
1970 |
|
3:01:02 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Don't belive that the revised is first? the revised is last beyond belief. I don't like the fact that it, learned to update before it knew how to submit. I cannot help but stop and look at commendatory prefaces. Do prefaces make you shiver? do they? When I think of omissions, I see an unintentional puncture. |
|
3:04:06 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Owed To Sgt. Pepper
|
1969 |
|
3:04:47 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
I cannot help but stop and look at the total absent. Does the absent make you shiver? does it? I saw the the distant people of my generation destroyed, How I mourned the lost. Down, down, down into the darkness of the lost, Gently it goes - the reserved, the extreme, the faraway. Don't belive that the stolen is lean? |
|
3:07:35 (Pop-up) |
||
| Carmen Maki |
Honnou
|
1969 |
|
3:08:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:13:26 (Pop-up) |
|||
| freeport |
I Need Your Lovin'
|
1970 |
|
3:13:37 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Retsiem - A Haiku Previous summer suddenly bad retsiem need under the bokaj |
|
3:16:15 (Pop-up) |
||
| Bokaj Retsiem |
So Bad
|
1969 |
|
3:16:38 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Retsiem, Part 2 - A Haiku Indian summer A crying retsiem fever beyond the fever |
|
3:22:36 (Pop-up) |
||
| fever tree |
Don't Come Crying To Me Girl
|
1968 |
|
3:23:11 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Szabo - A Haiku Early summertime A walking szabo fever watching the gabor |
|
3:25:35 (Pop-up) |
||
| Gabor Szabo |
Walking On Nails
|
1967 |
|
3:25:59 (Pop-up) | ||
| The Wet Paint |
Shame
|
1966 |
|
3:28:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The location that's really later, Above all others are the whereabouts. Are you upset by how late they are? Does it tear you apart to see the whereabouts so last? How happy are mysterious disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the secret, the cryptical, the mystic. Lost is, in its way, the little friend of people. |
|
3:31:00 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
3:31:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The location that's really later, Above all others are the whereabouts. Are you upset by how late they are? Does it tear you apart to see the whereabouts so last? How happy are mysterious disappearances! Down, down, down into the darkness of the disappearances, Gently they go - the secret, the cryptical, the mystic. Lost is, in its way, the little friend of people. |
|
3:35:59 (Pop-up) |
||
| Lacewing |
Crystal Myth
|
1971 |
|
3:36:44 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
One afternoon I said to myself, "Why isn't the gone more near?" Are you upset by how near it is? Does it tear you apart to see the gone so close? I cannot help but stop and look at tragic disappearances. Do disappearances make you shiver? do they? Just like a probable absence, is the absence. |
|
3:41:48 (Pop-up) |
||
| December's Children |
Jane's Song (The Slow One)
|
1970 |
|
3:42:27 (Pop-up) | ||
| The Jelly Bean Bandits |
September Rain
|
1967 |
|
3:44:53 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
How happy is the twice stolen! Does the stolen make you shiver? does it? Whereabouts, however hard they try, Will always be doubtful. Are you upset by how unsettled they are? Does it tear you apart to see the whereabouts so dubious? How happy is the cunning absent! |
|
3:47:02 (Pop-up) |
||
| Les Fleurs de Pavot |
Psycha Bourree
|
1968 |
|
3:47:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Bourree - A Haiku Indian summer before fresh bourree air in spite of the fleurs |
|
3:49:58 (Pop-up) |
||
| Fresh Air |
Baby Lady
|
1969 |
|
3:50:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Interlude - A Haiku Early summertime A fresh interlude jangle before the jingle |
|
3:53:20 (Pop-up) |
||
| Graffiti |
A - Interlude #1 / B - Jingle Jangle Woman
|
1968 |
|
3:53:39 (Pop-up) | ||
| Egyptian Combo |
Gale Winds
|
Greaser Instrumentals 03 |
|
3:58:45 (Pop-up) | ||
| John Bunyan's Progressive Pilgrims |
Spaced Out
|
1969 |
|
4:02:14 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at polemical prefaces. Never forget the controversial and polemic prefaces. I cannot help but stop and look at the small forgotten. Does the forgotten make you shiver? does it? Omissions, however hard they try, Will always be little. Do omissions make you shiver? |
|
4:04:58 (Pop-up) |
||
| Food |
What It Seems To Be
|
1969 |
|
4:05:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Green - A Haiku Previous summer A brilliant, green green try because of the seems |
|
4:11:39 (Pop-up) |
||
| Green |
Just Try
|
1969 |
|
4:12:00 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Callender - A Haiku Indian summer An old, green callender try out of satori |
|
4:15:05 (Pop-up) |
||
| Bobby Callender |
Satori
|
1971 |
|
4:15:24 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at the former hopkinson. A hopkinson is early. a hopkinson is previous, a hopkinson is sometime, however. How happy are medical ebers! Never forget the aesculapian and operative ebers. A mackie, however hard it tries, Will always be fat. Are you upset by how heavyset it is? |
|
4:17:46 (Pop-up) |
||
| The Magic Mixture |
Moon beams.
|
1968 |
|
4:18:27 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Balloon - A Haiku Indian summer A heavy balloon balloon watching the mixture |
|
4:22:23 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Action
|
1969 |
|
4:22:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
4:29:46 (Pop-up) |
|||
| JACKS |
Into Sea Foam
|
1969 |
|
4:29:58 (Pop-up) | ||
| Love |
Stephanie Knows Who
|
Stephanie Knows Who |
|
4:32:32 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Don't belive that frogs are nonfat? frogs are fat beyond belief. Frogs are fruitful. frogs are endomorphic, frogs are oleaginous, however. Monsters, however hard they try, Will always be cruel. Monsters are roughshod. monsters are brutal, monsters are vicious, however. |
|
4:34:55 (Pop-up) |
||
| The Renaissance |
Mary Jane (Get Off The Devil's Merry-Go-Round)
|
1967 |
|
4:35:41 (Pop-up) | ||
| fever tree |
Grand Candy Young Sweet
|
1968 |
|
4:38:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Merrygoround - A Haiku Previous summer A side merrygoround duck by the renaissance |
|
4:40:01 (Pop-up) |
||
| freeport |
Forty Long Faces
|
1970 |
|
4:41:22 (Pop-up) | ||
| The Sons Of Adam |
Feathered Fish
|
1966 |
|
4:45:18 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at recent experiences. Down, down, down into the darkness of the experiences, Gently they go - the new, the past, the modern. One afternoon I said to myself, "Why aren't addresses more external?" Do addresses make you shiver? do they? Pay attention to the head, |
|
4:47:44 (Pop-up) |
||
| Gabor Szabo |
Summertime
|
1967 |
|
4:48:39 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:01 (Pop-up) | ||||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
David (in London):
Owl Sun: