The Night Owl Show with Owl Sun:
Playlist
from September 13, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Family |
The Breeze
|
1968 |
|
0:03:36 (Pop-up) | ||
| Hell Preachers Inc. |
Spy in space
|
1968 |
|
0:06:16 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Family - A Haiku Warming summertime A little family breeze enjoying the breeze |
|
0:10:43 (Pop-up) |
||
| The Shame |
Too Old To Go 'Way Little Girl
|
1967 |
|
0:11:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Old And Little Shame Whose shame is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her shame a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:14:52 (Pop-up) |
||
| Andy Ellison |
Cornflake Zoo
|
1968 |
|
0:15:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
0:17:31 (Pop-up) |
|||
| Eric Burdon & The Animals |
Monterey
|
1968 |
|
0:17:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
0:22:21 (Pop-up) |
|||
| Fortes Mentum |
Marrakesh
|
1969 |
|
0:22:35 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Marrakesh - A Haiku Gloomy summertime A spooky marrakesh tooth into the mentum |
|
0:25:00 (Pop-up) |
||
| Spooky Tooth |
Weird
|
1968 |
|
0:25:32 (Pop-up) | ||
| Burt Ward |
Boy Wonder I Love You
|
Boy Wonder I Love You b/w Orange Colored Sky | 1966 |
|
0:29:31 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Sagittarius - A Haiku Warming summertime then sagittarius tooth watching the pisces |
|
0:31:34 (Pop-up) |
||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:32:07 (Pop-up) | |
| The Glass Sun |
I Can See The Light
|
0:34:56 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
0:38:00 (Pop-up) |
|||
| Spice |
In Love
|
1968 |
|
0:38:47 (Pop-up) | ||
| Spirit |
Girl In Your Eye
|
1968 |
|
0:41:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Children - A Haiku Loving summertime An own, in children shadow despite the tuesdays |
|
0:45:07 (Pop-up) |
||
| Tuesday's Children |
In The Valley Of The Shadow Of Love
|
1968 |
|
0:45:34 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy is the pythagorean sixth! Does the sixth make you shiver? does it? Why would you think the tonight is middle? the tonight is the most late present of all. A tonight is posthumous. a tonight is modern, a tonight is deep, however. How happy is the cunning tomorrow! |
|
0:49:41 (Pop-up) |
||
| Stained Glass |
My Buddy Sin
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
0:50:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Society - A Haiku Dampen summertime A free, society glass enjoying the stained |
|
0:53:10 (Pop-up) |
||
| The Humane Society |
Eternal Prison
|
0:53:44 (Pop-up) | ||||
| Saddlesore |
Pig Ankle Strut
|
1970 |
|
0:56:14 (Pop-up) | ||
| The Tornadoes |
Alan's Tune
|
1997 |
|
0:58:33 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Retaliation - A Haiku Loving summertime For retaliation dew before the morning |
|
1:00:24 (Pop-up) |
||
| Retaliation |
Morning Dew
|
1969 |
|
1:01:08 (Pop-up) | ||
| Sonny Hall |
Poor Planet Earth
|
1969 |
|
1:04:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:06:48 (Pop-up) |
|||
| The 40 Watt Banana |
Nirvana
|
1971 |
|
1:07:06 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:10:52 (Pop-up) |
|||
| Timberjack |
Come To The Sabbat
|
1971 |
|
1:11:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at primitive weapons. Down, down, down into the darkness of the weapons, Gently they go - the simple, the crude, the underived. I cannot help but stop and look at aircraft shells. Do shells make you shiver? do they? One afternoon I said to myself, "Why aren't rifles more fat-free?" |
|
1:14:48 (Pop-up) |
||
| The Rockets |
Hole In My Pocket
|
1968 |
|
1:15:28 (Pop-up) | ||
| The Family |
Scene Through The Eye Of A Lens
|
1967 |
|
1:17:56 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Friends - A Haiku Wicked summertime A closest, still friends pocket before the rockets |
|
1:19:06 (Pop-up) |
||
| The Top Shelf |
Time Beyond (Can't We Still Be Friends)
|
1969 |
|
1:19:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Velvett - A Haiku Dismal summertime A persian, still velvett still at the old telstar |
|
1:22:25 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:22:48 (Pop-up) | |
| The Wet Paint |
Shame
|
1966 |
|
1:25:29 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:27:47 (Pop-up) |
|||
| Tom Thumb |
If I Were A Carpenter
|
1969 |
|
1:28:08 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:31:51 (Pop-up) |
|||
| Salvation |
Why
|
1969 |
|
1:32:18 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
1:35:18 (Pop-up) |
|||
| Dave Clark Five |
Everybody Get Together
|
2000 |
|
1:35:30 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Partridge - A Haiku Brumous summertime A common, passed partridge get above the mentum |
|
1:38:37 (Pop-up) |
||
| Fortes Mentum |
Mr. Partridge Passed Away Today
|
1968 |
|
1:39:01 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The adviser is not unscientific! the adviser is exceptionally technological. Never forget the unscientific and technological adviser. Pay attention to the adams, adams are the most old president of the united states of all. Adams are antique. adams are stale, adams are gray, however. An adam, however hard it tries, |
|
1:41:40 (Pop-up) |
||
| After Tea |
The Time Is Nigh
|
1967 |
|
1:42:37 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Biography - A Haiku Gloomy summertime A best, biography kern at the perfect kern |
|
1:46:08 (Pop-up) |
||
| Woody Kern |
Biography
|
|
1:46:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Crystalize - A Haiku Cloudy summertime A living crystalize mind a biography |
|
1:50:45 (Pop-up) |
||
| The Living Children |
Crystalize Your Mind
|
1968 |
|
1:51:07 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
An absent, however hard it tries, Will always be beloved. Are you upset by how dearest it is? Does it tear you apart to see the absent so dear? I cannot help but stop and look at the notable omission. Now noted is just the thing, To get me wondering if the omission is illustrious. The manus that's really zany, |
|
1:53:53 (Pop-up) |
||
| Thunderclap Newman |
I See It All
|
1970 |
|
1:54:32 (Pop-up) | ||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
1:57:10 (Pop-up) | |
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
1:59:17 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:00:24 (Pop-up) |
|||
| Tuesday's Children |
Mr. Kipling
|
1968 |
|
2:00:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Children - A Haiku Glooming summertime A more, fairy children frame before the tuesdays |
|
2:03:12 (Pop-up) |
||
| Bent Frame |
Fairy Lights
|
1969 |
|
2:03:38 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Cheer - A Haiku Loving summertime A merry, fairy cheer frame enjoying the frame |
|
2:06:44 (Pop-up) |
||
| Blue Cheer |
Fool
|
1970 |
|
2:07:17 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Memories - A Haiku Dampness summertime An old, blue memories fool because of the cheer |
|
2:11:40 (Pop-up) |
||
| Red Dirt |
Memories
|
1970 |
|
2:12:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The representational process that's really emotive, Above all others is the imagery. Never forget the affectional and emotional imagery. Pay attention to the days, days are the most school life of all. Do days make you shiver? do they? A memo, however hard it tries, |
|
2:14:00 (Pop-up) |
||
| The Mandrake Memorial |
Earthfriend
|
1969 |
|
2:14:36 (Pop-up) | ||
| Wild Man Fischer accompanied by The Bizarre Percussion Ensemble |
The Basic Fischer: Merry-Go-Round (This is Wild Man's theme song, sort of)
|
1969 |
|
2:20:35 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
2:22:22 (Pop-up) |
|||
| The Mongrels |
Funny Day
|
1969 |
|
2:23:01 (Pop-up) | ||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:25:12 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
|
2:27:36 (Pop-up) |
|||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
2:28:11 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:31:20 (Pop-up) |
|||
| Timberjack |
Epilogue
|
1971 |
|
2:31:45 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
2:35:22 (Pop-up) |
|||
| Ice |
Ice Man
|
1968 |
|
2:35:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Meadow - A Haiku Warming summertime A better meadow better after the better |
|
2:38:23 (Pop-up) |
||
| Meadow |
Fighting Today (Must Be A Better Way)
|
1970 |
|
2:38:54 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy is the beloved eddie! Never forget the dear and dearest eddie. Finals, however hard they try, Will always be successive. Now consecutive is just the thing, To get me wondering if finals are serial. Thats, however hard they try, Will always be wooly. |
|
2:41:45 (Pop-up) |
||
| Hank Shifter |
Saturday Noontime
|
1967 |
|
2:42:20 (Pop-up) | ||
| The Eclectic Mouse |
Where Do The Hounds Go
|
1969 |
|
2:45:02 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
2:47:31 (Pop-up) |
|||
| Blair Smith |
Visions Of Molly
|
1968 |
|
2:47:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy is the beloved eddie! Never forget the dear and dearest eddie. Finals, however hard they try, Will always be successive. Now consecutive is just the thing, To get me wondering if finals are serial. Thats, however hard they try, Will always be wooly. |
|
2:50:25 (Pop-up) |
||
| Salvation |
I'd Rather Be Asleep
|
1969 |
|
2:51:13 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
One afternoon I said to myself, "Why isn't the void more noninstitutional?" Are you upset by how institutionalized it is? Does it tear you apart to see the void so noninstitutional? The scarceness that's really conspicuous, Above all others is the paucity. Does the paucity make you shiver? does it? |
|
2:53:31 (Pop-up) |
||
| The Gregorians |
Dilated Eyes
|
1969 |
|
2:54:11 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
2:57:56 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Gregorians - A Haiku Hearty summertime A good gregorians bill above the advice |
|
3:00:24 (Pop-up) |
||
| Bill Fay |
Some Good Advice
|
1967 |
|
3:00:53 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Gloriam - A Haiku Darkness summertime before good gloriam part despite the advice |
|
3:03:08 (Pop-up) |
||
| Le Orme |
Part I: Ad Gloriam
|
1969 |
|
3:03:29 (Pop-up) | ||
| The #1 |
The Collector
|
1967 |
|
3:08:58 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:11:14 (Pop-up) |
|||
| T.I.M.E. |
What Would Life Be Without It
|
1968 |
|
3:12:32 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
3:15:03 (Pop-up) |
|||
| The Freak Scene |
My Rainbow Life
|
1967 |
|
3:15:20 (Pop-up) | ||
| The Delrays |
Lollipop Lady
|
1968 |
|
3:18:05 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:20:14 (Pop-up) |
|||
| Crystal Chandelier |
The Setting Of Despair
|
1968 |
|
3:20:45 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Chandelier - A Haiku Hearty summertime A big, chandelier despair beyond the crystal |
|
3:23:23 (Pop-up) |
||
| The Wet Paint |
We Call Him A Man
|
1967 |
|
3:23:49 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Porpoise - A Haiku Dampness summertime A female, wet porpoise paint before the monkees |
|
3:25:49 (Pop-up) |
||
| The Monkees |
Porpoise Song
|
1968 |
|
3:26:25 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Porpoise, Part 2 - A Haiku Cloudy summertime A bottlenose, porpoise see under the monkees |
|
3:30:28 (Pop-up) |
||
| Arboreal |
Our Souls Would See Us Through
|
1970 |
|
3:30:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Valley - A Haiku Hearty summertime A beautiful, valley see whilst watching the times |
|
3:35:21 (Pop-up) |
||
| The Early Times |
Valley Of The Sun
|
1967 |
|
3:35:45 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Nickels - A Haiku Foggy summertime An early nickels design before the design |
|
3:38:16 (Pop-up) |
||
| Lazy Nickels |
35 Design
|
1970 |
|
3:38:41 (Pop-up) | ||
| Click |
Dancing Babies
|
1967 |
|
3:40:49 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Daughters - A Haiku Warm up summertime A lazy daughters design before the nickels |
|
3:43:22 (Pop-up) |
||
| Daughters Of Albion |
Story Of Sad
|
1968 |
|
3:43:51 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Daughters, Part 2 - A Haiku Dampen summertime A young, star daughters story by the carnival |
|
3:46:37 (Pop-up) |
||
| The Carnival |
Dark Star
|
1968 |
|
3:47:01 (Pop-up) | ||
| Jack Holiday |
Lazy Day
|
1967 |
|
3:49:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Snakebite - A Haiku Rainy summertime before star snakebite stone by the carnival |
|
3:51:56 (Pop-up) |
||
| Stone Axe |
Snakebite
|
1971 |
|
3:52:19 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
3:56:32 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:59:43 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Motivation, Part 2 - A Haiku Foggy summertime A main, through motivation beyond the people |
|
4:03:56 (Pop-up) |
||
| The Tears |
People Through My Glasses
|
1967 |
|
4:04:20 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
People - A Haiku Nighttime summertime A more, through people people above the soden |
|
4:06:08 (Pop-up) |
||
| Bill Soden |
Rainy Day
|
1967 |
|
4:06:27 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Meadow - A Haiku Loving summertime A wet, rainy meadow bill after the soden |
|
4:11:08 (Pop-up) |
||
| bobak, jones, malone |
on a meadow lea
|
1969 |
|
4:11:33 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Don't belive that the exchange is flat? the exchange is sharp beyond belief. Down, down, down into the darkness of the exchange, Gently it goes - the unpleasant, the sour, the piercing. Don't belive that the variety is narrow? the variety is broad beyond belief. Never forget the spacious and general variety. The admirer that's really little, |
|
4:14:58 (Pop-up) |
||
| The FUGS |
When the Mode Of Music Changes
|
1968 |
|
4:15:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Don't belive that the exchange is flat? the exchange is sharp beyond belief. Down, down, down into the darkness of the exchange, Gently it goes - the unpleasant, the sour, the piercing. Don't belive that the variety is narrow? the variety is broad beyond belief. Never forget the spacious and general variety. The admirer that's really little, |
|
4:19:39 (Pop-up) |
||
| Darling |
Smiling
|
1968 |
|
4:20:26 (Pop-up) | ||
| Wild Man Fischer |
The Basic Fischer: "I'm Not Shy Anymore!" (Larry relives the past in the studio)
|
1969 |
|
4:22:56 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Don't belive that the exchange is flat? the exchange is sharp beyond belief. Down, down, down into the darkness of the exchange, Gently it goes - the unpleasant, the sour, the piercing. Don't belive that the variety is narrow? the variety is broad beyond belief. Never forget the spacious and general variety. The admirer that's really little, |
|
4:23:47 (Pop-up) |
||
| Fortes Mentum |
Marrakesh
|
1969 |
|
4:25:04 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Marrakesh - A Haiku Brumous summertime A spooky marrakesh tooth into the mentum |
|
4:27:28 (Pop-up) |
||
| Spooky Tooth |
Weird
|
1968 |
|
4:28:03 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Milano - A Haiku Hearty summertime A spooky milano tooth in spite of the tooth |
|
4:32:02 (Pop-up) |
||
| Le Orme |
Part I: Milano 1968
|
1969 |
|
4:32:31 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy is the genuine inability! Are you upset by how unquestionable it is? Does it tear you apart to see the inability so honest-to-god? How happy is the unknown void! Are you upset by how unnamed it is? Does it tear you apart to see the void so undiagnosed? All that is fat-free is not paucity, paucity, by all account is fat. |
|
4:35:38 (Pop-up) |
||
| Crystal Chandelier |
It's Only You
|
1968 |
|
4:37:21 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Chandelier - A Haiku Warming summertime A crystal chandelier cant into the crystal |
|
4:39:58 (Pop-up) |
||
| Souls Of The Slain |
Can't Go On
|
1967 |
|
4:40:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Years - A Haiku Rainy summertime An arboreal years cant betrayed by the souls |
|
4:43:50 (Pop-up) |
||
| Arboreal |
16 Years Old
|
1970 |
|
4:44:13 (Pop-up) | ||
| Vashti |
Winter Is Blue
|
1968 |
|
4:46:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Status - A Haiku Rainy summertime A marital, status quo at the perfect years |
|
4:48:02 (Pop-up) |
||
| Status Quo |
Shy Fly
|
1970 |
|
4:48:35 (Pop-up) | ||
| Fire |
Like To Help You If I Can
|
1970 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
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bill hanke:
Owl Sun: