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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Click | Rainmaker | 1968 | 0:03:18 (Pop-up) | |||
Crystal Chandelier | Your Land Of Love | 1969 | 0:06:19 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:09:31 (Pop-up) |
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Le Orme | Part II: Fumo | 1969 | 0:10:01 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the late deutsch! Never forget the latish and belated deutsch. Why would you think the historian is unconditioned? the historian is the most learned student of all. Does the historian make you shiver? does it? Pay attention to the green, the green is the most wooly piece of land of all. |
0:14:15 (Pop-up) |
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Stray | time machine | 1970 | 0:14:54 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Soldier - A Haiku Indian summer A young, small soldier soldier under the machine |
0:18:29 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 0:18:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Counting - A Haiku Previous summer A mere, small counting soldier despite the soldier |
0:22:15 (Pop-up) |
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Taxi | Counting Time My Way | 1969 | 0:22:41 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:25:35 (Pop-up) |
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T.I.M.E. | I Think You'd Cry | 1969 | 0:25:47 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:30:02 (Pop-up) | ||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:32:31 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
0:32:47 (Pop-up) |
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bobak, jones, malone | house of many windows | 1969 | 0:33:26 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
0:37:58 (Pop-up) |
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Trúbrot | Tangerine Girl | 1971 | 0:38:09 (Pop-up) | |||
calliope | Hello, Hello | 1968 | 0:40:22 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Tangerine - A Haiku Indian summer A ripe, tangerine window because of the tr?brot |
0:43:19 (Pop-up) |
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The Open Window | Coming Together, Going Together : Much Too Soon | 1969 | 0:43:58 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Window - A Haiku Darkening summer A coming window window under the coming |
0:48:52 (Pop-up) |
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Ill Wind | Full Cycle | 1968 | 0:49:15 (Pop-up) | |||
The Tornadoes | Hymn for Teenagers | 1997 | 0:55:19 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:57:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Detector - A Haiku Early summertime A full detector cycle at the old status |
1:00:25 (Pop-up) |
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Status Quo | Mr. Mind Detector | 1969 | 1:01:00 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
An absent, however hard it tries, Will always be present. An absent is omnipresent. an absent is ubiquitous, an absent is ever-present, however. Pay attention to the omission, the omission is the most glaring fault of all. Does the omission make you shiver? does it? |
1:04:55 (Pop-up) |
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Honeybus | Under The Silent Tree | 1969 | 1:05:38 (Pop-up) | |||
Wild Man Fischer | Larry's Songs, Unaccompanied: The Leaves Are Falling | 1969 | 1:09:30 (Pop-up) | |||
Chiitra Neogy | Leilla The Flatterer | 1968 | 1:10:49 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Honeybus - A Haiku Glooming summertime A silent honeybus press after the harpers |
1:12:11 (Pop-up) |
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Muddy Waters | Herbert Harper's Free Press News | 1968 | 1:12:51 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The Hard And Muddy Muddy Whose muddy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his muddy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:17:17 (Pop-up) |
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The Tremeloes | Hard Time | 1970 | 1:18:01 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:21:15 (Pop-up) |
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Chimera | Peru | 1970 | 1:21:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:25:21 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:25:35 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The West And Funky Branch Whose branch is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his branch a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:24 (Pop-up) |
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West Coast Branch | Colors Of My Life | 1967 | 1:31:10 (Pop-up) | |||
Crystal Chandelier | Suicidal Flowers | 1969 | 1:33:29 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Underground - A Haiku Indian summer A polish, underground branch before the fowley |
1:35:52 (Pop-up) |
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T.I.M.E. | I'll Write A Song | 1969 | 1:37:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I saw the the pent go away of my generation destroyed, How I mourned the absent. Does the absent make you shiver? does it? An omission, however hard it tries, Will always be only. An omission is solitary. an omission is sole, an omission is exclusive, however. |
1:41:33 (Pop-up) |
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Leo and The Prophets | Tilt-A-Whirl | 1967 | 1:42:12 (Pop-up) | |||
Le Orme | Part II: Senti l'Estate Che Torna | 1969 | 1:44:52 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
1:47:35 (Pop-up) |
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guy skornik | L'ile De Páques | 1971 | 1:48:04 (Pop-up) | |||
Nick Garrie | Queen Of Spades | 1968 | 1:52:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the divine been. A been is almighty. a been is glorious, a been is godlike, however. All that is bloodless is not forgotten, forgotten, by all account is bloody. Does the forgotten make you shiver? does it? I cannot help but stop and look at the fat revised. |
1:55:08 (Pop-up) |
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Randy Holden | Fruit & Iceburgs | 1970 | 1:55:52 (Pop-up) | |||
Valhalla | Conceit | 1969 | 2:00:52 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Cinnamon - A Haiku Early summertime A randy cinnamon set by the iceburgs |
2:05:41 (Pop-up) |
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The Deep Set | Cinnamon Girl | 1970 | 2:06:09 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Underground - A Haiku Indian summer A polish, underground make near the invention |
2:09:26 (Pop-up) |
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The Mothers of Invention... | The M.O.I. American Pageant (#2 In A Series Of UNDERGROUND ORATORIOS): Brown Shoes Don't Make It | 1967 | 2:09:49 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Underground, Part 2 - A Haiku Indian summer An active, underground like out of invention |
2:17:16 (Pop-up) |
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J.C. Heavy | Do What You Like | 1971 | 2:17:48 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Fischer - A Haiku Previous summer A gustav, fischer fancy after the version |
2:21:50 (Pop-up) |
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Wild Man Fischer | Some Historical Notes: The Taster (Fancy Version) | 1969 | 2:22:21 (Pop-up) | |||
Second Half | Forever in Your Mind | 1995 | 2:25:16 (Pop-up) | |||
Moondog | Trees against the sky, fields of plenty, rivers to the sea: this and more spreads before me | 1956 | 2:27:18 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Fancy And Historical Version Whose version is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his version a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:28:03 (Pop-up) |
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Choc & Richard Kennings | The Devil | 1970 | 2:29:08 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The Man And Wet Paint Whose paint is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his paint a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:32:09 (Pop-up) |
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The Wet Paint | We Call Him A Man | 1967 | 2:33:06 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Instrumental - A Haiku Glooming summertime when instrumental mother a funkadelic |
2:35:06 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:35:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Instrumental, Part 2 - A Haiku Previous summer why instrumental mother the funkadelic |
2:41:32 (Pop-up) |
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Magnet with Sue & Sunny | Mr. Guy Fawkes | 1969 | 2:42:17 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Don't belive that the absence is inconspicuous? the absence is obvious beyond belief. Never forget the demonstrable and glaring absence. Pay attention to the disappearance, the disappearance is the most mysterious happening of all. Never forget the mystical and secret disappearance. An absent, however hard it tries, Will always be big. |
2:47:06 (Pop-up) |
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Steamhammer | Windmill | 1969 | 2:47:50 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:52:10 (Pop-up) |
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Moloch | Dance Chaney Dance | 1969 | 2:52:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:55:17 (Pop-up) |
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Gentry | Attempted Contact | 1969 | 2:55:28 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:58:39 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Don't belive that the absence is inconspicuous? the absence is obvious beyond belief. Never forget the demonstrable and glaring absence. Pay attention to the disappearance, the disappearance is the most mysterious happening of all. Never forget the mystical and secret disappearance. An absent, however hard it tries, Will always be big. |
3:00:24 (Pop-up) |
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Nick Garrie | Close Your Eyes | 1968 | 3:01:14 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at the lamentable dearth. A dearth is distressing. a dearth is bad, a dearth is sorrowful, however. Pay attention to the omission, the omission is the most inadvertent linguistic process of all. Does the omission make you shiver? does it? Pay attention to the presence, |
3:04:00 (Pop-up) |
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The Mugwump Establishment | Mondo Hollywood (City Of Dreams) | 1967 | 3:04:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the lamentable dearth. A dearth is distressing. a dearth is bad, a dearth is sorrowful, however. Pay attention to the omission, the omission is the most inadvertent linguistic process of all. Does the omission make you shiver? does it? Pay attention to the presence, |
3:07:06 (Pop-up) |
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The Mothers of Invention | Help I'm A Rock: III. It Can't Happen Here | 1966 | 3:08:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Jefferson - A Haiku Previous summer A late, side jefferson stretch by the invention |
3:11:54 (Pop-up) |
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MC5 | Borderline | 1968 | 3:13:04 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:16:20 (Pop-up) |
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Attractions | 5th February 1968 | 1968 | 3:16:29 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
A bernard, however hard it tries, Will always be roche. Does the bernard make you shiver? does it? How happy is the san samuel! Does the samuel make you shiver? does it? When I think of the roberto, I see a happy century. |
3:22:57 (Pop-up) |
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Nico: | It Was A Pleasure Then | 1968 | 3:23:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Man And Then Pleasure Whose pleasure is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his pleasure a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:31:30 (Pop-up) |
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The Frost | Mystery Man | 1969 | 3:32:29 (Pop-up) | |||
The Wimple Winch | Save My Soul | 1966 | 3:36:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Man And Big Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:39:58 (Pop-up) |
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Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Wild And Beautiful Conclusion Whose conclusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conclusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:43:23 (Pop-up) |
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Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Conclusion - A Haiku Early summertime A final, conclusion deal watching the fischer |
3:45:48 (Pop-up) |
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J.C. Heavy | Mr. Deal | 1970 | 3:46:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Greatful - A Haiku Dismal summertime A heavy greatful caution before the caution |
3:49:58 (Pop-up) |
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The Greatful Dead | Caution (Do Not Stop On Tracks) | 1966 | 3:50:17 (Pop-up) | |||
The Tornadoes | Jungle Fever | 1997 | 3:58:03 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The In And Fay Bill Whose bill is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bill a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:05:11 (Pop-up) |
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Bill Fay | Screams In The Ears | 1967 | 4:06:05 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Screams - A Haiku Indian summer A terrible, fay screams bill enjoying the dawns |
4:09:20 (Pop-up) |
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nico | Lawns Of Dawns | 1969 | 4:09:41 (Pop-up) | |||
Nick Garrie | Evening | 1969 | 4:13:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at grand cas. Down, down, down into the darkness of the cas, Gently they go - the 1000, the august, the one thousand. I cannot help but stop and look at the only himself. A himself is lone. a himself is lonesome, a himself is exclusive, however. I saw the the wooly weekday of my generation destroyed, How I mourned the sat. |
4:15:45 (Pop-up) |
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The Jimi Hendrix Experience | The Stars That Play With Laughing Sam's Dice | 1967 | 4:16:40 (Pop-up) | |||
Juan & Junior | A Dos Niñas | 1967 | 4:20:50 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Experience - A Haiku Indian summer How laughing experience despite the laughing |
4:23:51 (Pop-up) |
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Winter's Green | Are You A Monkey? | 1968 | 4:24:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at cold nights. Do nights make you shiver? do they? Don't belive that the weather is cool? the weather is warm beyond belief. Never forget the ardent and tender weather. How happy is the fat snowstorm! Are you upset by how abdominous it is? |
4:28:00 (Pop-up) |
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Taxi | Counting Time My Way | 1969 | 4:28:40 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Clatters, however hard they try, Will always be monstrous. Do clatters make you shiver? do they? I cannot help but stop and look at only snatches. Do snatches make you shiver? do they? I cannot help but stop and look at the fat tool. |
4:31:34 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 4:32:12 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at rear ends. Never forget the erect and posterior ends. Rips, however hard they try, Will always be many. Down, down, down into the darkness of the rips, Gently they go - the umteen, the few, the numerous. yellow turns sings like a novel feature Never forget the unhealthy and dishonorable turns. |
4:34:43 (Pop-up) |
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Formula V | Cenicieta | 1969 | 4:35:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
4:38:48 (Pop-up) |
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Hair | Coming Through | 1970 | 4:38:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Coming - A Haiku Indian summer A second, through coming think because of the think |
4:43:33 (Pop-up) |
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bo grumpus | Think Twice | 1968 | 4:43:56 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:46:12 (Pop-up) |
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The Frost | First Day Of May | 1969 | 4:46:20 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:45 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 | |||
Ramsey Lewis | Sexy Sadie | 1968 |
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