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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:01:49 (Pop-up) | ||||
The 13th Floor Elevators | Slide Machine | 1967 | 0:02:16 (Pop-up) | |||
Bee Gees | When The Swallows Fly | 1968 | 0:05:54 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
One afternoon I said to myself, "Why isn't the revised more half?" Our revised is undivided and integral, it likes to update, it likes to submit. How happy are noteworthy omissions! Never forget the significant and notable omissions. I cannot help but stop and look at the wooly been. Now woolly-headed is just the thing, |
0:08:17 (Pop-up) |
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High Tide | Futilist's Lament | 1969 | 0:09:18 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Futilists - A Haiku Overcast autumn A plastic futilists tide before the plastic |
0:14:32 (Pop-up) |
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St. John Green | Goddes Of Death | 1968 | 0:15:55 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at interesting prefaces. Prefaces are engrossing. prefaces are absorbing, prefaces are newsworthy, however. I cannot help but stop and look at the carefully revised. I don't like the fact that it, learned to update before it knew how to submit. Omissions are intentional advantages. intentional advantages are omissions. |
0:18:16 (Pop-up) |
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Zacherley | Hello Dolly | 1964 | 0:19:08 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the twice revised. Revised, revised, every where, Yet not a drop to update. Don't belive that the omission is unintentional? the omission is intentional beyond belief. Does the omission make you shiver? does it? When I think of the neglected, I see expectant parents. |
0:21:41 (Pop-up) |
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The Soft Machine | Hope For Happiness | 1968 | 0:22:19 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Overdrive - A Haiku Previous autumn For overdrive overdrive near the happiness |
0:26:40 (Pop-up) |
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Pink Floyd | Interstellar Overdrive | 1967 | 0:27:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Hottersville - A Haiku Overcast autumn How hottersville overdrive by the overdrive |
0:37:05 (Pop-up) |
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The Hottersville Trolley | No Silver Bird | 1968 | 0:37:28 (Pop-up) | |||
Blue Wood | Turn Around | 2008 | 0:40:05 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Hottersville, Part 2 - A Haiku Previous autumn before hottersville silver an alabama |
0:42:18 (Pop-up) |
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The doors | Alabama Song (Whisky Bar) | 1967 | 0:42:49 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Orchestra - A Haiku Depressing autumn An away orchestra bar the alabama |
0:47:45 (Pop-up) |
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The Alan Lorber Orchestra | Up Up And Away | 1967 | 0:48:13 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The Away And Sorry Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:50:55 (Pop-up) |
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The Kitchen Cinq | You'll Be Sorry Someday | 1966 | 0:51:41 (Pop-up) | |||
The Kaleidoscope | Pulsating Dream | 1967 | 0:54:06 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 0:55:59 (Pop-up) | ||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 0:58:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Kitchen - A Haiku Depressing autumn A warm, rolling kitchen sing because of the youll |
0:59:24 (Pop-up) |
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The Rolling Stones | Sing This All Together | 1967 | 1:00:08 (Pop-up) | |||
The Sound Of Feeling | Spleen | 1968 | 1:03:54 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at puzzling disappearances. Never forget the enigmatical and enigmatic disappearances. The vanish that's really fair, Above all others is the absent. Down, down, down into the darkness of the absent, Gently it goes - the average, the respectable, the antimonopoly. The location that's really wooly, Above all others are the whereabouts. |
1:06:41 (Pop-up) |
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pearls before swine | i saw the world | 1968 | 1:07:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:10:58 (Pop-up) |
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Van Der Graaf Generator | Aquarian | 1968 | 1:12:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Generator - A Haiku Threatening autumn A current, generator band watching the miller |
1:20:19 (Pop-up) |
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Steve Miller Band | Baby's Callin' Me Home | 1968 | 1:20:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Miller - A Haiku Previous autumn A poor, august miller love watching the callin |
1:24:09 (Pop-up) |
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Love | August | 1969 | 1:24:32 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the male diane! Does the diane make you shiver? does it? The arthropod genus that's really swift, Above all others is the vanessa. Never forget the fleet and fast vanessa. I cannot help but stop and look at the big courtney. Now momentous is just the thing, |
1:29:35 (Pop-up) |
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Velvett Fogg | Lady Caroline | 1969 | 1:30:17 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 1:32:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Caroline - A Haiku Darkening autumn A dearest, caroline love an america |
1:35:06 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:35:43 (Pop-up) | ||
The FUGS | Life Is Strange | 1968 | 1:40:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
America - A Haiku Threatening autumn A white, america love whilst watching the states |
1:42:50 (Pop-up) |
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The Zodiac | Scorpio - The Passionate Hero | 1967 | 1:44:36 (Pop-up) | |||
Oriental Sunshine | My Way To Be Hurt | 1970 | 1:47:21 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Grahame - A Haiku Threatening autumn A passionate grahame walk near the scorpio |
1:50:19 (Pop-up) |
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Grahame Bond | Walk On To Me | 1969 | 1:50:59 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Grahame, Part 2 - A Haiku Threatening autumn A gallant, ground grahame ground at the old bamboo |
1:54:07 (Pop-up) |
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The Bamboo Shoot | The Fox Has Gone to Ground | 1968 | 1:54:33 (Pop-up) | |||
The Shadows | A Place in the Sun | 1996 | 1:57:17 (Pop-up) | |||
The doors | My Eyes Have Seen You | 1967 | 1:59:23 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Aggregation - A Haiku Overcast autumn A light aggregation light in spite of the light |
2:01:42 (Pop-up) |
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The Aggregation | White Light | 1969 | 2:02:16 (Pop-up) | |||
The Appletree Theatre | Act II: E-Train (the jello song) | 1967 | 2:04:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Documentary - A Haiku Overcast autumn shall documentary light the aggregation |
2:05:15 (Pop-up) |
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Silver Apples | Misty Mountain | 1968 | 2:08:03 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Twentieth - A Haiku Previous autumn before twentieth silver above the mountain |
2:10:41 (Pop-up) |
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Twentieth Century Zoo | Quiet Before the Storm | 1969 | 2:11:00 (Pop-up) | |||
Ultimate Spinach | Pamela | 1968 | 2:15:52 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Twentieth, Part 2 - A Haiku Previous autumn suddenly twentieth storm on the century |
2:18:57 (Pop-up) |
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The Nice | Dawn | 1967 | 2:19:40 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Shelf - A Haiku Threatening autumn A lower, baby shelf slip because of the twixt |
2:24:53 (Pop-up) |
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The Top Shelf | Baby The World Really Turns (Many A Slip Twixt Cup And Lip) | 1969 | 2:25:14 (Pop-up) | |||
People | I've Got You On My Mind | 1969 | 2:28:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at rounded corners. Never forget the ellipsoidal and ear-shaped corners. A number, however hard it tries, Will always be least. Down, down, down into the darkness of the number, Gently it goes - the most, the littlest, the little. I cannot help but stop and look at the wooly twist. Are you upset by how hirsute it is? |
2:30:36 (Pop-up) |
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Touch | Down at Cerce's Place | 1969 | 2:31:32 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at rounded corners. Never forget the ellipsoidal and ear-shaped corners. A number, however hard it tries, Will always be least. Down, down, down into the darkness of the number, Gently it goes - the most, the littlest, the little. I cannot help but stop and look at the wooly twist. Are you upset by how hirsute it is? |
2:37:51 (Pop-up) |
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The Holy Mackerel | 10,000 Men | 1968 | 2:38:37 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Signpost - A Haiku Threatening autumn A holy signpost signpost out of mackerel |
2:42:19 (Pop-up) |
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Fifty Foot Hose | Red The Signpost | 2:42:42 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Signpost, Part 2 - A Haiku Glorious autumn An away signpost signpost above the velvett |
2:45:04 (Pop-up) |
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Velvett Fogg | Come Away Melinda | 1969 | 2:45:28 (Pop-up) | |||
Raw Material | Days Of The Fighting Cocks | 1970 | 2:51:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Away And Self Eric Whose eric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her eric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:54:19 (Pop-up) |
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Eric Burdon & The Animals | No Self Pity | 1968 | 2:55:09 (Pop-up) | |||
H.P. Lovecraft | The White Ship | 1967 | 3:00:01 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Animals - A Haiku Overcast autumn A small, self animals tree whilst watching the pearls |
3:06:27 (Pop-up) |
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Pearls Before Swine | man in the tree | 1969 | 3:06:56 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pearls - A Haiku Threatening autumn A clinical, pink pearls pink in spite of the floyd |
3:10:16 (Pop-up) |
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Pink Floyd | Bike | 1967 | 3:10:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Cemetary - A Haiku Darkening autumn A green cemetary room in spite of the green |
3:14:11 (Pop-up) |
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St. John Green | One Room Cemetary | 1968 | 3:14:33 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Cardboard - A Haiku Threatening autumn A black, cardboard cardboard twink the cemetary |
3:19:14 (Pop-up) |
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Twink | 10,000 Words In A Cardboard Box | 1970 | 3:19:47 (Pop-up) | |||
Yankee Dollar | City Sidewalks | 1968 | 3:24:09 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Cardboard, Part 2 - A Haiku Darkening autumn A stiff, cardboard cardboard twink whilst watching the strings |
3:27:00 (Pop-up) |
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The Soulful Strings | Jericho | 1968 | 3:27:35 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Strings - A Haiku Threatening autumn An upper, soulful strings light on the jericho |
3:30:39 (Pop-up) |
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Clear Light | Night Sounds Loud | 1967 | 3:31:00 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Dorothy - A Haiku Inclement autumn A sweet, light dorothy light in spite of the sounds |
3:33:22 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:33:48 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:36:59 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:37:14 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The Funky And Black Nirvana Whose nirvana is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his nirvana a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:42:05 (Pop-up) |
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nirvana | Black Flower | 1969 | 3:42:52 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Sidewalks - A Haiku Previous autumn A moving sidewalks crimson beyond the crimson |
3:48:13 (Pop-up) |
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The Moving Sidewalks | Crimson Witch | 1968 | 3:48:35 (Pop-up) | |||
dies irae | Run Off | 1971 | 3:51:35 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Sidewalks, Part 2 - A Haiku Wickedness autumn A moving sidewalks crimson on the mackerel |
3:52:05 (Pop-up) |
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The Holy Mackerel | 1984 | 1968 | 3:52:35 (Pop-up) | |||
The Shadows | Kon-Tiki | 1996 | 3:56:55 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:58:46 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Cymbaline - A Haiku Showery autumn A composed cymbaline pink betrayed by the comes |
4:01:59 (Pop-up) |
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played and composed by the pink floyd | Cymbaline | 1969 | 4:02:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Elevators - A Haiku Depressing autumn A speed, elevators floor near the cymbaline |
4:07:04 (Pop-up) |
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The 13th Floor Elevators | Rose And The Thorn | 1969 | 4:07:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:10:59 (Pop-up) |
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Bee Gees | I Have Decided To Join The Air | 1968 | 4:11:56 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Seger - A Haiku Showery autumn A decided seger last watching the music |
4:14:01 (Pop-up) |
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Bob Seger and the Last Heard | Heavy Music (Part 2) | 1967 | 4:14:23 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Animals - A Haiku Depressing autumn An orange animals last under the burdon |
4:17:10 (Pop-up) |
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Eric Burdon & The Animals | Orange And Red Beams | 1968 | 4:17:37 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Experience - A Haiku Beautiful autumn How orange experience beyond the hendrix |
4:21:12 (Pop-up) |
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The Jimi Hendrix Experience | I Don't Live Today | 1967 | 4:21:40 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Why would you think the lost is daytime? the lost is the most dark people of all. Now sour is just the thing, To get me wondering if the lost is grim. I saw the the greatest failure of my generation destroyed, How I mourned the failing. A failing is largest. a failing is superlative, a failing is superior, however. |
4:25:26 (Pop-up) |
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Zacherley | Hello Dolly | 1964 | 4:26:09 (Pop-up) | |||
The Soft Machine | Hope For Happiness | 1968 | 4:28:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Happiness - A Haiku Beautiful autumn A great, happiness machine above the lantern |
4:33:03 (Pop-up) |
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The Rolling Stones | The Lantern | 1967 | 4:33:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Dissevelt - A Haiku Late dampness autumn before dissevelt orbit near the dissevelt |
4:38:45 (Pop-up) |
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The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Tom Dissevelt: Orbit Aurora | 1959 | 4:39:12 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Why would you think the presence is sporadic? the presence is the most continual impression of all. Down, down, down into the darkness of the presence, Gently it goes - the uninterrupted, the perennial, the recurrent. An omission, however hard it tries, Will always be unusual. Never forget the familiar and exotic omission. Lack is sudden curves. |
4:42:09 (Pop-up) |
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The Wanted | Here To Stay | 1966 | 4:43:17 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
4:45:55 (Pop-up) |
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Who | Disguises | 1966 | 4:46:08 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:14 (Pop-up) | ||||
Charles Fox | The Green Slime | A Fistful of Fuzz | ||||
George Harrison | Party Seacombe | Wonderwall Music | 1968 |
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