The Night Owl Show with Owl Sun:
Playlist
from October 9, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:07 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:32 (Pop-up) | ||||
| The 13th Floor Elevators |
Street Song
|
1969 |
|
0:02:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
0:07:53 (Pop-up) |
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| Eric Burdon & The Animals |
Hotel Hell
|
1967 |
|
0:08:01 (Pop-up) | ||
| The Mothers Of Invention |
Mom & Dad
|
1968 |
|
0:12:10 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Why would you think the pet is ugly? the pet is the most beautiful lover of all. A pet is sublime. a pet is beauteous, a pet is comely, however. I cannot help but stop and look at sick pigs. Down, down, down into the darkness of the pigs, Gently they go - the bilious, the demented, the ill. How happy is the zany wildlife! |
|
0:15:25 (Pop-up) |
||
| The Moody Blues |
Ride My See-Saw
|
1968 |
|
0:16:14 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Moody And Yester Seesaw Whose seesaw is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her seesaw a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:19:53 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
0:20:39 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Quicksilver - A Haiku Depressing autumn A more, quicksilver service near the messenger |
|
0:23:31 (Pop-up) |
||
| Quicksilver Messenger Service |
Bears
|
1968 |
|
0:24:04 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Quicksilver, Part 2 - A Haiku Beautiful autumn A more, quicksilver service near the messenger |
|
0:26:09 (Pop-up) |
||
| Twink |
Fluid
|
1970 |
|
0:26:43 (Pop-up) | ||
| Figures of Light |
Winter of Our Discontent
|
0:30:38 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun
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Yesterdays - A Haiku Depressing autumn A fluid yesterdays twink above the children |
|
0:32:10 (Pop-up) |
||
| Yesterday's Children |
To Be Or Not To Be
|
1966 |
|
0:32:42 (Pop-up) | ||
| The Smoke |
Odyssey
|
1968 |
|
0:34:48 (Pop-up) | ||
| The Soft Machine |
Lullabye Letter
|
1968 |
|
0:39:29 (Pop-up) | ||
| Eden's Children |
Sure Looks Real
|
1968 |
|
0:44:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Children, Part 2 - A Haiku Beautiful autumn A poor, composed children pink whilst watching the theme |
|
0:48:31 (Pop-up) |
||
| played and composed by the pink floyd |
Main Theme
|
1969 |
|
0:48:59 (Pop-up) | ||
| Nick Garrie |
Wheel Of Fortune
|
1969 |
|
0:54:07 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
0:57:45 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Theme - A Haiku Previous autumn A second, composed theme pink betrayed by the pink |
|
1:00:06 (Pop-up) |
||
| Tiny Tim |
Ever Since You Told Me That You Loved Me (I'm A Nut)
|
1968 |
|
1:00:48 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Underground - A Haiku Depressing autumn A nazi, underground run at the old velvet |
|
1:03:29 (Pop-up) |
||
| The Velvet Underground & Nico |
Run, Run, Run
|
1967 |
|
1:03:53 (Pop-up) | ||
| The Alan Lorber Orchestra |
Djellaba (The Hooded One)
|
1967 |
|
1:08:12 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Underground, Part 2 - A Haiku Beautiful autumn A nazi, underground run near the underground |
|
1:10:26 (Pop-up) |
||
| The Velvet Underground |
Lady Godiva's Operation
|
1968 |
|
1:11:03 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
1:15:51 (Pop-up) |
|||
| Donovan |
The Observation
|
1967 |
|
1:16:02 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
1:18:22 (Pop-up) |
|||
| Pearls Before Swine |
these things too
|
1969 |
|
1:18:32 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:21:52 (Pop-up) |
|||
| The Appletree Theatre |
Epilogue: What A Way To Go (yes)
|
1967 |
|
1:22:03 (Pop-up) | ||
| The Hottersville Trolley |
No Silver Bird
|
1968 |
|
1:24:45 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at lordship hes. Do hes make you shiver? do they? I cannot help but stop and look at the tadic coz. Does the coz make you shiver? does it? How happy is the zany dont! Does the dont make you shiver? |
|
1:27:21 (Pop-up) |
||
| People |
I've Got You On My Mind
|
1969 |
|
1:28:11 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
People - A Haiku Depressing autumn A moody people people enjoying the still |
|
1:30:39 (Pop-up) |
||
| The Moody Blues |
Sun is still shining.
|
1969 |
|
1:31:01 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Department - A Haiku Glorious autumn A moody department store before the mitchells |
|
1:34:40 (Pop-up) |
||
| Bee Gees |
To love somebody
|
1967 |
|
1:37:28 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Because I could not stay for gees, they did kindly stay for me. I don't like the fact that they, learned to stay before they knew how to hit. A joanna, however hard it tries, Will always be sure. Now destined is just the thing, To get me wondering if the joanna is reliable. |
|
1:40:20 (Pop-up) |
||
| T.I.M.E. |
I'll Write A Song
|
1969 |
|
1:41:05 (Pop-up) | ||
| The Mothers Of Invention |
Electric Aunt Jemima
|
1969 |
|
1:45:18 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Thundermugs - A Haiku Glorious autumn before free thundermugs write after the motion |
|
1:47:04 (Pop-up) |
||
| The Thundermugs |
Motion Free
|
1967 |
|
1:47:35 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Thundermugs, Part 2 - A Haiku Late dampness autumn before brown thundermugs free above the kingdom |
|
1:50:13 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Child Of My Kingdom
|
1968 |
|
1:50:48 (Pop-up) | ||
| The Shadows |
Atlantis
|
1996 |
|
1:57:47 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The Brown And Composed Kingdom Whose kingdom is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kingdom a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:00:07 (Pop-up) |
||
| played and composed by the pink floyd |
Ibiza Bar
|
1969 |
|
2:00:59 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Sleeping - A Haiku Previous autumn A sleeping sleeping machine above the machine |
|
2:04:00 (Pop-up) |
||
| The Soft Machine |
Why Are We Sleeping?
|
1968 |
|
2:04:27 (Pop-up) | ||
| The Asylum Choir |
Episode Containing 3 Songs: Mr. Henry The Clown
|
1968 |
|
2:09:51 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Sleeping, Part 2 - A Haiku Previous autumn A sleeping sleeping machine under the machine |
|
2:11:48 (Pop-up) |
||
| Morning Glory |
Need Someone
|
1968 |
|
2:12:51 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Don't belive that the azerbaijan is north? the azerbaijan is south beyond belief. Are you upset by how southland it is? Does it tear you apart to see the azerbaijan so southwestward? The chechnya is not dark! the chechnya is exceptionally dark. Are you upset by how daytime it is? Does it tear you apart to see the chechnya so dark? |
|
2:17:20 (Pop-up) |
||
| The Who |
Armenia City In The Sky
|
1967 |
|
2:18:01 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The asiatic that's really iraqi, Above all others is the kuwaiti. Does the kuwaiti make you shiver? does it? I saw the the soviet european of my generation destroyed, How I mourned the albanian. Does the albanian make you shiver? does it? |
|
2:21:48 (Pop-up) |
||
| KAK |
Everything's Changing
|
1969 |
|
2:22:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The asiatic that's really iraqi, Above all others is the kuwaiti. Does the kuwaiti make you shiver? does it? I saw the the soviet european of my generation destroyed, How I mourned the albanian. Does the albanian make you shiver? does it? |
|
2:26:24 (Pop-up) |
||
| Tiny Tim |
Neighbourhood Children
|
1969 |
|
2:27:16 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Neighbourhood - A Haiku Previous autumn A near, neighbourhood winter despite the children |
|
2:31:13 (Pop-up) |
||
| the souls of inspyration |
Sun Shines In The Winter
|
1970 |
|
2:31:35 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
All that is cheerless is not glow, glow, by all account is cheerful. Now blithe is just the thing, To get me wondering if the glow is blithesome. Pay attention to the radiance, the radiance is the most fiery brightness of all. Does the radiance make you shiver? does it? |
|
2:34:44 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
2:35:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:38:38 (Pop-up) |
|||
| The Velvet Underground & Nico |
All Tomorrow's Parties
|
1967 |
|
2:38:57 (Pop-up) | ||
| The Moody Blues |
House Of Four Doors
|
1968 |
|
2:45:49 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy is the way house! Does the house make you shiver? does it? I saw the the arched entrance of my generation destroyed, How I mourned the doorway. Are you upset by how curved it is? Does it tear you apart to see the doorway so arciform? I cannot help but stop and look at yellow walls. |
|
2:49:57 (Pop-up) |
||
| Los Z-66 |
Tryn' To Get You - "Trato de tenerte"""
|
1969 |
|
2:50:46 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:52:58 (Pop-up) |
|||
| Graham Bond |
The Magician
|
1970 |
|
2:53:16 (Pop-up) | ||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
2:57:15 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
2:59:47 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
All that is red is not women, women, by all account is white. A women is unintegrated. a women is clean, a women is caucasoid, however. Mommies, however hard they try, Will always be only. Never forget the lonesome and solitary mommies. The little parent sings like widowed relationships |
|
3:00:07 (Pop-up) |
||
| The Mothers Of Invention |
Absolutely Free
|
1968 |
|
3:01:00 (Pop-up) | ||
| Ron Geesin Roger Waters |
Give Birth to a Smile
|
1970 |
|
3:04:25 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Pay attention to the stem, the stem is the most bamboo tube of all. Does the stem make you shiver? does it? One afternoon I said to myself, "Why isn't the stock more adopted?" Now pure is just the thing, To get me wondering if the stock is indigenous. |
|
3:06:58 (Pop-up) |
||
| Procol Harum |
Skip Softly (My Moonbeams)
|
1968 |
|
3:07:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:11:24 (Pop-up) |
|||
| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
3:12:35 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Quicksilver - A Haiku Beautiful autumn A liquid, quicksilver pink before the pattern |
|
3:19:39 (Pop-up) |
||
| Jimmy Gordon |
Test Pattern
|
1967 |
|
3:20:02 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
One afternoon I said to myself, "Why isn't the sarah more noble?" Does the sarah make you shiver? does it? The crawford is not unregretful! the crawford is exceptionally contrite. Down, down, down into the darkness of the crawford, Gently it goes - the regretful, the contrite, the distressing. |
|
3:22:49 (Pop-up) |
||
| the stooges |
Down On The Street
|
1970 |
|
3:23:43 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Morning - A Haiku Previous autumn A late, little morning down whilst watching the street |
|
3:26:18 (Pop-up) |
||
| Morning Glory |
Hey Little Girl
|
1968 |
|
3:26:43 (Pop-up) | ||
| The Standells |
Try It
|
1967 |
|
3:28:59 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Morning, Part 2 - A Haiku Glorious autumn A clear, little morning black enjoying the sheep |
|
3:31:45 (Pop-up) |
||
| SRC |
Black Sheep
|
1968 |
|
3:32:09 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Yesterdays - A Haiku Previous autumn A black yesterdays people near the tomorrow |
|
3:35:50 (Pop-up) |
||
| Lothar and the Hand People |
Today Is Only Yesterday's Tomorrow
|
1969 |
|
3:36:13 (Pop-up) | ||
| Gerard Malanga and Ingrid Superstar |
Gossip by
|
1966 |
|
3:42:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Yesterdays, Part 2 - A Haiku Early dull autumn A dead, yesterdays people by the canarios |
|
3:43:35 (Pop-up) |
||
| Los Canarios |
Get On You Knees
|
1968 |
|
3:44:10 (Pop-up) | ||
| The Red Krayola |
Listen To This
|
1968 |
|
3:46:40 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
How happy are front thighs! Down, down, down into the darkness of the thighs, Gently they go - the fore, the backside, the rear. One afternoon I said to myself, "Why isn't the crotch more falling?" Does the crotch make you shiver? does it? Don't belive that feet are little? |
|
3:46:43 (Pop-up) |
||
| Lee Hazlewood |
Rainbow Woman
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
3:47:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:50:33 (Pop-up) |
|||
| KAK |
Rain
|
1969 |
|
3:50:53 (Pop-up) | ||
| The Litter |
Breakfast At Gardenson's
|
1969 |
|
3:52:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
How happy are front thighs! Down, down, down into the darkness of the thighs, Gently they go - the fore, the backside, the rear. One afternoon I said to myself, "Why isn't the crotch more falling?" Does the crotch make you shiver? does it? Don't belive that feet are little? |
|
3:55:51 (Pop-up) |
||
| Quicksilver Messenger Service |
Stand By Me
|
1968 |
|
3:56:44 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Carriages, however hard they try, Will always be private. Down, down, down into the darkness of the carriages, Gently they go - the individual, the clubby, the personal. I cannot help but stop and look at horizontal platforms. Do platforms make you shiver? do they? I saw the the yellow commercial enterprise of my generation destroyed, |
|
4:02:44 (Pop-up) |
||
| The 13th Floor Elevators |
Dr. Doom
|
1969 |
|
4:03:43 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
4:06:50 (Pop-up) |
|||
| Montreal |
Infinity
|
1970 |
|
4:07:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Carriages, however hard they try, Will always be private. Down, down, down into the darkness of the carriages, Gently they go - the individual, the clubby, the personal. I cannot help but stop and look at horizontal platforms. Do platforms make you shiver? do they? I saw the the yellow commercial enterprise of my generation destroyed, |
|
4:15:13 (Pop-up) |
||
| The Moody Blues |
Legend Of A Mind
|
1968 |
|
4:16:10 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Invention - A Haiku Glorious autumn A new, green invention mind despite the mothers |
|
4:23:42 (Pop-up) |
||
| The Mothers Of Invention |
Mr. Green Genes
|
1969 |
|
4:24:08 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I cannot help but stop and look at the pinkish brown. Down, down, down into the darkness of the brown, Gently it goes - the chromatic, the pink, the colored. Pay attention to the day, the day is the most single chance of all. Never forget the one and unwed day. How happy is the zany ambassador! Are you upset by how clownish it is? |
|
4:27:21 (Pop-up) |
||
| The Deviants |
Garbage
|
1967 |
|
4:28:08 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
4:33:39 (Pop-up) |
|||
| Procol Harum |
Something Following Me
|
1968 |
|
4:33:51 (Pop-up) | ||
| Strawberry Alarm Clock |
Black Butter, Past
|
1968 |
|
4:37:26 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:39:49 (Pop-up) |
|||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
4:40:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
4:43:07 (Pop-up) |
|||
| Eden's Children |
Sure Looks Real
|
1968 |
|
4:43:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Children - A Haiku Last dampness autumn A many, real children flame beyond the morning |
|
4:47:51 (Pop-up) |
||
| Morning Glory |
Jelly Gas Flame
|
1968 |
|
4:48:14 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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