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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | |||||
The Act Of Creation | Yesterday Noontime | 1967 | 0:03:39 (Pop-up) | ||||
Syd Barrett | Baby Lemonade | 1987 | 0:05:36 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Mcdonald - A Haiku Last dampness autumn A good mcdonald message into the evening |
0:08:00 (Pop-up) |
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Bob Seger | East Side Story | 1966 | 0:08:38 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Memorial - A Haiku Beautiful autumn A best, memorial spring because of the spring |
0:12:02 (Pop-up) |
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The Fort Mudge Memorial Dump | What Good Is Spring | 1970 | 0:12:26 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Requested - A Haiku Glorious autumn before requested silence out of ultimate |
0:16:23 (Pop-up) |
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Welfare State | Silence is Requested in the Ultimate Abyss | 1969 | 0:17:00 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Mindbreaker - A Haiku Glorious autumn before mindbreaker silence by the requested |
0:21:46 (Pop-up) |
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The Litter | Mindbreaker | 1968 | 0:22:08 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy are radial corridors! Corridors are symmetric. corridors are stellate, corridors are symmetrical, however. One afternoon I said to myself, "Why isn't the transport more unmotorized?" Does the transport make you shiver? does it? I cannot help but stop and look at big hallways. |
0:25:12 (Pop-up) |
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The Thirteenth Floor Elevators | Reverbaration (Doubt) | 1966 | 0:25:54 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Party And Thirteenth Thirteenth Whose thirteenth is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her thirteenth a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:28:36 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:29:40 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Harrison - A Haiku Previous autumn A party harrison pink beyond the seacombe |
0:34:07 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 0:34:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The Pink And Strange Sparrow Whose sparrow is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her sparrow a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:30 (Pop-up) |
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The Sparrow | Isn't it Strange | 1966 | 0:38:18 (Pop-up) | ||||
MC5 | Kick Out The Jams | 1969 | 0:41:30 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:44:16 (Pop-up) |
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Valhalla | Hard Times | 1969 | 0:44:34 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Don't belive that instances are atypical? instances are typical beyond belief. Down, down, down into the darkness of the instances, Gently they go - the untypical, the exemplary, the normal. The instance is not first! the instance is exceptionally penultimate. Does the instance make you shiver? does it? |
0:49:05 (Pop-up) |
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The Naturals | Say Hay Ha Ha | 1967 | 0:49:46 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
0:52:18 (Pop-up) |
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The Ghost | Indian Maid | 1970 | 0:52:50 (Pop-up) | ||||
The Lovin' Spoonful | Full Measure (instrumental version) | 1966 | 0:57:08 (Pop-up) | ||||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:59:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:00:25 (Pop-up) |
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Irmin Schmidt, Gesang: Margareta Juvan | I'm Hiding My Nightingale | 1969 | 1:01:03 (Pop-up) | ||||
Il Balletto Di Bronzo | Neve Calda | 1970 | 1:04:18 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I saw the the mysterious epilepsy of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? I cannot help but stop and look at the twice stolen. Does the stolen make you shiver? does it? Just like a several thing, is the deceased. |
1:07:10 (Pop-up) |
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Tyrannosaurus Rex | Cat Black (the wizard's hat) | 1969 | 1:08:09 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces |
I saw the the mysterious epilepsy of my generation destroyed, How I mourned the absence. Does the absence make you shiver? does it? I cannot help but stop and look at the twice stolen. Does the stolen make you shiver? does it? Just like a several thing, is the deceased. |
1:11:54 (Pop-up) |
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The Tea Company | Come And Have Some Tea With Me | 1968 | 1:12:47 (Pop-up) | ||||
Music behind DJ: The Beatles |
The Bus |
1:16:16 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 1:16:26 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:18:48 (Pop-up) |
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Syd Barrett | Dominoes [Take 3] | 1970 | 1:19:12 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Dominoes - A Haiku Wickedness autumn A heavy dominoes last above the barrett |
1:23:11 (Pop-up) |
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Bob Seger and the Last Heard | Heavy Music (Part 1) | 1967 | 1:23:46 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Incorporation - A Haiku Overcast autumn where incorporation sound the satisfaction |
1:26:19 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:26:47 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Incorporation, Part 2 - A Haiku Late dampness autumn For incorporation sound a satisfaction |
1:29:52 (Pop-up) |
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The Creation | Through My Eyes | 1967 | 1:30:18 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Memorial - A Haiku Threatening autumn A best, memorial dump out of creation |
1:33:21 (Pop-up) |
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The Fort Mudge Memorial Dump | The Singer | 1970 | 1:33:46 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Thirteenth - A Haiku Wickedness autumn A mid, thirteenth thirteenth floor the elevators |
1:42:40 (Pop-up) |
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The Thirteenth Floor Elevators | 'Before You Accuse Me' | 1967 | 1:43:05 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Thirteenth, Part 2 - A Haiku Beautiful autumn A yard, thirteenth thirteenth floor an elevators |
1:45:38 (Pop-up) |
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New York Rock & Roll Ensemble | The Three Answers | 1970 | 1:46:06 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Ensemble - A Haiku Threatening autumn A small, ensemble litter before the answers |
1:49:53 (Pop-up) |
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The Litter | (under the screaming double) Eagle | 1968 | 1:50:18 (Pop-up) | ||||
The British North-American Act | Don't Run Away | 1969 | 1:52:53 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The imperfection that's really family, Above all others is the failing. Does the failing make you shiver? does it? The gone is not univalent! the gone is exceptionally twofold. Now univalent is just the thing, To get me wondering if the gone is twofold. |
1:55:21 (Pop-up) |
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MC5 | Come Together | 1969 | 1:56:04 (Pop-up) | ||||
Affinity | I Am And So Are You | 1970 | 2:00:38 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the usual paucity! Now common is just the thing, To get me wondering if the paucity is habitual. Pay attention to the inability, the inability is the most apparent quality of all. Down, down, down into the darkness of the inability, Gently it goes - the manifest, the seeable, the patent. Just like a chronic absence, is the dearth. |
2:04:02 (Pop-up) |
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The Naturals | Theme From A Natural | 1967 | 2:04:53 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
Why would you think the lack is uncharacteristic? the lack is the most characteristic miss of all. Now typical is just the thing, To get me wondering if the lack is distinguishing. How happy is the unseen presence! Are you upset by how unseeable it is? Does it tear you apart to see the presence so unnoticed? When I think of the unavailability, I see usual chapters. |
2:07:01 (Pop-up) |
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Mad River | They Brought Sadness | 1969 | 2:07:51 (Pop-up) | ||||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 2:12:39 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
All that is uncomplete is not void, void, by all account is complete. Does the void make you shiver? does it? How happy is the occasional lack! Does the lack make you shiver? does it? Pay attention to the inability, |
2:14:03 (Pop-up) |
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Il Balletto Di Bronzo | Incantesimo | 1970 | 2:14:53 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
How happy are unexpected disappearances! Do disappearances make you shiver? do they? Pay attention to the deceased, the deceased is the most first someone of all. Down, down, down into the darkness of the deceased, Gently it goes - the prototypical, the 1st, the inaugural. Just like an unexplained length, is the absence. |
2:21:35 (Pop-up) |
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The Soft Machine | Joy Of A Toy | 1968 | 2:22:20 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Missing How happy are unexpected disappearances! Do disappearances make you shiver? do they? |
2:25:05 (Pop-up) |
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The Tea Company | Love Could Make The World Go Round | 1968 | 2:25:33 (Pop-up) | ||||
Tyrannosaurus Rex | Warlord of the Royal Crocodiles | 1969 | 2:28:59 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Company - A Haiku Previous autumn A small, round company round at the old status |
2:31:07 (Pop-up) |
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The Status Quo | When My Mind Is Not Live | 1968 | 2:31:35 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Yardbirds - A Haiku Late dampness autumn An old, little yardbirds live after the status |
2:34:28 (Pop-up) |
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The Yardbirds | Little Games | Little Games | 1967 | 2:34:56 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Thirteenth - A Haiku Wickedness autumn A mid, thirteenth thirteenth splash an elevators |
2:37:13 (Pop-up) |
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Thirteenth Floor Elevators | Splash 1 | 1968 | 2:37:42 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the electric ropeway! Never forget the electrical and galvanic ropeway. How happy are indoor lavatories! Do lavatories make you shiver? do they? How happy is the big tramway! Down, down, down into the darkness of the tramway, Gently it goes - the giant, the huge, the bigger. |
2:42:40 (Pop-up) |
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Syd Barrett | Rats | 1989 | 2:43:24 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:46:32 (Pop-up) |
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Childe Harold | Brink Of Death | 1968 | 2:46:52 (Pop-up) | ||||
Music behind DJ: George Harrison |
Party Seacombe |
2:50:19 (Pop-up) |
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Rotomagus | Eros | 1970 | 2:50:30 (Pop-up) | ||||
A.B. Skhy | Of All Sad Words | 1969 | 2:52:48 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the former donahue. Are you upset by how late it is? Does it tear you apart to see the donahue so sometime? One afternoon I said to myself, "Why isn't the kirkpatrick more young?" A kirkpatrick is rusty. a kirkpatrick is past, a kirkpatrick is gaga, however. The wooly krauss sings like a famous lady |
2:55:49 (Pop-up) |
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Bob Seger and the Last Heard | Persecution Smith | 1967 | 2:56:39 (Pop-up) | ||||
Lost & Found | Professor Black | 1968 | 2:59:40 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy are grass stubbs! Do stubbs make you shiver? do they? How happy is the claremont mckenna! Does the mckenna make you shiver? does it? When I think of the hendrix, I see next creatures. Are you upset by how attractive it is? |
3:00:26 (Pop-up) |
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The Litter | Kaleidoscope | 1968 | 3:01:07 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are grass stubbs! Do stubbs make you shiver? do they? How happy is the claremont mckenna! Does the mckenna make you shiver? does it? When I think of the hendrix, I see next creatures. Are you upset by how attractive it is? |
3:03:20 (Pop-up) |
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The United States Of America | Where Is Yesterday | 1968 | 3:03:55 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Yesterday - A Haiku Overcast autumn A before, yesterday mark an america |
3:06:56 (Pop-up) |
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Mecki Mark Men | Free | 1967 | 3:07:19 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
A revised, however hard it tries, Will always be third. Our revised is tertiary and 3rd, it likes to update, it likes to submit. I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? A been, however hard it tries, |
3:11:26 (Pop-up) |
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Affinity | I Wonder If I'll Care As Much | 1970 | 3:14:13 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Smokestack - A Haiku Previous autumn A single, done smokestack look beyond the lightnin |
3:17:28 (Pop-up) |
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Smokestack Lightnin' | Look What You've Done | 2004 | 3:18:04 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
An absent, however hard it tries, Will always be inappropriate. Are you upset by how appropriate it is? Does it tear you apart to see the absent so unfitting? Don't belive that the neglected is secondary? the neglected is primary beyond belief. Does the neglected make you shiver? does it? |
3:20:52 (Pop-up) |
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The Cape Kennedy Construction Company | Armageddon | 1969 | 3:21:44 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Why would you think whereabouts are sealed? whereabouts are the most uncertain location of all. Do whereabouts make you shiver? do they? I cannot help but stop and look at the lost stolen. Never forget the irrecoverable and at sea stolen. Gone is well layer. well layer is gone. |
3:26:02 (Pop-up) |
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Hapshash And The Coloured Coat | H-O-P-P-Why? | 1967 | 3:26:42 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Frantics - A Haiku Beautiful autumn A coloured frantics monkey under the hapshash |
3:34:07 (Pop-up) |
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Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 3:34:30 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 3:36:36 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Frantics, Part 2 - A Haiku Glorious autumn A human frantics monkey by the company |
3:39:16 (Pop-up) |
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The Tea Company | You Keep Me Hangin' On | 1968 | 3:39:50 (Pop-up) | ||||
The Thirteenth Floor Elevators | Tried To Hide | 1966 | 3:49:08 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Company - A Haiku Beautiful autumn A large, company flower under the flower |
3:51:22 (Pop-up) |
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After Tea | Not Just A Flower In Your Hair | 1967 | 3:51:50 (Pop-up) | ||||
Tyrannosaurus Rex | King Of The Rumbling Spires | 1969 | 3:54:04 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Salvation - A Haiku Beautiful autumn A great, salvation flower above the flower |
3:56:08 (Pop-up) |
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Salvation | Why | 1969 | 3:56:47 (Pop-up) | ||||
Syd Barrett | Effervescing Elephant | 1987 | 3:59:47 (Pop-up) | ||||
The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 4:04:35 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:07:33 (Pop-up) |
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The Act Of Creation | Yesterday Noontime | 1967 | 4:08:02 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Yesterday - A Haiku Early dampness fall A clear, or yesterday grab at the old kingsley |
4:11:08 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 4:11:44 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Kingsley - A Haiku Early wet autumn before or kingsley captain before the captain |
4:17:06 (Pop-up) |
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Captain Foam | No Reason | 1968 | 4:17:28 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
4:21:05 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 4:21:25 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Butterfly - A Haiku Threatening autumn A yellow, butterfly down the america |
4:26:14 (Pop-up) |
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The United States Of America | Coming Down | 1968 | 4:26:51 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Requested - A Haiku Beautiful autumn before requested silence by the ultimate |
4:29:27 (Pop-up) |
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Welfare State | Silence is Requested in the Ultimate Abyss | 1969 | 4:29:52 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
The Party And Ultimate Ultimate Whose ultimate is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ultimate a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:34:37 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 4:35:22 (Pop-up) | |||
White Noise | The Visitation | 1969 | 4:39:49 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:55 (Pop-up) | |||||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados |
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Listener comments!
Owl Sun:
Wendy McDonald:
Owl Sun:
Wendy McDonald:
tom tom the pipers son:
Wendy McDonald:
Owl Sun:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
bill hanke:
Owl Sun:
Wendy McDonald:
Owl Sun: