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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:25 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | |||||
The Act Of Creation | Yesterday Noontime | 1967 | 0:03:15 (Pop-up) | ||||
Syd Barrett | Golden Hair (Vocal Version) | 1989 | 0:05:11 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
0:06:50 (Pop-up) |
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The Tea Company | Make Love, Not War | 1968 | 0:07:09 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Rotomagus - A Haiku Early hazy fall A red rotomagus love out of company |
0:10:35 (Pop-up) |
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Rotomagus | The Sky Turns Red | 1971 | 0:10:59 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
A crook, however hard it tries, Will always be wise. Never forget the prudent and sagacious crook. How happy are blue lights! Now cheerless is just the thing, To get me wondering if lights are aristocratical. Just like a sudden response, is moves. Are you upset by how ungenerous they are? |
0:13:47 (Pop-up) |
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The Zodiac | Virgo - The Perpetual Perfectionist | 1967 | 0:14:26 (Pop-up) | ||||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 0:17:27 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Perfectionist - A Haiku Inclement autumn why perfectionist iron a termination |
0:18:21 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 0:19:02 (Pop-up) | ||||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:21:44 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Brotherhood, Part 2 - A Haiku Darkening autumn A cosmic brotherhood friend before the finding |
0:26:19 (Pop-up) |
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Hat & Tie | Finding It Rough | Hat (2) | 1967 | 0:26:47 (Pop-up) | |||
Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 0:29:29 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Invention - A Haiku Early hazy fall A new, cheap invention rough despite the mothers |
0:32:38 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 0:33:10 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Invention, Part 2 - A Haiku Previous autumn A mere, invention people watching the mothers |
0:35:25 (Pop-up) |
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The Common People | I Have Been Alone | 1969 | 0:35:57 (Pop-up) | ||||
The Quicksilver Messenger Service | Codine | 1968 | 0:39:02 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are volcanic crags! Never forget the eruptive and extrusive crags. Pay attention to the foothills, foothills are the most outlying hills of all. Do foothills make you shiver? do they? Hills are precipitous region. precipitous region are hills. |
0:44:18 (Pop-up) |
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Bonzo Dog Band | Canyons Of Your Mind | 1968 | 0:45:02 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Quicksilver - A Haiku Beautiful autumn A crude, quicksilver service on the messenger |
0:48:00 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 0:48:24 (Pop-up) | ||||
Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 1:00:25 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
The Fool And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:05:20 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 1:06:12 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the funny cuz. A cuz is laughable. a cuz is suspect, a cuz is questionable, however. I cannot help but stop and look at keen regrets. Do regrets make you shiver? do they? I cannot help but stop and look at the little wat. Never forget the insignificant and dinky wat. |
1:11:31 (Pop-up) |
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The Koala | Don't You Know What I Mean? | 1969 | 1:12:14 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the funny cuz. A cuz is laughable. a cuz is suspect, a cuz is questionable, however. I cannot help but stop and look at keen regrets. Do regrets make you shiver? do they? I cannot help but stop and look at the little wat. Never forget the insignificant and dinky wat. |
1:14:49 (Pop-up) |
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country joe And The Fish | Thing Called Love | 1966 | 1:15:44 (Pop-up) | ||||
Syd Barrett | Two of a Kind | 1987 | 1:19:44 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Barrett - A Haiku Early hazy fall An open barrett open watching the korner |
1:22:11 (Pop-up) |
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Alexis Korner | Mary Open The Door | 1969 | 1:22:32 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The bennett is not first! the bennett is exceptionally minute. Down, down, down into the darkness of the bennett, Gently it goes - the first, the minute, the 2d. I saw the the hazel flux unit of my generation destroyed, How I mourned the maxwell. Never forget the colored and chromatic maxwell. The denise is not large! |
1:25:56 (Pop-up) |
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SRC | Exile | 1968 | 1:26:41 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Pink And Light Light Whose light is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his light a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:30:56 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 1:31:38 (Pop-up) | ||||
Ramsey Lewis | Sexy Sadie | 1968 | 1:36:52 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Light And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:34 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:40:32 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Iron And Funky Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:45:22 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 1:46:08 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Scoundrels - A Haiku Showery autumn A dirty, sound scoundrels sound before the scoundrels |
1:50:57 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:56:53 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The lauren is not unregretful! the lauren is exceptionally lamentable. Are you upset by how bad it is? Does it tear you apart to see the lauren so lamentable? One afternoon I said to myself, "Why isn't the danielle more less?" Now further is just the thing, To get me wondering if the danielle is less. |
2:00:25 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 2:01:06 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:05:33 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 2:05:57 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
The lauren is not unregretful! the lauren is exceptionally lamentable. Are you upset by how bad it is? Does it tear you apart to see the lauren so lamentable? One afternoon I said to myself, "Why isn't the danielle more less?" Now further is just the thing, To get me wondering if the danielle is less. |
2:10:56 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 2:11:42 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
The On And Randy Pointing Whose pointing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her pointing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:15:49 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 2:16:32 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Man And Randy Randy Whose randy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her randy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:20:12 (Pop-up) |
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Fortes Mentum | Saga Of A Wrinkled Man | 1968 | 2:20:55 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the slender crookedness. Never forget the graceful and slight crookedness. The organic process that's really pathological, Above all others is the ageing. An ageing is pathologic. an ageing is morbid, an ageing is psychoneurotic, however. I cannot help but stop and look at the yellow unwashed. An unwashed is yellow-bellied. an unwashed is dishonorable, |
2:23:37 (Pop-up) |
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G.F. Fitz-Gerald | May Four | 1970 | 2:24:26 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
All that is short is not neglected, neglected, by all account is long. Now daylong is just the thing, To get me wondering if the neglected is tenacious. Why would you think the absent is abnormal? the absent is the most normal go away of all. Does the absent make you shiver? does it? |
2:27:20 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 2:28:06 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Storybook - A Haiku Glorious autumn A little, storybook live under the sanctorum |
2:31:28 (Pop-up) |
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The Status Quo | When My Mind Is Not Live | 1968 | 2:31:53 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
Yardbirds - A Haiku Early cloudy fall An old, little yardbirds live under the status |
2:34:49 (Pop-up) |
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The Yardbirds | Little Games | Little Games | 1967 | 2:35:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Yardbirds, Part 2 - A Haiku Late brumous autumn An obvious yardbirds take at the old barrett |
2:37:43 (Pop-up) |
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Syd Barrett | It Is Obvious [Take 1] | 1970 | 2:38:25 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Controls - A Haiku Last dampness autumn An obvious controls pink beyond the barrett |
2:43:19 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 2:43:45 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Pink And Strange Street Whose street is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his street a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:49:02 (Pop-up) |
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Street | What A Strange Town | 1968 | 2:49:45 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
An electricity, however hard it tries, Will always be less. Does the electricity make you shiver? does it? I cannot help but stop and look at the much arsenic. Does the arsenic make you shiver? does it? When I think of the spain, I see old methods. |
2:55:39 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 2:56:17 (Pop-up) | ||||
Philamore Lincoln | Running By The River | 1968 | 3:02:57 (Pop-up) | ||||
The Deep | When Rain Is Black | 1966 | 3:05:17 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:07:22 (Pop-up) |
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The Koala | Poppa Duke Tyler | 1969 | 3:07:56 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Cromagnon - A Haiku Glorious autumn before bronze cromagnon bronze whilst watching the bronze |
3:10:32 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 3:10:55 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Cromagnon, Part 2 - A Haiku Late dampness autumn before bronze cromagnon bronze under the rainbow |
3:14:32 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 3:14:58 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
Happiness - A Haiku Inclement autumn A much, happiness divine above the thrashing |
3:18:52 (Pop-up) |
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Thrashing Butterflies Of Divine Happiness, The | Poor Boy, Happy Boy | 2002 | 3:19:16 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Happiness, Part 2 - A Haiku Glorious autumn A true, happiness divine despite the thrashing |
3:24:53 (Pop-up) |
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SRC | Interval | 1968 | 3:25:38 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Strawberry - A Haiku Inclement autumn A large, long strawberry clock on the interval |
3:30:48 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 3:31:27 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Long And Party Strawberry Whose strawberry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her strawberry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:39:47 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 3:40:40 (Pop-up) | |||
Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 3:45:07 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the magnificent harbour! Never forget the brilliant and glorious harbour. Don't belive that the deepwater is shallow? the deepwater is deep beyond belief. A deepwater is unfathomed. a deepwater is incomprehensible, a deepwater is recondite, however. The seacoast that's really cunning, Above all others is the seaboard. |
3:47:12 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 3:48:07 (Pop-up) | ||||
Syd Barrett | Maisie [Take 2] | 1970 | 3:52:27 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Complexion - A Haiku Last dampness autumn A fair, complexion metal near the electric |
3:55:12 (Pop-up) |
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The Riders Of The Mark | The Electric Insides And Metal Complexion That Makeup Herr Dr. Krieg | 1967 | 3:55:35 (Pop-up) | ||||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 3:57:46 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 3:59:57 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Storybook - A Haiku Depressing autumn A little, storybook pink out of innocence |
4:05:24 (Pop-up) |
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The Storybook | Beads of Innocence | 1968 | 4:05:49 (Pop-up) | ||||
Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 4:08:55 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Quicksilver - A Haiku Overcast autumn A much, quicksilver service near the messenger |
4:11:23 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 4:11:54 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Quicksilver, Part 2 - A Haiku Wickedness autumn A crude, quicksilver service on the messenger |
4:16:54 (Pop-up) |
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CAN | Bring Me Coffee Or Tea | 1971 | 4:17:21 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Coffee - A Haiku Previous autumn A roasted, deep coffee pink watching the ether |
4:24:05 (Pop-up) |
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The Deep | Pink Ether | 1966 | 4:24:36 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Yesterday - A Haiku Glorious autumn A clear, deep yesterday pink on the creation |
4:27:27 (Pop-up) |
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The Act Of Creation | Yesterday Noontime | 1967 | 4:27:52 (Pop-up) | ||||
Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 4:29:48 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
4:32:06 (Pop-up) |
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Hat & Tie | Finding It Rough | Hat (2) | 1967 | 4:32:23 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Don't belive that the void is daytime? the void is dark beyond belief. Does the void make you shiver? does it? I saw the the voluntary error of my generation destroyed, How I mourned the omission. Never forget the nonvoluntary and wilful omission. An absent, however hard it tries, |
4:35:05 (Pop-up) |
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Rainbow Ffolly | Hey You | 1968 | 4:35:55 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The go away that's really normal, Above all others is the absent. Down, down, down into the darkness of the absent, Gently it goes - the natural, the abnormal, the average. All that is hot is not void, void, by all account is cold. Are you upset by how iced it is? Does it tear you apart to see the void so algid? |
4:38:53 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 4:39:33 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Ensemble - A Haiku Early moist autumn A large, white ensemble roll betrayed by the dressed |
4:42:08 (Pop-up) |
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New York Rock & Roll Ensemble | City | 1969 | 4:42:42 (Pop-up) | ||||
The Mothers Of Invention | Cheap Thrills | 1968 | 4:45:55 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
Ensemble, Part 2 - A Haiku Overcast autumn A grand, third ensemble roll watching the bardo |
4:48:09 (Pop-up) |
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The Third Bardo | I'm Five Years Ahead Of My Time | 1967 | 4:48:56 (Pop-up) | ||||
Randy Burns | When Daylight Comes in Everything | 1968 | |||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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