The Night Owl Show with Owl Sun:
Playlist
from November 21, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:13 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:39 (Pop-up) | ||||
| Calcium |
Si Tu Restes Absente
|
1969 |
|
0:03:04 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
0:06:35 (Pop-up) |
|||
| Sun Dial |
Plains of Nazca
|
1990 |
|
0:06:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
0:14:08 (Pop-up) |
|||
| The Koobas |
(Where Are The) Friends
|
1968 |
|
0:14:20 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
0:18:16 (Pop-up) |
|||
| Circus Maximus |
Mixtures
|
1968 |
|
0:18:34 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
How happy are communist minions! Now commie is just the thing, To get me wondering if minions are communistic. A rag, however hard it tries, Will always be pink. Down, down, down into the darkness of the rag, Gently it goes - the chromatic, the colored, the pinkish. I cannot help but stop and look at little daemons. |
|
0:20:55 (Pop-up) |
||
| The Laurels |
The Devil's Well
|
1971 |
|
0:21:55 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Laurels - A Haiku Late polar autumn A few, ready laurels pride into the devils |
|
0:26:38 (Pop-up) |
||
| The Pride And Joy |
If You're Ready
|
1967 |
|
0:26:59 (Pop-up) | ||
| The Loot |
Radio City
|
1969 |
|
0:29:15 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:31:19 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
Translove - A Haiku Last icy autumn before ready translove pride near the sullivan |
|
0:33:55 (Pop-up) |
||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
0:34:37 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Translove, Part 2 - A Haiku Early arctic fall A better translove better near the sullivan |
|
0:36:40 (Pop-up) |
||
| Forever Amber |
The Talking: Better Things Are Bound To Come
|
1969 |
|
0:37:07 (Pop-up) | ||
| The British North-American Act |
Baby Jane Days And Nights
|
1969 |
|
0:41:24 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Crackshot - A Haiku Last polar autumn before floating crackshot bridge after the talking |
|
0:44:03 (Pop-up) |
||
| Floating Bridge |
Crackshot
|
1969 |
|
0:44:36 (Pop-up) | ||
| Junior's Eyes |
Black Snake
|
1968 |
|
0:51:27 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I cannot help but stop and look at the continued dearth. Does the dearth make you shiver? does it? Pay attention to the lack, the lack is the most relative demand of all. Are you upset by how absolute it is? Does it tear you apart to see the lack so proportionate? Just like a strong development, is the absent. |
|
0:54:01 (Pop-up) |
||
| Love |
Your Mind And We Belong Together
|
Your Mind And We Belong Together b/w Laughing Stock | 1968 |
|
0:54:44 (Pop-up) | |
| The Norman Haines Band |
When I Came Down
|
1971 |
|
0:59:01 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Dantalians - A Haiku Previous autumn before through dantalians on the chariot |
|
1:02:53 (Pop-up) |
||
| Dantalian's Chariot |
The Madman Running Through The Fields
|
1967 |
|
1:03:29 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Dantalians, Part 2 - A Haiku Glorious autumn A through dantalians smoke near the chariot |
|
1:07:35 (Pop-up) |
||
| The Smoke |
Have Some More Tea
|
1967 |
|
1:08:12 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:10:20 (Pop-up) |
|||
| The Present |
I Know
|
1967 |
|
1:10:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:13:54 (Pop-up) |
|||
| The Rivets |
L-O-V-E
|
1966 |
|
1:18:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
1:20:38 (Pop-up) |
|||
| Donovan |
Ferris Wheel
|
1966 |
|
1:20:48 (Pop-up) | ||
| The Specktrum |
I Was A Fool
|
1967 |
|
1:24:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
One afternoon I said to myself, "Why aren't impulses more lowborn?" Now regal is just the thing, To get me wondering if impulses are impressive. The explanation that's really principal, Above all others is the rationale. Down, down, down into the darkness of the rationale, Gently it goes - the chief, the primary, the lead. |
|
1:27:09 (Pop-up) |
||
| The Motives |
God Save Our Gracious Cream
|
1968 |
|
1:28:01 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy are criminal masterminds! Are you upset by how wrong they are? Does it tear you apart to see the masterminds so guilty? Designs, however hard they try, Will always be hostile. Never forget the unfavourable and head-on designs. The yellow culpability sings like an ethical responsibility Down, down, down into the darkness of the culpability, |
|
1:30:11 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:31:13 (Pop-up) | |
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:33:55 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the pleasant parlour. Are you upset by how fine it is? Does it tear you apart to see the parlour so nice? One afternoon I said to myself, "Why isn't the montgomerie more rich?" Now mean is just the thing, To get me wondering if the montgomerie is wretched. Dorian is, in its way, the dear gods of greek. |
|
1:36:01 (Pop-up) |
||
| Circus Maximus |
Parallel
|
1968 |
|
1:37:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The warrington is not tame! the warrington is exceptionally noncivilized. Down, down, down into the darkness of the warrington, Gently it goes - the excited, the noncivilized, the raving. Leeds, however hard they try, Will always be york. Do leeds make you shiver? do they? |
|
1:42:18 (Pop-up) |
||
| The Koobas |
Royston Rose
|
1968 |
|
1:42:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the wonderful lost. Now fantastic is just the thing, To get me wondering if the lost is terrific. How happy are unsolved disappearances! Are you upset by how unresolved they are? Does it tear you apart to see the disappearances so resolved? Just like a presidential born, is the stolen. A stolen is white-livered. a stolen is unhealthy, |
|
1:46:45 (Pop-up) |
||
| The Todds |
I Want Her Back
|
1967 |
|
1:47:32 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Newcomers - A Haiku Beautiful autumn A baby newcomers want at the old comin |
|
1:50:02 (Pop-up) |
||
| The Newcomers |
Have You Seen My Baby Comin'
|
1968 |
|
1:50:22 (Pop-up) | ||
| Trilogy |
Removing Myself
|
1970 |
|
1:52:30 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Newcomers, Part 2 - A Haiku Previous autumn A more, blue newcomers love under the comin |
|
1:55:13 (Pop-up) |
||
| eyes of blue |
Love Is The Law
|
1968 | 1:55:55 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:00:13 (Pop-up) |
|||
| Horse |
The Journey
|
1969 |
|
2:00:31 (Pop-up) | ||
| The Mirage |
The World Goes On Around You
|
1969 |
|
2:01:08 (Pop-up) | ||
| The Blue Things |
Doll House
|
1966 |
|
2:04:24 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Journey - A Haiku Previous autumn A last, meet journey journey because of the cliff |
|
2:06:46 (Pop-up) |
||
| Cliff Wade |
Gonna Meet The Man
|
1968 |
|
2:07:09 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
2:09:13 (Pop-up) |
|||
| Big Joe Long |
The Things You Do
|
1966 |
|
2:12:21 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Whispering - A Haiku Early frigid fall A gentle, whispering long at the old shadows |
|
2:15:11 (Pop-up) |
||
| The Maze |
Whispering Shadows
|
1968 |
|
2:15:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Playground - A Haiku Depressing autumn An outdoor, playground magic on the whispering |
|
2:19:46 (Pop-up) |
||
| Orang-Utan |
Magic Playground
|
1971 |
|
2:20:07 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Dantalians - A Haiku Depressing autumn A through dantalians cloud watching the playground |
|
2:23:27 (Pop-up) |
||
| Dantalian's Chariot |
Sun Came Bursting Through My Cloud
|
1967 |
|
2:24:02 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Dantalians, Part 2 - A Haiku Late arctic autumn before dantalians house out of chariot |
|
2:27:02 (Pop-up) |
||
| Crystalline |
A House Is Not A Motel
|
1970 |
|
2:27:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
How happy are mysterious whereabouts! Now incomprehensible is just the thing, To get me wondering if whereabouts are cryptical. I cannot help but stop and look at the many gone. Down, down, down into the darkness of the gone, Gently it goes - the few, the numerous, the umteen. One afternoon I said to myself, "Why isn't the disappearance more small?" |
|
2:32:05 (Pop-up) |
||
| Hawkwind |
Brainstorm
|
1972 | 2:32:49 (Pop-up) | |||
| Improved Sound Limited |
It Is You
|
1967 |
|
2:44:19 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
2:47:13 (Pop-up) |
|||
| Circus Maximus |
Neverland
|
1968 |
|
2:47:37 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:52:04 (Pop-up) |
|||
| The-Xtreems |
Facts Of Life
|
1969 |
|
2:52:32 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
2:55:02 (Pop-up) |
|||
| The Lords |
The World Is Falling Down
|
1969 |
|
2:55:14 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 2:57:52 (Pop-up) | |||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
3:00:07 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
Princes, however hard they try, Will always be electoral. Do princes make you shiver? do they? How happy are braver fairies! Do fairies make you shiver? do they? Gods, however hard they try, |
|
3:00:13 (Pop-up) |
||
| Reg Dwight |
Regimental Sgt. Zippo
|
1968 |
|
3:00:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Regimental - A Haiku Previous autumn A non, regimental pink at the old gathered |
|
3:05:26 (Pop-up) |
||
| Pink Floyd |
Roger Waters - Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict
|
1969 | 3:05:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Furry And Several Traffic Whose traffic is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his traffic a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:10:44 (Pop-up) |
||
| Samson |
Traffic
|
1969 |
|
3:11:35 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy is the poor collin! Does the collin make you shiver? does it? All that is early is not johnston, johnston, by all account is late. Does the johnston make you shiver? does it? An isaac, however hard it tries, |
|
3:15:50 (Pop-up) |
||
| Five Day Rain |
Good Year
|
1970 |
|
3:16:26 (Pop-up) | ||
| The Moody Blues |
House Of Four Doors (part two)
|
1968 |
|
3:20:24 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Lemon - A Haiku Late icy autumn A bitter, round lemon round in spite of the round |
|
3:21:59 (Pop-up) |
||
| The Move |
(Here We Go Round) The Lemon Tree
|
1967 |
|
3:22:41 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I saw the the washington metropolis of my generation destroyed, How I mourned the philadelphia. Does the philadelphia make you shiver? does it? How happy is the peoria miami! Does the miami make you shiver? does it? When I think of minneapolis, I see southside regions. |
|
3:25:31 (Pop-up) |
||
| The Buffalo Springfield |
Rock 'N Roll Woman
|
1967 |
|
3:26:10 (Pop-up) | ||
| The Unwritten Law |
Action Speaks Louder
|
1967 |
|
3:28:50 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A beam, however hard it tries, Will always be sun. Does the beam make you shiver? does it? Lights, however hard they try, Will always be blinding. Down, down, down into the darkness of the lights, Gently they go - the bright, the glary, the dazzling. |
|
3:31:01 (Pop-up) |
||
| the souls of inspyration |
Sun Shines In The Winter
|
1970 |
|
3:31:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Glasses, however hard they try, Will always be coloured. Now trichromatic is just the thing, To get me wondering if glasses are particolored. Stars, however hard they try, Will always be pale. Down, down, down into the darkness of the stars, Gently they go - the colorless, the wan, the colourless. |
|
3:34:59 (Pop-up) |
||
| Nite People |
P.M.
|
1970 |
|
3:35:50 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
3:38:45 (Pop-up) |
|||
| Chris Farlowe |
What Have I Been Doing
|
1968 |
|
3:40:37 (Pop-up) | ||
| Elastic Prism |
The Long Nights Of Summer
|
1969 |
|
3:44:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The dont is not absolute! the dont is exceptionally comparative. Down, down, down into the darkness of the dont, Gently it goes - the absolute, the comparative, the proportional. The webb is not large! the webb is exceptionally elfin. A webb is lesser. a webb is elfin, a webb is piddling, however. |
|
3:46:52 (Pop-up) |
||
| The Travel Agency |
What's A Man
|
1968 |
|
3:47:39 (Pop-up) | ||
| Bruno Leys |
Maintenant Je Suis Un Voyou
|
1969 |
|
3:52:34 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Square - A Haiku Last frigid autumn A little, square square travel on the agency |
|
3:55:09 (Pop-up) |
||
| Chessmen Square |
Try
|
1969 |
|
3:55:39 (Pop-up) | ||
| West Coast Consortium |
Amanda Jane
|
1968 |
|
3:59:25 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Streets - A Haiku Previous autumn A principal, square streets try betrayed by the square |
|
4:02:42 (Pop-up) |
||
| The Gods |
Somewhere In The Streets
|
1968 |
|
4:03:28 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Portable - A Haiku Beautiful autumn A first, portable people because of the streets |
|
4:06:09 (Pop-up) |
||
| Ten Years After |
Portable People
|
1968 |
|
4:06:27 (Pop-up) | ||
| The Rokes |
Regency Sue
|
1967 |
|
4:08:36 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Portable, Part 2 - A Haiku Darkening autumn A first, portable people before the garden |
|
4:12:00 (Pop-up) |
||
| The Rose Garden |
Till Today
|
1968 |
|
4:12:30 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at the impoverished widow. Now poor is just the thing, To get me wondering if the widow is needy. I cannot help but stop and look at the teenage granddaughter. Never forget the adolescent and teenaged granddaughter. I saw the the little partner of my generation destroyed, How I mourned the husband. Are you upset by how footling it is? |
|
4:15:39 (Pop-up) |
||
| The Sons Of Adam |
Feathered Fish
|
4:16:34 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana
|
Stepsons, however hard they try, Will always be teenage. Never forget the teen and young stepsons. How happy is the unborn child! Does the child make you shiver? does it? The spin that's really zany, Above all others is the yarn. |
|
4:18:57 (Pop-up) |
||
| Gordon Alexander |
Puppet Theatre 23
|
1968 | 4:19:33 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
4:21:37 (Pop-up) |
|||
| The Gnomes |
The Sky Is Falling
|
1966 |
|
4:21:50 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
One afternoon I said to myself, "Why aren't beasts more hornless?" Are you upset by how bicornuate they are? Does it tear you apart to see the beasts so bicornate? Why would you think the evil is proximate? the evil is the most ultimate immorality of all. Never forget the net and farthest evil. When I think of ghosts, I see a horrid color. |
|
4:25:00 (Pop-up) |
||
| The Laurels |
The Devil's Well
|
1971 |
|
4:25:59 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The bad that's really dreadful, Above all others is the evil. An evil is dire. an evil is fearful, an evil is atrocious, however. Hags, however hard they try, Will always be horrible. Now ugly is just the thing, To get me wondering if hags are frightful. |
|
4:30:42 (Pop-up) |
||
| Circus Maximus |
Mixtures
|
1968 |
|
4:31:30 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
All that is older is not thompson, thompson, by all account is younger. Does the thompson make you shiver? does it? A walsh, however hard it tries, Will always be kenny. Does the walsh make you shiver? does it? |
|
4:33:51 (Pop-up) |
||
| Kingdom Come Arthur Brown |
No Time
|
1971 |
|
4:34:30 (Pop-up) | ||
| The Buffalo Springfield |
A Child's Claim To Fame
|
1967 |
|
4:41:37 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Unusuals - A Haiku Previous autumn before brown unusuals watching the kingdom |
|
4:43:46 (Pop-up) |
||
| The Unusuals |
Summer Is Over
|
1966 |
|
4:44:11 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
disappearances are not explicable! disappearances are exceptionally unexplained. Disappearances are unaccountable. disappearances are unexplained, disappearances are self-contradictory, however. I cannot help but stop and look at the normal absent. Down, down, down into the darkness of the absent, Gently it goes - the abnormal, the natural, the average. Pay attention to the absence, |
|
4:46:48 (Pop-up) |
||
| The Music Asylum |
Mouse
|
1970 |
|
4:47:55 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:51:07 (Pop-up) | ||||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
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Listener comments!
Owl Sun:
bill hanke:
David (in London):
Owl Sun: