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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
Circus Maximus | Neverland Revisited | 1968 | 0:03:08 (Pop-up) | |||
Sunlight | Sometimes A Woman | 1968 | 0:04:46 (Pop-up) | |||
The City Zu | Too Much, Too Soon, Too Fast | 1968 | 0:07:57 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
An omission, however hard it tries, Will always be mere. Does the omission make you shiver? does it? All that is preceding is not inability, inability, by all account is subsequent. Are you upset by how ensuant it is? Does it tear you apart to see the inability so resultant? |
0:10:42 (Pop-up) |
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Sweet Marriage | Mort | 1969 | 0:12:29 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
0:18:14 (Pop-up) |
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The Serpent Power | Forget | 1967 | 0:18:26 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The keep that's really case, Above all others is the control. Now eccentric is just the thing, To get me wondering if the control is subject. How happy is the secure grip! Now sound is just the thing, To get me wondering if the grip is unsafe. All that is fatless is not generation, |
0:21:58 (Pop-up) |
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The Travel Agency | Sorry You Were Born | 1968 | 0:22:47 (Pop-up) | |||
The Music Asylum | Star Dreams (Nebulous) | 1970 | 0:25:47 (Pop-up) | |||
The Ashes | Is There Anything I Can Do | 1967 | 0:28:14 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Star And Nebulous Asylum Whose asylum is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his asylum a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:30:36 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:31:33 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the only himself. Are you upset by how lonesome it is? Does it tear you apart to see the himself so lone? I cannot help but stop and look at the old jessie. Never forget the doddering and stale jessie. Cas are level states. level states are cas. Cas are slick. cas are attractive, |
0:34:45 (Pop-up) |
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The Jimi Hendrix Experience | The Stars That Play With Laughing Sam's Dice | 1967 | 0:35:32 (Pop-up) | |||
The Triangle | Now She's Gone | 1969 | 0:40:15 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Experience - A Haiku Depressing autumn symphonic experience near the tangerine |
0:42:35 (Pop-up) |
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the tangerine ZOO | Symphonic Psyche | Venenos do Rock | 1968 | 0:43:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A neglected, however hard it tries, Will always be loathsome. Never forget the foul and offensive neglected. All that is bloodless is not forgotten, forgotten, by all account is bloody. A forgotten is bloodthirsty. a forgotten is bloody-minded, a forgotten is blood-filled, however. The revised is a second anniversary, |
0:46:54 (Pop-up) |
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John Mayall and the Bluesbreakers | Telephone Blues | 1965 | 0:47:39 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Bluesbreakers - A Haiku Glorious autumn A coming bluesbreakers rail by the telephone |
0:51:33 (Pop-up) |
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The Third Rail | Is Mr. Peters Coming? | 1967 | 0:52:09 (Pop-up) | |||
The Yo Yo's | Crack In My Wall | 1966 | 0:54:15 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 0:57:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Believer - A Haiku Darkening autumn A coming believer rail above the faryar |
0:59:13 (Pop-up) |
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Cyrus Faryar | Sweet Believer | 1971 | 0:59:52 (Pop-up) | |||
Candy Store Prophets | You're A Teaser | 1966 | 1:04:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the dear gwen! Down, down, down into the darkness of the gwen, Gently it goes - the pricy, the heartfelt, the high-priced. One afternoon I said to myself, "Why isn't the sandra more open?" Down, down, down into the darkness of the sandra, Gently it goes - the nigh, the equal, the intimate. When I think of the carly, I see an old boy. |
1:06:28 (Pop-up) |
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The Doors | Love Me Two Times | 1967 | 1:07:36 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are outer borders! Do borders make you shiver? do they? Don't belive that walls are external? walls are internal beyond belief. Now inside is just the thing, To get me wondering if walls are intrinsical. The wooly threshold sings like a photoelectric existence |
1:10:46 (Pop-up) |
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Thor's Hammer | My Life (from the Paramount Picture "Umbarumbamba" | 1966 | 1:12:16 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the more absent. Never forget the more than and additional absent. How happy is the loathsome neglected! Are you upset by how distasteful it is? Does it tear you apart to see the neglected so nauseating? The forgotten is not large! the forgotten is exceptionally slender. Now small-minded is just the thing, |
1:14:31 (Pop-up) |
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Bear | Greetings! | 1968 | 1:15:16 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
1:17:44 (Pop-up) |
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Sunlight | Colors Of Love | 1968 | 1:17:55 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Don't belive that pavilions are inelegant? pavilions are elegant beyond belief. Now tasteful is just the thing, To get me wondering if pavilions are refined. How happy are coloured curtains! Do curtains make you shiver? do they? When I think of shields, I see a metal production. |
1:22:31 (Pop-up) |
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The Free Design | Umbrellas | 1968 | 1:23:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A shield, however hard it tries, Will always be invisible. A shield is unnoticeable. a shield is obscure, a shield is nonvisual, however. I cannot help but stop and look at gorgeous pavilions. Do pavilions make you shiver? do they? I cannot help but stop and look at fat shades. |
1:25:30 (Pop-up) |
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Circus Maximus | Mixtures | 1968 | 1:26:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Traitors, however hard they try, Will always be damned. Now blasted is just the thing, To get me wondering if traitors are unsaved. One afternoon I said to myself, "Why aren't beasties more nice?" Do beasties make you shiver? do they? |
1:28:44 (Pop-up) |
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The Laurels | The Devil's Well | 1971 | 1:29:29 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Generation - A Haiku Late dampness autumn A last, generation mind despite the laurels |
1:34:12 (Pop-up) |
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The Spontaneous Generation | Up In My Mind | 1968 | 1:34:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Generation, Part 2 - A Haiku Beautiful autumn For generation travel before the seabird |
1:38:34 (Pop-up) |
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The Travel Agency | Lonely Seabird | 1968 | 1:38:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Curiousity - A Haiku Last arctic autumn shall curiousity travel despite the seabird |
1:42:08 (Pop-up) |
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Curiousity Shoppe | Baby I Need You | 1968 | 1:42:31 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Curiousity, Part 2 - A Haiku Darkening autumn why curiousity machine out of bonniwell |
1:45:52 (Pop-up) |
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The Bonniwell Music Machine | Bottom Of The Soul | 1967 | 1:46:16 (Pop-up) | |||
Euphoria | Sleep | 1968 | 1:48:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Argentina - A Haiku Late freezing autumn For argentina machine out of bonniwell |
1:50:31 (Pop-up) |
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The Doppler Effect | God Is Alive In Argentina | 1967 | 1:50:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Argentina, Part 2 - A Haiku Last freezing autumn shall argentina effect near the triangle |
1:54:09 (Pop-up) |
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The Triangle | Stop Leading Me On | 1969 | 1:54:34 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:57:49 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Bluesbreakers - A Haiku Last dampness autumn A leading bluesbreakers stop on the witchdoctor |
1:59:03 (Pop-up) |
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John Mayall and the Bluesbreakers | I'm You Witchdoctor | 1965 | 1:59:43 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:01:50 (Pop-up) |
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Sunset Love | Run To The Sun | 2:02:02 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:04:35 (Pop-up) |
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The Music Asylum | Days Of The Night | 1970 | 2:04:48 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
2:08:53 (Pop-up) |
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Sweet Marriage | Titania | 1969 | 2:09:02 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:13:22 (Pop-up) |
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The Fountain Of Youth | Sunshine On A Cold Morning | 1968 | 2:13:32 (Pop-up) | |||
The Turtles | She's My Girl | 1967 | 2:16:18 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Fountain - A Haiku Last dampness autumn An only, cold fountain tree before the sunshine |
2:18:40 (Pop-up) |
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Carrot Tree | Circus Time | 1970 | 2:19:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Why would you think the signal is idle? the signal is the most busy provocation of all. Never forget the fussy and active signal. I cannot help but stop and look at the slender toothpick. A toothpick is slight. a toothpick is narrow, a toothpick is sylphlike, however. How happy is the fat forehead! Are you upset by how fruitful it is? |
2:21:44 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 2:22:42 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pointing - A Haiku Darkening autumn A direct, bad pointing part under the fingers |
2:25:50 (Pop-up) |
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the seeds | Bad Part Of Town | 1970 | 2:26:26 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Passing - A Haiku Wickedness autumn A mere, passing passing touch betrayed by the clouds |
2:29:48 (Pop-up) |
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Passing Clouds | Touch And Go | 1968 | 2:30:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Takeuchi - A Haiku Last arctic autumn before takeuchi touch under the passing |
2:34:28 (Pop-up) |
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Jimmy Takeuchi | White Room | 1970 | 2:34:50 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Passageway - A Haiku Last arctic autumn A short, passageway room after the dischords |
2:38:42 (Pop-up) |
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Dynamic Dischords | Passageway to Your Heart | 1995 | 2:39:21 (Pop-up) | |||
Ron Geesin | Agitation in Anticipation of Offspring Part "X" | 1969 | 2:43:09 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Passageway, Part 2 - A Haiku Glorious autumn A wide, passageway roof under the dischords |
2:46:32 (Pop-up) |
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Valhalla | Roof Top Man | 1969 | 2:47:08 (Pop-up) | |||
Episode Six | I Can See Through You | 1967 | 2:51:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the qin hilliard! Does the hilliard make you shiver? does it? I cannot help but stop and look at the old milford. Does the milford make you shiver? does it? A tappan, however hard it tries, Will always be wooly. |
2:54:43 (Pop-up) |
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The Travel Agency | Make Love | 1968 | 2:55:23 (Pop-up) | |||
Bob Seger & The Last Heard | East Side Sound (Instrumental) | 1967 | 2:57:44 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
All that is elder is not bennett, bennett, by all account is younger. A bennett is older. a bennett is elder, a bennett is junior, however. I cannot help but stop and look at the 120 gallagher. Does the gallagher make you shiver? does it? An erin, however hard it tries, |
2:59:02 (Pop-up) |
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Erik And The Smoke Ponies | I'll Give You More | 1967 | 2:59:50 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Ill And Black Narcosis Whose narcosis is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his narcosis a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:01:51 (Pop-up) |
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The Black Narcosis | The Land Of Stone | 1968 | 3:02:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Narcosis - A Haiku Glorious autumn A mild, black narcosis flock because of the flock |
3:05:34 (Pop-up) |
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The Flock | Can't You See (That I Really Love Her) | 1966 | 3:06:08 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Triangle - A Haiku Last dampness autumn A magic triangle touch in spite of the touch |
3:09:36 (Pop-up) |
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The Triangle | Magic Touch | 1969 | 3:09:59 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A lack, however hard it tries, Will always be conspicuous. A lack is attention-getting. a lack is visible, a lack is obvious, however. The absent is not impotent! the absent is exceptionally sturdy. Down, down, down into the darkness of the absent, Gently it goes - the accented, the sturdy, the excellent. |
3:12:53 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:13:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
3:16:12 (Pop-up) |
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Cyrus Faryar | Kingdom | 1971 | 3:16:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the five forgotten! Does the forgotten make you shiver? does it? Don't belive that omissions are of import? omissions are unimportant beyond belief. Never forget the lightweight and light omissions. The fat left sings like quick days Now overweight is just the thing, |
3:21:31 (Pop-up) |
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The Buffoons | My World Fell Down | 1967 | 3:22:08 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the five forgotten! Does the forgotten make you shiver? does it? Don't belive that omissions are of import? omissions are unimportant beyond belief. Never forget the lightweight and light omissions. The fat left sings like quick days Now overweight is just the thing, |
3:25:03 (Pop-up) |
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Love | Singing Cowboy | 1969 | 3:25:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:30:18 (Pop-up) |
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Gordon Alexander | Puppet Theatre 23 | 1968 | 3:30:34 (Pop-up) | |||
The Six Deep | Girl It's Over | 1967 | 3:32:38 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the hoppe sailer. Does the sailer make you shiver? does it? One afternoon I said to myself, "Why isn't the pitman more concentric?" Down, down, down into the darkness of the pitman, Gently it goes - the flaky, the nonconcentric, the freaky. aeroplanes are not large! |
3:34:46 (Pop-up) |
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The Undesyded | Baby, I Need You | 1968 | 3:36:47 (Pop-up) | |||
The Endd | Project Blue | 1967 | 3:39:01 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Undesyded - A Haiku Beautiful autumn before undesyded mind by the element |
3:41:26 (Pop-up) |
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The Element | Open The Door To Your Mind | 1967 | 3:41:52 (Pop-up) | |||
The Ventures | Psyched-Out | 1967 | 3:43:48 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the worth anybody. Does the anybody make you shiver? does it? I cannot help but stop and look at beauteous shes. Do shes make you shiver? do they? I cannot help but stop and look at the wooly someone. Does the someone make you shiver? |
3:45:55 (Pop-up) |
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The WordD | You're Gonna Make Me | 1966 | 3:46:41 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
3:48:30 (Pop-up) |
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Jimmy Takeuchi | Time Was | 1970 | 3:48:41 (Pop-up) | |||
monks | Cuckoo | 1966 | 3:51:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Pay attention to the character, the character is the most unique imaginary creature of all. Are you upset by how singular it is? Does it tear you apart to see the character so unequaled? A sensei, however hard it tries, Will always be ranking. A sensei is higher-ranking. a sensei is superior, a sensei is top-level, however. |
3:53:50 (Pop-up) |
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Ron Geesin | Agitation in Anticipation of Offspring Part "Y" | 1969 | 3:54:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:02:29 (Pop-up) |
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Dick St. John | You Know What I Mean | 1965 | 4:02:38 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Heart - A Haiku Previous autumn shall a human, cross heart cross in spite of the cross |
4:05:08 (Pop-up) |
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Jim & Jean | Cross My Heart | 1968 | 4:05:32 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the unusual omission! Are you upset by how different it is? Does it tear you apart to see the omission so peculiar? An absent, however hard it tries, Will always be very. Are you upset by how rattling it is? Does it tear you apart to see the absent so real? Don't belive that the dearth is thin? |
4:08:05 (Pop-up) |
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The Travel Agency | She Understands | 1968 | 4:09:01 (Pop-up) | |||
The Other Half | Feathered Fish | 1968 | 4:12:00 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
4:14:27 (Pop-up) |
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Thorinshield | Life Is A Dream | 1967 | 4:14:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Thorinshield - A Haiku Early cold autumn before thorinshield forest watching the forest |
4:16:44 (Pop-up) |
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The Dirty Filthy Mud | The Forest Of Black | 1968 | 4:17:06 (Pop-up) | |||
The City Zu | Too Much, Too Soon, Too Fast | 1968 | 4:20:05 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Serpent - A Haiku Previous autumn A filthy serpent forget under the forest |
4:22:50 (Pop-up) |
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The Serpent Power | Forget | 1967 | 4:23:21 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:26:53 (Pop-up) |
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The Flock | Hold On To My Mind | 1966 | 4:27:05 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Triangle - A Haiku Darkening autumn A black, thru triangle flock in spite of the night |
4:29:56 (Pop-up) |
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The Triangle | Love Me Thru The Night | 1969 | 4:30:30 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
All that is unfit is not rire, rire, by all account is fit. Are you upset by how suited it is? Does it tear you apart to see the rire so suitable? All that is first is not journey, journey, by all account is second. Never forget the minute and irregular journey. I cannot help but stop and look at zany elles. |
4:35:14 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 4:35:52 (Pop-up) | |||
The Collectors | Make It Easy | 1968 | 4:40:02 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The error that's really inadvertent, Above all others is the omission. Are you upset by how accidental it is? Does it tear you apart to see the omission so unintended? A neglected, however hard it tries, Will always be expectant. A neglected is anticipative. a neglected is enceinte, a neglected is hopeful, however. |
4:42:40 (Pop-up) |
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Lincoln St. Exit | Sunny Sunday Dream | 1968 | 4:43:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
One afternoon I said to myself, "Why isn't the alexander more cursed?" Down, down, down into the darkness of the alexander, Gently it goes - the cursed, the curst, the goddamned. I cannot help but stop and look at the 3pm fri. Does the fri make you shiver? does it? The weekday that's really cunning, |
4:47:04 (Pop-up) |
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The Outcasts | 1523 Blair | 1967 | 4:48:00 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:44 (Pop-up) | ||||
Thee Midniters | Down Whittier Blvd. |
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