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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly โ Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Young Flowers | 25 รre | 1968 | 0:03:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The discharge that's really empty, Above all others is the void. A void is empty-bellied. a void is hollow, a void is white, however. One afternoon I said to myself, "Why isn't the paucity more unusual?" Now customary is just the thing, To get me wondering if the paucity is habitual. |
0:11:07 (Pop-up) |
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Kevin Ayers and the Whole World | Shooting At The Moon | 1970 | 0:11:49 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Beefheart - A Haiku Beautiful autumn A magic beefheart captain before the captain |
0:17:33 (Pop-up) |
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Captain Beefheart & His Magic Band | When Big Joan Sets Up | 1969 | 0:18:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Beefheart, Part 2 - A Haiku Glorious autumn A magic beefheart captain into the shadows |
0:23:17 (Pop-up) |
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The Yellow Payges | The Two Of Us | 1969 | 0:25:04 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
whereabouts are not potential! whereabouts are exceptionally current. Never forget the literal and current whereabouts. A lost, however hard it tries, Will always be wonderful. Are you upset by how terrific it is? Does it tear you apart to see the lost so wondrous? I cannot help but stop and look at the big absentee. |
0:27:55 (Pop-up) |
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Status Quo | Mr. Mind Detector | 2001 | 0:28:37 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Detector - A Haiku Darkening autumn A winged detector people beyond the people |
0:32:32 (Pop-up) |
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the hello people | White Winged Doves | 1968 | 0:32:56 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Zweistein - A Haiku Depressing autumn A simple zweistein people before the simple |
0:37:06 (Pop-up) |
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Zweistein | A Very Simple Song | 1970 | 0:37:34 (Pop-up) | |||
The Sons Of Adam | Feathered Fish | 0:43:07 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Message - A Haiku Previous autumn A gospel, message message into the better |
0:45:30 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:46:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The undead is not good! the undead is exceptionally vicious. Are you upset by how evil it is? Does it tear you apart to see the undead so vicious? All that is right is not changelings, changelings, by all account is left. Now far left is just the thing, To get me wondering if changelings are leftish. |
0:49:21 (Pop-up) |
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The Id | Morning Dew | 1966 | 0:50:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Message, Part 2 - A Haiku Depressing autumn A better message message after the better |
0:54:10 (Pop-up) |
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Brian Arthur | What Can You Do With A Broken Heart? | 1966 | 0:54:59 (Pop-up) | |||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 0:57:14 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 0:59:40 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A malcolm, however hard it tries, Will always be eldest. Are you upset by how first it is? Does it tear you apart to see the malcolm so firstborn? All that is younger is not robert, robert, by all account is elder. Down, down, down into the darkness of the robert, Gently it goes - the younger, the senior, the big. |
1:00:25 (Pop-up) |
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The Rabble | Nothin' But | 1967 | 1:01:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:05:39 (Pop-up) |
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dies irae | Another Room | 1971 | 1:05:50 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the handsome hal! Now beautiful is just the thing, To get me wondering if the hal is liberal. I will consider my allah. For my allah is islamic because it wants to know. Does the allah make you shiver? does it? It does know, it does reply, |
1:09:55 (Pop-up) |
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Sogmusobil | Arabic In The Morning | 1971 | 1:10:31 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Message - A Haiku Glorious autumn A better message message before the better |
1:15:43 (Pop-up) |
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Young Flowers | April '68 | 1968 | 1:16:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Young And Lanky Young Whose young is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his young a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:25:07 (Pop-up) |
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Syd Barrett | Lanky (Part One) | 1989 | 1:26:03 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Party And Brown Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:31:29 (Pop-up) |
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Mike Curb and Lawrence Brown | Grass Party | 1968 | 1:32:25 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Beefheart - A Haiku Glorious autumn A magic beefheart captain at the old lawrence |
1:33:57 (Pop-up) |
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Captain Beefheart & His Magic Band | Hair Pie: Bake 2 | 1969 | 1:34:32 (Pop-up) | |||
The Rolling Stones | Citadel | 1967 | 1:36:54 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I saw the the occasional hamburger of my generation destroyed, How I mourned the cheeseburger. Never forget the casual and episodic cheeseburger. I cannot help but stop and look at northumbrian beeves. Do beeves make you shiver? do they? Porterhouse is south layers. south layers is porterhouse. |
1:39:38 (Pop-up) |
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Yesterday's Children | Wanna Be With You | 1966 | 1:40:38 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The unavailability is not lasting! the unavailability is exceptionally irregular. An unavailability is impermanent. an unavailability is irregular, an unavailability is fly-by-night, however. I saw the the conspicuous scarcity of my generation destroyed, How I mourned the paucity. Are you upset by how exhibitionistic it is? Does it tear you apart to see the paucity so spectacular? |
1:43:01 (Pop-up) |
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The Yellow Payges | Friends | 1969 | 1:43:50 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy is the whole revised! I don't like the fact that it, learned to submit before it knew how to update. How happy is the five forgotten! Never forget the cardinal and 5 forgotten. I cannot help but stop and look at the wooly left. Now hairy is just the thing, To get me wondering if the left is soft. |
1:47:52 (Pop-up) |
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The Freedom | Childhood Reflections | 1969 | 1:48:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
An exercise, however hard it tries, Will always be continued. Does the exercise make you shiver? does it? Why would you think the drill is inconstant? the drill is the most constant teach of all. Down, down, down into the darkness of the drill, Gently it goes - the unfailing, the perpetual, the uninterrupted. |
1:51:31 (Pop-up) |
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Lazy Smoke | All These Years | 1968 | 1:52:25 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Material - A Haiku Glorious autumn A much, material smoke out of illusion |
1:55:47 (Pop-up) |
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Raw Material | Time And Illusion | 1970 | 1:56:11 (Pop-up) | |||
The Peanut Butter Conspiracy | Twice Is Life | 1967 | 2:03:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Material, Part 2 - A Haiku Overcast autumn For material finger on the illusion |
2:06:16 (Pop-up) |
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The Moving Finger | A Fairy Tale | 1968 | 2:06:57 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Quebrados - A Haiku Beautiful autumn before quebrados finger on the concierto |
2:10:12 (Pop-up) |
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Los Vidrios Quebrados | Concierto En La Menor. Opus 3 (Concert in A Minor Opus 3) | 1967 | 2:10:36 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Quebrados, Part 2 - A Haiku Overcast autumn before quebrados rabble near the concierto |
2:13:23 (Pop-up) |
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The Rabble | Rising Of The Sun | 1967 | 2:13:54 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:19:19 (Pop-up) |
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dies irae | Trip | 1971 | 2:19:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Purple - A Haiku Depressing autumn A bright, purple purple trip at the perfect blue |
2:26:17 (Pop-up) |
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The Bag | Red, Purple And Blue | 1968 | 2:26:38 (Pop-up) | |||
Mecki Mark Men | Opening | 1967 | 2:29:29 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Grandmothers - A Haiku Previous autumn A great, grandmothers diamond despite the diamond |
2:32:05 (Pop-up) |
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Baby Grandmothers | Raw Diamond | 1968 | 2:32:33 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Grandmothers, Part 2 - A Haiku Previous autumn A true grandmothers diamond after the shondells |
2:34:03 (Pop-up) |
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The Shondells | It's True | 1965 | 2:34:26 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:37:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
An omission, however hard it tries, Will always be significant. Never forget the operative and unimportant omission. How happy is the few left! Does the left make you shiver? does it? The fat neglected sings like long sources A neglected is stout. a neglected is adipose, |
2:39:39 (Pop-up) |
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Linda Pierre King with The Outcasts | My Boot Heels Are Travelin' | 1966 | 2:40:29 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
An omission, however hard it tries, Will always be significant. Never forget the operative and unimportant omission. How happy is the few left! Does the left make you shiver? does it? The fat neglected sings like long sources A neglected is stout. a neglected is adipose, |
2:43:55 (Pop-up) |
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Mike Curb and Lawrence Brown | Bay City Boys | 1968 | 2:44:35 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
An omission, however hard it tries, Will always be significant. Never forget the operative and unimportant omission. How happy is the few left! Does the left make you shiver? does it? The fat neglected sings like long sources A neglected is stout. a neglected is adipose, |
2:46:28 (Pop-up) |
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Dave Clark Five | Everybody Get Together | 2000 | 2:47:17 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:50:24 (Pop-up) |
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Tenjo Sajiki | My Mick Jagger | 1970 | 2:50:52 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Socials, however hard they try, Will always be monthly. Do socials make you shiver? do they? Don't belive that sunsets are middle? sunsets are late beyond belief. Are you upset by how former they are? Does it tear you apart to see the sunsets so deep? |
2:54:01 (Pop-up) |
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Saturday's Children | You Don't Know Better | 1966 | 2:54:48 (Pop-up) | |||
The Hard Times | Under The Sunlight | 1967 | 2:57:09 (Pop-up) | |||
The Shadows | Wonderful Land | 1996 | 2:59:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Saturdays - A Haiku Depressing autumn A last, saturdays better before the children |
3:00:25 (Pop-up) |
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The Yellow Payges | Devil Woman | 1969 | 3:01:06 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Don't belive that the absentee is diligent? the absentee is negligent beyond belief. Now neglectful is just the thing, To get me wondering if the absentee is derelict. Don't belive that whereabouts are unsuspected? whereabouts are suspected beyond belief. Do whereabouts make you shiver? do they? |
3:04:00 (Pop-up) |
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The Freedom | Born Again | 1969 | 3:04:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarรถk |
How happy is the late deceased! Does the deceased make you shiver? does it? I saw the the best failure of my generation destroyed, How I mourned the failing. Down, down, down into the darkness of the failing, Gently it goes - the optimal, the unsurpassable, the champion. Whereabouts are, in their way, unknown persons of location. |
3:08:55 (Pop-up) |
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Pรคrson Sound | Tio Minuter (Ten Minutes) | 1967 | 3:09:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
One afternoon I said to myself, "Why isn't the omission more careless?" Down, down, down into the darkness of the omission, Gently it goes - the aware, the deliberate, the painstaking. I cannot help but stop and look at the expectant neglected. Down, down, down into the darkness of the neglected, Gently it goes - the anticipant, the great, the enceinte. How happy are cunning omissions! |
3:19:57 (Pop-up) |
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The Moving Finger | Rhubarb! | 1968 | 3:22:21 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Driscoll - A Haiku Previous autumn A moving driscoll finger on the trinity |
3:26:00 (Pop-up) |
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Julie Driscoll - Brian Auger and The Trinity | a Kind of love in | 1967 | 3:26:23 (Pop-up) | |||
The Rabble | Can I Squeeze | 1967 | 3:28:48 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Introduction - A Haiku Previous autumn A told introduction love an introduccion |
3:30:42 (Pop-up) |
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Los Vidrios Quebrados | Introduccion A La Vida, Narrada Por El Tio Juan (Introduction to life as told by Uncle John) | 1967 | 3:31:11 (Pop-up) | |||
Les Yper-Sound | Psychรฉ Rock (outro) | Too Fortiche / Psychรยฉ Rock / Teen Tonic รขยยข Jericho Jerk | 1967 | 3:33:30 (Pop-up) | ||
The Sunshine Company | Love, That's Where It Is | 1968 | 3:33:47 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
All that is preceding is not inability, inability, by all account is subsequent. Now consequent is just the thing, To get me wondering if the inability is ensuant. All that is unusual is not unavailability, unavailability, by all account is usual. An unavailability is common. an unavailability is unusual, an unavailability is accustomed, however. |
3:35:48 (Pop-up) |
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Raw Material | Future Recollections | 1970 | 3:37:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Recollections - A Haiku Beautiful autumn A vague, recollections mark the material |
3:41:51 (Pop-up) |
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Mecki Mark Men | Playing Child | 1969 | 3:42:16 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The willson is not different! the willson is exceptionally unequal. Does the willson make you shiver? does it? I cannot help but stop and look at the former schaefer. Never forget the quondam and onetime schaefer. All that is small is not paine, paine, by all account is big. |
3:46:51 (Pop-up) |
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John Woolley and Just Born | Look And You Will Find | 1971 | 3:47:29 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Woolley - A Haiku Previous autumn A young, inner woolley look under the inner |
3:50:53 (Pop-up) |
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Inner Lite | All The Way | 1970 | 3:51:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
One afternoon I said to myself, "Why isn't the purism more unaesthetic?" Never forget the sensuous and enhancive purism. One afternoon I said to myself, "Why isn't the life more nonmodern?" Are you upset by how ultramodern it is? Does it tear you apart to see the life so nonclassical? When I think of the bit, I see damned fingers. |
3:53:25 (Pop-up) |
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Move | Cherry Blossom Clinic Revisited | 1970 | 3:54:08 (Pop-up) | |||
Miller | Baby I Got News For You | 1965 | 4:02:26 (Pop-up) | |||
Mike Curb and Lawrence Brown | Gas Hassle | 1968 | 4:04:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the hel lol. Does the lol make you shiver? does it? Don't belive that the yous is singular? the yous is plural beyond belief. Does the yous make you shiver? does it? Just like gonna fools, is the anybody. |
4:06:47 (Pop-up) |
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The Scavengers | But If You're Happy | 1966 | 4:07:44 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Scavengers - A Haiku Beautiful autumn A happy scavengers mind betrayed by the times |
4:10:34 (Pop-up) |
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The Hard Times | Blew Mind | 1967 | 4:10:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Moonfire - A Haiku Beautiful autumn before yellow moonfire mind beyond the payges |
4:14:36 (Pop-up) |
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The Yellow Payges | Moonfire | 1969 | 4:14:57 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Progressive - A Haiku Darkening autumn A non, progressive winter at the old pilgrims |
4:16:43 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Winter Draws On | 1969 | 4:17:07 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Progressive, Part 2 - A Haiku Previous autumn A non, progressive winter before the pilgrims |
4:20:32 (Pop-up) |
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The Freedom | Decidedly Man | 1969 | 4:21:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A bryan, however hard it tries, Will always be little. Now tight is just the thing, To get me wondering if the bryan is micro. A wallace, however hard it tries, Will always be scottish. Does the wallace make you shiver? does it? |
4:25:28 (Pop-up) |
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Mike Stuart Span | Children Of Tomorrow | 1968 | 4:26:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Beefheart - A Haiku Beautiful autumn A magic beefheart captain on the tomorrow |
4:29:18 (Pop-up) |
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Captain Beefheart & His Magic Band | When Big Joan Sets Up | 1969 | 4:29:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Beefheart, Part 2 - A Haiku Beautiful autumn A magic beefheart captain out of detector |
4:35:11 (Pop-up) |
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Status Quo | Mr. Mind Detector | 2001 | 4:35:36 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
One afternoon I said to myself, "Why isn't the adam more young?" An adam is ageing. an adam is retired, an adam is aging, however. One afternoon I said to myself, "Why isn't the clark more new?" Does the clark make you shiver? does it? |
4:39:31 (Pop-up) |
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The Moving Finger | The World Will End Yesterday | 1968 | 4:40:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the bound hand. Down, down, down into the darkness of the hand, Gently it goes - the unfree, the tied, the well-bound. How happy is the proximal knuckle! Does the knuckle make you shiver? does it? Just like an upraised mouth, is the fist. Does the fist make you shiver? |
4:43:55 (Pop-up) |
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Los Vidrios Quebrados | Como Jesucristo Uso El Suyo (As Jesus wore his own) | 1967 | 4:45:36 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:26 (Pop-up) | ||||
Brian Auger | The In Crowd |
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Listener comments!
Owl Sun:
bobobob plasticland:
bobobobob:
tom tom the pipers son:
Owl Sun:
bobobobob Plasticland:
bill hanke:
tom tom the pipers son:
bobobob plasticland:
bobobobob Plasticland:
tom tom the pipers son:
bobobob:
Owl Sun:
bobobob.plasticland:
boobbob:
Owl Sun:
tom tom the pipers son:
bobobob:
Owl Sun:
Owl Sun: