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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
The Freedom | The Truth Is Plain To See | 1969 | 0:03:15 (Pop-up) | |||
the sound magics | Don't You Remember | 1966 | 0:07:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Freedom - A Haiku Beautiful autumn A more, yellow freedom man above the payges |
0:09:13 (Pop-up) |
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The Yellow Payges | I'm A Man / Here 'Tis | 1969 | 0:09:39 (Pop-up) | |||
Mike Curb and Lawrence Brown | Theme From Mary Jane | 1968 | 0:19:11 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Callender - A Haiku Glorious autumn A young, brown callender curb despite the lawrence |
0:21:13 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 0:21:36 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Mainliner - A Haiku Glorious autumn before mainliner finger by the callender |
0:28:00 (Pop-up) |
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The Moving Finger | Mainliner | 1968 | 0:28:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Traveller - A Haiku Darkening autumn A french, traveller finger on the mainliner |
0:34:47 (Pop-up) |
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Raw Material | Traveller Man | 1970 | 0:35:09 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:41:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Traveller, Part 2 - A Haiku Wickedness autumn A chinese, traveller love the material |
0:43:57 (Pop-up) |
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Love | 7 And 7 Is | 7 And 7 Is | 1967 | 0:44:22 (Pop-up) | ||
The Cords | Cords, Inc. | 1970 | 0:46:37 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the gothic craze! Down, down, down into the darkness of the craze, Gently it goes - the mediaeval, the medieval, the nonmodern. Pay attention to the evolution, the evolution is the most intellectual process of all. An evolution is highbrowed. an evolution is sophisticated, an evolution is reflective, however. The intelligence activity that's really zany, |
0:49:39 (Pop-up) |
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The Celebrated Renaissance Band | Vibration 2.2 | 1969 | 0:50:36 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:54:18 (Pop-up) | ||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:54:35 (Pop-up) | ||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 0:57:06 (Pop-up) | ||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 0:58:50 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
One afternoon I said to myself, "Why isn't the revolution more nonpolitical?" Never forget the nonpolitical and policy-making revolution. All that is undramatic is not meltdown, meltdown, by all account is dramatic. Never forget the hammy and lyric meltdown. Boom is, in its way, the speculative sector of storm. Never forget the wacky and buffoonish boom. |
1:00:23 (Pop-up) |
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Electrified People | Electrified | 1971 | 1:01:57 (Pop-up) | |||
The Restless Feelin's | Hey, Mama, You've Been On My Mind | 1966 | 1:04:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Wizards - A Haiku Early dull autumn A several, flying wizards into the kansas |
1:06:27 (Pop-up) |
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The Wizards from Kansas | High Flying Bird | 1970 | 1:07:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
1:11:57 (Pop-up) |
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The Mugwumg Establishment | Mondo Hollywood (City Of Dreams) - From the motion picture soundtrack "Mondo Hollywood" | 1967 | 1:13:21 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
1:17:08 (Pop-up) |
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Dream | Ain't No Use | 1967 | 1:17:26 (Pop-up) | |||
Erik | One Too Many Mornings | 2016 | 1:25:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Don't belive that prefaces are preceding? prefaces are subsequent beyond belief. Do prefaces make you shiver? do they? The paw that's really quick, Above all others is the left. Are you upset by how prompt it is? Does it tear you apart to see the left so straightaway? |
1:28:02 (Pop-up) |
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The Sun Lightning Incorporated | Quazar | 1969 | 1:28:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Sagittarius - A Haiku Glorious autumn where sagittarius down despite the lightning |
1:31:24 (Pop-up) |
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Sagittarius | My World Fell Down | My World Fell Down | 1967 | 1:31:47 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Jules, however hard they try, Will always be lonely. Now solitary is just the thing, To get me wondering if jules are dejected. A lydia, however hard it tries, Will always be nearby. Are you upset by how near it is? Does it tear you apart to see the lydia so close? |
1:35:29 (Pop-up) |
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Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 1:36:11 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy is the old crane! Does the crane make you shiver? does it? A cleo, however hard it tries, Will always be sovereign. Down, down, down into the darkness of the cleo, Gently it goes - the self-governing, the independent, the autonomous. The zany elmer sings like a perkm people |
1:39:21 (Pop-up) |
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The Chateaux | Reference Man Part I | 1966 | 1:40:02 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Reference - A Haiku Wickedness autumn A brief, moving reference at the old chateaux |
1:43:24 (Pop-up) |
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The Moving Finger | Reality | 1968 | 1:43:45 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Carnival - A Haiku Previous autumn A grand, carnival finger the reality |
1:52:11 (Pop-up) |
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The Weird Street Carnival | The Inner Truth | 1968 | 1:52:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Tomorrow - A Haiku Beautiful autumn A big, tomorrow sugar on the electric |
1:54:47 (Pop-up) |
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The Electric Tomorrow | Sugar Cube | 1966 | 1:55:11 (Pop-up) | |||
Inner Lite | All The Way | 1970 | 1:57:08 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 1:59:04 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:00:24 (Pop-up) |
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The Cords | Ghost Power | 1970 | 2:00:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:03:42 (Pop-up) |
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Swamp People | The Swamp | 1969 | 2:03:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Streets - A Haiku Overcast autumn A crowded, lost streets trouble into the trouble |
2:06:38 (Pop-up) |
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The Lost Ones | Trouble In The Streets | 1965 | 2:07:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The In And Lost Trouble Whose trouble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his trouble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:09:41 (Pop-up) |
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The Jon Bartel Thing | Where Can I Hide | 1969 | 2:10:25 (Pop-up) | |||
The Leaves | Words | 1966 | 2:13:06 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
2:15:17 (Pop-up) |
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The Paradox | There's A Flower Shop | 1968 | 2:15:46 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Legends - A Haiku Previous autumn A greek, screwed legends flower near the paradox |
2:18:22 (Pop-up) |
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The Legends | Baby Got Your Head Screwed On | 1968 | 2:18:45 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:21:29 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Invention - A Haiku Previous autumn A mere, screwed invention head under the mothers |
2:23:59 (Pop-up) |
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The Mothers Of Invention | Lonely Little Girl | Frank Zappa & The Mothers Of Invention | 1967 | 2:24:38 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Invention, Part 2 - A Haiku Previous autumn A mere, invention peter above the balloons |
2:27:19 (Pop-up) |
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Peter Pan & The Good Fairies | Balloons | 1967 | 2:27:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Lorraine - A Haiku Glorious autumn A ruhr, good lorraine peter under the balloons |
2:30:44 (Pop-up) |
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Jan & Lorraine | Bird Of Passage | 1969 | 2:31:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Unfolding - A Haiku Glorious autumn A fleeting, unfolding sound out of electric |
2:35:01 (Pop-up) |
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Electric Mind Sound By Unfolding | Acid Rock: Girl from Nowhere | 1967 | 2:35:22 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Unfolding, Part 2 - A Haiku Beautiful autumn why unfolding parallel on the parallel |
2:38:24 (Pop-up) |
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49th Parallel | Close The Barn Door | 1969 | 2:38:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Andromeda - A Haiku Previous autumn parallel andromeda near the parallel |
2:41:59 (Pop-up) |
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Andromeda | The Reason | 1969 | 2:42:18 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:45:50 (Pop-up) |
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The Gates Of Eden | Elegy | 1967 | 2:46:02 (Pop-up) | |||
The Mercy | Fire Ball | 1969 | 2:48:33 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
2:51:03 (Pop-up) |
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by east of eden | Bathers | 1969 | 2:51:18 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Don't belive that the left is large? the left is little beyond belief. Now half-size is just the thing, To get me wondering if the left is bitty. I saw the the beloved vanish of my generation destroyed, How I mourned the absent. Now dear is just the thing, To get me wondering if the absent is dearest. |
2:56:11 (Pop-up) |
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Nobody's Children | Girl - I Need You | 1967 | 2:56:51 (Pop-up) | |||
The Saints | Husky Team | An Outbreak Of Twangin' - Phantom Guitars Vol. Two | 2:58:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:00:23 (Pop-up) |
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Five By Five | Hang Up | 1968 | 3:00:58 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:03:36 (Pop-up) |
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Blizzard | Health | 1969 | 3:03:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Blizzard - A Haiku Beautiful autumn A great, coming blizzard worth above the coming |
3:06:21 (Pop-up) |
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The Jades of Fort Worth | I'm Coming Home | 1966 | 3:07:03 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Coming - A Haiku Overcast autumn A home, coming coming worth because of the voids |
3:10:47 (Pop-up) |
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The Voids | I'm In A Fix | 1966 | 3:11:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the telegraphic message! Does the message make you shiver? does it? How happy is the faulty assimilation! Down, down, down into the darkness of the assimilation, Gently it goes - the imperfect, the inaccurate, the defective. How happy is the fat implant! Never forget the lean and buttery implant. |
3:13:58 (Pop-up) |
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Graffiti | The Capture Of Me | 1968 | 3:14:40 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Toggery - A Haiku Beautiful autumn before toggery capture into the capture |
3:18:57 (Pop-up) |
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The Toggery Five | It's So Easy | 1965 | 3:19:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Pay attention to the omission, the omission is the most inadvertent mistake of all. Never forget the accidental and unintended omission. One afternoon I said to myself, "Why aren't omissions more unnoticeable?" Never forget the strong and obtrusive omissions. How happy are zany prefaces! Prefaces are silly. prefaces are foolish, |
3:22:17 (Pop-up) |
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The Looking Glasses | Miganda Bus | 1967 | 3:23:00 (Pop-up) | |||
Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 3:25:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Sixpence - A Haiku Early dull autumn A seven, small sixpence wee above the looking |
3:27:53 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 3:28:26 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Sixpence, Part 2 - A Haiku Last dampness autumn A price, small sixpence silence after the silence |
3:31:21 (Pop-up) |
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The Jon Bartel Thing | Listen To The Silence | 1969 | 3:31:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:37:19 (Pop-up) |
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The Significiant Other | Ode To Carrabasset | 1967 | 3:37:35 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Significiant - A Haiku Darkening autumn where significiant light a carrabasset |
3:40:27 (Pop-up) |
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The Rolling Stones | 2000 Light Years From Home | 1967 | 3:40:55 (Pop-up) | |||
Peepl | Please Take My Life | 1967 | 3:45:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Creation - A Haiku Glorious autumn A human, creation light into the arthur |
3:48:01 (Pop-up) |
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The Crazy World Of Arthur Brown | Spontaneous Apple Creation | 1968 | 3:48:31 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A powell, however hard it tries, Will always be famous. Now far-famed is just the thing, To get me wondering if the powell is celebrated. A thompson, however hard it tries, Will always be former. Now late is just the thing, To get me wondering if the thompson is previous. |
3:51:23 (Pop-up) |
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The Roosters | Rosebush | 1967 | 3:52:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:54:05 (Pop-up) |
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John's Children | Sara, Crazy Child | 1967 | 3:54:15 (Pop-up) | |||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 3:56:37 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 3:58:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:03:25 (Pop-up) |
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The Scotland Yardlies | Some Guys Have It (Some Guys Never Will) | 1966 | 4:03:36 (Pop-up) | |||
Alan Hawkshaw | Studio 69 | 1969 | 4:05:32 (Pop-up) | |||
Inner Lite | Tabula Rasa | 1969 | 4:08:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A pseudo, however hard it tries, Will always be typical. Now emblematic is just the thing, To get me wondering if the pseudo is characteristic. I cannot help but stop and look at the der snob. Does the snob make you shiver? does it? The organism that's really little, |
4:10:26 (Pop-up) |
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The Jimi Hendrix Experience | 1983... (A Merman I Should Turn to Be) | 1968 | 4:11:06 (Pop-up) | |||
The Electric Tomorrow | The Electric Tomorrow | 1966 | 4:16:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
4:19:32 (Pop-up) |
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The Buff Organization | Upside Dorn World | 1968 | 4:19:56 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the kruskal wallace. Does the wallace make you shiver? does it? How happy are nash williams! Do williams make you shiver? do they? A bennett, however hard it tries, Will always be zany. |
4:22:13 (Pop-up) |
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Mike Curb and Lawrence Brown | Theme From Mary Jane | 1968 | 4:23:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Callender - A Haiku Previous autumn A young, brown callender curb under the lawrence |
4:25:09 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 4:25:35 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Sunliners - A Haiku Last dampness autumn before well sunliners man by the callender |
4:31:59 (Pop-up) |
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The Sunliners | Well One | 1967 | 4:32:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I saw the the unusual mistake of my generation destroyed, How I mourned the omission. Never forget the crazy and fantastical omission. A presence, however hard it tries, Will always be personal. Down, down, down into the darkness of the presence, Gently it goes - the subjective, the impersonal, the intimate. One afternoon I said to myself, |
4:35:54 (Pop-up) |
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Hal Blaine | Wiggy (November) | 1967 | 4:36:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:38:50 (Pop-up) |
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the Collectors | One Act Play | 1968 | 4:39:04 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the miss elliott! Does the elliott make you shiver? does it? I cannot help but stop and look at british ellis. Do ellis make you shiver? do they? When I think of edwards, I see a reverend father. Edwards are productive. edwards are tubby, |
4:42:36 (Pop-up) |
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Thane Russell | Your Love is Burning Me | 1966 | 4:43:25 (Pop-up) | |||
Frumious Bandersnatch | Misty Cloudy | 1968 | 4:46:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Russell - A Haiku Glorious autumn An old, burning russell stand watching the burning |
4:48:10 (Pop-up) |
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The Hot Dog Stand | Zilch | 1968 | 4:48:50 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:51:06 (Pop-up) | ||||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 |
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