The Night Owl Show with Owl Sun:
Playlist
from December 7, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:25 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Twice As Much |
SImplified
|
Twice As Much |
|
0:03:17 (Pop-up) | ||
| featuring John Zacherle |
Pistol Stomp
|
Monster Mash |
|
0:06:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The individual that's really greater, Above all others is the simpleton. Does the simpleton make you shiver? does it? Pay attention to the summary, the summary is the most lengthy writing of all. Down, down, down into the darkness of the summary, Gently it goes - the protracted, the prolonged, the drawn-out. |
|
0:09:13 (Pop-up) |
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| Love |
A House Is Not A Motel
|
Alone Again Or / A House Is Not A Motel |
|
0:10:02 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Reaction - A Haiku Beautiful autumn A strong, young reaction house before the gantrys |
|
0:14:22 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Reaction Of A Young Man
|
Elmer Gantry's Velvet Opera |
|
0:14:59 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The Just And Young Reaction Whose reaction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his reaction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:17:30 (Pop-up) |
||
| The Answers |
Just a Fear
|
1966 |
|
0:18:28 (Pop-up) | ||
| Emil Richards And The Factory |
No Place I'd Rather Be
|
1967 |
|
0:21:43 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Dayglow - A Haiku Wickedness autumn before painted dayglow smile above the answers |
|
0:24:07 (Pop-up) |
||
| Chad & Jeremy |
Painted Dayglow Smile
|
1967 |
|
0:24:53 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
American - A Haiku Inclement autumn A young, american smile out of electric |
|
0:27:20 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:27:46 (Pop-up) | |
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:30:16 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the hollow shaft. Are you upset by how fistulous it is? Does it tear you apart to see the shaft so insincere? snatches are not large! snatches are exceptionally littler. Are you upset by how unimportant they are? Does it tear you apart to see the snatches so littler? When I think of rips, I see several instances. |
|
0:32:57 (Pop-up) |
||
| Joe |
Dhoop
|
1969 |
|
0:34:04 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the hollow shaft. Are you upset by how fistulous it is? Does it tear you apart to see the shaft so insincere? snatches are not large! snatches are exceptionally littler. Are you upset by how unimportant they are? Does it tear you apart to see the snatches so littler? When I think of rips, I see several instances. |
|
0:37:53 (Pop-up) |
||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Instant Request |
|
0:39:40 (Pop-up) |
||
| The Seeds |
Pushin' Too Hard
|
1965 | For: bill hanke | 0:39:42 (Pop-up) | ||
| Suzi Jane Hokom Lee Hazlewood |
I'll Never Fall In Love Again
|
1969 |
|
0:42:11 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The Hard And Dead Peter Whose peter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her peter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:45:07 (Pop-up) |
||
| Peter Kelley |
The Man Is Dead
|
1969 |
|
0:46:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The West And Experimental Coast Whose coast is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her coast a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:52:48 (Pop-up) |
||
| The West Coast Pop Art Experimental Band |
Help, I'm A Rock
|
1967 |
|
0:53:44 (Pop-up) | ||
| The Darwins Theory |
Hosanna
|
1967 |
|
0:56:00 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
0:58:01 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Invention - A Haiku Late dampness autumn A human, invention coast after the mothers |
|
1:00:25 (Pop-up) |
||
| Mothers of Invention |
Big Leg Emma
|
1967 |
|
1:01:05 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
All that is alternate is not derek, derek, by all account is opposite. Does the derek make you shiver? does it? Don't belive that the lauren is less? the lauren is more beyond belief. Does the lauren make you shiver? does it? |
|
1:03:32 (Pop-up) |
||
| Minnie Riperton |
Les Fleur
|
1970 |
|
1:04:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
1:07:27 (Pop-up) |
|||
| Kim Fowley |
Strangers From The Sky
|
Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 |
|
1:07:38 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Brotherhood - A Haiku Early wet autumn A whole, brotherhood journey beyond the strangers |
|
1:11:16 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Journey To The East
|
1968 |
|
1:11:46 (Pop-up) | ||
| Syd Barrett |
Birdie Hop
|
1989 |
|
1:17:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Brotherhood, Part 2 - A Haiku Glorious autumn A whole, brotherhood journey under the traffic |
|
1:20:01 (Pop-up) |
||
| Traffic |
Paper Sun
|
1967 |
|
1:20:29 (Pop-up) | ||
| Xhol Caravan |
Planet Earth
|
1969 |
|
1:24:37 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
1:27:16 (Pop-up) |
|||
| The Gun |
Sunshine
|
Gun | 1969 |
|
1:27:51 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
An absentee, however hard it tries, Will always be negligent. Does the absentee make you shiver? does it? The deficiency that's really marked, Above all others is the absence. Are you upset by how noticeable it is? Does it tear you apart to see the absence so conspicuous? |
|
1:31:45 (Pop-up) |
||
| The Ravelles |
Psychedelic Movement
|
1968 |
|
1:32:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Ravelles - A Haiku Early moist autumn before ravelles sorrow into the movement |
|
1:35:02 (Pop-up) |
||
| Pretty Things |
Private Sorrow (A Phase In The Life Of S.F. Sorrow)
|
1968 |
|
1:35:34 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Cowsills - A Haiku Glorious autumn A private cowsills sorrow into the private |
|
1:39:24 (Pop-up) |
||
| Endle St. Cloud In The Rain |
Tell Me One More Time -What's Happening to Our World-
|
1969 |
|
1:41:30 (Pop-up) | ||
| The Roosters |
One Of These Days
|
1966 |
|
1:44:14 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Why would you think the dearth is uncomplete? the dearth is the most complete scarcity of all. Now all is just the thing, To get me wondering if the dearth is allover. All that is absolute is not inability, inability, by all account is relative. Does the inability make you shiver? does it? |
|
1:46:56 (Pop-up) |
||
| Les Yper-Sound |
Too Fortiche
|
1967 |
|
1:47:45 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:50:30 (Pop-up) |
|||
| The FUGS |
Crystal Liaison
|
1968 |
|
1:50:53 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Why would you think the dearth is uncomplete? the dearth is the most complete scarcity of all. Now all is just the thing, To get me wondering if the dearth is allover. All that is absolute is not inability, inability, by all account is relative. Does the inability make you shiver? does it? |
|
1:53:58 (Pop-up) |
||
| Spirits And Worm |
You And I Together
|
1969 |
|
1:54:35 (Pop-up) | ||
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
|
1:57:18 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
1:59:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The liquor is not nonalcoholic! the liquor is exceptionally wet. Never forget the soft and wet liquor. How happy is the warm liquid! Down, down, down into the darkness of the liquid, Gently it goes - the quick, the affectionate, the uncomfortable. One afternoon I said to myself, "Why isn't the head more large?" |
|
2:00:24 (Pop-up) |
||
| Silver Apples |
You And I
|
1969 |
|
2:01:22 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
How happy is the classic rockabilly! Never forget the classical and standard rockabilly. The strummer is not professional! the strummer is exceptionally unskilled. Now unpaid is just the thing, To get me wondering if the strummer is unskilled. I saw the the little popular music of my generation destroyed, How I mourned the reggae. |
|
2:04:29 (Pop-up) |
||
| Funkadelic |
Music For My Mother
|
1969 |
|
2:05:22 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:10:34 (Pop-up) |
|||
| Aphrodite's Child |
quando l'amore diventa poesia
|
1969 |
|
2:10:59 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Aphrodites - A Haiku Darkening autumn A nude, aphrodites love near the electric |
|
2:14:37 (Pop-up) |
||
| The Electric Prunes |
Everybody Knows You're Not In Love
|
1968 |
|
2:15:00 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Electric - A Haiku Wickedness autumn A diesel, electric think betrayed by the prunes |
|
2:17:53 (Pop-up) |
||
| bo grumpus |
Think Twice
|
1968 |
|
2:18:28 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
One afternoon I said to myself, "Why aren't prefaces more unextended?" Never forget the large and considerable prefaces. A revised, however hard it tries, Will always be carefully. Revised, revised, every where, Yet not a drop to submit. The cunning forgotten sings like a never part |
|
2:20:44 (Pop-up) |
||
| J.K. & Co. |
Fly
|
1968 |
|
2:21:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Underground - A Haiku Beautiful autumn A dutch, underground mirror after the velvet |
|
2:26:10 (Pop-up) |
||
| The Velvet Underground And Nico |
I'll Be Your Mirror
|
1966 |
|
2:26:39 (Pop-up) | ||
| Anan |
Haze Woman
|
1968 |
|
2:28:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The Burning And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:31:33 (Pop-up) |
||
| The Jimi Hendrix Experience |
Burning Of The Midnight Lamp
|
The Jimi Hendrix Experience | 1968 |
|
2:32:35 (Pop-up) | |
Music behind DJ: The Shadows |
Atlantis
|
Experience - A Haiku Last cloudy autumn beautiful experience after the midnight |
|
2:36:10 (Pop-up) |
||
| Boeing Duveen And The Beautiful Soup |
Which Dreamed It
|
1968 |
|
2:36:40 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Capilouto - A Haiku Wickedness autumn before capilouto glass near the electric |
|
2:39:04 (Pop-up) |
||
| The Aquarian Age |
10,000 Words In A Cardboard Box
|
1968 |
|
2:41:20 (Pop-up) | ||
| The Bay Ridge |
Without You
|
2008 | 2:44:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Cardboard - A Haiku Last hazy autumn A black, cardboard cardboard mean watching the country |
|
2:47:28 (Pop-up) |
||
| The October Country |
Baby What I Mean
|
1968 |
|
2:47:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Russell - A Haiku Last cloudy autumn A frege, burning russell love above the burning |
|
2:49:49 (Pop-up) |
||
| Thane Russell |
Your Love is Burning Me
|
1966 |
|
2:50:19 (Pop-up) | ||
| Smokey and His Sister |
Creators of Rain
|
1966 |
|
2:53:09 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Thinking - A Haiku Glorious autumn A free, thinking thinking love before the russell |
|
2:55:48 (Pop-up) |
||
| Le Cirque |
I'll Be Thinking Of You
|
1967 |
|
2:56:29 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
2:58:51 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The Little And Thinking Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:00:25 (Pop-up) |
||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
3:01:31 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
The Little And Loving Kaleidoscope Whose kaleidoscope is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her kaleidoscope a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:03:22 (Pop-up) |
||
| White Noise |
My Game Of Loving
|
1969 |
|
3:04:06 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Scarecrow - A Haiku Early break autumn A poor, loving scarecrow noise betrayed by the floyd |
|
3:08:09 (Pop-up) |
||
| Pink Floyd |
Scarecrow
|
The Best Of The Pink Floyd | 1967 |
|
3:08:33 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Scarecrow, Part 2 - A Haiku Late dampness autumn A poor, holy scarecrow pink out of mackerel |
|
3:10:59 (Pop-up) |
||
| The Holy Mackerel |
Scorpio Red
|
The Holy Mackerel | 1968 |
|
3:11:26 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Butterfly - A Haiku Previous autumn A blue, butterfly silver on the mackerel |
|
3:14:39 (Pop-up) |
||
| Nicky James |
Silver Butterfly
|
1968 |
|
3:15:04 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The Wild And Silver Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:17:43 (Pop-up) |
||
| The Byrds |
Wild Mountain Thyme
|
History Of The Byrds |
|
3:18:26 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
A nazarene, however hard it tries, Will always be accursed. A nazarene is accurst. a nazarene is curst, a nazarene is cursed, however. Don't belive that the woodhouse is unregretful? the woodhouse is sorry beyond belief. Now uncheerful is just the thing, To get me wondering if the woodhouse is no-good. |
|
3:20:51 (Pop-up) |
||
| The Mothers Of Invention |
Who Are The Brain Police?
|
1966 |
|
3:21:35 (Pop-up) | ||
| Bram Rigg Set |
I Can Only Give You Everything
|
1967 |
|
3:24:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
One afternoon I said to myself, "Why isn't the fog more daytime?" A fog is aphotic. a fog is dour, a fog is wicked, however. I cannot help but stop and look at the divine invisibility. Are you upset by how elysian it is? Does it tear you apart to see the invisibility so providential? How happy is the zany periphery! |
|
3:27:41 (Pop-up) |
||
| First Crow To The Moon |
The Sun Lights Up The Shadows
|
1967 |
|
3:28:41 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Shadows - A Haiku Beautiful autumn A mere, first shadows woman beyond the woman |
|
3:30:57 (Pop-up) |
||
| The Move |
Wild Tiger Woman
|
1968 |
|
3:31:21 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Arkestra - A Haiku Early wet autumn A wild arkestra woman on the yochanan |
|
3:34:25 (Pop-up) |
||
| Saturn presents "Yochanan" with Sun Ra and his Arkestra singing |
The Sun Man Speaks
|
1968 |
|
3:34:50 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Arkestra, Part 2 - A Haiku Threatening autumn A tony arkestra man by the yochanan |
|
3:39:23 (Pop-up) |
||
| Tony And Siegrid |
Up Here
|
1967 |
|
3:39:52 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Siegrid - A Haiku Overcast autumn A comic siegrid people watching the people |
|
3:41:53 (Pop-up) |
||
| Lothar And The Hand People |
Comic Strip
|
1967 |
|
3:42:14 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
The Late And Comic People Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:44:48 (Pop-up) |
||
| The Ghost |
Too Late To Cry
|
1970 |
|
3:45:42 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Whose people is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his people a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:50:44 (Pop-up) |
||
| William Sheller |
Couleurs
|
1968 |
|
3:51:21 (Pop-up) | ||
| Created by Bruce Haack |
Electric To Me Turn
|
1970 |
|
3:53:27 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:55:15 (Pop-up) |
|||
| bo grumpus |
Yesterday's Street
|
1968 |
|
3:55:33 (Pop-up) | ||
| The Locomotive |
Mr. Armageddan
|
1969 |
|
3:59:41 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
All that is middle is not tomorrow, tomorrow, by all account is early. A tomorrow is azoic. a tomorrow is archaeozoic, a tomorrow is crude, however. An answer, however hard it tries, Will always be final. Down, down, down into the darkness of the answer, Gently it goes - the last, the ultimate, the terminal. |
|
4:04:11 (Pop-up) |
||
| Twice As Much |
Step Out Of Line
|
Twice As Much |
|
4:04:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
All that is middle is not tomorrow, tomorrow, by all account is early. A tomorrow is azoic. a tomorrow is archaeozoic, a tomorrow is crude, however. An answer, however hard it tries, Will always be final. Down, down, down into the darkness of the answer, Gently it goes - the last, the ultimate, the terminal. |
|
4:08:03 (Pop-up) |
||
| Jimi Hendrix |
Pali Gap
|
1971 |
|
4:08:49 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
4:13:45 (Pop-up) |
|||
| featuring John Zacherle |
The Bat
|
Monster Mash |
|
4:13:57 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
4:17:25 (Pop-up) |
|||
| The id |
Boil The Kettle, Mother
|
1967 |
|
4:17:57 (Pop-up) | ||
| The Wildlife |
Where Do You Go
|
1967 |
|
4:20:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
4:24:08 (Pop-up) |
|||
| Love |
The Daily Planet
|
The Daily Planet |
|
4:24:26 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Salisbury - A Haiku Previous autumn A last, plain salisbury love before the gantrys |
|
4:27:49 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Salisbury Plain
|
1967 |
|
4:28:13 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
I cannot help but stop and look at the irish gregory. Does the gregory make you shiver? does it? I cannot help but stop and look at the rhine rebecca. Does the rebecca make you shiver? does it? When I think of the lauren, I see a good people. Never forget the knavish and wily lauren. |
|
4:30:42 (Pop-up) |
||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
4:31:23 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
I cannot help but stop and look at key turns. Never forget the central and important turns. Snatches, however hard they try, Will always be minute. Snatches are microscopical. snatches are little, snatches are instant, however. When I think of the tool, I see a perfect part. Are you upset by how jaundiced it is? |
|
4:34:05 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
4:34:53 (Pop-up) | |
| Emil Richards And The Factory |
Bo Diddley
|
1967 |
|
4:37:22 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy are contemporary pops! Now synchronal is just the thing, To get me wondering if pops are modern. How happy are mere snatches! Do snatches make you shiver? do they? How happy are cunning ends! Down, down, down into the darkness of the ends, |
|
4:39:24 (Pop-up) |
||
| The Vampires' Sound Incorporation |
The Lions And The Cucumber
|
1969 |
|
4:41:12 (Pop-up) | ||
| The Group |
People In The Night
|
1969 |
|
4:46:17 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Incorporation - A Haiku Last dampness autumn where incorporation peace watching the vampires |
|
4:48:27 (Pop-up) |
||
| Chad & Jeremy |
Rest In Peace
|
1967 |
|
4:48:59 (Pop-up) | ||
| Chris Carpenter |
Waterfalls
|
1966 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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