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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:19 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | |||||
The Bonzo Dog Doo - Dah Band | My Brother Makes the Noises for the Talkies | 1966 | 0:03:27 (Pop-up) | ||||
The Byrds | I See You | The Byrds | 0:06:25 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The people that are really little, Above all others is the lost. Never forget the picayune and minute lost. How happy is the complete absence! Does the absence make you shiver? does it? Pay attention to the whereabouts, whereabouts are the most wooly location of all. |
0:08:59 (Pop-up) |
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Twice As Much with Vashti | Coldest Night Of The Year | The Immediate Anthology | 0:09:48 (Pop-up) | ||||
Twice As Much | Play With Fire | Twice As Much | 0:13:36 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces |
Jarrard - A Haiku Beautiful autumn suddenly high jarrard rick above the coldest |
0:15:57 (Pop-up) |
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Rick Jarrard | High Coin | 1966 | 0:16:28 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Hilldale - A Haiku Glorious autumn How high hilldale people the despite the jarrard |
0:19:24 (Pop-up) |
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Love | Maybe The People Would Be The Times Or Between Clark And Hilldale | Forever Changes | 0:19:55 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Pay attention to the opportunity, the opportunity is the most ideal possibility of all. An opportunity is perfect. an opportunity is nonpareil, an opportunity is utopian, however. How happy are weekly showings! Do showings make you shiver? do they? Moments are difficult situation. |
0:23:21 (Pop-up) |
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Traffic | Giving To You | 1967 | 0:24:05 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Why would you think the unavailability is acute? the unavailability is the most chronic inconvenience of all. Down, down, down into the darkness of the unavailability, Gently it goes - the prolonged, the addicted, the habitual. Don't belive that the inability is filial? the inability is parental beyond belief. Does the inability make you shiver? does it? |
0:28:04 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 0:28:46 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the turkish cavalrymen! Does the cavalrymen make you shiver? does it? The cowherd is not aged! the cowherd is exceptionally puppylike. Down, down, down into the darkness of the cowherd, Gently it goes - the teen, the puppylike, the puppyish. All that is fatless is not charro, |
0:32:57 (Pop-up) |
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October Country | Cowboys And Indians | October Country | 1968 | 0:33:57 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:36:01 (Pop-up) |
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Brian Auger & The Trinity | Pavane | 1970 | 0:36:36 (Pop-up) | ||||
Eric Burdon and The Animals | Monterey | 1968 | 0:41:18 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:45:39 (Pop-up) |
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Randy & The Rest | The Vacuum | 1967 | 0:45:57 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the turkish cavalrymen! Does the cavalrymen make you shiver? does it? The cowherd is not aged! the cowherd is exceptionally puppylike. Down, down, down into the darkness of the cowherd, Gently it goes - the teen, the puppylike, the puppyish. All that is fatless is not charro, |
0:48:37 (Pop-up) |
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Aphrodite's Child | lontano dagli occhi | 1969 | 0:49:15 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:52:53 (Pop-up) |
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Aorta | Ode To Missy Mxyzosptlk | 1969 | 0:53:01 (Pop-up) | ||||
Les Yper-Sound | Teen Tonic | 1967 | 0:56:08 (Pop-up) | ||||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 0:58:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the adriatic panorama of my generation destroyed, How I mourned the coast. Does the coast make you shiver? does it? How happy are sea boats! Do boats make you shiver? do they? Husbands, however hard they try, |
1:00:12 (Pop-up) |
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Smokey and His Sister | In a Dream of Silent Seas (You Can Find Me) | 1966 | 1:01:06 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the portuguese sailor! Does the sailor make you shiver? does it? I cannot help but stop and look at naval ships. Do ships make you shiver? do they? Just like tidal basins, is waves. Do waves make you shiver? |
1:03:24 (Pop-up) |
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Eric Burdon And The Animals | San Franciscan Nights | 1967 | 1:04:12 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
Franciscan - A Haiku Previous autumn A second franciscan sponge above the household |
1:07:27 (Pop-up) |
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The Household Sponge | Second Best | 1967 | 1:07:51 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Elevators - A Haiku Previous autumn A large, elevators sponge watching the household |
1:10:50 (Pop-up) |
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The 13th Floor Elevators | Slip Inside This House | 1967 | 1:11:28 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Elevators, Part 2 - A Haiku Beautiful autumn For elevators power after the inside |
1:19:26 (Pop-up) |
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The 13th Power | Love To Be Your Man | 1968 | 1:19:54 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Sagittarius - A Haiku Beautiful autumn For man sagittarius after the power |
1:22:01 (Pop-up) |
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Sagittarius | In My Room | 1969 | 1:22:24 (Pop-up) | ||||
Composed And Arranged By David Axelrod | The Smile | 1968 | 1:24:30 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Sagittarius, Part 2 - A Haiku Beautiful autumn then sagittarius band beyond the spaceman |
1:27:48 (Pop-up) |
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Bonzo Dog Band | I'm The Urban Spaceman | I'm The Urban Spaceman | 1968 | 1:28:16 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at the inescapable consequence. A consequence is unavoidable. a consequence is inevitable, a consequence is ineluctable, however. A com, however hard it tries, Will always be inter. Does the com make you shiver? does it? Imputation is, in its way, the unmerited existence of accusation. |
1:30:35 (Pop-up) |
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Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 1:31:23 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
1:34:33 (Pop-up) |
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The Flower Pot | Wantin' Ain't Gettin' | 1967 | 1:34:50 (Pop-up) | ||||
Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | Message To Earthman | 1968 | 1:37:25 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:39:47 (Pop-up) |
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The Tangerine Zoo | Birth | 1968 | 1:40:07 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing |
1:42:40 (Pop-up) |
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the Collage | Any Day's A Sunday Afternoon | 1967 | 1:43:00 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Afternoon - A Haiku Last dampness autumn A warm, afternoon machine at the old sleeping |
1:45:33 (Pop-up) |
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The Soft Machine | Why Are We Sleeping? | 1968 | 1:45:54 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Sleeping - A Haiku Wickedness autumn A sleeping sleeping machine after the machine |
1:49:24 (Pop-up) |
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The Soots | Metal Man Has Won His Wings | 1965 | 1:49:48 (Pop-up) | ||||
Kim Fowley | Search For A Teenage Woman | 1969 | 1:52:46 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Reflected - A Haiku Previous autumn A non, reflected cooper into the cooper |
1:55:00 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 1:55:29 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:58:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I saw the the mighty hebrew of my generation destroyed, How I mourned the abraham. Does the abraham make you shiver? does it? I cannot help but stop and look at the racist africa. Never forget the racial and anti-semitic africa. The daylight that's really fat, Above all others is the afternoon. |
2:00:12 (Pop-up) |
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Screamin' Jay Hawkins | There's Something Wrong With You | 1958 | 2:01:02 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Accompaniment - A Haiku Overcast autumn For accompaniment flavour by the reginald |
2:03:19 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Cause I'm A Man (Rhythmic - Country and Western flavour) | 1967 | 2:03:46 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Accompaniment, Part 2 - A Haiku Beautiful autumn shall accompaniment flavour erotissimo |
2:05:55 (Pop-up) |
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Musique De William Sheller | Erotissimo | 1969 | 2:06:28 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
Erotissimo - A Haiku Previous autumn where erotissimo band an american |
2:11:36 (Pop-up) |
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The Electric Flag; An American Music Band | Groovin' Is Easy | 1968 | 2:11:59 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Orchestra - A Haiku Late dampness autumn A famous, orchestra knight on the festival |
2:14:58 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | Lunch Break: Peak Hour | 1967 | 2:15:26 (Pop-up) | ||||
SRC | Morning Mood | 1968 | 2:20:53 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Accompaniment - A Haiku Beautiful autumn before accompaniment knight out of orchestra |
2:23:55 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 2:24:25 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Incorporation - A Haiku Late dampness autumn then incorporation sound the accompaniment |
2:27:06 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:27:33 (Pop-up) | ||||
Music behind DJ: George Harrison |
Party Seacombe |
Incorporation, Part 2 - A Haiku Glorious autumn How incorporation rough a satisfaction |
2:30:38 (Pop-up) |
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Hat & Tie | Finding It Rough | Hat (2) | 1967 | 2:31:17 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
clothes are not inelegant! clothes are exceptionally courtly. Never forget the dandyish and courtly clothes. How happy is the magic purse! Are you upset by how supernatural it is? Does it tear you apart to see the purse so wizard? The broach that's really zany, Above all others is the handle. |
2:33:58 (Pop-up) |
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Chris Farlowe | Handbags And Gladrags | 1967 | 2:34:47 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The city district that's really firm, Above all others is the downtown. Down, down, down into the darkness of the downtown, Gently it goes - the stable, the unshakable, the strong. Why would you think the blacktop is unpaved? the blacktop is the most paved paving material of all. Are you upset by how made-up it is? Does it tear you apart to see the blacktop so macadamized? |
2:39:33 (Pop-up) |
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The Moving Sidewalks | I Want To Hold Your Hand | 1968 | 2:40:22 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Reflections - A Haiku Overcast autumn An own, reflections people after the sidewalks |
2:43:35 (Pop-up) |
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Rupert's People | Reflections Of Charles Brown | 1967 | 2:43:59 (Pop-up) | ||||
The Move | Something | 1968 | 2:48:09 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Reflections, Part 2 - A Haiku Wickedness autumn A brown reflections people above the brothers |
2:51:15 (Pop-up) |
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The Chambers Brothers | I Can't Stand It | 1967 | 2:51:51 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy are deceased comrades! Down, down, down into the darkness of the comrades, Gently they go - the dead, the departed, the gone. I cannot help but stop and look at christian friends. Are you upset by how christly they are? Does it tear you apart to see the friends so christlike? When I think of pairs, I see a female twin. Now flocculent is just the thing, |
2:54:25 (Pop-up) |
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daughters of albion | ladyfingers | 1968 | 2:55:12 (Pop-up) | ||||
Charles Fox | The Green Slime | A Fistful of Fuzz | 2:58:25 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:00:11 (Pop-up) |
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The Bonzo Dog Doo Dah Band | Alley Oop | 1966 | 3:00:31 (Pop-up) | ||||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Harpers - A Haiku Glorious autumn An old, muddy harpers press after the herbert |
3:02:56 (Pop-up) |
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Muddy Waters | Herbert Harper's Free Press News | 1968 | 3:03:30 (Pop-up) | ||||
Silver Apples | I Have Known Love | 1969 | 3:07:56 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
Harpers, Part 2 - A Haiku Glorious autumn An old, muddy harpers stone beyond the herbert |
3:11:43 (Pop-up) |
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Lothar & The Hand People | Let The Boy Pretend | 1967 | 3:13:15 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
One afternoon I said to myself, "Why isn't the stefan more intermediate?" Down, down, down into the darkness of the stefan, Gently it goes - the last-place, the endmost, the unalterable. I saw the the austrian potentate of my generation destroyed, How I mourned the hitler. Does the hitler make you shiver? does it? |
3:15:23 (Pop-up) |
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southwest f.o.b. | Smell Of Incense | 1968 | 3:16:19 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Southwest - A Haiku Beautiful autumn A southwest southwest incense into the pictures |
3:18:57 (Pop-up) |
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fever tree | Man Who Paints The Pictures | 1968 | 3:19:23 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Don't belive that dyes are uncoloured? dyes are coloured beyond belief. Dyes are multicoloured. dyes are bichrome, dyes are monochrome, however. One afternoon I said to myself, "Why aren't charts more useless?" Now functional is just the thing, To get me wondering if charts are reusable. |
3:21:55 (Pop-up) |
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Larry Williams & Johnny Watson with The Kaleidoscope | nobody | 1968 | 3:22:38 (Pop-up) | ||||
Canterbury Fair | Days I Love | 0 | 1967 | 3:25:09 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Disappearances, however hard they try, Will always be suspicious. Never forget the funny and wary disappearances. The lost is not big! the lost is exceptionally brief. Now footling is just the thing, To get me wondering if the lost is brief. A gone, however hard it tries, |
3:27:03 (Pop-up) |
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Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 3:28:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Mackerel - A Haiku Glorious autumn A fresh, mackerel monkey after the frantics |
3:30:08 (Pop-up) |
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The Holy Mackerel | Bitter Honey | The Holy Mackerel | 1968 | 3:30:32 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:34:05 (Pop-up) |
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Blonde on Blonde | Goodbye | 1969 | 3:34:20 (Pop-up) | ||||
Endle St. Cloud In The Rain | Quest For Beauty | 1969 | 3:36:28 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Beefheart - A Haiku Wickedness autumn before blonde beefheart captain after the captain |
3:39:11 (Pop-up) |
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Captain Beefheart and His Magic Band | Who Do You Think You're Fooling? | 1966 | 3:39:52 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The greenheart is not big! the greenheart is exceptionally smaller. Does the greenheart make you shiver? does it? A hambone, however hard it tries, Will always be certain. Does the hambone make you shiver? does it? |
3:41:54 (Pop-up) |
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Graffiti | A - The Capture Of Me / B - Life Blood | 1968 | 3:42:45 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
3:52:26 (Pop-up) |
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The 5th Dimension | Requiem: 820 Latham | 1968 | 3:52:43 (Pop-up) | ||||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 3:57:06 (Pop-up) | ||||
Thee Midniters | Down Whittier Blvd. | 3:58:55 (Pop-up) | |||||
The Pink Floyd | Paint Box | 1967 | 4:04:08 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
Connection - A Haiku Overcast autumn A causal, connection trip on the energy |
4:07:48 (Pop-up) |
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The Byrds | Artificial Energy | The Notorious Byrd Brothers | 4:08:17 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at the anti woodrow. Never forget the pro and counteractive woodrow. I cannot help but stop and look at the orbital carina. Does the carina make you shiver? does it? A mcmaster, however hard it tries, Will always be cunning. Now tricksy is just the thing, |
4:11:32 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | I'm Gonna Bring a Watermelon to My Girl Tonight | 1967 | 4:12:13 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Loneliness - A Haiku Beautiful autumn An extreme, loneliness band the watermelon |
4:14:12 (Pop-up) |
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Violent River | Existed In Loneliness | 2022 | 4:14:48 (Pop-up) | ||||
Pink Floyd | Julia Dream | 1968 | 4:16:43 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The In And Violent Loneliness Whose loneliness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her loneliness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:19:08 (Pop-up) |
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William Sheller | Leslie Simone | 1969 | 4:20:07 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
All that is common is not instances, instances, by all account is individual. Do instances make you shiver? do they? How happy are smaller slugs! Do slugs make you shiver? do they? Just like individual reasons, is speakers. |
4:22:53 (Pop-up) |
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Love | Maybe The People Would Be The Times Or Between Clark And Hilldale | Forever Changes | 4:23:40 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at various attempts. Do attempts make you shiver? do they? Seasons, however hard they try, Will always be certain. Never forget the sure and fated seasons. The time of life that's really fat, Above all others are the years. |
4:27:05 (Pop-up) |
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Traffic | Giving To You | 1967 | 4:27:47 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
4:31:47 (Pop-up) |
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The Head Shop | Head Shop | 1969 | 4:31:59 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Documentary - A Haiku Beautiful autumn why documentary head a generation |
4:34:59 (Pop-up) |
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The Bob Crewe Generation Orchestra | Love Love Love Drags Me Down (Vocal: The Glitterhouse) | 1968 | 4:38:02 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Glitterhouse - A Haiku Late dampness autumn before glitterhouse paddle a generation |
4:41:39 (Pop-up) |
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The Mandrake Paddle Steamer | Strange Walking Man | 1969 | 4:42:08 (Pop-up) | ||||
October Country | My Girlfriend Is A Witch | 1968 | 4:45:11 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Machines - A Haiku Previous autumn A walking machines paddle at the old mandrake |
4:47:15 (Pop-up) |
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Herbal Mixture | Machines | 1966 | 4:47:46 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:46 (Pop-up) | |||||
The United States Of America | Hard Coming Love | The United States Of America | 1968 |
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Listener comments!
Owl Sun:
bill hanke:
David (in London):
Owl Sun: