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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:18 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | |||||
H.P. Lovecraft | Anyway That You Want Me | 1967 | 0:03:28 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the poor adriana. Are you upset by how hapless it is? Does it tear you apart to see the adriana so skint? I cannot help but stop and look at the roman goddess. Down, down, down into the darkness of the goddess, Gently it goes - the popish, the romish, the papistical. artemis are not fat-free! artemis are exceptionally fertile. |
0:05:56 (Pop-up) |
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Aphrodite's Child | I Want To Live | 1969 | 0:06:54 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Aphrodites - A Haiku Glorious autumn A pink aphrodites pink by the oranges |
0:10:41 (Pop-up) |
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The Pink Floyd | Apples and Oranges | 1967 | 0:11:06 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Animals - A Haiku Glorious autumn A small, dead animals pink on the oranges |
0:15:44 (Pop-up) |
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Eric Burdon And The Animals | Gratefully Dead | 1967 | 0:16:09 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
A crowding, however hard it tries, Will always be physical. Now sensual is just the thing, To get me wondering if the crowding is somatic. How happy is the mingled shame! Does the shame make you shiver? does it? When I think of idiots, I see young values. |
0:20:07 (Pop-up) |
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St. Valentines Day Massacre | Brother Can You Share A Dime | 1967 | 0:20:44 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Connection - A Haiku Glorious autumn A close, working connection out of valentines |
0:23:35 (Pop-up) |
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Rotary Connection | I Got My Mojo Working | 1969 | 0:24:03 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I cannot help but stop and look at the damn luck. Down, down, down into the darkness of the luck, Gently it goes - the bloody, the goddamned, the darned. I saw the the golden explosive device of my generation destroyed, How I mourned the mine. Now favorable is just the thing, To get me wondering if the mine is halcyon. A spell, however hard it tries, |
0:26:26 (Pop-up) |
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October Country | I Just Don't Know | 1968 | 0:27:23 (Pop-up) | ||||
Bram Rigg Set | I Can Only Give You Everything | 1967 | 0:29:46 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
American - A Haiku Beautiful autumn A pan, american band on the electric |
0:32:31 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:33:09 (Pop-up) | |||
Les Yper-Sound | Jericho Jerk | 1967 | 0:35:40 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Panasonic - A Haiku Early wet autumn before panasonic home an american |
0:38:05 (Pop-up) |
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Traffic | Smiling Phases | 1967 | 0:39:53 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:42:23 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 0:42:41 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the dear ernie! Now dearest is just the thing, To get me wondering if the ernie is good. A yang, however hard it tries, Will always be yin. Does the yang make you shiver? does it? Joel is wiener disciple. |
0:48:30 (Pop-up) |
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Alice Cooper | Living | 1969 | 0:49:13 (Pop-up) | ||||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the next nikki! Now incoming is just the thing, To get me wondering if the nikki is close. All that is unchristian is not altar, altar, by all account is christian. Now christly is just the thing, To get me wondering if the altar is christlike. Just like a next people, is the natalia. |
0:52:15 (Pop-up) |
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The Jon Bartel Thing | Where Can I Hide | 1969 | 0:52:57 (Pop-up) | ||||
The 13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 0:55:37 (Pop-up) | ||||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 0:58:30 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Accompaniment - A Haiku Threatening autumn then accompaniment double out of reginald |
1:00:21 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal) | 1967 | 1:01:03 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Accompaniment, Part 2 - A Haiku Last dampness autumn where accompaniment double generissimo |
1:03:36 (Pop-up) |
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Musique De William Sheller | Generissimo | 1969 | 1:04:14 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Sagittarius - A Haiku Threatening autumn when sagittarius york generissimo |
1:05:55 (Pop-up) |
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Sagittarius | I Guess The Lord Must Be In New York City | 1969 | 1:06:16 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Accompaniment - A Haiku Threatening autumn before accompaniment york sagittarius |
1:09:57 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: I See You | 1968 | 1:10:21 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
Accompaniment, Part 2 - A Haiku Early wet autumn before accompaniment see out of salisbury |
1:14:03 (Pop-up) |
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Sandy Salisbury | Do Unto Others | 1969 | 1:14:27 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
Salisbury - A Haiku Wickedness autumn A sandy salisbury saint above the steven |
1:17:17 (Pop-up) |
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Saint Steven | Over The Hills: Ay-Aye Poe Day | 1968 | 1:17:45 (Pop-up) | ||||
Screamin' Jay Hawkins | I'm Lonely | 1970 | 1:21:02 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
A revised, however hard it tries, Will always be language. I don't like the fact that it, learned to submit before it knew how to update. The fault that's really intentional, Above all others is the omission. Are you upset by how wilful it is? Does it tear you apart to see the omission so undesigned? |
1:23:15 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 1:24:03 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The Sound And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:25:52 (Pop-up) |
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Electric Banana | (Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound) | even more electric banana | 1969 | 1:26:40 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Beefheart - A Haiku Beautiful autumn suddenly beefheart captain near the electric |
1:30:08 (Pop-up) |
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Captain Beefheart and His Magic Band | Diddy Wah Diddy | 1966 | 1:30:39 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Beefheart, Part 2 - A Haiku Early cold autumn A paper beefheart captain on the elastik |
1:33:53 (Pop-up) |
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The Elastik Band | Paper Mache | 1967 | 1:34:30 (Pop-up) | ||||
Keith Shields | Hey Gyp (Dig The Slowness) | 1967 | 1:37:02 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Elastik - A Haiku Previous autumn A short elastik paper before the circut |
1:39:06 (Pop-up) |
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The id | Short Circut | 1967 | 1:39:44 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
Nickels - A Haiku Late arctic autumn A plugged, short nickels design under the design |
1:42:38 (Pop-up) |
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Lazy Nickels | 35 Design | 1970 | 1:43:00 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces |
American - A Haiku Late glacial autumn then american design the america |
1:45:07 (Pop-up) |
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The United States Of America | The American Metaphysical Circus | 1968 | 1:45:31 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
1:50:20 (Pop-up) |
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The Velvet Underground & Nico | Sunday Morning | 1966 | 1:50:37 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
How happy is the sorry miguel! Now sad is just the thing, To get me wondering if the miguel is lamentable. Luis, however hard they try, Will always be sebastian. Do luis make you shiver? do they? A juan, however hard it tries, |
1:53:27 (Pop-up) |
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Koobas | Constantly Changing | 1969 | 1:54:02 (Pop-up) | ||||
Lothar & The Hand People | The Music Never Stops | 1968 | 1:56:44 (Pop-up) | ||||
Bobby Fuller And The Fanatics | Our Favorite Martian | 2018 | 1:59:07 (Pop-up) | ||||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
An absence, however hard it tries, Will always be entire. Down, down, down into the darkness of the absence, Gently it goes - the uncastrated, the smooth, the whole. The location that's really suspected, Above all others are the whereabouts. Do whereabouts make you shiver? do they? |
2:00:21 (Pop-up) |
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Procol Harum | A Whiter Shade Of Pale | 1967 | 2:01:17 (Pop-up) | ||||
William Sheller | Adieu Kathy | 1969 | 2:05:12 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Procol - A Haiku Overcast autumn before drunken procol pale before the whiter |
2:07:21 (Pop-up) |
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monks | Drunken Maria | 1966 | 2:08:06 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
How happy is the sant andrea! Does the andrea make you shiver? does it? How happy is the youngest edward! Does the edward make you shiver? does it? I cannot help but stop and look at the wooly joan. Does the joan make you shiver? |
2:10:51 (Pop-up) |
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daughters of albion | hey, you, wait, stay | 1968 | 2:11:40 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:14:33 (Pop-up) |
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Richie Furay & Stephen Stills | Sit Down I Think I Love You | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:14:47 (Pop-up) | ||||
The Asylum Choir | Soul Food | 1968 | 2:17:34 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:19:47 (Pop-up) |
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The Head Shop | Heaven Here We Come | 1969 | 2:20:14 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan |
All that is familiar is not disappearance, disappearance, by all account is strange. Never forget the unfamiliar and rummy disappearance. I cannot help but stop and look at many disappearances. Are you upset by how few they are? Does it tear you apart to see the disappearances so umteen? I saw the the little lack of my generation destroyed, How I mourned the absence. |
2:22:57 (Pop-up) |
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Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 2:23:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Weatherman - A Haiku Early moist autumn A good, weatherman monkey despite the frantics |
2:25:49 (Pop-up) |
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Mark Wirtz | (He's Our Dear Old) Weatherman | 1968 | 2:26:16 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
Weatherman, Part 2 - A Haiku Late freezing autumn A merry weatherman hound enjoying the nitzsche |
2:30:09 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 2:30:49 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
Underground - A Haiku Darkening autumn A nazi, underground light whilst watching the nitzsche |
2:34:20 (Pop-up) |
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The Velvet Underground | White Light / White Heat | 1967 | 2:34:53 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Underground, Part 2 - A Haiku Glorious autumn A deep, underground people despite the people |
2:37:36 (Pop-up) |
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People! | Crying Shoes | 1968 | 2:38:09 (Pop-up) | ||||
The Yardbirds | Ha Ha Said The Clown | 1967 | 2:40:51 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Hunters - A Haiku Late glacial autumn A crying hunters people before the bounty |
2:43:08 (Pop-up) |
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The Bounty Hunters | The Sun Went Away | 1968 | 2:43:36 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Glitterhouse - A Haiku Wickedness autumn A vocal glitterhouse love the generation |
2:46:06 (Pop-up) |
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The Bob Crewe Generation Orchestra | I Love All The Love In You (Vocal: The Glitterhouse) | 1968 | 2:46:26 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Glitterhouse, Part 2 - A Haiku Darkening autumn before young glitterhouse love the generation |
2:50:08 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 2:50:35 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
Pranksters - A Haiku Previous autumn A merry pranksters power on the anymore |
2:54:51 (Pop-up) |
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The Merry Pranksters | Stage Chaos / More Power Rap | 1966 | 2:55:12 (Pop-up) | ||||
Charles Fox | The Green Slime | A Fistful of Fuzz | 2:58:07 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the holy goof. Are you upset by how unholy it is? Does it tear you apart to see the goof so sacred? A parody, however hard it tries, Will always be satirical. Does the parody make you shiver? does it? I cannot help but stop and look at zany thieves. |
3:00:21 (Pop-up) |
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Smokey & His Sister | A Lot of Lovin' | 1967 | 3:01:20 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:03:41 (Pop-up) |
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Blossom Toes | Love Is | 1967 | 3:04:00 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
3:06:38 (Pop-up) |
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The Byrds | Change Is Now | Goin' Back / Change Is Now | 3:06:50 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A milly, however hard it tries, Will always be gentle. A milly is noble. a milly is blue, a milly is aristocratic, however. One afternoon I said to myself, "Why isn't the waterhouse more dishonest?" Are you upset by how reputable it is? Does it tear you apart to see the waterhouse so dishonorable? |
3:10:54 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 3:11:49 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
A milly, however hard it tries, Will always be gentle. A milly is noble. a milly is blue, a milly is aristocratic, however. One afternoon I said to myself, "Why isn't the waterhouse more dishonest?" Are you upset by how reputable it is? Does it tear you apart to see the waterhouse so dishonorable? |
3:14:38 (Pop-up) |
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Edgar Broughton Band | Neptune | 1969 | 3:15:17 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The In And Dark Travel Whose travel is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his travel a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:19:26 (Pop-up) |
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Gandalf | Can You Travel In The Dark Alone | 1969 | 3:20:10 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Country - A Haiku Previous autumn A whole, dark country travel before the gandalf |
3:23:09 (Pop-up) |
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Blood Sweat & Tears | House In The Country | 1968 | 3:23:35 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
One afternoon I said to myself, "Why isn't the barton more inconstant?" Does the barton make you shiver? does it? One afternoon I said to myself, "Why isn't the tho more inexact?" Down, down, down into the darkness of the tho, Gently it goes - the precise, the direct, the rigorous. |
3:26:35 (Pop-up) |
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The Grains Of Sand | That's When Happiness Began | 1966 | 3:27:11 (Pop-up) | ||||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 3:29:35 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why isn't the barton more inconstant?" Does the barton make you shiver? does it? One afternoon I said to myself, "Why isn't the tho more inexact?" Down, down, down into the darkness of the tho, Gently it goes - the precise, the direct, the rigorous. |
3:31:36 (Pop-up) |
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Daughters Of Albion | Story Of Sad | 1968 | 3:32:30 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Daughters - A Haiku Beautiful autumn A younger, green daughters slime on the albion |
3:35:17 (Pop-up) |
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Judy Henske & Jerry Yester | Rapture | 1969 | 3:36:36 (Pop-up) | ||||
The Flower Pot Men | Am I Losing You | 1967 | 3:40:33 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Isabella - A Haiku Darkening autumn A young, blonde isabella under the jeanette |
3:42:31 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 3:43:18 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Mcculloch - A Haiku Early cold autumn A smokeless mcculloch zone the isabella |
3:47:03 (Pop-up) |
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Danny McCulloch | Smokeless Zone | 1970 | 3:47:26 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Mcculloch, Part 2 - A Haiku Late glacial autumn A smokeless mcculloch zone before the river |
3:49:20 (Pop-up) |
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Mad River | Merciful Monks | 1968 | 3:49:45 (Pop-up) | ||||
The Moles | We Are The Moles (Part 2) | 1968 | 3:53:17 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Litter - A Haiku Late frigid autumn A single, litter litter before the double |
3:55:58 (Pop-up) |
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The Litter | (under the screaming double) Eagle | 1968 | 3:56:25 (Pop-up) | ||||
The Mighty Typhoons | Spanish Onions | 2013 | 3:58:59 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing |
Cardboard - A Haiku Late icy autumn A gray, cardboard cardboard box at the perfect grape |
4:04:53 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 4:05:18 (Pop-up) | ||||
Lothar and the Hand People | Milkweed Love | 1968 | 4:08:36 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Cardboard, Part 2 - A Haiku Early dampness fall A thick, cardboard cardboard frank despite the hagstrom |
4:11:31 (Pop-up) |
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Aphrodite's Child | Plastics Nevermore | 1968 | 4:13:53 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
Aphrodites - A Haiku Previous autumn A nude, aphrodites pink by the saucerful |
4:16:20 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 4:16:57 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
details are not incurious! details are exceptionally queer. Down, down, down into the darkness of the details, Gently they go - the snoopy, the queer, the overcurious. I cannot help but stop and look at magical jewels. Down, down, down into the darkness of the jewels, Gently they go - the magic, the supernatural, the witching. When I think of tips, I see a technical progress. |
4:28:24 (Pop-up) |
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H.P. Lovecraft | Let's Get Together | 1967 | 4:29:25 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:33:52 (Pop-up) |
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Fifty Foot Hose....... | Cauldron | 1968 | 4:34:18 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:39:05 (Pop-up) |
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Les Yper-Sound | Jericho Jerk | 1967 | 4:39:34 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
4:42:00 (Pop-up) |
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Traffic | Smiling Phases | 1967 | 4:42:13 (Pop-up) | ||||
Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 4:44:44 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
4:47:46 (Pop-up) |
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Aorta | Shape Of Things To Come | 1968 | 4:48:19 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:27 (Pop-up) | |||||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) |
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