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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Bonzo Dog Doo-Dah Band | The Craig Torso Christmas Show, interpoling: The Lady Is A Tramp, The Last Waltz, Calling All Workers | 1967 | 0:03:17 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The Found And Through Calling Whose calling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his calling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:10:24 (Pop-up) |
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Lost & Found | When Will You Come Through | 1968 | 0:11:17 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Yesterday - A Haiku Freezing wintertime A through yesterday people beyond the people |
0:13:35 (Pop-up) |
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The Head Shop | Opera In The Year 4000: Where Have All The people Gone / Yesterday | 1969 | 0:13:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The Gone And Dark Yesterday Whose yesterday is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his yesterday a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:19:19 (Pop-up) |
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Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 0:20:05 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I saw the the young book of my generation destroyed, How I mourned the joshua. Does the joshua make you shiver? does it? How happy is the heron maxwell! Does the maxwell make you shiver? does it? Just like a young brother, is the anita. |
0:23:00 (Pop-up) |
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Chris Farlowe | What Have I Been Doing | 1968 | 0:23:43 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:27:29 (Pop-up) |
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The Move | The Disturbance | 1966 | 0:27:41 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
0:30:24 (Pop-up) |
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Love | You Set The Scene | 1967 | 0:30:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Tombstones - A Haiku Previous winter An ancient, hard tombstones love betrayed by the times |
0:37:17 (Pop-up) |
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The Tombstones | Times Will Be Hard | 1967 | 0:37:52 (Pop-up) | |||
Bonzo Dog Band | I'm The Urban Spaceman | I'm The Urban Spaceman | 1968 | 0:40:23 (Pop-up) | ||
The Millennium | The Know It All | 1968 | 0:42:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Hard And Side Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:45:21 (Pop-up) |
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amon düül II | between the eyes | 1970 | 0:47:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
0:49:45 (Pop-up) |
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Dave Davies | Creeping Jean | 1969 | 0:49:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:53:08 (Pop-up) |
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Ancient Grease | Freedom Train | 1970 | 0:53:44 (Pop-up) | |||
Mr. Gasser & The Weirdos | Hey Rat Fink | 1964 | 0:57:40 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:59:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Parchment - A Haiku Wintry wintertime A thick, ancient parchment grease watching the ancient |
1:00:23 (Pop-up) |
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Blue Cheer | Parchment Farm | 1968 | 1:01:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Pay attention to the tiara, the tiara is the most studded jewelled headdress of all. Does the tiara make you shiver? does it? A bone, however hard it tries, Will always be dead. Does the bone make you shiver? does it? |
1:06:44 (Pop-up) |
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Pearls Before Swine | Uncle John | 1967 | 1:07:25 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:10:10 (Pop-up) |
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notes from the undergorund | Follow Me Down | 1968 | 1:10:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:15:59 (Pop-up) |
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Tim Buckley | I Can't See You | 1966 | 1:17:33 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why isn't the matthew more first?" A matthew is intermediate. a matthew is irregular, a matthew is sec, however. How happy is the vaughan neil! Does the neil make you shiver? does it? Don't belive that the pete is large? |
1:20:10 (Pop-up) |
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The Litter | Mindbreaker | 1968 | 1:20:46 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:23:50 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 1:24:00 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:27:49 (Pop-up) |
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GTO's: Girls Together Outrageously | The Eureka Springs Garbage Lady | 1969 | 1:28:07 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The rock and roll that's really snotty, Above all others is the punk. Down, down, down into the darkness of the punk, Gently it goes - the persnickety, the snooty, the bigheaded. How happy is the nazi retro! Does the retro make you shiver? does it? A strummer, however hard it tries, |
1:31:41 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:32:25 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Instrumental - A Haiku Severe wintertime shall instrumental mother a funkadelic |
1:38:33 (Pop-up) |
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The Tropics | As Time's Gone | 1967 | 1:39:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Don't belive that lengths are minimal? lengths are maximum beyond belief. Do lengths make you shiver? do they? Visits, however hard they try, Will always be many. Now numerous is just the thing, To get me wondering if visits are few. |
1:41:10 (Pop-up) |
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Mij | Two Stars | 1969 | 1:41:43 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:45:50 (Pop-up) |
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Arzachel | Azathoth | 1969 | 1:46:04 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:50:17 (Pop-up) |
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Buffy Sainte-Marie | adam | 1969 | 1:50:31 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at strange disappearances. Disappearances are rum. disappearances are familiar, disappearances are gothic, however. Pay attention to the disappearance, the disappearance is the most partial ending of all. Never forget the biased and incomplete disappearance. When I think of the failing, I see a sympathetic thing. Does the failing make you shiver? |
1:55:35 (Pop-up) |
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The Millennium | Karmic Dream Sequence #1 | 1968 | 1:56:39 (Pop-up) | |||
The Strawberry Alarm Clock | The World's On Fire | 1968 | 2:02:30 (Pop-up) | |||
Ancient Grease | Women And Children First | 1970 | 2:05:58 (Pop-up) | |||
The Jim Sullivan Sound | She Walks Through The Fair | 1966 | 2:12:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Children - A Haiku Overcast winter A young, ancient children grease before the ancient |
2:15:06 (Pop-up) |
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The Ashes | Dark On You Now | 1967 | 2:15:45 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Pay attention to the downtown, the downtown is the most busy city district of all. A downtown is overbusy. a downtown is engaged, a downtown is officious, however. Don't belive that ways are inefficient? ways are efficient beyond belief. Now businesslike is just the thing, To get me wondering if ways are effective. |
2:19:43 (Pop-up) |
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notes from the undergorund | What Am I Doing Here | 1968 | 2:21:21 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I cannot help but stop and look at political clubs. Do clubs make you shiver? do they? How happy are nearby communities! Now close is just the thing, To get me wondering if communities are near. Just like a political party, is parties. Are you upset by how cuckoo they are? |
2:23:35 (Pop-up) |
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Blonde On Blonde | Circles | 1970 | 2:24:14 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Friendly - A Haiku Freezing wintertime A brain, friendly friendly touch beyond the circles |
2:31:33 (Pop-up) |
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Touch | Friendly Birds | 1969 | 2:31:54 (Pop-up) | |||
Tim Buckley | Wings | 1966 | 2:36:43 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Don't belive that the wildlife is rural? the wildlife is urban beyond belief. Now cityfied is just the thing, To get me wondering if the wildlife is city-born. The correctional institution that's really electric, Above all others is the pen. Now exciting is just the thing, To get me wondering if the pen is galvanic. |
2:39:09 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:39:55 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Don't belive that the wildlife is rural? the wildlife is urban beyond belief. Now cityfied is just the thing, To get me wondering if the wildlife is city-born. The correctional institution that's really electric, Above all others is the pen. Now exciting is just the thing, To get me wondering if the pen is galvanic. |
2:45:58 (Pop-up) |
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The Uncalled For | Get Out Of The Way | 1967 | 2:47:00 (Pop-up) | |||
GTO's: Girls Together Outrageously | Who's Jim Sox? | 1969 | 2:49:16 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Don't belive that the wildlife is rural? the wildlife is urban beyond belief. Now cityfied is just the thing, To get me wondering if the wildlife is city-born. The correctional institution that's really electric, Above all others is the pen. Now exciting is just the thing, To get me wondering if the pen is galvanic. |
2:50:03 (Pop-up) |
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Affinity | Night Flight | 1970 | 2:51:08 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 2:58:18 (Pop-up) | |||
Brian Auger | The In Crowd | 2:59:54 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:00:23 (Pop-up) |
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Arzachel | Leg | 1969 | 3:00:59 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
3:06:34 (Pop-up) |
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The Monkees | You And I | 1969 | 3:06:40 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Because I could not submit for revised, it did kindly submit for me. Never forget the ordinal and 5th revised. All that is middle is not been, been, by all account is late. A been is posthumous. a been is previous, a been is early, however. I cannot help but stop and look at the yellow absent. |
3:08:51 (Pop-up) |
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Andwellas Dream | Shades of Grey | 1969 | 3:09:29 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Andwellas - A Haiku Evil wintertime before high andwellas tide despite the blankman |
3:13:51 (Pop-up) |
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High Tide | Blankman Cries Again | 1970 | 3:14:21 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Pay attention to the presence, the presence is the most immediate belief of all. Now straightaway is just the thing, To get me wondering if the presence is fast. The scarceness that's really prolonged, Above all others is the dearth. Does the dearth make you shiver? does it? |
3:22:35 (Pop-up) |
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The Shag | Stop And Listen | 1967 | 3:23:09 (Pop-up) | |||
Skip Bifferty | Jeremy Carbine | 1967 | 3:25:39 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:28:00 (Pop-up) |
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Mij | Look Into The (K)Night | 1969 | 3:28:26 (Pop-up) | |||
July | My Clown | July | 1968 | 3:36:24 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:39:30 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 3:40:00 (Pop-up) | |||
notes from the undergorund | Tristesse | 1968 | 3:45:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:48:08 (Pop-up) |
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Tim Buckley | Song Slowly Song | 1966 | 3:49:24 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Because I could not marveling for isis, they did kindly marveling for me. Isis, isis, every where, Yet not a drop to marveling. How happy is the town turnkey! Does the turnkey make you shiver? does it? An encoder, however hard it tries, |
3:53:31 (Pop-up) |
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Power of Zeus | the sorcerer of Isis (the ritual of the mole) | 1970 | 3:54:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Christmas - A Haiku Icy wintertime A ritual christmas tramp out of sorcerer |
4:08:51 (Pop-up) |
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Bonzo Dog Doo-Dah Band | The Craig Torso Christmas Show, interpoling: The Lady Is A Tramp, The Last Waltz, Calling All Workers | 1967 | 4:09:23 (Pop-up) | |||
pearls before swine | ring thing | 1968 | 4:16:30 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The Fat And Last Calling Whose calling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his calling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:19:56 (Pop-up) |
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GTO's: Girls Together Outrageously | The Captain's Fat Theresa Shoes | 1969 | 4:20:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The In And Fat Spring Whose spring is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her spring a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:23:44 (Pop-up) |
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Spring | Falling In Love | 4:24:30 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Annmargret - A Haiku Previous winter before in annmargret spring out of hazlewood |
4:26:55 (Pop-up) |
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Ann-Margret Lee Hazlewood | Sleep In The Grass | 1968 | 4:27:27 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Annmargret, Part 2 - A Haiku Darkness wintertime before schizoid annmargret by the hazlewood |
4:30:38 (Pop-up) |
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King Crimson | 21st Century Schizoid Man including Mirrors | 1969 | 4:31:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Andwellas - A Haiku Previous winter before schizoid andwellas above the schizoid |
4:38:19 (Pop-up) |
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Andwellas Dream | Felix | 1969 | 4:38:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the slow assimilation! An assimilation is pokey. an assimilation is slow-moving, an assimilation is lentissimo, however. I cannot help but stop and look at the clear message. Now untroubled is just the thing, To get me wondering if the message is top. Chat is desultory taste. desultory taste is chat. |
4:43:00 (Pop-up) |
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Bonzo Dog Band | I'm The Urban Spaceman | I'm The Urban Spaceman | 1968 | 4:43:43 (Pop-up) | ||
The Millennium | The Know It All | 1968 | 4:46:02 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Blackwell - A Haiku Evil wintertime A young, shorty blackwell band watching the spaceman |
4:48:41 (Pop-up) |
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The Monkees | Shorty Blackwell | 1969 | 4:49:25 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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