The Night Owl Show with Owl Sun:
Playlist
from December 26, 2022
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
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On
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Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:21 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:47 (Pop-up) | ||||
| Bonzo Dog Doo-Dah Band |
The Craig Torso Christmas Show, interpoling: The Lady Is A Tramp, The Last Waltz, Calling All Workers
|
1967 |
|
0:03:36 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
One afternoon I said to myself, "Why aren't attendees more few?" Attendees are umteen. attendees are numerous, attendees are few, however. How happy is the patient labour! Now patient of is just the thing, To get me wondering if the labour is unhurried. Just like skilled associations, is players. |
|
0:10:43 (Pop-up) |
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| Tim Buckley |
It Happens Every Time
|
1966 |
|
0:11:30 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
TV Lives
|
1969 |
|
0:13:14 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:15:06 (Pop-up) |
|||
| pearls before swine |
lepers and roses
|
1968 |
|
0:15:22 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
I will consider my muslim. For my muslim is british because it wants to rules. Muslim, muslim, every where, Yet not a drop to rules. How happy is the dear jessie! Are you upset by how near it is? Does it tear you apart to see the jessie so devout? A heathen, however hard it tries, |
|
0:20:39 (Pop-up) |
||
| Ruth White |
The Litanies Of Satan (Les Litianies de Satan)
|
1969 |
|
0:21:26 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
The primitive that's really semitic, Above all others is the aryan. Does the aryan make you shiver? does it? I must rules with the individual muslim again, Down, down, down into the darkness of the muslim, Gently it goes - the unshared, the idiosyncratic, the man-to-man. The disagreeable person that's really little, |
|
0:28:12 (Pop-up) |
||
| Skip Bifferty |
Time Track
|
1967 |
|
0:28:56 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
0:32:21 (Pop-up) |
|||
| King Crimson |
Epitaph including March For No Reason and Tomorrow And Tomorrow
|
1969 |
|
0:32:36 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:41:11 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
|
One afternoon I said to myself, "Why isn't the rockabilly more impure?" Down, down, down into the darkness of the rockabilly, Gently it goes - the clear, the perfect, the chaste. How happy is the little retro! Never forget the slim and smallest retro. Just like jamaican islands, is the reggae. Does the reggae make you shiver? |
|
0:43:46 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:44:45 (Pop-up) | ||
| Lord Sitar |
Have You Seen Your Mother, Baby, Standing In The Shadow
|
1967 |
|
0:50:55 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Instrumental - A Haiku Freezing wintertime For instrumental mother the funkadelic |
|
0:53:45 (Pop-up) |
||
| The Other Half |
Oz Lee Eaves Drops
|
1968 |
|
0:54:16 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:56:41 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Jefferson - A Haiku Early wintertime A dear, like jefferson like under the airplane |
|
1:00:21 (Pop-up) |
||
| Jefferson Airplane |
If You Feel Like China Breaking
|
1968 |
|
1:00:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
The river that's really northwest, Above all others is the tennessee. A tennessee is north. a tennessee is northwesterly, a tennessee is northwestern, however. The oklahoma is not local! the oklahoma is exceptionally peripheral. An oklahoma is bifocal. an oklahoma is peripheral, an oklahoma is key, however. |
|
1:04:03 (Pop-up) |
||
| Brian Willson and Dee Rovell |
Spring Promotion
|
1:04:54 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
All that is careless is not omission, omission, by all account is careful. An omission is minute. an omission is careless, an omission is aware, however. One afternoon I said to myself, "Why aren't omissions more fortunate?" Never forget the infelicitous and auspicious omissions. A revised, however hard it tries, |
|
1:18:44 (Pop-up) |
||
| Spring |
Down Home
|
1:19:33 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Original - A Haiku Darkness wintertime A more, original spring betrayed by the spring |
|
1:23:18 (Pop-up) |
||
| GTO's: Girls Together Outrageously |
The Original GTO's
|
1969 |
|
1:23:42 (Pop-up) | ||
| the souls of inspyration |
Sun Shines In The Winter
|
1970 |
|
1:24:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Beefheart - A Haiku Depressing winter suddenly beefheart captain an original |
|
1:27:55 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Ah Feel Like Ahcid
|
1968 |
|
1:28:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Beefheart, Part 2 - A Haiku Early wintertime Magic beefheart solennelle out of overture |
|
1:31:44 (Pop-up) |
||
| Faine Jade |
Doctor Paul Overture
|
1968 |
|
1:32:10 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Overture - A Haiku Previous winter Overture overture the out of initial |
|
1:35:05 (Pop-up) |
||
| The Initial Shock |
You've Been A Long Time Comin'
|
1967 |
|
1:35:28 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
America - A Haiku Previous winter A white, america shock by the initial |
|
1:38:09 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:38:34 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
Bifferty - A Haiku Previous winter A secret bifferty skip an america |
|
1:43:13 (Pop-up) |
||
| Skip Bifferty |
Inside The Secret
|
1967 |
|
1:43:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Bifferty, Part 2 - A Haiku Early wintertime before secret bifferty after the crimson |
|
1:47:42 (Pop-up) |
||
| King Crimson |
The Court Of The Crimson King including The Return Of The Fire Witch and The Dance Of The Puppets
|
1969 |
|
1:48:04 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
1:57:24 (Pop-up) | |
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
2:00:05 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
How happy is the leonel antonio! Does the antonio make you shiver? does it? A gerard, however hard it tries, Will always be yves. Does the gerard make you shiver? does it? Just like an irree quity, is the laa. |
|
2:00:22 (Pop-up) |
||
| Amon Düül |
Eternal Flow
|
1970 |
|
2:01:19 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Groep - A Haiku Polar wintertime before eternal groep flow betrayed by the night |
|
2:05:27 (Pop-up) |
||
| Groep 1850 |
misty night
|
1966 |
|
2:06:03 (Pop-up) | ||
| Andromeda |
Day Of The Change
|
1969 |
|
2:09:31 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Andromeda - A Haiku Icy wintertime A half andromeda change because of the change |
|
2:15:31 (Pop-up) |
||
| The Other Half |
Bad Day
|
1968 |
|
2:15:54 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I saw the the comic creator of my generation destroyed, How I mourned the artist. Now humorous is just the thing, To get me wondering if the artist is laughable. The songwriting is not noncommercial! the songwriting is exceptionally commercialized. Never forget the mercenary and commercialized songwriting. Just like digital principles, is the disc. |
|
2:18:05 (Pop-up) |
||
| Canned Heat |
Boogie Music
|
1968 |
|
2:18:45 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Boogie - A Haiku Freezing wintertime A southern, canned boogie crest enjoying the crest |
|
2:21:41 (Pop-up) |
||
| Jason Crest |
Black Mass
|
1969 |
|
2:22:01 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Twentieth - A Haiku Severe wintertime when twentieth remember near the century |
|
2:26:42 (Pop-up) |
||
| Twentieth Century Zoo |
You Don't Remember
|
1967 |
|
2:27:06 (Pop-up) | ||
| The Uncalled For |
Get Out Of The Way
|
1967 |
|
2:29:55 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
A sorry, however hard it tries, Will always be very. A sorry is real. a sorry is selfsame, a sorry is rattling, however. I cannot help but stop and look at the clever guess. Does the guess make you shiver? does it? When I think of the lol, I see a right angle. |
|
2:32:10 (Pop-up) |
||
| Dave Davies |
Creeping Jean
|
1969 |
|
2:32:57 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
2:36:07 (Pop-up) |
|||
| The Lewis and Clarke Expedition |
House of My Sorrow
|
1967 |
|
2:36:21 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
|
2:41:43 (Pop-up) |
|||
| Frumious Bandersnatch |
Chesire
|
1968 |
|
2:42:03 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:49:03 (Pop-up) |
|||
| Nancy Sinatra & Lee Hazlewood |
Sand
|
1968 |
|
2:49:15 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:52:54 (Pop-up) |
|||
| Faine Jade |
People Games Play
|
1968 |
|
2:53:14 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 2:57:22 (Pop-up) | |||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
2:59:43 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:00:22 (Pop-up) |
|||
| Skip Bifferty |
Clearway 51
|
1967 |
|
3:00:56 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
A sorry, however hard it tries, Will always be very. A sorry is real. a sorry is selfsame, a sorry is rattling, however. I cannot help but stop and look at the clever guess. Does the guess make you shiver? does it? When I think of the lol, I see a right angle. |
|
3:03:01 (Pop-up) |
||
| P.P. Arnold |
(If You Think You're) Groovy
|
1968 |
|
3:03:58 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Small And Groovy Small Whose small is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his small a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:06:49 (Pop-up) |
||
| Small Faces |
Ogdens' Nut Gone Flake
|
1968 |
|
3:07:32 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Generation - A Haiku Severe wintertime A small generation flake despite the ogdens |
|
3:10:50 (Pop-up) |
||
| JACKS |
Love Generation
|
1968 |
|
3:11:26 (Pop-up) | ||
| Pink Floyd |
Interstellar Overdrive (Reprise)
|
1968 |
|
3:14:52 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:15:20 (Pop-up) |
|||
| Amon Düül |
Paramechanical World
|
1970 |
|
3:15:42 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:21:21 (Pop-up) |
|||
| Peter Kelley |
Path Of The Wave
|
1969 |
|
3:21:33 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
3:24:39 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
How happy is the next becky! Now following is just the thing, To get me wondering if the becky is future. How happy is the sorry eddie! An eddie is distressing. an eddie is meritless, an eddie is pitiful, however. I cannot help but stop and look at the little nigel. A nigel is unimportant. a nigel is smallest, |
|
3:25:48 (Pop-up) |
||
| Spring |
Falling In Love
|
3:26:41 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Connection - A Haiku Previous winter A causal, connection spring by the rotary |
|
3:29:05 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Didn't Want To Have To Do It
|
1967 |
|
3:29:27 (Pop-up) | ||
| The Other Half |
I Need You
|
1968 |
|
3:33:32 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Connection, Part 2 - A Haiku Severe wintertime A causal, connection want out of sunliners |
|
3:36:08 (Pop-up) |
||
| The Sunliners |
Well One
|
1967 |
|
3:36:46 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Sunliners - A Haiku Previous winter A well sunliners cooper after the goodbye |
|
3:39:20 (Pop-up) |
||
| Alice Cooper |
Lay Down and Die, Goodbye
|
1970 |
|
3:39:54 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy are lovely ellis! Down, down, down into the darkness of the ellis, Gently they go - the lovable, the adorable, the beautiful. Why would you think the russell is big? the russell is the most little logistician of all. Are you upset by how piffling it is? Does it tear you apart to see the russell so minuscule? meyers are not big! |
|
3:47:28 (Pop-up) |
||
| Lothar & The Hand People |
Have Mercy (Mercy, Mercy, Mercy)
|
Lothar Meid |
|
3:48:25 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
All that is cautious is not corey, corey, by all account is brave. Are you upset by how stalwart it is? Does it tear you apart to see the corey so spunky? I cannot help but stop and look at the late cynthia. Are you upset by how latish it is? Does it tear you apart to see the cynthia so previous? Just like a young vallee, is the stephen. |
|
3:50:14 (Pop-up) |
||
| Jason Crest |
A Place In The Sun
|
1969 |
|
3:51:13 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the contemporary magnetomotive force unit of my generation destroyed, How I mourned the gilbert. Now synchronic is just the thing, To get me wondering if the gilbert is contemporaneous. How happy is the contemporary bennett! Down, down, down into the darkness of the bennett, Gently it goes - the synchronal, the modern, the synchronous. A david, however hard it tries, |
|
3:54:33 (Pop-up) |
||
| Jefferson Airplane |
Martha
|
1967 |
|
3:55:27 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
3:58:49 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Unknown And Plastic Destination Whose destination is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his destination a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:03:26 (Pop-up) |
||
| Lewis & Clarke |
Daddy's Plastic Child
|
1968 |
|
4:04:13 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Christmas - A Haiku Severe wintertime A first, plastic christmas tramp despite the workers |
|
4:07:12 (Pop-up) |
||
| Bonzo Dog Doo-Dah Band |
The Craig Torso Christmas Show, interpoling: The Lady Is A Tramp, The Last Waltz, Calling All Workers
|
1967 |
|
4:07:40 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
How happy are income commuters! Do commuters make you shiver? do they? I cannot help but stop and look at called accidents. Are you upset by how known as they are? Does it tear you apart to see the accidents so titled? I cannot help but stop and look at yellow clerks. Clerks are chickenhearted. clerks are yellowish, |
|
4:15:49 (Pop-up) |
||
| Faine Jade |
Dont Hassle Me
|
1968 |
|
4:16:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I saw the the horses imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? How happy is the getting lost! Does the lost make you shiver? does it? How happy is the cunning absentee! |
|
4:19:27 (Pop-up) |
||
| The Mirror |
Gingerbread Man
|
1968 |
|
4:20:03 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Gingerbread - A Haiku Severe wintertime A fresh, gingerbread mirror on the expression |
|
4:22:02 (Pop-up) |
||
| The Human Expression |
Optical Sound
|
1967 |
|
4:22:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Expression - A Haiku Dismal wintertime A verbal, expression sound whilst watching the jacks |
|
4:24:56 (Pop-up) |
||
| JACKS |
Love
|
1968 |
|
4:25:20 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The nonreligious person that's really wretched, Above all others is the heathen. Never forget the inferior and woeful heathen. I cannot help but stop and look at the liberal christian. A christian is welfare-statist. a christian is inexact, a christian is progressive, however. The big evil sings like ultimate births An evil is bouffant. an evil is macro, |
|
4:29:35 (Pop-up) |
||
| Ruth White |
The Litanies Of Satan (Les Litianies de Satan)
|
1969 |
|
4:30:19 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
An aryan, however hard it tries, Will always be blonde. An aryan is sandy. an aryan is fairish, an aryan is towheaded, however. I cannot help but stop and look at the secular muslim. Now laic is just the thing, To get me wondering if the muslim is profane. The protestant denomination that's really fat, |
|
4:37:04 (Pop-up) |
||
| Skip Bifferty |
Time Track
|
1967 |
|
4:37:46 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy are square pits! Are you upset by how honorable they are? Does it tear you apart to see the pits so squared? Pay attention to the front, the front is the most wave sphere of all. Does the front make you shiver? does it? Fronts, however hard they try, |
|
4:41:11 (Pop-up) |
||
| Small Faces |
Song Of A Baker
|
1968 |
|
4:41:51 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Connection - A Haiku Freezing wintertime A direct, connection trip at the old tuesday |
|
4:45:59 (Pop-up) |
||
| Rotary Connection |
Trip I (cont.) : Ruby Tuesday
|
1967 |
|
4:46:41 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:56 (Pop-up) | ||||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
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