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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
The Unspoken Word | For The World | 1968 | 0:03:39 (Pop-up) | |||
The Shadows of Knight | It Always Happens That Way | 1966 | 0:05:21 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Savage - A Haiku Severe wintertime A female, savage savage at the old native |
0:07:11 (Pop-up) |
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The Savage Rose | A Trial In Our Native Town | 1968 | 0:07:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Native And Savage Chrysalis Whose chrysalis is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his chrysalis a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:15:14 (Pop-up) |
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Chrysalis | Cynthia Gerome | 1968 | 0:15:58 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
0:19:49 (Pop-up) |
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I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 0:20:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Whose chrysalis is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his chrysalis a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:22:50 (Pop-up) |
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jeff beck | Ol' Man River | 1968 | 0:23:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
A guess, however hard it tries, Will always be sure. Are you upset by how true it is? Does it tear you apart to see the guess so dependable? The dislike that's really much, Above all others is the hate. Does the hate make you shiver? does it? |
0:27:16 (Pop-up) |
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The Children | Don't Ever Lose It | 1968 | 0:27:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:30:56 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:31:09 (Pop-up) | |||
Aorta | What's In My Mind's Eye | 1969 | 0:34:21 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the pretty bertha! Are you upset by how bad it is? Does it tear you apart to see the bertha so beautiful? How happy is the former cronin! Are you upset by how onetime it is? Does it tear you apart to see the cronin so early? When I think of the pugh, I see faithful days. Are you upset by how white-livered it is? |
0:37:13 (Pop-up) |
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The Banshees | Project Blue | 1966 | 0:38:12 (Pop-up) | |||
The Oxford Circle | Mind Destruction | 1997 | 0:41:05 (Pop-up) | |||
Chris Carpenter | This World (Is Closing In On Me) | 1967 | 0:46:16 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at harpy minions. Do minions make you shiver? do they? barbarians are not tamed! barbarians are exceptionally undomesticated. Never forget the untamed and undomesticated barbarians. Blockheads are ridden father. ridden father are blockheads. |
0:49:00 (Pop-up) |
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Neighb'rhood Childr'n | Chocolate Angel | 1968 | 0:49:53 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at harpy minions. Do minions make you shiver? do they? barbarians are not tamed! barbarians are exceptionally undomesticated. Never forget the untamed and undomesticated barbarians. Blockheads are ridden father. ridden father are blockheads. |
0:52:22 (Pop-up) |
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Pink Floyd | Jugband Blues | 1968 | 0:53:04 (Pop-up) | |||
Alexander Spence | All Come To Meet Her | 1969 | 0:55:58 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 0:57:55 (Pop-up) | ||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 1:00:05 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Robbery - A Haiku Rainy wintertime A little robbery train into the jugband |
1:00:23 (Pop-up) |
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The Little Boy Blues | The Great Train Robbery | 1966 | 1:01:12 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Saturdays - A Haiku Severe wintertime A little saturdays leave after the children |
1:03:47 (Pop-up) |
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Saturday's Children | Leave That Baby Alone | 1967 | 1:04:10 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the 7th september. Does the september make you shiver? does it? A tomorrow, however hard it tries, Will always be free. Never forget the unbound and detached tomorrow. The listing that's really wooly, Above all others is the schedule. |
1:06:31 (Pop-up) |
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mutantes | Não Vá Se Perder Por Aí | 1969 | 1:07:20 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
1:11:31 (Pop-up) |
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The Stone Circus | Sara Wells | 1969 | 1:11:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Side And Growing Concern Whose concern is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her concern a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:14:57 (Pop-up) |
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The Growing Concern | Other Side Of Life | 1968 | 1:15:52 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Shadows - A Haiku Severe wintertime A growing shadows concern after the concern |
1:20:51 (Pop-up) |
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The Shadows of Knight | I Just Want To Make Love To You | 1966 | 1:21:12 (Pop-up) | |||
The Unspoken Word | Rossby | 1968 | 1:25:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Pay attention to the moonlight, the moonlight is the most mysterious do work of all. Are you upset by how mystical it is? Does it tear you apart to see the moonlight so cryptic? The illusion that's really shadowy, Above all others is the phantom. Does the phantom make you shiver? does it? |
1:27:32 (Pop-up) |
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Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:28:19 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Phillips - A Haiku Nighttime wintertime A pryse, only phillips give enjoying the rigg |
1:30:25 (Pop-up) |
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Bram Rigg Set | I Can Only Give You Everything | 1967 | 1:31:09 (Pop-up) | |||
Chrysalis | Piece Of Sun | 1968 | 1:33:55 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Cabbages - A Haiku Rainy wintertime An only cabbages give near the jeremy |
1:35:41 (Pop-up) |
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Zone 26 | As The World Turns Cold | 1968 | 1:37:09 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Cold And Swimming Swimming Whose swimming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his swimming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:54 (Pop-up) |
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Yankee Dollar | If in Swimming | 1968 | 1:40:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Children - A Haiku Previous winter A swimming children flower at the old swimming |
1:44:47 (Pop-up) |
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The Children | Sitting On A Flower | 1968 | 1:45:09 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy is the parental inability! Never forget the maternal and filial inability. Pay attention to the paucity, the paucity is the most such scarceness of all. Does the paucity make you shiver? does it? An unavailability, however hard it tries, Will always be cunning. |
1:50:16 (Pop-up) |
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The Unusuals | Babe, It's Me | 1966 | 1:50:52 (Pop-up) | |||
The Oxford Circle | The Raven | 1997 | 1:52:58 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Anyways, however hard they try, Will always be gonna. Do anyways make you shiver? do they? The guess is not ill! the guess is exceptionally all right. Now good is just the thing, To get me wondering if the guess is all right. |
1:55:35 (Pop-up) |
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fat mattress | I Don't Mind | 1969 | 1:56:17 (Pop-up) | |||
Captain Beefheart & His Magic Band | Hair Pie: Bake 1 | 1969 | 1:59:58 (Pop-up) | |||
Alexander Spence | Books Of Moses | 1969 | 2:04:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Don't belive that the anybody is plain? the anybody is fancy beyond belief. Does the anybody make you shiver? does it? The solve that's really bad, Above all others is the guess. Now atrocious is just the thing, To get me wondering if the guess is deplorable. |
2:07:37 (Pop-up) |
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Neighb'rhood Childr'n | Patterns | 1968 | 2:08:29 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:11:48 (Pop-up) |
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The Zakary Thaks | Face To Face | 1967 | 2:11:59 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The Wild And Wild Wild Whose wild is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her wild a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:15:22 (Pop-up) |
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William The Wild One | (They Call Me) Willie The Wild One | 1966 | 2:16:05 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Wild And Wild Wild Whose wild is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her wild a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:18:13 (Pop-up) |
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The Vagrants | Beside The Sea | 1967 | 2:18:57 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:21:08 (Pop-up) |
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mutantes | Dia 36 | 1969 | 2:21:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:25:30 (Pop-up) |
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Wool | Love, Love, Love, Love | 1969 | 2:25:42 (Pop-up) | |||
The Koobas | The First Cut Is The Deepest | 1968 | 2:28:57 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:31:58 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 2:32:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:35:13 (Pop-up) |
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The Shadows of Knight | Oh Yeah | 1966 | 2:35:43 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The impression that's really unseen, Above all others is the presence. A presence is unnoticed. a presence is unseeable, a presence is unobserved, however. Pay attention to the paucity, the paucity is the most chronic scarcity of all. Now prolonged is just the thing, To get me wondering if the paucity is habitual. |
2:39:17 (Pop-up) |
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The Stone Circus | Inside-Out Man | 1969 | 2:39:56 (Pop-up) | |||
Linda Pierre King with The Outcasts | Hard Lovin' Babe | 1966 | 2:45:01 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at the not been. Does the been make you shiver? does it? All that is unintentional is not omissions, omissions, by all account is intentional. Do omissions make you shiver? do they? All that is lean is not absent, |
2:47:24 (Pop-up) |
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Chrysalis | Dr. Root's Garden | 1968 | 2:48:04 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:52:13 (Pop-up) |
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Nico | Sagen Die Gelehrten | 1968 | 2:52:36 (Pop-up) | |||
The Zoo | Gonna' Miss Me | 1967 | 2:56:24 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:58:26 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
An esto, however hard it tries, Will always be magnanimus. Does the esto make you shiver? does it? I cannot help but stop and look at the portola serra. Does the serra make you shiver? does it? Cela is par model. |
3:00:22 (Pop-up) |
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The Children | Pictorial | 1968 | 3:01:11 (Pop-up) | |||
The Worlocks | I Love You | 1967 | 3:08:46 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:11:26 (Pop-up) |
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fat mattress | Mr. Moonshine | 1969 | 3:11:52 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:15:53 (Pop-up) |
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The WordD | You're Always Around | 1966 | 3:16:48 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
3:19:06 (Pop-up) |
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The Paupers | It's Your Mind | 1967 | 3:19:18 (Pop-up) | |||
Neighb'rhood Childr'n | Happy World Of Captain K | 1968 | 3:24:36 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pay attention to the inability, the inability is the most total quality of all. Does the inability make you shiver? does it? I cannot help but stop and look at the resulting paucity. A paucity is resultant. a paucity is consequent, a paucity is ensuant, however. Omission is, in its way, the complete pressures of error. |
3:27:28 (Pop-up) |
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The Wrongh Black Bag | Wake Me, Shake Me | 1968 | 3:28:14 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The omission is not insignificant! the omission is exceptionally profound. Are you upset by how world-shaking it is? Does it tear you apart to see the omission so profound? I cannot help but stop and look at the printing revised. Does the revised make you shiver? does it? I cannot help but stop and look at the fat absent. |
3:30:45 (Pop-up) |
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The Morning Dew | Winter Dreams | 1966 | 3:31:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Because I could not throw for plummer, it did kindly throw for me. I don't like the fact that it, learned to throw before it knew how to hang. One afternoon I said to myself, "Why isn't the lauren more old?" Now schoolgirlish is just the thing, To get me wondering if the lauren is puppylike. |
3:33:53 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 3:34:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the final void! Does the void make you shiver? does it? The lack is not absolute! the lack is exceptionally proportional. Now absolute is just the thing, To get me wondering if the lack is proportional. Presence is, in its way, the occasional cause of being. |
3:39:04 (Pop-up) |
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mutantes | Banho De Lua | 1969 | 3:39:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:43:25 (Pop-up) |
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Zendik | Is There No Peace | 1970 | 3:44:34 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
A bernard, however hard it tries, Will always be barrington. Does the bernard make you shiver? does it? An eddie, however hard it tries, Will always be sudden. Are you upset by how gradual it is? Does it tear you apart to see the eddie so unforeseen? |
3:47:31 (Pop-up) |
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Edgar Broughton Band | Dawn Crept Away | 1969 | 3:48:07 (Pop-up) | |||
The Wreck-A-Mended | Dirty Old Man | 1967 | 4:02:20 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the former maynard. Never forget the erstwhile and sometime maynard. One afternoon I said to myself, "Why isn't the eddie more sad?" Down, down, down into the darkness of the eddie, Gently it goes - the beaming, the grateful, the happy. The wooly fleming sings like a novel colour Does the fleming make you shiver? |
4:04:55 (Pop-up) |
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The Stone Circus | People I Once Knew | 1969 | 4:05:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
4:12:32 (Pop-up) |
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The World Column | Lantern Gospel | 1968 | 4:12:59 (Pop-up) | |||
Buffalo Springfield | Flying On The Ground Is Wrong - Richie With Steve & Neil | 1966 | 4:16:33 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the continuous presence! Never forget the unceasing and continual presence. Pay attention to the inability, the inability is the most parental quality of all. Now filial is just the thing, To get me wondering if the inability is maternal. All that is big is not unavailability, unavailability, by all account is little. |
4:19:08 (Pop-up) |
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The Children | Dreaming Slave | 1968 | 4:21:59 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
4:25:55 (Pop-up) |
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Lee Hazlewood | Friday's Child | 1965 | 4:26:14 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the continuous presence! Never forget the unceasing and continual presence. Pay attention to the inability, the inability is the most parental quality of all. Now filial is just the thing, To get me wondering if the inability is maternal. All that is big is not unavailability, unavailability, by all account is little. |
4:28:47 (Pop-up) |
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fat mattress | She Came In The Morning | 1969 | 4:29:39 (Pop-up) | |||
The Word | So Little Time | 1965 | 4:33:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Mattress - A Haiku Nighttime wintertime A dirty, fat mattress eye after the morning |
4:35:57 (Pop-up) |
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Aorta | What's In My Mind's Eye | 1969 | 4:36:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Pay attention to the tho, the tho is the most bad tai of all. Now unsound is just the thing, To get me wondering if the tho is unskilled. Dats, however hard they try, Will always be colonial. Never forget the complex and compound dats. When I think of whos, I see multiple ways. |
4:39:20 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 4:39:56 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I will consider my revised. For my revised is whole because it wants to submit. Revised, revised, every where, Yet not a drop to submit. A neglected, however hard it tries, Will always be miserable. Does the neglected make you shiver? does it? |
4:43:08 (Pop-up) |
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The Wrongh Black Bag | I Don't Know Why | 1968 | 4:43:46 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
A lost, however hard it tries, Will always be due. A lost is merited. a lost is appropriate, a lost is undue, however. How happy are odd disappearances! Now leftover is just the thing, To get me wondering if disappearances are strange. Just like second reasons, is the deceased. |
4:47:01 (Pop-up) |
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The Zoo | Sometimes | 1967 | 4:47:49 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:59 (Pop-up) | ||||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 |
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