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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
mutantes | Caminhante Noturno | 1969 | 0:03:35 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the total absence! Now full is just the thing, To get me wondering if the absence is unconditioned. How happy is the twice stolen! Does the stolen make you shiver? does it? How happy is the wooly lost! Never forget the muzzy and muddled lost. |
0:08:42 (Pop-up) |
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Floating Bridge | Watch Your Step | 1969 | 0:09:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Springfield - A Haiku Dampness wintertime A nearby, floating springfield out of buffalo |
0:13:14 (Pop-up) |
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Buffalo Springfield | Nowadays Clancy Can't Even Sing - Richie With Steve & Neil | 1966 | 0:13:40 (Pop-up) | |||
Playboys Of Edinburg | Dream World | 1966 | 0:17:26 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Springfield, Part 2 - A Haiku Severe wintertime An old, springfield buffalo near the electric |
0:19:46 (Pop-up) |
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The Electric Prunes | Train for Tomorrow | 1967 | 0:20:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Electric - A Haiku Freezing wintertime A hydro, electric train by the tomorrow |
0:23:16 (Pop-up) |
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Poe | Up Up Through The Spiral | 1971 | 0:23:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The claudia is not homocentric! the claudia is exceptionally outre. Never forget the homocentric and outre claudia. I saw the the ingenious mountain peak of my generation destroyed, How I mourned the whitney. Down, down, down into the darkness of the whitney, Gently it goes - the originative, the cunning, the artful. Just like dear signs, is the ida. |
0:27:37 (Pop-up) |
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Five By Five | 15 Going On 20 | 1969 | 0:28:20 (Pop-up) | |||
Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 0:30:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Ultimate - A Haiku Early wintertime A single, ultimate trip despite the spinach |
0:33:54 (Pop-up) |
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Ultimate Spinach | Ego Trip | 1968 | 0:34:22 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:37:28 (Pop-up) |
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The Zoo | 444 | 1969 | 0:37:41 (Pop-up) | |||
The Wildflower | Baby Dear | 1966 | 0:40:59 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
0:43:15 (Pop-up) |
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The Frost | Jennie Lee | 1969 | 0:43:34 (Pop-up) | |||
Whatt Four | Dandelion Wine | 1967 | 0:46:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Familiar And Transparent Radiation Whose radiation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her radiation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:49:35 (Pop-up) |
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The Red Crayola with the Familiar Ugly | Transparent Radiation: "Red Signs Out-Side, Which I Contain" | 1967 | 0:50:34 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Radiation - A Haiku Previous winter shall radiation contain on the familiar |
0:53:04 (Pop-up) |
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West Minist'r | Bright Lights, Windy City | 1969 | 0:53:40 (Pop-up) | |||
White Room | Thoughts Of Yesterday | 1968 | 0:56:37 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:58:40 (Pop-up) | ||
Brainticket | Black Sand | 1971 | 0:58:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
1:00:23 (Pop-up) |
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Ex Ovo | Crazy Nature | 1971 | 1:01:02 (Pop-up) | |||
The Wildlife | Hard, Hard Year | 1967 | 1:04:50 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:07:23 (Pop-up) |
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The Whazoos | Inside Of Me | 1968 | 1:07:40 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Stahara - A Haiku Polar wintertime An inside stahara look watching the shirley |
1:11:17 (Pop-up) |
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Biggy Rat, vocal Shirley Stahara | Look Inside Yourself | 1970 | 1:11:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Egyptian - A Haiku Polar wintertime A mighty egyptian tomb near the stahara |
1:14:05 (Pop-up) |
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Mighty Baby | Egyptian tomb | 1969 | 1:14:32 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Egyptian, Part 2 - A Haiku Glacial wintertime A mighty egyptian tomb watching the mighty |
1:19:57 (Pop-up) |
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The Weeds | It's Your Time | 1966 | 1:20:17 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:22:33 (Pop-up) |
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The Werp's | Love's A Fire | 1967 | 1:22:46 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:25:53 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:26:04 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Velvett - A Haiku Polar wintertime A persian, through velvett break because of the break |
1:32:07 (Pop-up) |
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The doors | Break On Through (To The Other Side) | 1967 | 1:32:35 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Wrong And Through Buffalo Whose buffalo is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his buffalo a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:34:58 (Pop-up) |
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Buffalo Springfield | Everybody's Wrong - Richie & Steve With Neil | 1966 | 1:35:44 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A deceased, however hard it tries, Will always be second. Now forward is just the thing, To get me wondering if the deceased is ordinal. How happy is the lost stolen! Does the stolen make you shiver? does it? Pay attention to the lost, |
1:39:06 (Pop-up) |
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Playboys Of Edinburg | Fair-Haired Lady | 1968 | 1:39:44 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Don't belive that the absent is unfair? the absent is fair beyond belief. Down, down, down into the darkness of the absent, Gently it goes - the sporting, the middling, the bonny. Don't belive that the left is nontraditional? the left is traditional beyond belief. Are you upset by how handed-down it is? Does it tear you apart to see the left so traditionalistic? |
1:42:16 (Pop-up) |
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The New York Rock Ensemble | Gravedigger | 1971 | 1:43:02 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Gravedigger - A Haiku Early wintertime An own, new gravedigger tune near the ensemble |
1:47:49 (Pop-up) |
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Poe | Tune In | 1971 | 1:48:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I saw the the assured united nations agency of my generation destroyed, How I mourned the ida. Does the ida make you shiver? does it? How happy is the early bowie! Now earlyish is just the thing, To get me wondering if the bowie is untimely. How happy is the big dina! |
1:51:38 (Pop-up) |
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The Litter | Kaleidoscope | 1968 | 1:52:23 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:54:36 (Pop-up) |
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Epoca | No estoy bien | 1971 | 1:54:56 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 1:58:14 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:00:23 (Pop-up) |
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The Mopptops | Our Lives | 1968 | 2:00:45 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Don't belive that the omission is unobvious? the omission is obvious beyond belief. Never forget the in evidence and tangible omission. Prefaces, however hard they try, Will always be brief. Prefaces are little. prefaces are abbreviated, prefaces are concise, however. The forgotten is not small! |
2:03:26 (Pop-up) |
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Wildwood | Plastic People | 1968 | 2:04:16 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The traveler that's really only, Above all others is the absentee. An absentee is exclusive. an absentee is solitary, an absentee is lone, however. A lost, however hard it tries, Will always be date. Does the lost make you shiver? does it? |
2:07:30 (Pop-up) |
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The-Xtreems | Substitute | 1969 | 2:08:05 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy is the sudden inability! Never forget the explosive and sharp inability. Pay attention to the absent, the absent is the most upper disappear of all. Now superior is just the thing, To get me wondering if the absent is high. A presence, however hard it tries, Will always be yellow. |
2:10:49 (Pop-up) |
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West Coast Natural Gas | A Favor | 1967 | 2:13:24 (Pop-up) | |||
Jefferson Airplane | She Has Funny Cars | 1967 | 2:17:03 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Cerebrum - A Haiku Dampness wintertime A fetal, cerebrum coast by the natural |
2:20:04 (Pop-up) |
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Cerebrum | Time's Door (La Puerta Del Tiempo) | 1970 | 2:20:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Cerebrum, Part 2 - A Haiku Early wintertime A right, cerebrum suffer watching the tiempo |
2:23:23 (Pop-up) |
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The Wild Thing | Weird Hot Nights (Suffer Baby) | 1966 | 2:23:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Weird And Party Party Whose party is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her party a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:26:26 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:27:23 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
Harrison - A Haiku Evil wintertime A young, first harrison cut into the seacombe |
2:31:49 (Pop-up) |
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The Koobas | The First Cut Is The Deepest | 1968 | 2:32:19 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Deepest - A Haiku Severe wintertime An our, first deepest paint beyond the rivers |
2:35:21 (Pop-up) |
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The Wet Paint | At The River's Edge | 1966 | 2:35:53 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the upper lawrence. Never forget the high and superior lawrence. How happy are cordova rios! Do rios make you shiver? do they? I cannot help but stop and look at the yellow freshwater. Never forget the colored and unhealthy freshwater. Refresh until you're happy with your poem. |
2:39:46 (Pop-up) |
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whistler, chaucer, detroit and greenhill | Day Of Childhood | 1968 | 2:40:42 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:43:46 (Pop-up) |
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dayde | Cocaine | 1970 | 2:44:02 (Pop-up) | |||
The Weeds | Little Girl | 1966 | 2:52:32 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Rivers I cannot help but stop and look at the upper lawrence. Never forget the high and superior lawrence. How happy are cordova rios! |
2:55:24 (Pop-up) |
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Jeremy & The Satyrs | Mean Black Snake | 1968 | 2:55:52 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Trolls - A Haiku Wickedness winter A norwegian, black trolls snake into the satyrs |
3:00:22 (Pop-up) |
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The Trolls | Baby, What You Ain't Got (I Ain't In Need) | 1967 | 3:01:05 (Pop-up) | |||
X-cellents | Little Wooden House | 1966 | 3:01:07 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Springfield - A Haiku Hazy wintertime A private, baby springfield near the buffalo |
3:03:14 (Pop-up) |
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Buffalo Springfield | Out Of My Mind - Neil With Richie & Steve | 1966 | 3:03:40 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:06:41 (Pop-up) |
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The XL's | Maryjane | 1968 | 3:07:03 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
All that is auspicious is not omissions, omissions, by all account is unfortunate. Never forget the unpromising and homeless omissions. One afternoon I said to myself, "Why isn't the omission more noncrucial?" An omission is pivotal. an omission is critical, an omission is deciding, however. Left is, in its way, the dead years of position. |
3:10:37 (Pop-up) |
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The West Coast Branch | Spoonful | 1966 | 3:11:21 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Daylight - A Haiku Severe wintertime A broad, randy daylight branch beyond the spoonful |
3:14:01 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 3:14:36 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
3:18:27 (Pop-up) |
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Poe | Sons Of Belial | 1971 | 3:18:41 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
3:22:14 (Pop-up) |
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The Young Generation | Paperback Minds | 1970 | 3:22:38 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Generation - A Haiku Dampness wintertime For generation concern by the paperback |
3:25:02 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 3:25:38 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Concern - A Haiku Evil wintertime A growing concern concern above the miller |
3:30:29 (Pop-up) |
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the dave miller set | Mr. Guy Fawkes | 1969 | 3:31:03 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
One afternoon I said to myself, "Why isn't the maunder more early?" Are you upset by how advanced it is? Does it tear you apart to see the maunder so middle? It does castable, it does starring, Should it also occuring? A snape, however hard it tries, Will always be nearby. |
3:35:13 (Pop-up) |
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Stone Axe | Snakebite | 1971 | 3:35:51 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I saw the the sea aquatic plant of my generation destroyed, How I mourned the naiad. Does the naiad make you shiver? does it? How happy is the french bleriot! Does the bleriot make you shiver? does it? Seadog is cranky man. |
3:40:03 (Pop-up) |
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Wildwood | Swimming | 1968 | 3:41:52 (Pop-up) | |||
Perkins | C'est ca la monde | 1967 | 3:44:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the dearest coz. Now beloved is just the thing, To get me wondering if the coz is dear. I cannot help but stop and look at the overal ther. Does the ther make you shiver? does it? Just like gonna angles, is the somebody. Does the somebody make you shiver? |
3:47:04 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 3:47:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:50:08 (Pop-up) |
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MC5 | Looking At You | 1969 | 3:50:23 (Pop-up) | |||
The Wet Paint | No One To Love | 1967 | 3:53:10 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:55:34 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 3:56:06 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the young sanchez. A sanchez is junior. a sanchez is little, a sanchez is schoolgirlish, however. A corey, however hard it tries, Will always be next. A corey is side by side. a corey is succeeding, a corey is incoming, however. How happy is the yellow jay! |
4:03:15 (Pop-up) |
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Willie and the Red Rubber Band | Mary Jane | 1968 | 4:03:56 (Pop-up) | |||
whistler, chaucer, detroit and greenhill | House Of Collection | 1968 | 4:05:48 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Sandalwood - A Haiku Evil wintertime A northwest sandalwood soap before the northwest |
4:07:34 (Pop-up) |
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The Far Cry | Shapes | 1968 | 4:10:21 (Pop-up) | |||
The FUGS | The National Haiku Contest | 1968 | 4:14:45 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the experimental condition! Never forget the observational and pilot condition. How happy is the rigid frame! Are you upset by how intolerant it is? Does it tear you apart to see the frame so strict? Ways are distinctive problems. distinctive problems are ways. Now crafty is just the thing, |
4:15:08 (Pop-up) |
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Kennélmus | Patti's Dream - Dream Sequence | 1971 | 4:16:10 (Pop-up) | |||
The Taboos | All My Life | 1967 | 4:20:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at chopped onions. Do onions make you shiver? do they? How happy are delicious olives! Do olives make you shiver? do they? Just like boiled eggs, is the celery. Now slim is just the thing, |
4:23:30 (Pop-up) |
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The Electric Prunes | Train for Tomorrow | 1967 | 4:24:14 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Plums, however hard they try, Will always be delicious. Plums are pleasant-tasting. plums are tasteful, plums are pleasing, however. How happy are dried olives! Do olives make you shiver? do they? I cannot help but stop and look at cunning carrots. |
4:27:08 (Pop-up) |
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Playboys Of Edinburg | Dream World | 1966 | 4:27:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
All that is achromatic is not been, been, by all account is white. A been is hot. a been is unintegrated, a been is colorless, however. I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? Just like a coral hair, is the forgotten. |
4:30:13 (Pop-up) |
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Troy | Amnesia | 1969 | 4:30:51 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:35:04 (Pop-up) |
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Wally Shoop and Fubar | Evening In The City | 1971 | 4:35:18 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Markley - A Haiku Wintry wintertime A wally markley rocket before the evening |
4:38:11 (Pop-up) |
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Markley | Roger The Rocket Ship | 1969 | 4:38:34 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Electric - A Haiku Severe wintertime A pan, electric rocket despite the markley |
4:41:12 (Pop-up) |
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T. Swift & The Electric Bag | Are You Experienced | 1968 | 4:41:54 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:46:27 (Pop-up) |
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The Jimi Hendrix Experience | 1983... (A Merman I Should Turn to Be) | 1968 | 4:46:42 (Pop-up) | |||
The Vaqueros | Growing Pains | 1966 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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