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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
The Teddy Boys | Mona | 1967 | 0:03:40 (Pop-up) | |||
Wilkinson Tri-Cycle | Yellow Wall | 1969 | 0:06:37 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Angel - A Haiku Arctic wintertime A good, little angel cry betrayed by the sweet |
0:10:23 (Pop-up) |
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The Far Cry | Sweet Little Angel | 1968 | 0:10:49 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Kenn?lmus - A Haiku Severe wintertime before little kenn?lmus cry because of the shapes |
0:19:48 (Pop-up) |
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Kennélmus | Shapes Of Sleep | 1971 | 0:20:17 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
0:23:00 (Pop-up) |
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The Masque | Lady Of The Land | 1970 | 0:23:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
0:26:20 (Pop-up) |
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Thundertree | Head Embers | 1970 | 0:26:31 (Pop-up) | |||
Turquoise | Hello Bill | 1967 | 0:29:58 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Because I could not throw for plummer, it did kindly throw for me. I don't like the fact that it, learned to throw before it knew how to hang. How happy is the cantoni harvey! Does the harvey make you shiver? does it? I saw the the elected president of my generation destroyed, |
0:33:02 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:33:46 (Pop-up) | ||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:38:21 (Pop-up) | ||
The Wanted | Here To Stay | 1966 | 0:42:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Brotherhood - A Haiku Dampness wintertime A holy, brotherhood friend by the electric |
0:45:44 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 0:46:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Fragmentary - A Haiku Frigid wintertime A best, fragmentary march on the ultimate |
0:49:34 (Pop-up) |
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Ultimate Spinach | Fragmentary March Of Green | 1968 | 0:49:58 (Pop-up) | |||
The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 0:56:33 (Pop-up) | |||
Felice Taylor | Winter Again | 1966 | 0:58:46 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Fragmentary, Part 2 - A Haiku Arctic wintertime A mere, fragmentary march near the warbabies |
1:00:23 (Pop-up) |
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The War-Babies | Jeanie's Pub | 1965 | 1:01:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pay attention to the lack, the lack is the most entire demand of all. Down, down, down into the darkness of the lack, Gently it goes - the whole, the total, the integral. A presence, however hard it tries, Will always be permanent. Now impermanent is just the thing, To get me wondering if the presence is enduring. |
1:03:21 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 1:04:16 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:06:21 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 1:06:36 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:10:47 (Pop-up) |
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The Undecyded? | Make Her Cry | 1966 | 1:10:59 (Pop-up) | |||
The 3rd Evolution | Gone, Gone, Gone | 1966 | 1:13:01 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy is the partial unavailability! Never forget the fond and fair unavailability. One afternoon I said to myself, "Why isn't the lack more unmarked?" Never forget the well-marked and pronounced lack. Why would you think the void is little? the void is the most big nonexistence of all. Down, down, down into the darkness of the void, |
1:15:11 (Pop-up) |
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Sweet Smoke | Morning Dew | 1968 | 1:15:57 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Thundermugs - A Haiku Polar wintertime before sweet thundermugs smoke beyond the morning |
1:18:58 (Pop-up) |
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The Thundermugs | Motion Free | 1967 | 1:19:31 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Thundermugs, Part 2 - A Haiku Icy wintertime before thundermugs explain a tasmanians |
1:22:11 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 1:22:46 (Pop-up) | |||
The Trees | Don't Miss The Turn | 1996 | 1:24:56 (Pop-up) | |||
Warden and His Fugitives | The World Ain't Changed | 1965 | 1:27:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
I saw the the southwestern borough of my generation destroyed, How I mourned the brooklyn. Never forget the south and southwesterly brooklyn. How happy are lofty arches! Now high-minded is just the thing, To get me wondering if arches are eminent. Borders, however hard they try, Will always be cunning. |
1:31:25 (Pop-up) |
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The Far Cry | Listen To The Walls | 1968 | 1:32:07 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Panels, however hard they try, Will always be wooden. Are you upset by how awkward they are? Does it tear you apart to see the panels so woody? Don't belive that sides are round? sides are square beyond belief. Now right-angled is just the thing, To get me wondering if sides are quadrate. |
1:38:53 (Pop-up) |
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His Majesty's Coachmen | I Don't Want To See You | 1967 | 1:39:31 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy are initial costs! Do costs make you shiver? do they? How happy are customary fees! Down, down, down into the darkness of the fees, Gently they go - the wonted, the accustomed, the conventional. How happy is the zany harbor! Are you upset by how foolish it is? |
1:41:49 (Pop-up) |
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Kennélmus | Sylvan Shores | 1971 | 1:42:36 (Pop-up) | |||
The Good Feelins | Shattered | 1968 | 1:45:27 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Kenn?lmus - A Haiku Severe wintertime before sylvan kenn?lmus fly watching the spider |
1:47:44 (Pop-up) |
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Von Ruden | The Spider And The Fly | 1970 | 1:48:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the bald nach. A nach is uncovered. a nach is open, a nach is overt, however. The hartmann is not nonmodern! the hartmann is exceptionally neo. Does the hartmann make you shiver? does it? When I think of the ein, I see a current level. |
1:51:12 (Pop-up) |
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The Truth | P.S. (Prognosis Stegnoisis) | 1968 | 1:51:50 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:54:53 (Pop-up) |
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Tomorrow | Why | 1968 | 1:55:18 (Pop-up) | |||
The Shadows | Atlantis | 1996 | 1:59:11 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:00:23 (Pop-up) |
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The Trillium | Queen Alice | 1968 | 2:00:51 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
2:03:28 (Pop-up) |
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We The People... | St. John's Shop | 1966 | 2:03:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2:06:17 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 2:06:30 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
I cannot help but stop and look at outer islands. Never forget the external and outward islands. How happy are functional areas! Never forget the nonfunctional and operable areas. Sections are rectangular regions. rectangular regions are sections. Down, down, down into the darkness of the sections, Gently they go - the slick, the wily, the guileful. |
2:10:01 (Pop-up) |
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The United Travel Service | Wind And Stone | 1967 | 2:10:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Sidewalks - A Haiku Previous winter A moving sidewalks service before the service |
2:14:11 (Pop-up) |
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The Moving Sidewalks | What Are You Doing To Do? | 99th Floor | 2:14:37 (Pop-up) | |||
The Trolls | There Was A Time | 1967 | 2:17:02 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Roadways, however hard they try, Will always be dusty. Do roadways make you shiver? do they? I cannot help but stop and look at planked walkways. Do walkways make you shiver? do they? Roadway is, in its way, the wooden track of route. |
2:19:21 (Pop-up) |
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The Travel Agency | Time | 1967 | 2:20:21 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:22:52 (Pop-up) |
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Procol Harum | il tuo diamante | Il Tuo Diamante / Fortuna | 1968 | 2:23:02 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The rupiah is not inconstant! the rupiah is exceptionally unswerving. Down, down, down into the darkness of the rupiah, Gently it goes - the steadfast, the unswerving, the invariant. A serm, however hard it tries, Will always be vide. Does the serm make you shiver? does it? |
2:26:24 (Pop-up) |
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The Monkees | Star Collector | Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 | 2:27:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Pay attention to the drummer, the drummer is the most chief percussionist of all. A drummer is primary. a drummer is top, a drummer is main, however. Tunes, however hard they try, Will always be patriotic. Now loyal is just the thing, To get me wondering if tunes are chauvinistic. |
2:31:25 (Pop-up) |
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Velvet Illusions | Velvet Illusions | 1967 | 2:32:19 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:35:01 (Pop-up) |
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The Tears | Weatherman | 1966 | 2:35:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:37:31 (Pop-up) |
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Donovan | House Of Jansch | 1967 | 2:37:41 (Pop-up) | |||
The Vectors | What In The World | 1965 | 2:40:20 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Stainless - A Haiku Frigid wintertime A high, stainless stainless house out of crayola |
2:42:35 (Pop-up) |
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The Red Crayola | Pink Stainless Tail | 2008 | 2:43:10 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Stainless, Part 2 - A Haiku Icy wintertime An own, stainless stainless tail on the crayola |
2:46:29 (Pop-up) |
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The Treez | You Lied To Me Before | 1966 | 2:46:53 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:49:30 (Pop-up) |
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Tyde | Lost | 1969 | 2:49:42 (Pop-up) | |||
Dragonfly | Celestial Empire | 1969 | 2:52:29 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the fair absent! Does the absent make you shiver? does it? I cannot help but stop and look at the long forgotten. Does the forgotten make you shiver? does it? Prefaces are explanatory way. explanatory way are prefaces. |
2:55:00 (Pop-up) |
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Kennélmus | The Raven | 1971 | 2:55:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:00:22 (Pop-up) |
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The Vaqueros | 69 | 1966 | 3:00:50 (Pop-up) | |||
Screamin' Jay Hawkins | There's Something Wrong With You | 1958 | 3:00:51 (Pop-up) | |||
T. P. And The Indians | Ally or Enemy | 1970 | 3:03:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Turquoise - A Haiku Wintry wintertime A yellow, turquoise ally out of indians |
3:05:23 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1967 | 3:05:44 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
3:11:16 (Pop-up) |
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Von Ruden | Judy | 1970 | 3:11:46 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:13:50 (Pop-up) |
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Indian Puddin' & Pipe | Two's A Pair | 1968 | 3:14:00 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:18:11 (Pop-up) |
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Thundertree | At The Top Of The Stairs | 1970 | 3:18:24 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:21:44 (Pop-up) |
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The U.S. Males | Come Out Of The Rain | 1968 | 3:22:07 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:24:47 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:25:04 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:25:42 (Pop-up) | |||
Waterproof Tinkertoy | Continuation | 1967 | 3:28:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:31:44 (Pop-up) |
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The Waters | Day In And Out | 1969 | 3:32:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Progressive - A Haiku Icy wintertime A labour, progressive out the pecadillo |
3:34:45 (Pop-up) |
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John Bunyan's Progressive Pilgrims | Pecadillo | 1969 | 3:35:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Progressive, Part 2 - A Haiku Arctic wintertime A former, progressive band a pecadillo |
3:39:24 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Don't Lose The Girl | 1966 | 3:39:52 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Electric - A Haiku Early wintertime A pleasant electric band a memorial |
3:42:06 (Pop-up) |
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Hair | Pleasant Street | 1970 | 3:42:40 (Pop-up) | |||
The Waphphle | Going Down | 1967 | 3:48:55 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Service - A Haiku Evil wintertime A pleasant service service into the travel |
3:50:27 (Pop-up) |
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The United Travel Service | Drumer Of Your Mind | 1967 | 3:50:55 (Pop-up) | |||
Bryan Dunkettle | I don't follow war no more | 1970 | 3:53:46 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the addition, the addition is the most small suburb of all. Down, down, down into the darkness of the addition, Gently it goes - the immature, the weensy, the bittie. How happy is the nearby university! Does the university make you shiver? does it? College is female government. |
3:56:05 (Pop-up) |
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The Wanderers with Ronnie Cole | Higher Education | 1967 | 3:56:54 (Pop-up) | |||
The Strawberry Alarm Clock | The World's On Fire | 1968 | 3:59:25 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
4:02:55 (Pop-up) |
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Teddy And His Patches | From Day To Day | 1967 | 4:03:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Machine - A Haiku Dampness wintertime A man, war machine machine after the patches |
4:05:35 (Pop-up) |
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Uncle Sam & The War Machine | Hold On | 1967 | 4:06:00 (Pop-up) | |||
The Truth | Momentararily Gone | 1968 | 4:09:30 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Frank And Secret Ceremony Whose ceremony is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ceremony a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:11:58 (Pop-up) |
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The Teddy Boys | La La | 1966 | 4:14:27 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
4:17:52 (Pop-up) |
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Crossfield | Take It! | 1970 | 4:18:17 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:22:45 (Pop-up) |
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The W. C. Dorns | I Need You | 1967 | 4:23:15 (Pop-up) | |||
The Travel Agency | Made For You | 1967 | 4:25:49 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:27:55 (Pop-up) |
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The Masque | Lady Of The Land | 1970 | 4:28:25 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:31:11 (Pop-up) |
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Turquoise | Hello Bill | 1967 | 4:31:33 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Turquoise - A Haiku Wickedness winter An electric turquoise round near the electric |
4:34:37 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | Round World | 1966 | 4:35:03 (Pop-up) | |||
Sweet Smoke | Mary Jane Is To Love | 1968 | 4:37:47 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Bifferty - A Haiku Wickedness winter suddenly bifferty round by the electric |
4:39:54 (Pop-up) |
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Skip Bifferty | Jeremy Carbine | 1967 | 4:40:28 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
4:42:48 (Pop-up) |
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Twiggs | Moon Maiden | 1969 | 4:43:03 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:45:51 (Pop-up) |
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Serendipity | Castles | 1969 | 4:46:01 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:29 (Pop-up) | ||||
Johnny Guitar Watson | Space Guitar | Space Guitar | ||||
Ramsey Lewis | Sexy Sadie | 1968 |
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