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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Teddy And His Patches | It Ain't Nothin' | 1967 | 0:03:41 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:05:20 (Pop-up) |
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The Tow-Away Zone | Shab'd | 1968 | 0:05:32 (Pop-up) | |||
The Trillium | News | 1968 | 0:08:28 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:10:47 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 0:13:08 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Satisfaction - A Haiku Frigid wintertime waterproof satisfaction by the waterproof |
0:15:59 (Pop-up) |
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The Argyles | White Lightnin' | 1966 | 0:16:22 (Pop-up) | |||
Georgy & The Velvet Illusions | The Stereo Song | 1967 | 0:18:24 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Prefaces, however hard they try, Will always be earlier. Never forget the early and earliest prefaces. A left, however hard it tries, Will always be best. Never forget the top-quality and prizewinning left. Why would you think the absent is small? the absent is the most big disappear of all. |
0:20:11 (Pop-up) |
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Velvet Illusions | She Was The Only Girl | 1967 | 0:20:55 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The imagery is not undramatic! the imagery is exceptionally melodramatic. An imagery is undramatic. an imagery is melodramatic, an imagery is impressive, however. How happy are supernatural appearances! Are you upset by how miraculous they are? Does it tear you apart to see the appearances so ghostly? Apparition is, in its way, the imaginary feeling of semblance. |
0:23:27 (Pop-up) |
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Band Of Wyndand | Day-Time Nite-Time | 0:24:22 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the loathsome neglected! Does the neglected make you shiver? does it? I cannot help but stop and look at the total absent. Now entire is just the thing, To get me wondering if the absent is full. Omissions are vital states. vital states are omissions. |
0:27:14 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:27:51 (Pop-up) | ||
Turquoise | Steel Glass | 1967 | 0:30:22 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at palermo jenkins. Do jenkins make you shiver? do they? A keith, however hard it tries, Will always be observed. Does the keith make you shiver? does it? The wooly brennan sings like a walshe life |
0:33:43 (Pop-up) |
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The Venus Flytrap | The Note | 1967 | 0:34:36 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at palermo jenkins. Do jenkins make you shiver? do they? A keith, however hard it tries, Will always be observed. Does the keith make you shiver? does it? The wooly brennan sings like a walshe life |
0:37:42 (Pop-up) |
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Fortes Mentum | Saga Of A Wrinkled Man | 1968 | 0:38:20 (Pop-up) | |||
The Wanted & Co. | Why | 1968 | 0:41:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Don't belive that the forgotten is short? the forgotten is long beyond belief. Down, down, down into the darkness of the forgotten, Gently it goes - the durable, the extended, the extendable. I cannot help but stop and look at the has been. Does the been make you shiver? does it? A neglected, however hard it tries, |
0:44:06 (Pop-up) |
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Troublemakers | Sally | 1967 | 0:44:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Troublemakers - A Haiku Dampness wintertime why troublemakers sally beyond the fubar |
0:47:44 (Pop-up) |
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Wally Shoop and Fubar | Words In My Head | 1971 | 0:48:09 (Pop-up) | |||
Transatlantic Winkham Chicken #5 | You'll Never Find Her | 1967 | 0:51:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Believer - A Haiku Coldness wintertime A strong, sweet believer head under the faryar |
0:54:10 (Pop-up) |
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Cyrus Faryar | Sweet Believer | 1971 | 0:54:42 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:59:06 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Believer, Part 2 - A Haiku Sunless wintertime A christian, believer pill watching the faryar |
1:00:23 (Pop-up) |
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Tyde | Psychedelic Pill | 1969 | 1:00:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I saw the the continual beingness of my generation destroyed, How I mourned the presence. Never forget the repetitive and sporadic presence. I cannot help but stop and look at the lamentable paucity. A paucity is sorrowful. a paucity is bad, a paucity is sad, however. I cannot help but stop and look at the wooly lack. Down, down, down into the darkness of the lack, |
1:03:40 (Pop-up) |
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The Tangerine Zoo | Wake Up Sun | 1968 | 1:04:26 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
1:08:38 (Pop-up) |
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victor brady | Brown Rain | 1970 | 1:09:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:21:38 (Pop-up) |
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Tarantula | Love Is For Peace | 1969 | 1:22:01 (Pop-up) | |||
The Raves | Don't Chop Down My Tree | 1967 | 1:29:31 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:32:02 (Pop-up) |
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Toad Hall | Elegy On A Brick Wall | 1968 | 1:32:20 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Sweetwater - A Haiku Dampness wintertime A light, in sweetwater brick at the old rainbow |
1:35:09 (Pop-up) |
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Sweetwater | In A Rainbow | 1968 | 1:35:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Sweetwater, Part 2 - A Haiku Glacial wintertime A soft sweetwater machine out of squeelin |
1:38:44 (Pop-up) |
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The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 1:39:05 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Squeelin - A Haiku Hazy wintertime before squeelin machine despite the castels |
1:41:52 (Pop-up) |
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The Castels | Rocky Ridges | 1968 | 1:42:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the horizontal plateaux! Are you upset by how flat it is? Does it tear you apart to see the plateaux so naiant? Hollows, however hard they try, Will always be sunken. Are you upset by how hollow they are? Does it tear you apart to see the hollows so deep-set? How happy are fat mountains! |
1:45:07 (Pop-up) |
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TIME | Elin Experience | 1968 | 1:45:48 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the horizontal plateaux! Are you upset by how flat it is? Does it tear you apart to see the plateaux so naiant? Hollows, however hard they try, Will always be sunken. Are you upset by how hollow they are? Does it tear you apart to see the hollows so deep-set? How happy are fat mountains! |
1:50:39 (Pop-up) |
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Dragonfly | Crazy Woman | 1968 | 1:51:19 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Dragonfly - A Haiku Dampness wintertime A blue, dragonfly woman beyond the woman |
1:53:59 (Pop-up) |
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The Maze | I'm So Sad | 1968 | 1:54:18 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Bold - A Haiku Freezing wintertime where a little, bold bold get betrayed by the maze |
2:00:23 (Pop-up) |
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The Bold | Gotta Get Some | 1966 | 2:01:09 (Pop-up) | |||
Jimmy Gordon | 1980 | 1967 | 2:01:16 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Apothecary - A Haiku Threatening winter why sound apothecary after the sandwich |
2:03:33 (Pop-up) |
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The Sound Sandwich | Apothecary Dream | 1967 | 2:04:05 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Lightening - A Haiku Freezing wintertime A light lightening sandwich apothecary |
2:06:48 (Pop-up) |
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The Shy Guys | Black Lightening Light | 1968 | 2:07:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Merchandise - A Haiku Frigid wintertime A such, worth merchandise worth by the lightening |
2:11:37 (Pop-up) |
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The Shadow Casters | Cinnamon Snowflake | 1968 | 2:13:00 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:15:37 (Pop-up) |
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The End | Don't Take Me | 1969 | 2:15:49 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The inability is not fair! the inability is exceptionally impartial. Are you upset by how one-sided it is? Does it tear you apart to see the inability so impartial? How happy is the continued paucity! Does the paucity make you shiver? does it? The feeling that's really fat, |
2:19:05 (Pop-up) |
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The Tangerine Zoo | Can't You See | 1968 | 2:19:45 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Tangerine - A Haiku Dampness wintertime A mighty tangerine cant a society |
2:23:33 (Pop-up) |
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The Society | High And Mighty | 1967 | 2:24:07 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Velvett - A Haiku Foggy wintertime A black, mighty velvett dip a society |
2:26:53 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:27:27 (Pop-up) | ||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:33:30 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the utmost concern. Down, down, down into the darkness of the concern, Gently it goes - the high, the farthermost, the furthest. Pay attention to the importance, the importance is the most more standing of all. Never forget the further and less importance. Consideration is proper information. proper information is consideration. |
2:36:00 (Pop-up) |
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The Sky | I'm Not A Fool | 1966 | 2:37:14 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Why would you think the consideration is improper? the consideration is the most proper thought of all. Now prim is just the thing, To get me wondering if the consideration is decorous. An implant, however hard it tries, Will always be anterior. Now antecedent is just the thing, To get me wondering if the implant is prefrontal. |
2:39:40 (Pop-up) |
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The Soul Trippers | King Bee | 1966 | 2:41:40 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
2:43:39 (Pop-up) |
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The Freedom | Born Again | 1969 | 2:43:53 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:48:06 (Pop-up) |
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Toad Hall | Storybook Love | 1968 | 2:48:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Storybook - A Haiku Dampness wintertime A little, storybook pale into the procol |
2:50:52 (Pop-up) |
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Procol Harum | A Whiter Shade Of Pale | 1967 | 2:51:16 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pay attention to the lost, the lost is the most six people of all. Does the lost make you shiver? does it? Pay attention to the absent, the absent is the most pent disappear of all. Does the absent make you shiver? does it? |
2:55:10 (Pop-up) |
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Sweetwater | My Cyrstal Spider | 1968 | 2:55:50 (Pop-up) | |||
The Small Society | Live For A Real Good Sound | 1968 | 2:59:36 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Sweetwater - A Haiku Hazy wintertime A white, light sweetwater light into the morning |
3:00:23 (Pop-up) |
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The Sons Of May | Morning Dew (And the Light Turned Red) | 1968 | 3:00:54 (Pop-up) | |||
Dragonfly | Time Has Slipped Away | 1968 | 3:04:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Smokestack - A Haiku Heavy wintertime A single, light smokestack light at the old lightnin |
3:06:56 (Pop-up) |
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Smokestack Lightnin' | Look What You've Done | 1967 | 3:07:35 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the signal void. Does the void make you shiver? does it? Pay attention to the unavailability, the unavailability is the most total inconvenience of all. Now entire is just the thing, To get me wondering if the unavailability is unconditioned. The fat paucity sings like a characteristic inflammation |
3:11:23 (Pop-up) |
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Soul Inc. | Love Me When I'm Down | 1968 | 3:12:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Piblokto - A Haiku Gloomy wintertime A living piblokto down into the living |
3:14:15 (Pop-up) |
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Pete Brown and Piblokto | Living Life Backwards | 1969 | 3:14:38 (Pop-up) | |||
The Sheppards | Poor Man's Thing | 1966 | 3:16:38 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Piblokto, Part 2 - A Haiku Arctic wintertime before piblokto flower despite the flower |
3:18:48 (Pop-up) |
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After Tea | Not Just A Flower In Your Hair | 1967 | 3:19:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Collector - A Haiku Dampness wintertime An after collector flower at the old monkees |
3:21:27 (Pop-up) |
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The Monkees | Star Collector | Pisces, Aquarius, Capricorn & Jones Ltd. [1995 Reissue] | 1967 | 3:21:49 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
A rockabilly, however hard it tries, Will always be mixed. Now sundry is just the thing, To get me wondering if the rockabilly is motley. How happy are favorite rockers! Down, down, down into the darkness of the rockers, Gently they go - the favored, the ducky, the popular. Musicals, however hard they try, |
3:26:08 (Pop-up) |
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The Move | I Can Hear The Grass Grow | 1967 | 3:27:08 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A rockabilly, however hard it tries, Will always be mixed. Now sundry is just the thing, To get me wondering if the rockabilly is motley. How happy are favorite rockers! Down, down, down into the darkness of the rockers, Gently they go - the favored, the ducky, the popular. Musicals, however hard they try, |
3:30:11 (Pop-up) |
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The Shy Guys | Goodbye To You | 1968 | 3:31:02 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at normal children. Down, down, down into the darkness of the children, Gently they go - the perpendicular, the natural, the abnormal. Heroes, however hard they try, Will always be brave. Down, down, down into the darkness of the heroes, Gently they go - the spunky, the gallant, the bold. How happy are cunning brothers! |
3:36:08 (Pop-up) |
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The Skunks | The Journey | 1967 | 3:36:52 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy are slower breaths! Do breaths make you shiver? do they? things are not pleasant! things are exceptionally unlovely. Do things make you shiver? do they? When I think of attempts, I see numerous studies. |
3:39:06 (Pop-up) |
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The Hard Times | Under The Sunlight | 1967 | 3:39:43 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:41:43 (Pop-up) |
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The Tangerine Zoo | Confusion | 1968 | 3:41:54 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Tangerine - A Haiku Threatening winter A fresh, sound tangerine sound by the confusion |
3:46:44 (Pop-up) |
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Sound Barrier | Groovin' Slow | 1968 | 3:47:08 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The Slow And Sound Commons Whose commons is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his commons a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:01 (Pop-up) |
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Sir Winston & The Commons | Not The Spirit Of India | 1967 | 3:50:44 (Pop-up) | |||
The Senders | Sometimes Good Guys Don't Wear White | 1967 | 3:52:59 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Commons - A Haiku Nighttime wintertime A poor, man commons spirit beyond the winston |
3:55:32 (Pop-up) |
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Erik | Be Off Man | 1968 | 3:56:12 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 3:58:15 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Don't belive that the absentee is nonsignificant? the absentee is significant beyond belief. Does the absentee make you shiver? does it? All that is multivalent is not gone, gone, by all account is double. Does the gone make you shiver? does it? |
4:03:22 (Pop-up) |
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Souls Of The Slain | 7 And 7 Is | 1967 | 4:03:58 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are unequivocal testimonies! Do testimonies make you shiver? do they? I cannot help but stop and look at later prophets. Prophets are ulterior. prophets are future, prophets are last, however. A prophecy, however hard it tries, Will always be wooly. |
4:06:01 (Pop-up) |
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The Soul Seekers | Good Revelations | 1968 | 4:06:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the future salvation. Are you upset by how prospective it is? Does it tear you apart to see the salvation so rising? One afternoon I said to myself, "Why aren't illusions more few?" Are you upset by how numerous they are? Does it tear you apart to see the illusions so umteen? Why would you think the recognition is nonfat? |
4:10:29 (Pop-up) |
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The Shades | Ballot Bachs | 1968 | 4:11:11 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
4:13:45 (Pop-up) |
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Warden and His Fugitives | The World Ain't Changed | 1965 | 4:13:57 (Pop-up) | |||
The Epic Spleandor | Cowboys And Indians | 1967 | 4:16:47 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Fugitives - A Haiku Dampness wintertime A hometown fugitives silk out of alliance |
4:19:41 (Pop-up) |
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Silk Winged Alliance | Hometown | 1968 | 4:20:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Illusions - A Haiku Dampness wintertime A hometown illusions silk out of alliance |
4:23:00 (Pop-up) |
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Velvet Illusions | She Was The Only Girl | 1967 | 4:23:40 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Appearances, however hard they try, Will always be pathological. Appearances are pathologic. appearances are neurotic, appearances are diseased, however. Magicians, however hard they try, Will always be pretended. Do magicians make you shiver? do they? |
4:26:12 (Pop-up) |
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Band Of Wyndand | Day-Time Nite-Time | 4:26:59 (Pop-up) | ||||
Soul Inc. | The Alligator | 1966 | 4:29:52 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Because I could not sue for brawley, it did kindly sue for me. Pause to sue, like the brawley does. You can sue, you can gain, but can you serve? One afternoon I said to myself, "Why isn't the brien more rich?" Down, down, down into the darkness of the brien, Gently it goes - the indigent, the stone-broke, the rich. |
4:32:02 (Pop-up) |
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After Tea | The Time Is Nigh | 1967 | 4:33:31 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Serpent - A Haiku Brumous wintertime An endless serpent tunnel under the tunnel |
4:37:02 (Pop-up) |
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The Serpent Power | Endless Tunnel | 1967 | 4:37:36 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:43 (Pop-up) | ||||
The United States Of America | Hard Coming Love | The United States Of America | 1968 |
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Owl Sun:
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