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Charles Mingus said jazz was a word invented to separate musicians from their money. Music for a Free World brings us together, drawing listeners to the healing power of smooth free jazz. Each week, surprise guests bring their own sides to spin and their instruments of choice to spontaneously jam.
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April 13, 2024: Weasel Walter (first name, last name) is a multi-instrumentalist, composer and improviser best known for leading the seminal punk-jazz/no-wave/brutal-prog band The Flying Luttenbachers.
https://weaselwalter.bandcamp.com
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Artist | Track | Album | Label | Comments | Approx. start time |
---|---|---|---|---|---|
Albert Ayler | Holy Ghost | Live in Greenwich Village: The Complete Impulse Recordings | Impulse! | ||
Cecil Taylor | Spring of Two Blue-J's (pt. 1) | The Complete, Legendary, Live Return Concert at The Town Hall NYC November 4, 1973 | 0:42:54 (Pop-up) | ||
Seth Andrew Davis / Alex Cunningham / Damon Smith / Weasel Walter | My Toes Die | Branches Choke | ugEXPLODE | https://weaselwalter.bandcamp.com/album/branches-choke | 0:55:41 (Pop-up) |
Forbes / Young / Walter | The Price of Genius | Hard Living | https://weaselwalter.bandcamp.com/album/hard-living | 1:47:26 (Pop-up) | |
Evan Parker, Peter Evans, John Edwards, Weasel Walter | First Set | Live in London May 22 2009 | unreleased | 1:35:40 (Pop-up) | |
Marc Edwards/Weasel Walter Group | Fist Set | Live November 23, 2011 The Stone, New York, NY | unreleased | Marcu Cummins(soprano saxophone), Roy Campbell (trumpet), Sabir Mateen (tenor saxophone) | 1:59:13 (Pop-up) |
Sandy Ewen / Damon Smith / Weasel Walter | White Distempered Room | Untitled ug 79 | ugEXPLODE | https://weaselwalter.bandcamp.com/album/untitled-ug-79 | 2:08:06 (Pop-up) |
Martin Escalante + Weasel Walter | Mutilate | Lacerate | ugEXPLODE | https://weaselwalter.bandcamp.com/album/lacerate | 2:24:01 (Pop-up) |
Weasel Walter Large Ensemble | A Set | Live February 21, 2017 Roulette, Brooklyn, NY | Weasel Walter (drums), Brandon Seabrook (guitar), Chris Pitsiokos (saxophone), Michael Foster (saxophone), Matt Nelson (saxophone), Jaimie Branch (trumpet), Forbes Graham (trumpet), Tyshawn Sorey (trombone), Steve Swell (trombone), Tim Dahl (bass), Brandon Lopez (bass), Leila Bordreuil (cello) | 2:35:53 (Pop-up) |
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Listener comments!
Dave Sewelson:
Jeff g. via app:
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Dean:
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DavidJ:
I loved Contortions as well.
Dave Sewelson:
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Chad:
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Andrew Waterloo:
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weasel walter:
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Andrew Waterloo:
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doctorjazz:
Dean:
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fred:
Dave Sewelson:
WR:
weasel walter:
Dave Sewelson:
Dean:
fred:
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Dean:
I started writing poetry (again) a couple years ago, and I now have to acknowledge that WW's aesthetic has influenced my own. One poem, "Dancing Under Moonlight & Fog," has three brief subsections titled, "Ultra-Violence," "Destructive Hatred," and "Strangled Child." Thanks for the inspiration!
Todd76Pct:
"...violinist Polly Bradfield... whatever happened to her? She's still playing. She had a lot of children and went out to California. She was never that driven to have a musical career. She was a really interesting musician though, I really liked her. Very extreme. I think her solo violin album is one of the best things I've ever heard. Do you know that? I have to send you a copy. I've got lots of copies, because when she left New York, in a big hurry, she piled her records out in the street, so I kept them; every now and then I meet somebody who wants one or who I think ought to have one. We did a couple of concerts together in England and Belgium that came out on a record, Torture Time--that was another nice album."
(from an interview by Dan Warburton [3])
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fred:
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WR:
Great episode!
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weasel walter:
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www.wfmu.org...
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