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From the most profound classical music recordings ever made, to genres and musical perspectives from around the globe, talk on music, art and recordings that changed our lives and the world around us. Tune-in as we explore why we only listen to "dead" people, and what is "alive" in music today. Special guests, call-ins welcome.
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Artist | Track | Album | Label | Comments | Approx. start time |
---|---|---|---|---|---|
Norio Maeda Trio | Vivaldi "Summer" from The Four Seasons | Modern Vivaldi | 0:00:00 (Pop-up) | ||
The Beatles | Because | Anthology 3 | Apple | Isolated vocal tracks | 0:15:00 (Pop-up) |
Nusrat Fateh Ali Khan & Party | Shamas-ud-Doha, Badar-ud-Doja | Shahen Shah | 0:37:50 (Pop-up) | ||
J.S. Bach | Double Concerto in d minor, BWV 1043 | Andrew Manze & Rachel Podger, violins; Academy of Ancient Music | 0:44:48 (Pop-up) | ||
Monty Python | I Bet You They Won't Play This Song on the Radio | The Final Ripoff | 1:09:21 (Pop-up) | ||
J.S. Bach | Prelude & Fugue in G, BWV 541 | Helmut Walcha, organ | 1:22:01 (Pop-up) | ||
Serge Prokofieff | Piano Sonata #7, Op 83 | Sviatoslav Richter, piano | 1:40:22 (Pop-up) | ||
Fonola Band | Bella Ciao |
<-- Previous playlist | Back to Why Do We Only Listen to Dead People? with Carol Gimbel and Cullan Bryant playlists | Next playlist -->
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Listener comments!
Ivan from Woodbridge:
newton:
HyperDose:
newton:
spodiodi:
waverly_7:
gaucho:
newton:
spodiodi:
HyperDose:
tom tom the pipers son:
gauche knee:
waverly_7:
Eugene R:
Dean:
tom tom the pipers son:
tom tom the pipers son:
chresti:
Dean:
newton:
Dean:
chresti:
newton:
Dean:
Dean:
Dean:
Dean:
Okay, four comments in a row. I'll keep quiet for a while.
newton:
Not Dean:
tom tom the pipers son:
newton:
Eugene R:
Dean:
newton:
The Butterman:
The Butterman:
HyperDose:
Bob Barth:
tom tom the pipers son:
Dean:
M-O-Z-A-R-T
G-L-O-R-I-A
It's all about class. There are no (or few) rules. Depends on where you come from or for whom you play or compose.
newton:
tom tom the pipers son:
Carmichael:
Dean:
I dunno about Mozart's demographic exposure. Could be, but largely, "classical" composers depended on patrons.
Dean:
Love Manze and Podger! This is when both of them were hella youngster.
Dean:
Tommy in Neversink:
ViolaChica:
newton:
ViolaChica:
Dean:
ViolaChica:
ViolaChica:
ViolaChica:
Dean:
tom tom the pipers son:
ViolaChica:
ViolaChica:
Dean:
ViolaChica:
tom tom the pipers son:
ViolaChica:
Dean:
tom tom the pipers son:
newton:
ViolaChica:
Dean:
I adore Emma in Andrew Parrott's fine recording of Purcell's Dido & Aeneas.
JReganK:
chresti:
Dean:
Read Richard Taruskin on "historical" performance. He was a sassy scholar when it came to that question.
Bob Barth:
tom tom the pipers son:
Dean:
newton:
tom tom the pipers son:
Dean:
Dean:
newton:
persimmon:
Peter from Saranac Lake NY:
ness:
tom tom the pipers son:
Bob Barth:
newton:
Bob Barth:
tom tom the pipers son:
newton:
JReganK:
tom tom the pipers son:
tom tom the pipers son:
Dean:
No, classical does not "mean" male domination. Its course implicates plenty of male domination, but it is not identical with it.
JReganK:
tom tom the pipers son:
newton:
Dean:
tom tom the pipers son:
chresti:
ness:
JReganK:
tom tom the pipers son:
newton:
ViolaChica:
Dean:
Dean:
JReganK:
JReganK:
tom tom the pipers son:
newton:
JReganK:
tom tom the pipers son:
Gravitas Ridiculas:
Laura:
Gravitas Ridiculas:
newton:
Gravitas Ridiculas:
Dean:
tom tom the pipers son:
JReganK:
newton:
tom tom the pipers son:
ViolaChica:
ViolaChica:
Gravitas Ridiculas:
ViolaChica:
ViolaChica:
ViolaChica:
tom tom the pipers son:
newton:
LesleyK:
newton:
LesleyK:
LesleyK:
newton:
tom tom the pipers son:
JReganK:
tom tom the pipers son:
newton:
tom tom the pipers son:
tom tom the pipers son:
newton:
tom tom the pipers son:
chresti:
Ike:
tom tom the pipers son:
newton:
Ike:
tom tom the pipers son:
cricket:
Gravitas Ridiculas:
Dean:
chresti:
radioronan:
Dean:
Dean:
Jan Turkenburg: