View Doug Schulkind's profile |
The finest in Micronesian doo-wop, Appalachian mambo, Turkish mariachi, pygmy yodeling of
Baltimore, Portuguese juju, Cajun gamelan, tuba choirs from Mozambique, Inuit marching bands,
Filipino free jazz, Egyptian kabuki theater, and throat singers of the Lower East Side.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
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Music behind DJ: Sarah Webster Fabio |
Jujus: Alchemy of the Blues |
Jujus: Alchemy of the Blues |
Folkways |
1976 |
0:00:00 (Pop-up) |
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Music behind DJ: ECD |
In Tempo |
Major Force: The Original Art-Form |
Mo' Wax |
1990 |
0:04:03 (Pop-up) |
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M. Tokaroff's Vocal Trio | Czy Ty Mene Wirno Lubisz | b/w Oj Pidu Ja Luhom | Columbia | 1923 | 0:06:39 (Pop-up) | |||||
Artistic Village Troup | Pesni o Dovbushe | Folk Music in America, Volume 6: Songs of Migration & Immigration | New World | 1928 | 0:09:39 (Pop-up) | |||||
Cyganska Orchestra Stefana | Cyganske Vesilia, part 4 | b/w Cyganske Vesilia (pt. 3) | Columbia | 1930 | 0:13:59 (Pop-up) | |||||
Ukrainska Orchestra Michala Thomasa | Hutzulka W Semerczni | b/w Pidhirska Kolomyjka | Columbia | 1929 | 0:17:21 (Pop-up) | |||||
Vassyl Yemetz | Z Ukrainskyce Stepiw | Excavated Shellac: An Alternate History of the World's Music | Dust-to-Digital | 1930 | 0:20:25 (Pop-up) | |||||
Theo. Kotovich & Sonja Liszczak | Hlop Vinen | b/w Neschastia v Hati | Victor | 1930 | 0:23:58 (Pop-up) | |||||
Unidentified | The Wind from the Field | Music of the Ukraine | Folkways | 1951 | 0:26:48 (Pop-up) | |||||
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Music behind DJ: The Ex |
Buildance |
The Ex and Guests: Instant |
Ex |
1995 |
0:29:46 (Pop-up) |
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Allen Roberts | Song on the Juke Box | b/w So Long Blues | Chevell | 1964 | 0:34:44 (Pop-up) | |||||
David Wills | There's a Song on the Jukebox | b/w I Can't Even Drink It Away | Epic | 1974 | 0:36:56 (Pop-up) | |||||
Roger Groff | Drop Some Silver in the Jukebox | b/w Mister I Missed Her | Voice of Country | 1975 | 0:39:27 (Pop-up) | |||||
Anita Carter | That's What Makes the Juke Box Play | b/w I'm Sorry If That's the Way You Feel | RCA Victor | 1955 | 0:43:05 (Pop-up) | |||||
Lattie Moore | Juke Box Johnnie | b/w Pretty Woman Blues | ARC | 1956 | 0:45:25 (Pop-up) | |||||
Wally & Don | Just Play the Juke Box | Sage | 1961 | 0:47:26 (Pop-up) | ||||||
James Mask | Let the Jukebox Die | b/w I Miss My Teen Angel | Arbel | 1965 | 0:49:32 (Pop-up) | |||||
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Music behind DJ: Pete Drake & His Talking Steel Guitar |
Forever |
Forever |
Smash |
1964 |
0:52:32 (Pop-up) |
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Sylvia Telles | Amor Sem Adeus | Sylvia Telles - U.S.A | Philips | 1961 | 0:59:23 (Pop-up) | |||||
Rita Lee | Macarrão Com Linguiça e Pimentão | Build Up | Polydor | 1970 | 1:03:40 (Pop-up) | |||||
Nara Leão | Consolação | Nara | Elenco | 1964 | 1:06:37 (Pop-up) | |||||
Elza Soares | Cantiga Do Morro | O Samba é Elza Soares | Odeon | 1961 | 1:09:20 (Pop-up) | |||||
Elis Regina | Mundo Deserto | The Elis Regina Show | Polydor | 1973 | 1:14:31 (Pop-up) | |||||
Alcione | Aruandê | A Voz do Samba | Philips | 1975 | 1:14:32 (Pop-up) | |||||
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Music behind DJ: 9 Lazy 9 |
Black Jesus |
Paradise Blown |
Ninja Tune |
1994 |
1:17:55 (Pop-up) |
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Clark Terry with Thelonious Monk | Trust in Me | In Orbit | Riverside | 1958 | 1:22:50 (Pop-up) | |||||
Franz Koglmann | Out of Nowherre | A White Line | Hat Art | 1990 | 1:27:13 (Pop-up) | |||||
Bobby Bradford, Frode Gjerstad, Ingerbrigt Håker Flaten, Paal Nilssen-Love | A Live | Kampen | No Business | 2010 | 1:30:54 (Pop-up) | |||||
Hugh Ragin, John Lindberg, Thurman Barker | Fanfare and March | Metaphysical Question | CECMA | 1984 | 1:39:25 (Pop-up) | |||||
Stu Williamson & Jack Sheldon | Dinah | A Jazz Band Ball | Mode | 1957 | 1:46:26 (Pop-up) | |||||
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Music behind DJ: Lee Morgan |
The Sidewinder |
The Sidewinderf |
Blue Note |
1963 |
1:50:07 (Pop-up) |
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K.O. Gongs [Kos Omohimin & The Gongs] | On My Knees | Waka-About | EMI | 1977 | 1:59:05 (Pop-up) | |||||
Thony Shorby Nyenwi | Call a Spade a Spade | Sweet Funk Music | Feathers | 1978 | 2:06:24 (Pop-up) | |||||
Soki Haley & The Just Men | Am Not for You | Youth Experience | Arc | 1974 | 2:12:21 (Pop-up) | |||||
Julie Coker | Re Hese | Ere Yon (Sweet Songs) | EMI | 1976 | 2:18:52 (Pop-up) | |||||
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Music behind DJ: Fela Anikulapo-Kuti & Afrika 70 |
Yellow Fever |
Yellow Fever |
Afrodisia |
1976 |
2:22:58 (Pop-up) |
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Orchestra Kool | Fantasy | Kool Heat | Fonseca | 1965 | 2:24:43 (Pop-up) | |||||
Ray Rodriguez | A Rainy Day | Delusion | Alegre | 1969 | 2:29:02 (Pop-up) | |||||
Orquesta Olivieri | There's No Other Girl | b/w Los Muchachos De Belen | Delta Recording Corp. | 1970 | 2:33:37 (Pop-up) | |||||
The Orchestra Soledad | Just Like a Fool | Vámanos / Let's Go | Futuro | 1970 | 2:36:53 (Pop-up) | |||||
The Harvey Averne Dozen | Accept Me | b/w Why Can’t We Really Be Free | Fania | 1968 | 2:42:05 (Pop-up) | |||||
Milton Zapata | What a Fool | Viva Zapata | Speed | 1969 | 2:44:46 (Pop-up) | |||||
The Nitty Gritty Sextet | A Fool Like Me | The Nitty Gritty Sextet | Rocafort | 1967 | 2:49:52 (Pop-up) | |||||
Ralfi Pagan | I Could Never Hurt You Girl | I Can See | Fania | 1975 | 2:52:55 (Pop-up) | |||||
Ghetto Brothers | I Saw a Tear | Power-Fuerza | Salsa | 1971 | 2:56:12 (Pop-up) | |||||
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Music behind DJ: John Lee Hooker |
Stand By |
I Feel Good |
Jewel |
1970 |
2:59:32 (Pop-up) |
Give the Drummer Radio denounces explicit and implicit racism and condemns the culture of white supremacy. Black Lives Matter. |
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Listener comments!
duke:
PAULS:
Doug Schulkind:
Sem:
Doug Schulkind:
listener james from westwood:
Doug Schulkind:
(Mr) Bill:
pot8o:
bigplanetnoise:
Zip7:
fred:
Gina Bacon:
bigplanetnoise:
dutchtheo:
Doug Schulkind:
adamdoesit:
Doug Schulkind:
Little Danny:
Doug Schulkind:
Stork:
Doug Schulkind:
Doug Schulkind:
WR:
Doug Schulkind:
chresti:
Listener Gregory:
Doug Schulkind:
Gina Bacon:
Doug Schulkind:
Webhamster Henry:
WR:
Doug Schulkind:
pot8o:
Webhamster Henry:
Doug Schulkind:
Doug Schulkind:
tom tom the pipers son:
Doug Schulkind:
Doug Schulkind:
adamdoesit:
Doug Schulkind:
tom tom the pipers son:
(Mr) Bill:
Roman Gerus:
Doug Schulkind:
chresti:
Webhamster Henry:
sinner:
bobdc:
KWilde:
still b/p:
Baby, you can drive my pile.
Wham-wham, wham-wham, YEAH!
DJ Peter:
Doug Schulkind:
Doug Schulkind:
Mr C:
Doug Schulkind:
Doug Schulkind:
Brian in UK:
still b/p:
Brian in UK:
Doug Schulkind:
Doug Schulkind:
Webhamster Henry:
BillfromRockTavern:
Doug Schulkind:
Roman Gerus:
Doug Schulkind:
BillfromRockTavern:
Webhamster Henry:
Zip7:
Doug Schulkind:
Doug Schulkind:
Doug Schulkind:
still b/p:
Doug Schulkind:
Doug Schulkind:
tom tom the pipers son:
Listener Gregory:
still b/p:
Doug Schulkind:
Doug Schulkind:
Listener Robert:
Doug Schulkind:
rw:
Please don’t let the jukebox die.
BillfromRockTavern:
still b/p:
PAULS:
fred:
PAULS:
chresti:
NO WAY AM I WORKING
Doug Schulkind:
fred:
Doug Schulkind:
fred:
still b/p:
Webhamster Henry:
Mr C:
Doug Schulkind:
chresti:
Getting ready for a trip to SF this weekend..
PAULS:
fred:
pot8o:
PAULS:
Doug Schulkind:
(Mr) Bill:
adamdoesit:
Doug Schulkind:
fred:
Doug Schulkind:
mauri:
Doug Schulkind:
chresti:
Mr C:
(Mr) Bill:
Sem:
fred:
mauri:
(Mr) Bill:
PAULS:
mauri:
fred:
Polyus:
Sem:
still b/p:
npr.brightspotcdn.com...
Listener Gregory:
fred:
joe m:
mauri:
adamdoesit:
Listener Gregory:
Sem:
Doug Schulkind:
Doug Schulkind:
fred:
mauri:
adamdoesit:
Zip7:
Doug Schulkind:
Andrew in Toronto:
Andrew in Toronto:
bobdc:
Doug Schulkind:
Andrew in Toronto:
flannery:
Doug Schulkind:
Zip7:
fred:
Doug Schulkind:
Rich in Washington:
Doug Schulkind:
Listener Gregory:
Doug Schulkind:
Listener Gregory:
Doug Schulkind:
Doug Schulkind:
fred:
Doug Schulkind:
Sem:
Sem:
Jeff Golick:
Doug Schulkind:
PAULS:
fred:
PAULS:
fred:
Listener Gregory:
Jeff Golick:
adamdoesit:
Doug Schulkind:
fred:
Doug Schulkind:
adamdoesit:
Jeff Golick:
"The specific something that fascinates most jazz lovers has to do with swing, soul, and heated expressivity. Since all pertinent standards were set by black musicians, white musicians accepting these categories as supreme criteria naturally have to look for guidance to their black colleagues.
"My categories are different, however. With due respect to the achievements of African-American jazz, I prefer a rational/ geometric lucidity to emotional immediacy. I have a greater affinity for the expressions of a melancholy decadence than the spontaneous joy of improvising. I cannot see swing as the one and only saving criterion."
C Michael Swing! STL:
Doug Schulkind:
Dean:
Heh, I was just about to type out some of those excerpts. He name-checks Wolfgang Rihm, who recently died, who in turn refers to a hybrid Ligeti/Bobby McFerrin.
PAULS:
Andrew in Toronto:
Doug Schulkind:
Jeff Golick:
Doug Schulkind:
Jeff Golick:
Doug Schulkind:
Doug Schulkind:
C Michael Swing! STL:
rw:
Dean:
fred:
Doug Schulkind:
Stork:
Doug Schulkind:
fred:
Doug Schulkind:
To make amends, I share this amazing picture of Louis Armstrong autographing the head of a French punk: wfmu.org...
Dean:
fred:
adamdoesit:
Doug Schulkind:
still b/p:
Uncle Michael:
Doug Schulkind:
Doug Schulkind:
Doug Schulkind:
Jeff Golick:
Uncle Michael:
Comin' right up!
Doug Schulkind:
The love happens here: wfmu.org...
Polyus:
Doug Schulkind:
still b/p:
Doug Schulkind:
Mxter Baba:
Doug Schulkind:
Mxter Baba:
Doug Schulkind:
And there's 17 minutes left!!
Polyus:
Doug Schulkind:
C Michael Swing! STL:
Doug Schulkind:
(Mr) Bill:
Zip7:
still b/p:
PAULS:
Doug Schulkind:
Doug Schulkind:
Uncle Michael:
pot8o:
Doug Schulkind:
Mr C:
Dean:
Let me amend the query. Is there a comp of every record ever released? I'd go for that. I'd end up with a few duplicates, but, eh.
Andrew in Toronto:
Thanks, Doug!
Doug Schulkind:
Doug Schulkind:
Dean:
Doug Schulkind:
Dean:
Doug Schulkind:
Mr C:
Doug Schulkind:
Dean:
Doug Schulkind:
PAULS:
Jeff Golick:
Doug Schulkind:
still b/p:
maine.craigslist.org...
But, yea, I say ALL sins are absolved and buried in a moon pit by the towering qualiTEEE of this show and this soul set.
Dean:
pot8o:
Zip7:
PAULS:
bobdc:
chresti:
Doug Schulkind: