Observations of Deviance with David Mittleman:
Playlist
from August 24, 2024
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Observations of Deviance is a vinyl focused, free form program that harkens back to early days of underground FM radio. Your host, David Mittleman, hunts down the most exotic, unusual and off-the-beaten-track music from around the world in a number of genres: Spiritual Jazz, Free Improvisation, Experimental Electronics, Ethnographic Oddities and World-Wide Psychedelic Funk. You are guaranteed to hear sounds you’ve never heard before.
Saturday
7 - 10pm
(EST)
|
On
WFMU's
Give the Drummer Radio
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Pop-up player!| Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| Gabor Szabo |
Search for Nirvana
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Jazz Raga | Impulse! | 1967 | 0:02:14 (Pop-up) | |||||
| Big Youth |
Love And Happiness
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Natty Universal Dread 1973-1979 | Blood & Fire | 2000 | 0:04:22 (Pop-up) | |||||
| The Observer All Stars |
One Train Load Of Dub
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Dubbing With The Observer 2-CD | Doctor Bird / Cherry Red | 2023 | 0:07:55 (Pop-up) | |||||
| Tommy McCook & The Observers |
One Train Load Of Collie
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Dubbing With The Observer 2-CD | Doctor Bird / Cherry Red | 2023 | 0:11:13 (Pop-up) | |||||
| Ana Carla Maza |
A Tomar Café (Latin Version)
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Caribe | Persona Editorial Ltd | 2023 | feat. Arnaud Dolmen | 0:14:31 (Pop-up) | ||||
| Litto Nebbia |
La Caida
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Bazar De Los Milagros | VampiSoul | 2021 | 0:19:03 (Pop-up) | |||||
| John Parish |
The Girls Rehearse
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Screenplay | Thrill Jockey | 2013 | 0:26:44 (Pop-up) | |||||
| Kevin Ayers |
Love Is (Radio 1 John Peel Sunday Concert 17.05.1970)
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All This Crazy Gift of Time: The Recordings 1969-1973 | Cherry Red | 2024 | https://www.cherryred.co.uk/kevin-ayers-all-this-crazy-gift-of-time-the-recordings-1969-1973-limited-edition-deluxe-box-set | 0:32:46 (Pop-up) | ||||
| Kevin Ayers |
We Did it Again (Radio 1 John Peel Sunday Concert 17.05.1970)
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All This Crazy Gift of Time: The Recordings 1969-1973 | Cherry Red | 2024 | https://www.cherryred.co.uk/kevin-ayers-all-this-crazy-gift-of-time-the-recordings-1969-1973-limited-edition-deluxe-box-set | 0:41:29 (Pop-up) | ||||
| Kevin Ayers |
Why Are We Sleeping? (live London 05.11.1972)
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All This Crazy Gift of Time: The Recordings 1969-1973 | Cherry Red | 2024 | feat. Steve Hillage ; https://www.cherryred.co.uk/kevin-ayers-all-this-crazy-gift-of-time-the-recordings-1969-1973-limited-edition-deluxe-box-set | 0:51:29 (Pop-up) | ||||
| Grupo de Impovisación Tercer Mundo |
Un Hilo De Luz
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Un Hilo de Luz | VampiSoul | 2024 | https://vampisoul.bandcamp.com/album/un-hilo-de-luz | 1:04:16 (Pop-up) | ||||
| Darius Jones |
Another Kind of Forever
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Legend of e'Boi (The Hypervigilant Eye) | AUM Fideltity | 2024 | https://dariusjones.bandcamp.com/album/legend-of-eboi-the-hypervigilant-eye | 1:09:30 (Pop-up) | ||||
| Don Cherry, Okay Temiz |
İstanbul
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Music For Turkish Theater | Caz Plak | 2024 | https://cazplak.bandcamp.com/album/music-for-turkish-theater | 1:18:15 (Pop-up) | ||||
| Patrick Jean-Marie |
Dual
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ATIKA | Symbole | 2023 | 1:22:22 (Pop-up) | |||||
| The Little Shadows |
Time For Peace
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The Time For Peace Is Now (Gospel Music About Us) | Luaka Bop | 2019 | 1:28:11 (Pop-up) | |||||
| Jason Stein |
Cold Water
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Anchors | Tao Forms | 2024 | https://taoforms.bandcamp.com/album/anchors | 1:37:05 (Pop-up) | ||||
| David Murray, ?uestlove, Ray Angry |
Pink Noise
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Plumb | JMI Recordings | 2023 | 1:43:31 (Pop-up) | |||||
| The Verge |
Nessesse
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The Verge | Is It Jazz? | 2024 | https://the--verge.bandcamp.com/album/the-verge | 1:59:52 (Pop-up) | ||||
| Litto Nebbia |
El Casamiento De Los Musicos
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Canciones Que No Quieren Morir | VampiSoul | 2024 | https://vampisoul.bandcamp.com/album/canciones-que-no-quieren-morir | 2:07:25 (Pop-up) | ||||
| Gerald Cleaver |
The Process
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The Process | Positive Elevation | 2024 | https://positiveelevation.bandcamp.com/album/the-process | 2:14:30 (Pop-up) | ||||
| Jobriath |
I'maman
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As The River Flows | Eschatone | 2014 | 2:37:26 (Pop-up) | |||||
| Derek Bailey, Pat Metheny, Gregg Bendian, Paul Wertico |
In Quest Of A Solution
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The Sign Of 4 | Knitting Factory Works | 1997 | 2:41:15 (Pop-up) | |||||
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Listener comments!
Observations:
Observations:
Observations:
Observations:
Observations:
Observations:
My exclusive ARNAUD DOLMEN interview from last week's show:
wfmu.org...
Avspuk:
Observations:
First vinyl reissue, including a facsimile version of the 32-page booklet that accompanied the original 1976 release, and remastered sound.
Includes the song ‘La Caída’, as sampled on Jay Electronica/Jay Z’s ‘The Neverending Story’.
Listed on Chee Shimizu’s Obscure Sound guidebook for record collectors."
vampisoul.bandcamp.com...
Observations:
aquariumdrunkard.com...
Observations:
David Bedford – keyboards
Mike Oldfield – bass
Lol Coxhill – saxophone
Mick Fincher – drums
BBC Radio 1 John Peel Sunday Concert – 17th May 1970
Observations:
Doug in MP:
Observations:
Observations:
Steve Hillage – lead guitar
Archie Legget – bass guitar
Eddie Sparrow – drums, percussion
Recorded at The Harvest Road Show concert – Mile End, London 5th November 1972
mauri:
Observations:
www.discogs.com...
Observations:
Observations:
Gerald Cleaver: drums
Chris Lightcap: bass
Observations:
Observations:
Observations:
Observations:
Joshua Abrams - bass
Gerald Cleaver - drums
Observations:
Gerald Cleaver
Observations:
Avspuk:
Had I to guess its subject i'd've gone for something like "clean room" chip manufacturing.
It is great to, click star worthy for later listening
Observations:
The Hotwire Mandate with Mike Lupica
wfmu.org...
Observations:
positiveelevation.bandcamp.com...
Observations:
the project came about as a result of the two drummers (greg bendian and paul wertico) who had played alot with derek and i respectively, suggesting to both us that we should do it. for me, i was happy for the chance to do it - and it is one of the records that i have been involved in over the past few years that i am most proud of.
one of the things that i wanted to do with this record was that i really wanted to make one that was totally unlike any record that i or derek had ever made before. i feel we did that - and that record has some amazing music on it, with a lot of variety within it's own vocabulary.
i predicted at the time two things; one was that a lot of people would have a hard time listening to it because of the particular density that that vocabulary involves. the other was that it would roundly dissed by members and critics associated with the so-called avant garde community, as was song x (the record i made with ornette coleman in 1985) at the time it was released. that predicted dissing, by the way, would in fact have absolutely nothing to do with the actual music that was actually played, even though it would be cloaked in the rhetoric of musical discussion.
so, since it seems i was right about those predictions, what is today's prediction? (this bb is turning into a jazz version of the psycic friends network)
like song x, i predict that the real appreciation of so4 will come later - it is a very special record that probably has not found it's true audience yet. i would say that it is a record that is kind of ahead of it's time - and one that only could have been made by those particular people at that time - always a good sign. all of this is a long way around just saying this - that i am really glad that you enjoyed the record."
Pat
www.patmetheny.com...
Dean:
Dean:
Dean:
God save the stupid among us!
Observations:
Avspuk: