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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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November 10, 2024: Let Us Bley Together
If Paul Bley music be the food of love, then give me surfeit of it, so that I will sicken , and so die. Or maybe don't be such a drama queen: lay back, forget your abundant newfound cares, and lose yourself in a ludicrously overlong, too-short tribute to the Montreal-born pianist.
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Artist | Track | Album | Comments | Images | Approx. start time |
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Paul Bley | Open, to Love | Open, to Love | Written by Annette Peacock; Paul Bley – , piano - Recorded 11 September 1972 Studio Arne Bendiksen Studio, Oslo | 0:00:00 (Pop-up) | |
Paul Bley, Jimmy Guiffre, Steve Swallow | Where Were We | The Life of a Trio. Sunday | Written by Carla Bley; Jimmy Giuffre – clarinet • Paul Bley – piano • Steve Swallow – electric bass • Recorded December 17, 1989 at Sound on Sound Studio, NYC | 0:07:33 (Pop-up) | |
Paul Bley, Furio Di Castri, Tony Oxley | Poetic Justice | Chaos | Paul Bley - written by, piano • Furio Di Castri - bass • Tony Oxley - drums • Recorded March 28–29, 1994 at Mu Rec Studios, Milan, Italy | 0:12:22 (Pop-up) | |
Paul Bley & Paul Motian | No.3 (Listen: Pop-up) | Notes | Paul Bley – written by, piano • Paul Motian – percussion • Recorded at Barigozzi Studio in Milano, Italy, on July 3 & 4, 1987 | 0:18:59 (Pop-up) | |
Annette Peacock | Gesture Without Plot | I'm the One | Annette Peacock – written by, vocals, electronic vocals, acoustic and electric piano, synthesizers, electric vibraphone, ldirection • Paul Bley – synthesizer and piano ALSO ON THEI ALBUM BUT NOT ON THIS TRACK: • Mark Whitecage – alto saxophone • Michael Moss – tenor saxophone • Perry Robinson – clarinet • Tom Cosgrove – guitar • Stu Woods – bass • Rick Marotta – drums • Laurence Cook – drums • Barry Altschul – percussion • Airto Moreira – percussion • Dom Um Romão – percussion • Orestes Vilató – percussion - - 1972 | 0:23:04 (Pop-up) | |
Paul Bley, Ornette Coleman, Don Cherry | How Deep Is the Ocean (Listen: Pop-up) | Live At The Hillcrest Club | Written by Irving Berlin, Alto Saxophone – Ornette Coleman; Bass – Charlie Haden; Drums – Billy Higgins; Piano – Paul Bley; Trumpet – Don Cherry - - Recorded At The Hillcrest Club, Los Angeles, October 1958 | 0:26:36 (Pop-up) | |
Sonny Rollins & Coleman Hawkins | All The Things You Are (Listen: Pop-up) | Sonny Meets Hawk | Written by Jerome Kern; Sonny Rollins (tenor saxophone) Coleman Hawkins (tenor saxophone) Paul Bley (piano) Bob Cranshaw (bass) Henry Grimes (bass) Roy McCurdy (drums) - -July 15, 18, 1963 New York City | 0:31:11 (Pop-up) | |
DJ Heavy AirBley | 0:40:42 (Pop-up) | ||||
Paul Bley, Gary Peacock, Paul Motian | Longer | When Will the Blues Leave | Double Bass – Gary Peacock; Drums – Paul Motian; Piano, Written by - Paul Bley - - Concert recording by RSI, March 1999 Aula Magna STS, Lugano | 0:47:08 (Pop-up) | |
Paul Bley & Jane Bunnett | Neo Boogie | Double Time | Written-By – Jane Bunnett, Paul Bley; Piano – Paul Bley; Soprano Saxophone, Flute – Jane Bunnett - - Recorded at Studio Tempo (Canada?) August 1993 | 0:52:33 (Pop-up) | |
Paul Bley | Tight Rope | Sonor | Paul Bley — written by, piano • George Cross McDonald — percussion • Recorded at Barigozzi Studio in Milano, Italy, on May 22, 1983 | 0:57:01 (Pop-up) | |
Gary Burton, and Paul Bley | Carla | Right Time Right Place | Paul Bley – written by, piano • Gary Burton – vibraphone Recorded - March 29, 1990 Studio 3, Denmarks Radio, Copenhagen | 0:58:22 (Pop-up) | |
Paul Bley | Nothing Ever Was, Anyway | Fragments | Written by Annette Peacock; Paul Bley – piano • John Surman – baritone saxophone • Bill Frisell – guitar • Paul Motian – drums • Recorded • January 1986 at Rainbow Studio Oslo, Norway | 1:03:36 (Pop-up) | |
Don Ellis | My Funny Valentine | Out Of Nowhere | Written by Richard Rodgers and Lorenz Hart ; Don Ellis - trumpet • Paul Bley - piano • Steve Swallow - bass - - Recorded at Nola Penhouse Studios, New York City, April 21, 1961 | 1:09:36 (Pop-up) | |
Paul Bley, Evan Parker, Barre Phillips | Variation 8 | Sankt Gerold | Composition by Paul Bley, Evan Parker & Barre Phillips; Paul Bley – piano • Evan Parker – tenor and soprano saxophones • Barre Phillips – double bass • Recorded April 1996 at Propstei Sankt Gerold Sankt Gerold, Austria | 1:14:04 (Pop-up) | |
Jimmy Giuffre | Lonely Days | Conversations With A Goose | Clarinet – Jimmy Giuffre > >written by, Electric Bass – Steve Swallow > >written by, , Piano – Paul Bley - -Recorded on May 27, 1993 and mixed on August 31, 1993 at Mu Rec Studio, Milano | 1:22:19 (Pop-up) | |
Paul Bley | Pent-Up House | Play Blue | Written by Sonny Rollins; Paul Bley – piano • Recorded live August 2008 at Kulturkirken Jakob, - Oslo Jazz Festival | 1:27:56 (Pop-up) | |
Paul Bley, Charlie Haden, Paul Motian | Latin Genetics | Memoirs | Written by Ornette Coleman; Bass – Charlie Haden; Drums – Paul Motian; Piano – Paul Bley; - - Recorded on 20 July 1990 at Mondial Sound, Milano, Italy | 1:32:36 (Pop-up) | |
Paul Bley | Drum One | Paul Bley | Paul Bley -written by, piano • Percy Heath - bass • Alan Levitt - drums • Recorded at Fine Sound Studios in New York City on February 3, 1954 | 1:40:23 (Pop-up) | |
DJ Rocks the Bleypen | 11/10 The Laughing Clock Radio Rerun: The Dutch Jazz Scene Revisited (1977) Program 8: Ronald Snijders' Black Straight Music Plus: a selection from the much anticipated Forces of Nature: Joe Henderson, McCoy Tyner, Henry Grimes, and Jack DeJohnette live at Slugs’ Saloon in 1966! | 1:42:48 (Pop-up) | |||
John Surman | Seven | Adventure Playground | Written by Carla Bley; John Surman – baritone saxophone • Paul Bley – piano • Gary Peacock – bass • Tony Oxley – drums • Recorded September 1991 at Rainbow Studio,, Oslo, Norway | 1:50:25 (Pop-up) | |
Paul Bley with Masahiko Togashi | Noteworthy | Echo | Percussion – Masahiko Togashi; Piano – Paul Bley - - Recorded June 10 & 11, 1999 at "Minato-Mirai Hall", Yokohama, Japan | 1:56:06 (Pop-up) | |
Jimmy Giuffre 3 | Trance | Flight | Written by Steve Swallow, Jimmy Giuffre, Paul Bley; Clarinet – Jimmy Giuffre; Double Bass – Steve Swallow; Piano – Paul Bley - - 23 November 1961 at Sendesaal Radio, Bremen | 1:59:27 (Pop-up) | |
Paul Bley | When Will the Blues Leave | The Floater Syndrome | Written by Ornette Coleman; STEVE SWALLOW bass §§§PETE LaROCA drums §§§PAUL BLEY piano - - - Recorded on August 17, 1962 | 2:04:25 (Pop-up) | |
Paul Bley | Mazatalon | Ramblin' | MARK LEVISON bass; BARRY ALTSCHUL drums; PAUL BLEY written by, piano - Recorded in Rome at RCA Studios July 1, 1966 | 2:10:36 (Pop-up) | |
Paul Bley | As Beautiful As The Moon | Sweet Time | Written by, Piano – Paul Bley - - Recorded at Studio Tempo August 1993 Recorded at Studio Tempo August 1993 | 2:18:12 (Pop-up) | |
Paul Bley | Interface | In the Evenings Out There | Written by Bley, Oxley, Peacock, John Surman; Paul Bley – piano • John Surman – baritone saxophone • Gary Peacock – bass • Tony Oxley – drums • Recorded September 1991 Studio Rainbow Studio Oslo, Norway | 2:23:27 (Pop-up) | |
Paul Bley | Ida Lupino | Closer | Written by Carla Bley; Paul Bley - piano • Steve Swallow - bass • Barry Altschul - percussion • Recorded December 12, 1965 at RLA Studio, New York City | 2:28:43 (Pop-up) | |
The Paul Bley Quartet | Solemn Meditation | Solemn Meditation | Written by Sam Gill; Paul Bley - piano • Dave Pike - vibraphone • Charlie Haden - bass • Lennie McBrowne - drums • Recorded August 21, 1957 at Audio Arts Studio, Hollywood, California | 2:31:37 (Pop-up) | |
Paul Bley, John Gilmore, Paul Motian, Gary Peacock | Turning | Turning Point | Paul Bley - piano • John Gilmore - tenor saxophone • Gary Peacock - bass • Paul Motian - drums Recorded March 9, 1964 and May 10, 1968 at Mirasound Studio, New York City and the University Of Washington, Seattle | 2:35:13 (Pop-up) | |
Paul Bley & Scorpio | King Korn | Paul Bley & Scorpio | Written by Carla Bley; Paul Bley – Baldwin piano, ARP synthesizer, RMI electric piano, Fender Rhodes electric piano • David Holland – acoustic bass, fuzz pedal • Barry Altschul – percussion • Recorded November 24, 1972 at Advantage Studios, New York City, NY | 2:41:45 (Pop-up) | |
DJ on the Bleyaway Plan | 2:46:41 (Pop-up) | ||||
Paul Bley | Santa Claus Is Coming To Town | Introducing Paul Bley | Written by J. Fred Coots and Haven Gillespie; Paul Bley — piano • Charles Mingus — bass • Art Blakey — drums • Recorded in New York City on November 30, 1953 | 2:52:18 (Pop-up) | |
George Russell and His Orchestra | Chromatic Universe, Pt. 2 | Jazz in the Space Age | George Russell: composer, arranger, conductor • Ernie Royal: trumpet • Al Kiger: trumpet • Marky Markowitz: trumpet • Frank Rehak: trombone • David Baker: trombone • Bob Brookmeyer: valve trombone • Jimmy Buffington: french horn • Hal McKusick: alto saxophone • Dave Young: tenor saxophone • Sol Schlinger: baritone saxophone • Bill Evans: piano • Paul Bley: piano • Barry Galbraith: guitar • Howard Collins: guitar • Milt Hinton: bass • Don Lamond: drums • Charlie Persip: drums • Recorded May, 1960 & August, 1960 | 2:55:41 (Pop-up) | |
Kashavan Maslak & Paul Bley | Trying Hard to Be Human | Not to Be a Star | Written by Kashavan Maslak & Paul Bley; Alto Saxophone, Clarinet, Voice [Poetry] – Keshavan Maslak (Aias: DJ Fucked Up, Kenny Millions) Piano – Paul Bley - - Recorded October 8, 9 & 10, 1992 at Barigozzi Studio, Milano | 2:59:30 (Pop-up) | |
Don Ellis | Donkey | Essence | Written by Carla Bley; Don Ellis - trumpet • Paul Bley - piano • Gary Peacock - bass • Nick Martinis, Gene Stone - drums • Recorded July 15-17, 1962 at Pacific Jazz Studios, Hollywood, CA | 3:03:49 (Pop-up) | |
Paul Bley | Bound | Tango Palace | Paul Bley – written by, piano • Recorded at Barigozzi Studio in Milano, Italy, on May 21, 1983 | 3:08:27 (Pop-up) | |
Bob Mover Trio | The Night Bathers | The Night Bathers | Composed By – Mover, Bley; Electric Guitar, Guitar Synthesizer – John Abercrombie; Piano – Paul Bley; Cover Painting – R. Schuyler Lake; Soprano Saxophone – Bob Mover - - Recorded at Studio Victor Montréal Canada on January 22, 1986 | 3:11:10 (Pop-up) | |
Paul Bley & Gary Peacock | Circle with the Hole in the Middle | Mindset | Written by Ornette Coleman; Contrabass – Gary Peacock; Piano – Paul Bley - - Recorded April 6, 1992 al Mu Rec Studio, Milano | 3:17:23 (Pop-up) | |
Paul Bley / Bill Connors / Jimmy Giuffre | Goodbye | Quiet Song | Written by Gordon Jenkins; Acoustic Guitar – Bill Connors; Clarinet – Jimmy Giuffre; Fender Rhodes – Paul Bley . - - Recorded November 14, 1974 at Generation Sound Studio, NYC | 3:19:02 (Pop-up) | |
Jimmy Giuffre Paul Bley Steve Swallow | Qualude | Fly Away Little Bird | Piano – Paul Bley; - - Recorded at Sound On Sound Studio, New York, April 25, 1992 | 3:22:37 (Pop-up) | |
Pastorius - Metheny - Bley - Ditmas | Poconos | Jaco | Pat Metheny – guitar • Jaco Pastorius – bass guitar • Paul Bley – written by, electric piano • Bruce Ditmas – drums • Recorded June 16, 1974 - - 29 Greene Street, New York City 10013 Recorded | 3:28:15 (Pop-up) | |
Paul Bley | Improvisie | Improvisie | HAN BENNINK percussion §§§PAUL BLEY synthesizer §§§ANNETTE PEACOCK voice, piano, electric piano, synthesizer - - Recorded Live in "Club B14", Rotterdam, Netherlands, March 26, 1971 | 3:29:15 (Pop-up) | |
Paul Bley | Both | Annette | Written by Annette Peacock; Paul Bley – piano • Franz Koglmann – trumpet, flugelhorn • Gary Peacock – bass • Recorded April 12 to 14, 1992 at Radio Bremen, Bremen, Germany | 3:43:11 (Pop-up) | |
Sieze the Bley | 3:47:30 (Pop-up) | ||||
Charles Mingus | Take the 'A' Train | Pre- Bird | (Ellington/Steayhorn) Piano – Paul Bley; Drums – Dannie Richmond; Bass – Charles Mingus; Tenor Saxophone – Booker Ervin; | 3:56:21 (Pop-up) | |
Paul Bley | And Now The Queen | Barrage | Written by Carla Bley; Paul Bley – piano • Dewey Johnson – trumpet • Marshall Allen – alto saxophone • Eddie Gómez – double bass • Milford Graves – percussion • Recorded October 20, 1964, New York City | 3:59:59 (Pop-up) | |
Jimmy Giuffre | Threewe | Free Fall | Clarinet, Composed by – Jimmy Giuffre; Double Bass – Steve Swallow; Piano – Paul Bley - - Recorded at Columbia's 30th Street Sudio, New York City, on Oct. 10, 1962 | 4:04:15 (Pop-up) | |
Annette Peacock & Paul Bley | Dual Unity | Dual Unity | Annette Peacock – bass guitar, electric piano, piano, vocals • Paul Bley – electric piano, synthesizer • Mario Pavone – double bass • Laurence Cook – drums Recorded at Espace Cardin in Paris, France, on November 16, 1971 | 4:08:23 (Pop-up) | |
Paul Bley and Niels-Henning Ørsted Pedersen | Olhos de Gato | Paul Bley / Niels-Henning Ørsted Pedersen | Paul Bley: piano • Niels-Henning Ørsted Pedersen: bass • recorded on July 1, 1973 | 4:11:32 (Pop-up) | |
Chet Baker & Paul Bley | If I Should Lose You | Diane | Composed by Ralph Rainger, with lyrics by Leo Robi; Chet Baker - trumpet • Paul Bley - piano • Recorded February 28, 1985 Sound Track Studios, Copenhagen | 4:17:07 (Pop-up) | |
Marion Brown | Sweet Earth Flying Part 4 | Sweet Earth Flying | BILL HASSON narrator, percussion ***JAMES JEFFERSON bass, cello, percussion ***MUHAL RICHARD ABRAMS piano, e-piano, organ (9-16) ***PAUL BLEY piano, e-piano, organ - -recorded May 6-7, 1974 at intermedia Sound Studios, Boston | 4:24:25 (Pop-up) | |
Paul Bley | Parks | The Paul Bley Synthesizer Show | Paul Bley - piano, ARP synthesizer, RMI electric piano • Dick Youngstein - bass • Steve Hass - drums • Recorded at Advantage Studios in New York City on December 9, 1970 | 4:30:22 (Pop-up) | |
Paul Bley | Around Again | Footloose | Written by Carla Bley; Paul Bley - piano • Steve Swallow - bass • Pete LaRoca - drums • Recorded August 17, 1962 and September 12, 1963 Studio Medallion Studios, Newark, New Jersey | 4:36:28 (Pop-up) | |
Paul Bley Trio | Mister Joy | Blood | Composed By – A. Peacock; Bass – Mark Levinson; Drums – Barry Altschul; Piano – Paul Bley - - Recorded in Baarn, Holland on September 21 and October 4, 1966 | 4:40:37 (Pop-up) | |
Paul Bley | Into the Night | Blues for Red | Paul Bley – written by, piano • Recorded May 1989 at Barigozzi Studio, Milan | 4:45:58 (Pop-up) | |
Paul Bley | Bllood | Mr. Joy | Paul Bley - piano • Gary Peacock - bass • Billy Elgart - drums • Recorded May 10, 11 & 12, 1968 at Audio Recording Inc. Seattle and the University of Washington, Seattle | 4:51:25 (Pop-up) | |
DJ Bley Boy | 4:57:34 (Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
' Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the New York Times as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s '...
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Doomscroll
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1 1-liter bag Lactated Ringer's solution
syringe
needles, etc.
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We're a different species, don't ya know.
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adamdoesit:
Jazz historian Lewis Porter has been arguing at some length that the word Jazz begins in baseball, originally describing a kind of pitch. If the word offends, maybe substitute Slurve, Sinker, or another pitch of your choice.
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"During his 'money-performances', he burned money and wrote the word 'MONEY' with the ashes."
fred:
Stork:
we are drawing nigh on by-bye time. Thanks so much for hanging so long, so many of yuz!! Twas sweet solace - until next time ❤️❤️❤️❤️❤️❤️❤️
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Thanks, Stork
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