WFMU: Andrew Listfield: Playlist from June 21, 2006

Andrew Listfield: Playlist from June 21, 2006

Music of all kinds that hits me in the pit of my stomach, all arranged to find your sweet spot, too. Plus radio shows from the 1940s & 1950s: dramas, mysteries, sci-fi, detectives, and more.

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June 21, 2006: Show 184: filling in for Donna (listen to entire show / each individual set / each individual song)

The start and end times of each song and set are exact.

Show time: 11 PM - 2 AM

Listen to this show: Pop-up player!

(*** = special)

Artist Track Album Label Year Format Comments Images Special Approx. start time

Set 1 (Listen to this set: Pop-up) "Set 1"

Pauline Oliveros, Stuart Dempster, Panaiotis Lear (track 1) (Listen: Pop-up) Deep Listening New Albion Recorded inside an abandoned huge water cistern with an equally huge reverb time - up to 45 seconds. Accordion, didgeridoo, trombone, voice and found metal pieces all blend together to make something peaceful and glorious - and all without any electronic processing. ***

rhBand Track 4 (San Francisco 6/21/97) (Listen: Pop-up) First Tone Drunken Fish Slow and quiet start lead to heavier electronics - and help set up Speaker Swinging, which follows.

Gordon Monahan Speaker Swinging (Side A) (Listen: Pop-up) Speaker Swinging GM (Gordon Monahan) Imagine a darkened stage. Then imagine performers on that stage swinging illuminated speakers "helicopter-style in three 22 foot diameter circles." The resulting performance and soundscape are really spectacular. I've been hoping to play this piece again for years and, now that it has reappeared in the FMU library, I can.

Gordon Monahan puts it, in part, this way:

"Speaker Swinging grew out of a desire to animate the typical electronic music concert and, in effect, to realise the loudspeaker as a valid electronic music instrument in itself."

"Speaker Swinging was first inspired by hearing Trans Am automobiles cruising on a hot summer night with Heavy Metal blaring out of the windows. As the cars cruised by, there was that fleeting moment of wet, fluid music, when one tonality melts into another."

There are a bunch of pictures of a performance of Speaker Swinging here. ***

Mic break between Sets 1 & 2. Background music played during it: (Listen to this set: Pop-up)

Les Chakachas Love is like a Violin (track 4) Arriba! RCA International Phat, sentimental sound. Feels like it's the slow song at the record hop.

Set 2: the old radio show portion of the evening. (Listen to this set: Pop-up)

Pat Novak, For Hire Dixie Gillian Originally broadcast November 24, 1946. (no label) Jack Webb plays the severely down and out waterfront detective / do anything for money Pat Novak in this, the cult series that really launched his career. It is this series that resulted in his getting the role he is known for, as Sergeant Joe Friday on the radio and then TV series Dragnet.

This episode is the first in the Pat Novak series, which was known for its frequently absurdist and sharp one-liners.

Here are some from this episode:

"Her voice was OK, too - reminded you of a furnace full of marshmallows."

"It was so quiet, you could hear a worm with whooping cough."

"When it's finished, you've been through a lot of tight spots - like a piece of bubblegum in a set of false teeth."

"You couldn't hold a moth with a searchlight."

"It was like trying to walk a baby on a floor full of marbles." ***

Mic break between Sets 2 & 3. Background music played during it: (Listen to this set: Pop-up)

Les Chakachas Love is like a Violin (track 4) Arriba! RCA International Phat, sentimental sound. Feels like it's the slow song at the record hop.

Set 3: headlong into the percussive and beats-y. (Listen to this set: Pop-up)

Maxime de la Rochefoucauld Hexadecimal Formula (track 10) (Listen: Pop-up) Orchestraki Storyboard Sustained and easy tempo, warm and ambient percussiveness, best on this CD by far - and some other tracks are very good, indeed. They're from Quebec. ***

The Jesus Trip The Problem (track 5) (Listen: Pop-up) The Morning Star Bottled Rag Beats-y, easy tempo, kind of twisted and hallucinatory, even dreamy, pretty drugged out. Jesus Trip also does some punky stuff - I first heard of JT from Pat Duncan. ***

Cheb i Sabbah Alla Al 'Hbab: The Hydrophobia Remix (track 7) (Listen: Pop-up) La Ghriba: La Kahena Remixed Six Degrees

Mic break between Sets 3 & 4. Background music played during it: (Listen to this set: Pop-up)

Les Chakachas Love is like a Violin (track 4) Arriba! RCA International Phat, sentimental sound. Feels like it's the slow song at the record hop.

Set 4 (Listen to this set: Pop-up) "Set 4"

Urban Sax Urban Sax Part 1 (track 1) (Listen: Pop-up) Urban Sax FDC Slightly menacing sci-fi feel at the beginning, but becomes almost golden & almost organ music-like, slow, best at moderate volume, repeating harmonic tone / theme almost throughout. Live, they do some intense performance art. ***

Nadja Clinodactyl (track 1) (Listen: Pop-up) "Clinodactyl (track 1)" by "Nadja" Bodycage Profound Lore The masters of golden heaviness are baaaack. This piece: slow, dark, quiet, even peaceful, gradually becomes slightly active, some way-buried soft vocals, even a mad-church feel for a bit. ***

Flaming Fire Celesticide Anthem (track 1) (Listen: Pop-up) Aleph Nought: Transmission One Perhaps Transparent Classical organ-like, but definitely spaced.

End of show mic break. Background music played during it: (Listen to this set: Pop-up)

Les Chakachas Love is like a Violin (track 4) Arriba! RCA International Phat, sentimental sound. Feels like it's the slow song at the record hop.

Artist	Track	Album	Label	Comments	Special
Set 1 (Listen to this set: Pop-up) "Set 1"
Pauline Oliveros, Stuart Dempster, Panaiotis	Lear (track 1) (Listen: Pop-up)	Deep Listening	New Albion	Recorded inside an abandoned huge water cistern with an equally huge reverb time - up to 45 seconds. Accordion, didgeridoo, trombone, voice and found metal pieces all blend together to make something peaceful and glorious - and all without any electronic processing.	***
rhBand	Track 4 (San Francisco 6/21/97) (Listen: Pop-up)	First Tone	Drunken Fish	Slow and quiet start lead to heavier electronics - and help set up Speaker Swinging, which follows.
Gordon Monahan	Speaker Swinging (Side A) (Listen: Pop-up)	Speaker Swinging	GM (Gordon Monahan)	Imagine a darkened stage. Then imagine performers on that stage swinging illuminated speakers "helicopter-style in three 22 foot diameter circles." The resulting performance and soundscape are really spectacular. I've been hoping to play this piece again for years and, now that it has reappeared in the FMU library, I can. Gordon Monahan puts it, in part, this way: "Speaker Swinging grew out of a desire to animate the typical electronic music concert and, in effect, to realise the loudspeaker as a valid electronic music instrument in itself." "Speaker Swinging was first inspired by hearing Trans Am automobiles cruising on a hot summer night with Heavy Metal blaring out of the windows. As the cars cruised by, there was that fleeting moment of wet, fluid music, when one tonality melts into another." There are a bunch of pictures of a performance of Speaker Swinging here.	***

Mic break between Sets 1 & 2. Background music played during it: (Listen to this set: Pop-up)
Les Chakachas	Love is like a Violin (track 4)	Arriba!	RCA International	Phat, sentimental sound. Feels like it's the slow song at the record hop.

Set 2: the old radio show portion of the evening. (Listen to this set: Pop-up)
Pat Novak, For Hire	Dixie Gillian	Originally broadcast November 24, 1946.	(no label)	Jack Webb plays the severely down and out waterfront detective / do anything for money Pat Novak in this, the cult series that really launched his career. It is this series that resulted in his getting the role he is known for, as Sergeant Joe Friday on the radio and then TV series Dragnet. This episode is the first in the Pat Novak series, which was known for its frequently absurdist and sharp one-liners. Here are some from this episode: "Her voice was OK, too - reminded you of a furnace full of marshmallows." "It was so quiet, you could hear a worm with whooping cough." "When it's finished, you've been through a lot of tight spots - like a piece of bubblegum in a set of false teeth." "You couldn't hold a moth with a searchlight." "It was like trying to walk a baby on a floor full of marbles."	***

Mic break between Sets 2 & 3. Background music played during it: (Listen to this set: Pop-up)
Les Chakachas	Love is like a Violin (track 4)	Arriba!	RCA International	Phat, sentimental sound. Feels like it's the slow song at the record hop.

Set 3: headlong into the percussive and beats-y. (Listen to this set: Pop-up)
Maxime de la Rochefoucauld	Hexadecimal Formula (track 10) (Listen: Pop-up)	Orchestraki	Storyboard	Sustained and easy tempo, warm and ambient percussiveness, best on this CD by far - and some other tracks are very good, indeed. They're from Quebec.	***
The Jesus Trip	The Problem (track 5) (Listen: Pop-up)	The Morning Star	Bottled Rag	Beats-y, easy tempo, kind of twisted and hallucinatory, even dreamy, pretty drugged out. Jesus Trip also does some punky stuff - I first heard of JT from Pat Duncan.	***
Cheb i Sabbah	Alla Al 'Hbab: The Hydrophobia Remix (track 7) (Listen: Pop-up)	La Ghriba: La Kahena Remixed	Six Degrees

Mic break between Sets 3 & 4. Background music played during it: (Listen to this set: Pop-up)
Les Chakachas	Love is like a Violin (track 4)	Arriba!	RCA International	Phat, sentimental sound. Feels like it's the slow song at the record hop.

Set 4 (Listen to this set: Pop-up) "Set 4"
Urban Sax	Urban Sax Part 1 (track 1) (Listen: Pop-up)	Urban Sax	FDC	Slightly menacing sci-fi feel at the beginning, but becomes almost golden & almost organ music-like, slow, best at moderate volume, repeating harmonic tone / theme almost throughout. Live, they do some intense performance art.	***
Nadja	Clinodactyl (track 1) (Listen: Pop-up) "Clinodactyl (track 1)" by "Nadja"	Bodycage	Profound Lore	The masters of golden heaviness are baaaack. This piece: slow, dark, quiet, even peaceful, gradually becomes slightly active, some way-buried soft vocals, even a mad-church feel for a bit.	***
Flaming Fire	Celesticide Anthem (track 1) (Listen: Pop-up)	Aleph Nought: Transmission One	Perhaps Transparent	Classical organ-like, but definitely spaced.

End of show mic break. Background music played during it: (Listen to this set: Pop-up)
Les Chakachas	Love is like a Violin (track 4)	Arriba!	RCA International	Phat, sentimental sound. Feels like it's the slow song at the record hop.

Andrew Listfield: Playlist from June 21, 2006

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