Andrew Listfield:
Playlist
from February 24, 2002
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Music of all kinds that hits me in the pit of my stomach, all arranged to find your sweet spot, too. Plus radio shows from the 1940s & 1950s: dramas, mysteries, sci-fi, detectives, and more.
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February 24, 2002: Show 148 (listen to entire show / each individual set / each individual song)
The start and end times of each song and set are exact.
Show time: 3 AM - 6 AM
Listen to this show:
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(*** = special)
| Artist | Track | Album | Comments | Special | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
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Set 1: quiet, but not always gentle. (Listen to this set: Pop-up) |
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| Yann Tomita |
"Magic Music Of The Spheres" (CD #2, track 6)
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Music For Living Sound: Cool Sounds From Real Life | A 23 minute, somehow spaced-out in its own way recording of a wind harp. | |||||||
| Amy Denio & Petunia |
"Hopeful Id" (track 3)
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To Lie Tenderly | Gentle and quiet. | |||||||
| John Bischoff |
"Immaterial States" (track 6)
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Music From Mills 2001 | The piece made me imagine a plane, slowly flying up through the clouds and then back down. And it's all based on a looped segment of whispered text. | |||||||
| Six Organs Of Admittance |
"Regeneration" (track 2)
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|
Dark Noontide | Warm and quiet. | |||||||
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Background music played during mic break: |
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| Les Chakachas |
"Love is like a Violin" (track 4)
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|
Arriba! | Another monster from Les Chakachas. Gigantic sound. Imagine it's the slow song at the record hop.... | |||||||
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Set 2: the old radio show portion of the evening. |
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| Hall Of Fantasy |
"The Tell-Tale Heart"
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- | A fantastic performance, and really over the top. A definitive example of grade B horror. Originally broadcast on June 1, 1953. | *** | ||||||
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Background music played during mic break: |
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| Les Chakachas |
"Love is like a Violin" (track 4)
(Listen:
Pop-up)
|
Arriba! | Another monster from Les Chakachas. Gigantic sound. Imagine it's the slow song at the record hop.... | |||||||
|
Set 3: occasionally ominous and throbbing psych, psych rock. (Listen to this set: Pop-up) |
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| Makoto Kawabata & Richard Youngs |
(no title) (track 3)
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Makoto Kawabata & Richard Youngs | Fairly quiet, a little spaced, sharp and shimmering. | |||||||
| Experimental Audio Research |
"In The Cold Light Of Day" (track 3)
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Beyond The Pale | Fairly quiet, a little warmer and fuller sound in gradual waves. | |||||||
| Troum |
"Dhren" (track 2: faded out by -0:55)
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Tjukurrpa (Pt. 2) | Quiet, ominous start, builds a little in intensity, low-key throbbing. | |||||||
| Black Sun Ensemble |
"whirlpool ocean" (track 7)
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Hymn Of The Master | Heading in the rock direction. | |||||||
| Brother JT |
"Jesus Guitar/1st Thoughts" (track 1: begun at -3:04, ended at -0:57)
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Maybe We Should Take Some More? | ||||||||
| MC 5 |
"Looking At You" (track 1)
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Power Trip | Even though recorded in a studio and not before an audience, they still had plenty of raw power. Great. | |||||||
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Background music played during mic break: |
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| Les Chakachas |
"Love is like a Violin" (track 4)
(Listen:
Pop-up)
|
Arriba! | Another monster from Les Chakachas. Gigantic sound. Imagine it's the slow song at the record hop.... | |||||||
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Set 4: From long, dark & acidy to heavy rock. (Listen to this set: Pop-up) |
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| Pacific 231 |
"Montreal 85 (LP Original) (track 1: ended at -0:45)
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Power Assume | Dark, acid, some sharp edges, pretty druggy, builds to climax then quiets down. | |||||||
| Sunn |
"Death Becomes You" (track 2: ended at -1:00)
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Flight Of The Behemoth | Heavy, sustained, instrumental. | |||||||
| Howl In The Typewriter |
(no title) (track 5)
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Grand Theft Audio | Steady, a bit of an edge, urgent. | |||||||
| Nerve Agents |
"The Poisoning" (track 8)
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Pop-up)
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Give 'Em The Boot III (various artists) | On the fast and heavy side. | |||||||
|
Background music played during mic break: |
||||||||||
| Les Chakachas |
"Love is like a Violin" (track 4)
(Listen:
Pop-up)
|
Arriba! | Another monster from Les Chakachas. Gigantic sound. Imagine it's the slow song at the record hop.... | |||||||
|
Set 5: a quiet way to end the show. (Listen to this set: Pop-up) |
||||||||||
| Sequentia |
"O Virgo Ecclesia" (track 13)
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Hildegard Von Bingen: Voice Of The Blood | Quite beautiful. And only 900 years...young. | |||||||
| Rabih Abou-Khalil |
"Fraises et Creme Fraiche" (track 3)
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The Cactus Of Knowledge | Fairly quiet, prominent cello. | |||||||
| Augustus Pablo |
"Kushites Dub" (track 2)
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|
Valley Of Jehosaphat | ||||||||
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