Music for your inner 17-year old.
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Artist | Track | Album | Label | Comments | New | Approx. start time | ||||
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Angles 9 Injuries | European Boogie | s/t | Clean Feed | * | 0:00:00 (Pop-up) | |||||
Charles Bradley | Changes | 7" | Daptones | * | 0:07:08 (Pop-up) | |||||
Clone | Son of Octabred, Part 1 | Son of Octabred | Dead-Cert | * | 0:12:07 (Pop-up) | |||||
Half-Church | TV Screen | 1980-1986 | Captured Tracks | * | 0:22:06 (Pop-up) | |||||
Total Control | Hunter | Typical System | Iron Lung | * | 0:25:24 (Pop-up) | |||||
Warthog | Expiration | 7" | Iron Lung | * | 0:28:56 (Pop-up) | |||||
Fucked Up | The Great Divide | Glass Boys | Matador | * | 0:31:46 (Pop-up) | |||||
Whore Paint | Second Shift | 7" | Anchor Brain | * | 0:34:12 (Pop-up) | |||||
Coffins | Dishuman | The Fleshland | Relapse | * | 0:35:59 (Pop-up) | |||||
Nekrofilth | Blood Bug | Devil's Breath | Hells Headbangers | * | 0:39:15 (Pop-up) | |||||
Madalyn Merkey | Archipelago | Valley Girl | New Images | * | 0:46:38 (Pop-up) | |||||
Ex-Cocaine | I Had to Get Myself Lost | Freeload Soundtrack (V/A) | Killertree | * | 0:56:59 (Pop-up) | |||||
Steve Earle | CCKMP | I Feel Alright | Warner Bros. | 0:58:44 (Pop-up) | ||||||
Rev. Norris Turner | Lord Have Mercy On The People of This World | The Original Golden Stars of Greenwood, SC | Gospel Friend | * | 1:03:17 (Pop-up) | |||||
The Doubleclicks | Oh, Mr. Darcy | Chainmail and Cello | [no label] | * | 1:06:46 (Pop-up) | |||||
Bad Family | Off to Bed | s/t | Unwound | * | 1:09:54 (Pop-up) | |||||
Cock Sparrer | I Got Your Number | Shock Troops | Step-1 | * | 1:13:44 (Pop-up) | |||||
Cabaret Voltaire | Nag Nag Nag | #7885: Electropunk to Technopop 1978-1985 | Mute | * | 1:16:30 (Pop-up) | |||||
Rancid Hell Spawn | Dengue Doll | 7" | Wrench | * | 1:21:08 (Pop-up) | |||||
Holly Hunt | Prometheus | Prometheus | Other Electricities / Sonic Titan | * | 1:23:29 (Pop-up) | |||||
High Mountain Tempel | Vu Lan Ghost (A Solemn Sharing) | Gnosis | Lotus House | * | 1:32:18 (Pop-up) | |||||
Andy Pyne | Bastinado | Naming Nothing | Foolproof Projects | * | 1:48:23 (Pop-up) | |||||
Kurws | Strefa Euro [Eurozone] | Wszystko Co Stale Rozplywa Sie W. Powietrzu | Gusstaff | * | 1:50:41 (Pop-up) | |||||
The Cats | Mary's Garage, Wigs & Hats | Relax on Everyone | [no label] | * | 1:54:57 (Pop-up) | |||||
Dan Melchior und Das Menace | Hunger | Hunder | Castle Face | * | 1:57:40 (Pop-up) | |||||
Michael Morley | Cndysys | 7" | Even More Important | * | 2:02:17 (Pop-up) | |||||
Tombs | Legacy | Savage Gold | Relapse | * | 2:04:31 (Pop-up) | |||||
Nocturnal Graves | Ascension Through Lucifer's Might | Hells Headbangers Vol. 7 (V/A) | Hells Headbangers | * | 2:08:33 (Pop-up) | |||||
Ben Frost | Venter | Aurora | Mute | * | 2:12:20 (Pop-up) | |||||
Ski Patrol | Everything is Temporary | Versions of a Life | Definitive Gaze | * | 2:19:04 (Pop-up) | |||||
Aus Decline | Body Hit | Fluxion | Synthetic Shadows | * | 2:23:16 (Pop-up) | |||||
A Sunny Day in Glasgow | Golden Waves | Sea When Absent | Lefse | * | 2:31:05 (Pop-up) | |||||
Orange Juice | Dying Day | You Can't Hide Your Love | Domino | 2:35:39 (Pop-up) | ||||||
Pete Um | Character is Destiny | Giraffe | Gist | * | 2:38:38 (Pop-up) | |||||
Amigo Tropical | The Song About Bodies | Sandcastles in the Sand | [no label] | * | 2:39:17 (Pop-up) | |||||
George Brigman | Jungle Rot | Punk 45 Vol. 3: Sick on You! One Way Spit! After the Love & Before the Revolution: Proto-punk 1969-1976 (V/A) | Soul Jazz | * | 2:49:32 (Pop-up) | |||||
Iron Man | Generation Void | Generation Void | Brainticket | ` | * | 2:53:15 (Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
...'the band’s musicality was generally overlooked, but they possessed an inventiveness and fluency that, in hindsight, makes them seem as much of a progressive-rock band as a heavy-metal one. Their lengthy songs had frequent meter changes, like the works of such peers as Jethro Tull (to which Iommi briefly belonged) and Yes (with whom Black Sabbath toured). There was ample room for improvisation, and Iommi, Butler and Ward were up to the task. In fact, Black Sabbath could swing with a jazzy temperament using bluesy forms and scales. Consider some of their influences: Drummer Ward grew up listening to Count Basie, bassist Butler had his head turned by Frank Zappa, guitarist Iommi found inspiration in gypsy-jazz guitarist Django Reinhardt, and vocalist Osbourne was a rabid fan of soul music in general and Sam and Dave in particular. His voice was melodic and well-pitched, and he never resorted to the sort of histrionic screaming that became a hallmark of metal’s lesser lights'...
- Enjoying.
Martha:
Richard from Venezuela:
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Clay Pigeon:
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Ken From Hyde Park:
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