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I play music that is old and that is new. Some of it is digital while some is analog. It is from many different countries; sometimes it is loud and at other times it is quiet.
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July 30, 2016: Home is where you reminisce when you are far away and sing with sorrow
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Artist | Track | Album | Label | Year | Comments | Approx. start time | ||||
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Alexis Zoumbas | Epirotiko Mirologi (Lament From Epirus) | A Lament For Epirus 1926-1928 | Angry Mom Archives | 2014 | ||||||
Mitsue Yokoi (so), Masakazu Sato 横井みつゑ, 佐藤正和 | Chidori no kyoku (Ikuta-ryu)千鳥の曲(生田流) | Japanese Traditional Music (So/Shamisen 1941) 日本伝統音楽「箏・三味線1941年」 | World Arbiter | 2011 | Original 1941 | 0:04:13 (Pop-up) | ||||
Toraja | Simbong [excerpt] | Sulawesi: Festivals, Funerals, and Work • Music of Indonesia 18 | Smithsonian Folkways | 1999 | 0:08:01 (Pop-up) | |||||
Melinting People | Tabuh Cetik | Music of Indonesia 12: Gongs and Vocal Music from Sumatra | Smithsonian Folkways | 1996 | 0:12:49 (Pop-up) | |||||
Peter Van Riper | Direct Contact side 2 | Direct Contact | Self-released | 1994 | 0:13:59 (Pop-up) | |||||
Haruomi Hosono 細野晴臣 | Wheels On Fire | Paradise View | Monad Records | 1985 | 0:34:27 (Pop-up) | |||||
Unknown | Bamboo Drums and Dance of Summer | Tahiti: The Gauguin Years: Songs And Dances | Nonesuch Records | 2003 | Original 1968 | 0:37:13 (Pop-up) | ||||
Dock Boggs | Schottische Time | His Folkways Years 1963-1968 | Smithsonian Folkways | 1998 | 0:40:11 (Pop-up) | |||||
Seijin Noborikawa 登川誠仁 | Tunbaru Nahkunee Miyako-on ~ Hantabaru 富原ナークニー (宮古音)~はんた原 | Churabiki Okinawa Shimauta 美ら弾き 沖縄島唄 | Victor | 1991 | 0:41:20 (Pop-up) | |||||
Saboten サボテン | Jitensha 自転車 (bicycle) | Mezameru 目覚める | Sabot Records | 1992 | 0:45:48 (Pop-up) | |||||
Víťazoslav Kubička | Venované Musorgskému | Nová Generácia: Experimental Studio Bratislava Series 2 | 4mg Records | 2016 | Original 1983 | 1:07:06 (Pop-up) | ||||
Simon Fisher Turner | How Blue Sky Was | Caravaggio 1610 | Él | 1986 | 1:16:00 (Pop-up) | |||||
Hermann Kopp | Foltergarten | Mondo Carnale Best Of 1981- 1989 | Vinyl-on-demand | 2005 | 1:18:55 (Pop-up) | |||||
Tentatively, A Convenience | Limpolysemia | Significantly Different From The Other One | Tentatively, A Convenience | 2016 | 1:24:52 (Pop-up) | |||||
Alfred 23 Harth | Track 16 | Kepler-452b Edition | Kendra Steiner Editions | 2016 | 1:31:13 (Pop-up) | |||||
After Dinner | Glass Tube | After Dinner | Recommended Records | 1984 | 1:37:43 (Pop-up) | |||||
Matthew Bourne | I Loved Her, Madly | Moogmemory | The Leaf Label Ltd. | 2015 | 1:43:44 (Pop-up) | |||||
Colin Potter | All Reel | A Gain | ICR | 1982 | 1:55:34 (Pop-up) | |||||
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Listener comments!
listener james from westwood:
fred:
Ken From Hyde Park:
listener james from westwood:
Mayuko:
Ken From Hyde Park:
Dave B:
Mayuko:
Dave B:
fred:
fred:
Mayuko:
fred:
listener james from westwood:
Mayuko:
Mayuko:
fred:
listener james from westwood:
Dave B:
Dave B:
fred:
Mayuko:
Mayuko:
Mayuko:
fred:
Mayuko:
Dave B:
www.movingimage.us...
fred:
Mayuko:
fred:
coelacanth:
fred:
Ken From Hyde Park:
Dave B:
coelacanth:
Mayuko:
Mayuko:
coelacanth:
(i'm not of "eastern" descent)
fred:
Mayuko:
listener james from westwood:
This Bourne track is exceptional.
coelacanth:
Mayuko:
Mayuko:
fred:
coelacanth:
...fred i'm sorry to hear that about the cholesteatoma.
fred:
coelacanth:
Ken From Hyde Park:
listener james from westwood:
coelacanth:
Mayuko:
Webhamster Henry:
Mayuko: