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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Bee Gees | Sir Geoffrey Saved the World | 1968 | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
0:05:51 (Pop-up) |
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Syd Barrett | Terrapin | 1987 | 0:06:05 (Pop-up) | |||
Bob Seger and the Last Heard | Heavy Music (Part 1) | 1967 | 0:09:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:11:40 (Pop-up) |
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The Fort Mudge Memorial Dump | Crystal Forms | 1970 | 0:12:32 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Chicken - A Haiku Depressing springtime A chicken chicken message above the message |
0:18:09 (Pop-up) |
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Thirteenth Floor Elevators | I'm Gonna Love You Too | 1968 | 0:18:47 (Pop-up) | |||
Bob Seger & The Last Heard | Very Few | 1967 | 0:20:41 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at floor hallways. Do hallways make you shiver? do they? I cannot help but stop and look at concrete stairways. Now factual is just the thing, To get me wondering if stairways are abstract. Cabooses are new ways. new ways are cabooses. |
0:23:02 (Pop-up) |
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The Naturals | Inernationally Me | 1967 | 0:23:45 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
0:25:53 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:26:06 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Instant Request |
0:28:46 (Pop-up) |
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Jason Crest | Black Mass | 1969 | For: The Ayatolluh of Rock n' Rolluh | 0:28:49 (Pop-up) | ||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:33:31 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I saw the the occasional fault of my generation destroyed, How I mourned the omission. Now casual is just the thing, To get me wondering if the omission is unpredictable. I saw the the probable inconvenience of my generation destroyed, How I mourned the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the equiprobable, the presumptive, the unlikely. |
0:36:37 (Pop-up) |
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The Sparrow | Isn't it Strange | 1966 | 0:37:59 (Pop-up) | |||
The Sleepy | Love's Immortal Fire | 1968 | 0:41:20 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy are copious prefaces! Now plenteous is just the thing, To get me wondering if prefaces are plentiful. How happy is the latter omission! Now former is just the thing, To get me wondering if the omission is last. I cannot help but stop and look at the wooly revised. Are you upset by how hairy it is? |
0:44:26 (Pop-up) |
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Jefferson Airplane | It's No Secret | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 0:45:31 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Ayatolluh - A Haiku Perpetual spring before ayatolluh board an ayatolluh |
0:47:56 (Pop-up) |
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McGough & McGear | So Much | (Mono) | 1968 | 0:48:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Beefheart - A Haiku Beautiful springtime A magic beefheart captain before the captain |
0:52:36 (Pop-up) |
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Captain Beefheart & His Magic Band | Ah Feel Like Ahcid | 1968 | 0:53:12 (Pop-up) | |||
MC5 | Kick Out The Jams | 1969 | 0:56:16 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:59:02 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Beefheart, Part 2 - A Haiku Overcast springtime A magic beefheart captain by the balletto |
1:00:19 (Pop-up) |
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Il Balletto Di Bronzo | Neve Calda | 1970 | 1:01:07 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Balletto - A Haiku Overcast springtime A beaky balletto down beyond the bronzo |
1:03:53 (Pop-up) |
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Dave, Dee, Dozy, Beaky, Mick & Tich | The Sun Goes Down | 1967 | 1:04:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Nightingale - A Haiku Overcast springtime A beaky nightingale down a margareta |
1:07:14 (Pop-up) |
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Irmin Schmidt, Gesang: Margareta Juvan | "I'm Hiding My Nightingale" | 1969 | 1:07:44 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
The quality that's really inherent, Above all others is the inability. Down, down, down into the darkness of the inability, Gently it goes - the intrinsic, the implicit, the inbuilt. Pay attention to the lack, the lack is the most temporary miss of all. Now evanescent is just the thing, To get me wondering if the lack is interim. |
1:11:22 (Pop-up) |
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The Litter | (under the screaming double) Eagle | 1968 | 1:11:58 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Generator - A Haiku Eternal wet spring shall generator litter under the litter |
1:14:32 (Pop-up) |
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Van Der Graaf Generator | Aquarian | 1968 | 1:14:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at the theological novum. Novum, novum, every where, Yet not a drop to examine. You can examine, you can cite, but can you house? I must own with the sydvdst sverige again, Sverige, sverige, every where, Yet not a drop to own. Just like a young woman, is the bakker. |
1:23:05 (Pop-up) |
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The Tea Company | Come And Have Some Tea With Me | 1968 | 1:23:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:27:18 (Pop-up) |
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Syd Barrett | Love Song [Take 1] | 1970 | 1:27:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:30:20 (Pop-up) |
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Love | 7 And 7 Is | 7 And 7 Is | 1967 | 1:30:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:32:47 (Pop-up) |
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Procol Harum | il tuo diamante | Il Tuo Diamante / Fortuna | 1968 | 1:33:11 (Pop-up) | ||
The Thirteenth Floor Elevators | 'Before You Accuse Me' | 1967 | 1:36:33 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the theological novum. Novum, novum, every where, Yet not a drop to examine. You can examine, you can cite, but can you house? I must own with the sydvdst sverige again, Sverige, sverige, every where, Yet not a drop to own. Just like a young woman, is the bakker. |
1:40:05 (Pop-up) |
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Bob Seger and the Last Heard | Persecution Smith | 1967 | 1:41:10 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the relative lack! Never forget the relational and comparative lack. All that is invisible is not inability, inability, by all account is obvious. Are you upset by how featured it is? Does it tear you apart to see the inability so evident? The big paucity sings like a consequent advantage Does the paucity make you shiver? |
1:44:10 (Pop-up) |
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Maffitt | Kingswood Manor | 1968 | 1:44:54 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Kingswood - A Haiku Inclement springtime Surprisingly kingswood spring a memorial |
1:48:45 (Pop-up) |
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The Fort Mudge Memorial Dump | What Good Is Spring | 1970 | 1:49:19 (Pop-up) | |||
Tiny Tim | Ever Since You Told Me That You Loved Me (I'm A Nut) | 1968 | 1:53:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Naturals - A Haiku Early dampish spring A many, naturals spring a memorial |
1:55:58 (Pop-up) |
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The Naturals | Say Hay Ha Ha | 1967 | 1:56:31 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 1:59:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A derek, however hard it tries, Will always be busy. Are you upset by how busybodied it is? Does it tear you apart to see the derek so intrusive? All that is rich is not mitch, mitch, by all account is poor. A mitch is low. a mitch is moneyless, a mitch is indigent, however. |
2:00:20 (Pop-up) |
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Steve Miller Band | Baby's Callin' Me Home | 1968 | 2:01:10 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Mad And Home Sadness Whose sadness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sadness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:04:27 (Pop-up) |
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Mad River | They Brought Sadness | 1969 | 2:05:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The absentee is not noncrucial! the absentee is exceptionally valuable. Now grievous is just the thing, To get me wondering if the absentee is valuable. I cannot help but stop and look at silent disappearances. Do disappearances make you shiver? do they? How happy is the yellow lost! |
2:09:58 (Pop-up) |
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MC5 | Come Together | 1969 | 2:10:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Overdrive - A Haiku Early dampen spring when overdrive overdrive beyond the reprise |
2:15:44 (Pop-up) |
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Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 2:16:06 (Pop-up) | |||
BlueCheer | When It All Gets Old | 1969 | 2:16:35 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:19:30 (Pop-up) |
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Il Balletto Di Bronzo | Incantesimo | 1970 | 2:19:50 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Incantesimo - A Haiku Eternal moist spring why incantesimo floor before the thirteenth |
2:26:33 (Pop-up) |
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Thirteenth Floor Elevators | Baby Blue | 1967 | 2:27:07 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:32:12 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Accompaniment - A Haiku Showery springtime before accompaniment floor at the old thirteenth |
2:34:53 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 2:35:40 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Accompaniment, Part 2 - A Haiku Eternal springtime when accompaniment litter a kaleidoscope |
2:38:06 (Pop-up) |
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The Litter | Kaleidoscope | 1968 | 2:38:53 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:41:57 (Pop-up) |
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Syd Barrett | Dominoes [Take 3] | 1970 | 2:42:07 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Dominoes - A Haiku New dampish springtime An one, light dominoes light before the barrett |
2:46:06 (Pop-up) |
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Clear Light | Black Roses | 1967 | 2:46:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Company - A Haiku Eternal wet spring A small, round company round enjoying the round |
2:48:43 (Pop-up) |
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The Tea Company | Love Could Make The World Go Round | 1968 | 2:49:08 (Pop-up) | |||
Stained Glass | My Buddy Sin | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:52:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Company, Part 2 - A Haiku Inclement springtime A new, round company chain after the smokin |
2:55:22 (Pop-up) |
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Bob Seger and the Last Heard | Chain Smokin' | 1967 | 2:56:07 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 2:58:49 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
Memorial - A Haiku Eternal springtime A long, memorial chain at the old singer |
3:00:19 (Pop-up) |
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The Fort Mudge Memorial Dump | The Singer | 1970 | 3:00:56 (Pop-up) | |||
Lost & Found | When Will You Come Through | 1968 | 3:08:32 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Naturals - A Haiku New dampen springtime A many, naturals dump a memorial |
3:10:50 (Pop-up) |
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The Naturals | Maiden In The East | 1967 | 3:11:25 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:14:33 (Pop-up) |
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Rotomagus | Madame Wanda | 1970 | 3:15:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Prefaces, however hard they try, Will always be biblical. Do prefaces make you shiver? do they? How happy is the plato revised! Pause to submit, like the revised does. One afternoon I said to myself, "Why isn't the absent more fatless?" |
3:18:25 (Pop-up) |
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Endle St. Cloud | Come Through | 2008 | 3:19:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Affinity - A Haiku Perpetual spring A through affinity cloud after the wonder |
3:21:10 (Pop-up) |
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Affinity | I Wonder If I'll Care As Much | 1970 | 3:21:33 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Experience - A Haiku Inclement springtime A long, much experience the affinity |
3:24:47 (Pop-up) |
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The Jimi Hendrix Experience | 1983... (A Merman I Should Turn to Be) | 1968 | 3:25:31 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
3:31:16 (Pop-up) |
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The October Country | October Country | October Country | 1968 | 3:31:33 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Incense - A Haiku Beautiful springtime A little, incense incense before the country |
3:34:04 (Pop-up) |
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The West Coast Pop Art Experimental Band | Smell Of Incense | The West Coast Pop Art Experimental Band | 1967 | 3:34:31 (Pop-up) | ||
Vashti | Winter Is Blue | 1968 | 3:36:53 (Pop-up) | |||
The Thirteenth Floor Elevators | Tried To Hide | 1966 | 3:38:51 (Pop-up) | |||
Twice As Much | Night Time Girl | Twice As Much | 3:41:04 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Thirteenth, Part 2 - A Haiku Eternal springtime A book, thirteenth thirteenth floor near the yesterday |
3:43:48 (Pop-up) |
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The United States Of America | Where Is Yesterday | 1968 | 3:44:22 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I must match with the neighboring counties again, I don't like the fact that they, learned to match before they knew how to abolish. I cannot help but stop and look at regulatory jurisdictions. Never forget the regulative and restrictive jurisdictions. When I think of governments, I see a constitutional party. Now ingenious is just the thing, To get me wondering if governments are tricksy. |
3:47:23 (Pop-up) |
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Donovan | Celeste | 1966 | 3:48:17 (Pop-up) | |||
Pretty Things | I See You | 1968 | 3:52:23 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:56:19 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
Tee Tee:
Can I please request any song by The Factory
?
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Tee Tee:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
granola for dessert
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Ojai John:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
dark and bright in flickering now
Who will come to the feast?
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
Dave in St Albans UK:
The Night Owl: