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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Syd Barrett | Effervescing Elephant | 1987 | ||||
The Naturals | Theme From A Natural | 1967 | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I must match with the neighboring counties again, I don't like the fact that they, learned to match before they knew how to abolish. I cannot help but stop and look at regulatory jurisdictions. Never forget the regulative and restrictive jurisdictions. When I think of governments, I see a constitutional party. Now ingenious is just the thing, To get me wondering if governments are tricksy. |
0:06:47 (Pop-up) |
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The Tea Company | You Keep Me Hangin' On | 1968 | 0:07:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the cloudy day. Down, down, down into the darkness of the day, Gently it goes - the overcast, the cloudlike, the threatening. The trained worker that's really clever, Above all others is the man. A man is cunning. a man is canny, a man is adroit, however. When I think of the thing, I see bad eyes. |
0:17:18 (Pop-up) |
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Affinity | Three Sisters | 1970 | 0:18:03 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:22:58 (Pop-up) |
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Jefferson Airplane | Plastic Fantastic Lover | 1967 | 0:23:17 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
0:25:47 (Pop-up) |
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Rotomagus | Eros | 1970 | 0:26:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at the usual unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the familiar, the customary, the regular. How happy is the occasional lack! Now unpredictable is just the thing, To get me wondering if the lack is episodic. Omission is conspicuous feature. conspicuous feature is omission. |
0:28:17 (Pop-up) |
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The Jimi Hendrix Experience | Moon, Turn The Tides...gently gently away | 1968 | 0:29:10 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Tidesgently - A Haiku Beautiful springtime before through tidesgently the experience |
0:37:57 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 0:38:37 (Pop-up) | ||
The Byrds | Lady Friend | Lady Friend | 1967 | 0:42:07 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Professor - A Haiku Darkening springtime A late, through professor found because of the things |
0:44:34 (Pop-up) |
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Lost & Found | Professor Black | 1968 | 0:45:08 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Professor, Part 2 - A Haiku Eternal springtime A german, professor found an america |
0:49:09 (Pop-up) |
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The United States Of America | Coming Down | 1968 | 0:49:34 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Catalyptic - A Haiku Perpetual spring before catalyptic down an america |
0:52:11 (Pop-up) |
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Aorta | Catalyptic | 1969 | 0:52:45 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:56:29 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 0:59:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the true david. Now loyal is just the thing, To get me wondering if the david is untruthful. I cannot help but stop and look at the selby harrison. Does the harrison make you shiver? does it? The wooly doug sings like a sorry bit A doug is muzzy. a doug is hirsute, |
1:00:19 (Pop-up) |
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Chris Farlowe | Paint It Black | 1968 | 1:01:18 (Pop-up) | |||
Tyrannosaurus Rex | Do You Remember | 1969 | 1:04:44 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the wonderful dave! Now tremendous is just the thing, To get me wondering if the dave is wondrous. All that is large is not greg, greg, by all account is little. Does the greg make you shiver? does it? How happy are fat jenkins! |
1:06:55 (Pop-up) |
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Peter Cook and Dudley Moore | The L.S. Bumble Bee | 1967 | 1:07:43 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Productions - A Haiku Darkening springtime An own, productions sample despite the trident |
1:10:21 (Pop-up) |
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Mecki Mark Men | Free | 1967 | 1:16:16 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Picture - A Haiku Darkening springtime A big, deep picture picture before the motion |
1:20:22 (Pop-up) |
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CAN | Mother Sky (from the Motion Picture "Deep End") | 1970 | 1:20:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Barrett - A Haiku Eternal springtime A golden barrett picture into the version |
1:35:17 (Pop-up) |
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Syd Barrett | Golden Hair (Vocal Version) | 1989 | 1:35:40 (Pop-up) | |||
The Tea Company | Make Love, Not War | 1968 | 1:37:18 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Instrumental - A Haiku Eternal springtime when instrumental mother the funkadelic |
1:39:44 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:40:32 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Accompaniment - A Haiku Perpetual spring why accompaniment mother an instrumental |
1:46:41 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 1:47:15 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
Accompaniment, Part 2 - A Haiku Beautiful springtime before accompaniment cock a rotomagus |
1:49:41 (Pop-up) |
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Rotomagus | Fightin' Cock | 1971 | 1:50:10 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
One afternoon I said to myself, "Why isn't the absent more less?" An absent is less. an absent is more than, an absent is additional, however. I cannot help but stop and look at the getting lost. Does the lost make you shiver? does it? I cannot help but stop and look at the yellow stolen. |
1:54:23 (Pop-up) |
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The Jimi Hendrix Experience | Voodoo Child (Slight Return) | 1968 | 1:55:03 (Pop-up) | |||
GTO's: Girls Together Outrageously | The Captain's Fat Theresa Shoes | 1969 | 2:00:04 (Pop-up) | |||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 2:00:19 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Experience - A Haiku Beautiful springtime How coloured experience at the old hapshash |
2:01:13 (Pop-up) |
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Hapshash And The Coloured Coat | H-O-P-P-Why? | 1967 | 2:01:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Because I could not survive for holocaust, it did kindly survive for me. I don't like the fact that it, learned to survive before it knew how to emigrate. It does survive, it does emigrate, it does immigrate. A catastrophe, however hard it tries, |
2:09:21 (Pop-up) |
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The Cape Kennedy Construction Company | Armageddon | 1969 | 2:10:13 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Because I could not survive for holocaust, it did kindly survive for me. I don't like the fact that it, learned to survive before it knew how to emigrate. It does survive, it does emigrate, it does immigrate. A catastrophe, however hard it tries, |
2:15:48 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 2:16:22 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Supernatural - A Haiku Perpetual spring supernatural mushroom out of strawberry |
2:19:21 (Pop-up) |
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Art | Supernatural Fairy Tale | 1967 | 2:19:43 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Supernatural, Part 2 - A Haiku Beautiful springtime where supernatural grab after the kingsley |
2:23:13 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 2:23:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Or And Iron Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:28:58 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 2:29:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The Iron And Party Butterfly Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:34:34 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:35:17 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:39:43 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:39:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Whose butterfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her butterfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:02 (Pop-up) |
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Bee Gees | With the Sun in My Eyes | 1968 | 2:42:44 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Barrett - A Haiku Early dampish spring An obvious barrett take enjoying the gees |
2:46:16 (Pop-up) |
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Syd Barrett | It Is Obvious [Take 1] | 1970 | 2:46:38 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the worthy trevor! Now notable is just the thing, To get me wondering if the trevor is valuable. I cannot help but stop and look at the kieffer olsen. Does the olsen make you shiver? does it? A bernard, however hard it tries, Will always be wooly. |
2:49:27 (Pop-up) |
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Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 2:50:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A presence, however hard it tries, Will always be permanent. Does the presence make you shiver? does it? The need that's really inherent, Above all others is the lack. A lack is intrinsical. a lack is inexplicit, a lack is constitutional, however. |
2:53:30 (Pop-up) |
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White Noise | The Visitation | 1969 | 2:54:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Visitation - A Haiku Depressing springtime A white visitation noise a rotomagus |
3:00:19 (Pop-up) |
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Rotomagus | The Sky Turns Red | 1971 | 3:00:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The scarcity that's really temporary, Above all others is the dearth. Now interim is just the thing, To get me wondering if the dearth is ephemeral. The cognition that's really genuine, Above all others is the inability. An inability is unfeigned. an inability is veritable, an inability is true, however. |
3:03:36 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 3:04:16 (Pop-up) | |||
Howlin' Wolf | Smokestack Lightning | 1968 | 3:05:25 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why isn't the turbojet more nonmodern?" A turbojet is fashionable. a turbojet is recent, a turbojet is forward-looking, however. Why would you think the turboprop is nuclear? the turboprop is the most conventional propeller plane of all. Does the turboprop make you shiver? does it? |
3:06:35 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 3:07:35 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Quicksilver - A Haiku Depressing springtime A pure, quicksilver service on the messenger |
3:10:46 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 3:11:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Quicksilver, Part 2 - A Haiku Perpetual spring A more, quicksilver service by the messenger |
3:16:29 (Pop-up) |
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Procol Harum | Quite Rightly So | 1968 | 3:17:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Procol - A Haiku Beautiful springtime suddenly light procol light whilst watching the floyd |
3:20:32 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 3:20:55 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The Light And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:26:09 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 3:26:55 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Quicksilver - A Haiku Perpetual spring A more, quicksilver machine on the messenger |
3:38:56 (Pop-up) |
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The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 3:39:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Sagittarius - A Haiku New dampness springtime when sweet sagittarius at the old machine |
3:42:02 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:42:34 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
Sagittarius, Part 2 - A Haiku Overcast springtime happy sagittarius out of butterfly |
3:45:22 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 3:45:51 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:47 (Pop-up) | ||||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 3:58:27 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 4:00:31 (Pop-up) |
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Listener comments!
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Night Owl:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
CC:
Yvang:
CC:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
CC:
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Yvang:
The Ayatolluh of Rock n' Rolluh:
CC:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Night Owl:
Granny Spicy Tuna (they/them):
does it?
How happy are fat jenkins!
Granny Spicy Tuna (they/them):
Yvang:
The Night Owl:
The Night Owl: