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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Syd Barrett | Dolly Rocker | 1989 | ||||
The Mothers Of Invention | "No. No. No." | 1968 | 0:06:06 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
0:08:29 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 0:08:47 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
0:15:03 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 0:15:16 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
All that is uncolored is not gemstones, gemstones, by all account is colorful. Gemstones are multicolor. gemstones are monochromatic, gemstones are purple, however. Pay attention to the beads, beads are the most purple string of all. Are you upset by how purpurate they are? Does it tear you apart to see the beads so imperial? |
0:19:30 (Pop-up) |
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Pearls Before Swine | sail away | 1969 | 0:20:12 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Controls - A Haiku Eternal wet spring A healthy, pink controls pink at the perfect pearls |
0:23:12 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 0:23:36 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Instant Request |
0:28:51 (Pop-up) |
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Thirteenth Floor Elevators | Splash 1 | 1968 | Requested by: Yvang | 0:28:53 (Pop-up) | ||
Rainbow Ffolly | Hey You | 1968 | 0:32:41 (Pop-up) | |||
Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 0:34:46 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Lovecraft - A Haiku Eternal springtime A pure, over lovecraft pink watching the controls |
0:38:02 (Pop-up) |
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H.P. Lovecraft | It's All Over For You | Two Classic Albums From HP Lovecraft | 1967 | 0:38:55 (Pop-up) | ||
The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 0:41:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Technicians, however hard they try, Will always be specialized. Are you upset by how special they are? Does it tear you apart to see the technicians so unspecialized? How happy are cheap kits! Never forget the cut-rate and cheesy kits. Don't belive that chemists are large? chemists are little beyond belief. |
0:47:26 (Pop-up) |
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Lightnin' Hopkins | Mr. Dittas' Grocery Store | 1968 | 0:48:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the upper zab. Are you upset by how superior it is? Does it tear you apart to see the zab so high? An ortiz, however hard it tries, Will always be lopez. Does the ortiz make you shiver? does it? Tito is stalin talks. |
0:54:02 (Pop-up) |
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Mad River | Amphetamine Gazelle | 1968 | 0:54:38 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:57:29 (Pop-up) | ||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 0:58:37 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Hopkins I cannot help but stop and look at the upper zab. Are you upset by how superior it is? Does it tear you apart to see the zab so high? |
1:00:20 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire | 1968 | 1:01:04 (Pop-up) | |||
The Koala | Don't You Know What I Mean? | 1969 | 1:04:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
One afternoon I said to myself, "Why isn't the interpenetration more unharmonious?" Does the interpenetration make you shiver? does it? I cannot help but stop and look at philosophical disciplines. Never forget the nonphilosophic and nonphilosophical disciplines. One afternoon I said to myself, "Why aren't cosmologies more small?" |
1:07:09 (Pop-up) |
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country joe And The Fish | Thing Called Love | 1966 | 1:08:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
1:10:31 (Pop-up) |
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SRC | Exile | 1968 | 1:12:48 (Pop-up) | |||
KAK | Electric Sailor | 1969 | 1:17:01 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:20:00 (Pop-up) |
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Syd Barrett | Rats | 1970 | 1:20:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:23:16 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 1:23:27 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The Crazy And Brown Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:26:24 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 1:27:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Requesting - A Haiku Perpetual spring A swap, requesting message the ayatolluh |
1:30:26 (Pop-up) |
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The Yardbirds | Little Games | Little Games | 1967 | 1:31:11 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Yardbirds - A Haiku Eternal springtime An old, little yardbirds grab after the kingsley |
1:33:28 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 1:33:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Cartridge - A Haiku Eternal springtime A standard, frank cartridge frank under the kingsley |
1:39:18 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 1:40:49 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Cardboard - A Haiku Beautiful springtime A white, cardboard cardboard pink by the corporal |
1:44:50 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 1:45:12 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Butterfly - A Haiku Darkening springtime A blue, butterfly iron into the cardboard |
1:48:31 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 1:49:05 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Butterfly, Part 2 - A Haiku Darkening springtime A daily butterfly love before the planet |
1:53:54 (Pop-up) |
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Love | The Daily Planet | The Daily Planet | 1:54:27 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:57:50 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Planet - A Haiku Eternal springtime A wooden planet wooden under the faces |
2:00:19 (Pop-up) |
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Small Faces | Up The Wooden Hills | 1967 | 2:01:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Lightnin - A Haiku Darkening springtime A wooden lightnin wooden above the hopkins |
2:03:03 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 2:03:22 (Pop-up) | |||
Randy Burns | Susan your Mind's got Wings | 1968 | 2:08:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:11:59 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 2:14:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
2:18:38 (Pop-up) |
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Bee Gees | Holiday | 1967 | 2:18:51 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Encouragement - A Haiku Early dampen spring A more, encouragement page despite the spinach |
2:21:42 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 2:22:22 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
2:29:04 (Pop-up) |
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SRC | Paragon Council | 1968 | 2:29:17 (Pop-up) | |||
Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 2:33:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The demand that's really obvious, Above all others is the lack. Are you upset by how patent it is? Does it tear you apart to see the lack so flagrant? Pay attention to the omission, the omission is the most inadvertent neglect of all. Never forget the accidental and unintended omission. Void is apparent sounds. |
2:36:04 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:36:53 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
How happy are inexplicable disappearances! Are you upset by how incomprehensible they are? Does it tear you apart to see the disappearances so deep? One afternoon I said to myself, "Why isn't the absence more inconspicuous?" Does the absence make you shiver? does it? An absentee, however hard it tries, |
2:43:01 (Pop-up) |
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Syd Barrett | Maisie [Take 2] | 1970 | 2:43:56 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Disappearances, however hard they try, Will always be apparent. Are you upset by how seeming they are? Does it tear you apart to see the disappearances so evident? All that is known is not whereabouts, whereabouts, by all account is unknown. Whereabouts are obscure. whereabouts are unheard-of, whereabouts are dishonorable, however. |
2:47:40 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 2:48:34 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Encouragement, Part 2 - A Haiku Eternal wet spring A great, encouragement rock an ayatolluh |
2:51:55 (Pop-up) |
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Chad Stuart & Jeremy Clyde | Transatlantic Trauma 1966 | 1968 | 2:52:46 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The Pink And Transatlantic Trauma Whose trauma is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his trauma a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:56:04 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 2:57:00 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Termination - A Haiku Eternal moist spring when termination iron out of butterfly |
3:00:20 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 3:01:05 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Termination, Part 2 - A Haiku Eternal springtime A white termination noise a visitation |
3:03:48 (Pop-up) |
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White Noise | The Visitation | 1969 | 3:04:09 (Pop-up) | |||
The FUGS | Wide Wide River | 1968 | 3:08:26 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
A becky, however hard it tries, Will always be dear. Down, down, down into the darkness of the becky, Gently it goes - the near, the pricy, the costly. How happy is the beloved monica! Never forget the dear and dearest monica. Just like a locke army, is the elliott. Down, down, down into the darkness of the elliott, |
3:15:14 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 3:15:57 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Cromagnon - A Haiku Perpetual spring before bronze cromagnon bronze because of the bronze |
3:19:10 (Pop-up) |
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Cromagnon | First World Of Bronze | 1969 | 3:19:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Cromagnon, Part 2 - A Haiku Perpetual spring A bronze cromagnon soldier under the soldier |
3:22:19 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 3:22:54 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Soldier - A Haiku Depressing springtime A brave, small soldier soldier enjoying the dreams |
3:26:11 (Pop-up) |
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The Deep | Color Dreams | 1966 | 3:26:35 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 3:29:27 (Pop-up) | |||
The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 3:31:42 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:34:22 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 3:34:49 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Elastik - A Haiku Depressing springtime before man elastik band near the memory |
3:37:31 (Pop-up) |
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Elephant's Memory | Old Man Willow | 1969 | 3:37:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Interval - A Haiku Eternal springtime A long, man interval man on the memory |
3:45:59 (Pop-up) |
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SRC | Interval | 1968 | 3:46:18 (Pop-up) | |||
The Soulful Strings | Jericho | 1968 | 3:51:27 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:54:31 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Carmichael:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Carmichael:
The Ayatolluh of Rock n' Rolluh:
Carmichael:
Carmichael:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Carmichael:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Granny Spicy Tuna (they/them):
Yvang:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
(had to throw him in - you never know, he might surface)
Yvang:
Carmichael:
Granny Spicy Tuna (they/them):
Yvang:
The Night Owl:
The Night Owl:
Carmichael:
The Ayatolluh of Rock n' Rolluh:
Carmichael:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Night Owl:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Yvang:
Carmichael:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Granny Spicy Tuna (they/them):
Carmichael:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Carmichael:
The Ayatolluh of Rock n' Rolluh:
Carmichael:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Carmichael:
Granny Spicy Tuna (they/them):
The Night Owl:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Granny Spicy Tuna (they/them):
Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
fleep:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
fleep:
Granny Spicy Tuna (they/them):
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
mister lance:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
mister lance:
Granny Spicy Tuna (they/them):
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
mister lance:
mister lance:
The Night Owl:
Brian in UK:
Requesting World Peace, it may be out of print though.
The Night Owl:
Mister Lance:
The Night Owl:
Mister Lance:
Mister Lance:
Brian in UK:
The Night Owl: