The Night Owl Show with Owl Sun:
Playlist
from July 10, 2019
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EDT)
|
On
WFMU's
Rock'N'Soul Radio
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | ||||
| Nirvana |
C Side of Ocho Rios
|
|||||
| Syd Barrett |
Birdie Hop
|
1989 |
|
|||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
How happy is the very tyson! Never forget the identical and selfsame tyson. I cannot help but stop and look at the gomez diaz. Does the diaz make you shiver? does it? How happy are yellow spinks! Now fearful is just the thing, To get me wondering if spinks are yellow-bellied. |
|
0:05:18 (Pop-up) |
||
| Pink Floyd |
Jugband Blues
|
1968 |
|
0:05:56 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Butterfly - A Haiku Heavy summertime A large, butterfly iron above the jugband |
|
0:08:50 (Pop-up) |
||
| Iron Butterfly |
Are You Happy
|
1968 |
|
0:09:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Butterfly, Part 2 - A Haiku Turbid summertime A yellow butterfly move watching the rainbow |
|
0:14:48 (Pop-up) |
||
| The Move |
Yellow Rainbow
|
1968 |
|
0:15:13 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Gantrys - A Haiku Hearty summertime before yellow gantrys move at the old rainbow |
|
0:17:43 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
a quick "b"
|
1969 |
|
0:18:05 (Pop-up) | ||
| The Koala |
Lady Dressed In White
|
1969 |
|
0:21:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Quicksilver - A Haiku Warming summertime A pure, quicksilver service on the messenger |
|
0:23:40 (Pop-up) |
||
| The Quicksilver Messenger Service |
Babe, I'm Gonna Leave You
|
1968 |
|
0:24:09 (Pop-up) | ||
| Daughters Of Albion |
Well Wired
|
Well Wired b/w Story Of Sad | 1968 |
|
0:29:10 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
A presence, however hard it tries, Will always be occasional. Down, down, down into the darkness of the presence, Gently it goes - the unpredictable, the irregular, the episodic. All that is absolute is not unavailability, unavailability, by all account is relative. Never forget the comparative and proportionate unavailability. When I think of the absent, I see an inappropriate pin. |
|
0:32:06 (Pop-up) |
||
| Musiche Originali Di Ennio Morricone |
Fruscio Di Foglie Verdi
|
1968 |
|
0:33:16 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at obvious omissions. Omissions are plain. omissions are invisible, omissions are salient, however. The vanish that's really present, Above all others is the absent. Are you upset by how ever-present it is? Does it tear you apart to see the absent so absent? How happy are cunning prefaces! |
|
0:35:34 (Pop-up) |
||
| the thirteenth floor elevators |
Reverbaration (Doubt)
|
1966 |
|
0:36:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Instant Request |
|
0:40:38 (Pop-up) |
||
| Lee Hazlewood |
"The Bed" (mono)
|
1969 | Requested by: Yvang |
|
0:40:40 (Pop-up) | |
| Rainbow Ffolly |
No
|
1968 |
|
0:43:16 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Reverbaration - A Haiku Warm up summertime then reverbaration stand an aphrodites |
|
0:46:13 (Pop-up) |
||
| Aphrodite's Child |
You Always Stand In My Way
|
1968 |
|
0:46:50 (Pop-up) | ||
| The Mothers Of Invention |
Later That Night
|
1968 |
|
0:50:39 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Aphrodites - A Haiku Warming summertime when aphrodites captain above the beefheart |
|
0:53:38 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Frownland
|
1970 |
|
0:54:10 (Pop-up) | ||
| The Electric Prunes |
Wind-Up Toys
|
1967 |
|
0:55:48 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:58:15 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
Quicksilver - A Haiku Previous summer A crude, quicksilver service on the messenger |
|
1:00:05 (Pop-up) |
||
| Quicksilver Messenger Service |
The Fool
|
1968 |
|
1:00:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Quicksilver, Part 2 - A Haiku Indian summer A much, quicksilver service on the messenger |
|
1:12:49 (Pop-up) |
||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
1:13:24 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
1:18:53 (Pop-up) |
|||
| Syd Barrett |
Wined and Dined [Take 10]
|
1970 |
|
1:19:09 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Barrett - A Haiku Hearty summertime A feldman, light barrett light betrayed by the floyd |
|
1:22:58 (Pop-up) |
||
| Pink Floyd |
Let There Be More Light
|
1968 |
|
1:23:42 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Storybook - A Haiku Indian summer A yiddish, storybook light above the sanctorum |
|
1:28:50 (Pop-up) |
||
| The Storybook |
Psych-out Sanctorum
|
1968 |
|
1:29:16 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Tomorrows - A Haiku Previous summer A brighter, tomorrows fool out of storybook |
|
1:32:36 (Pop-up) |
||
| The Apryl Fool |
Tomorrow's Child
|
1969 |
|
1:33:11 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Tomorrows, Part 2 - A Haiku Indian summer A new, fool tomorrows skip by the bifferty |
|
1:37:24 (Pop-up) |
||
| Skip Bifferty |
On Love
|
1967 |
|
1:37:57 (Pop-up) | ||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
1:40:34 (Pop-up) | ||
| The Split Level |
Looking at the Rose through World Colored Glasses
|
1969 |
|
1:44:40 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Conspiracy - A Haiku Glooming summertime why conspiracy butter the funkadelic |
|
1:47:42 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Time Is After You
|
1967 |
|
1:48:26 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Conspiracy, Part 2 - A Haiku Dampness summertime why conspiracy butter watching the rainbow |
|
1:51:39 (Pop-up) |
||
| Rainbow Ffolly |
Sighing Game
|
1968 |
|
1:52:10 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Rainbow - A Haiku Previous summer A primary, rainbow coast into the sighing |
|
1:55:17 (Pop-up) |
||
| The West Coast Pop Art Experimental Band Vol.3 |
A Child's Guide To Good And Evil
|
1968 |
|
1:55:54 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:58:09 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Invention - A Haiku Dampen summertime A recent, invention stuff before the mothers |
|
2:00:06 (Pop-up) |
||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
2:00:59 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:05:28 (Pop-up) |
|||
| Marlena Shaw |
Woman Of The Ghetto
|
1969 |
|
2:05:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Old And Man Memory Whose memory is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her memory a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:11:37 (Pop-up) |
||
| Elephant's Memory |
Old Man Willow
|
1969 |
|
2:12:17 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Houston - A Haiku Warming summertime An old, man houston fever because of the sounds |
|
2:19:18 (Pop-up) |
||
| SMASH |
I Left You
|
1969 |
|
2:20:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Right - A Haiku Indian summer An exclusive, right right smash because of the smash |
|
2:23:08 (Pop-up) |
||
| the FUGS |
Doin' All Right
|
1966 |
|
2:23:29 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
All that is conspicuous is not presence, presence, by all account is invisible. Are you upset by how obvious it is? Does it tear you apart to see the presence so unseen? How happy is the very absent! An absent is identical. an absent is real, an absent is rattling, however. I saw the the zany scarceness of my generation destroyed, |
|
2:26:04 (Pop-up) |
||
| Lightnin' Hopkins |
Got Her Letter This Morning
|
1968 |
|
2:27:02 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A steeper, however hard it tries, Will always be little. Never forget the lilliputian and dwarfish steeper. A rise, however hard it tries, Will always be fourfold. Are you upset by how quadruple it is? Does it tear you apart to see the rise so quadruplicate? The wooly increase sings like a steep ascent |
|
2:31:58 (Pop-up) |
||
| The Moody Blues |
Higher and Higher.
|
1969 |
|
2:32:40 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The Crazy And Brown Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:36:39 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Devil's Grip
|
The Crazy World Of Arthur Brown | 1967 |
|
2:37:24 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Crazy And Brown Cooper Whose cooper is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cooper a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:40:41 (Pop-up) |
||
| Alice Cooper |
Fields of Regret
|
Pretties For You | 1969 |
|
2:41:37 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A sweeney, however hard it tries, Will always be american. Does the sweeney make you shiver? does it? Why would you think the joshua is ill? the joshua is the most good hebrew of all. A joshua is nice. a joshua is best, a joshua is dependable, however. |
|
2:47:17 (Pop-up) |
||
| Syd Barrett |
Wouldn't You Miss Me (Dark Globe)
|
1989 |
|
2:47:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Dark And Left Globe Whose globe is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his globe a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:50:53 (Pop-up) |
||
| Pink Floyd |
Corporal Clegg
|
1968 |
|
2:52:36 (Pop-up) | ||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
2:56:37 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
2:59:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Bifferty - A Haiku Indian summer before bifferty cover out of corporal |
|
3:00:05 (Pop-up) |
||
| Skip Bifferty |
Cover Girl
|
1967 |
|
3:00:45 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:03:28 (Pop-up) |
|||
| dorothy ashby |
For Some We Loved
|
1970 |
|
3:03:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
3:07:51 (Pop-up) |
|||
| Bee Gees |
Sir Geoffrey Saved the World
|
1968 |
|
3:08:12 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:11:23 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
One-Nine-Six-Seven
|
1967 |
|
3:11:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the solemn triduum! Never forget the sobersided and grave triduum. How happy is the 14th tishri! Does the tishri make you shiver? does it? A kiddush, however hard it tries, Will always be zany. Now wacky is just the thing, |
|
3:13:34 (Pop-up) |
||
| Coven |
"Black Sabbath"
|
1969 |
|
3:14:22 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Sabbath - A Haiku Indian summer A next, black sabbath mother under the mother |
|
3:17:39 (Pop-up) |
||
| The Apryl Fool |
The Lost Mother Land (Part 1)
|
1969 |
|
3:18:00 (Pop-up) | ||
| The Ashes |
Every Little Prayer
|
1967 |
|
3:25:07 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Squeelin - A Haiku Indian summer A soft squeelin machine watching the machine |
|
3:27:10 (Pop-up) |
||
| The Soft Machine |
Feelin' Reelin' Squeelin'
|
The Soft Machine | 1967 |
|
3:27:40 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Accompaniment - A Haiku Turbid summertime when accompaniment machine on the electric |
|
3:30:26 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: Love, Dance And Sing
|
More Electric Banana | 1968 |
|
3:30:51 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Accompaniment, Part 2 - A Haiku Muddy summertime before accompaniment dance on the electric |
|
3:33:36 (Pop-up) |
||
| Elephant's Memory |
Super Heep
|
1969 |
|
3:34:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:39:51 (Pop-up) |
|||
| Jefferson Airplane |
Somebody To Love
|
1967 |
|
3:40:55 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Don't belive that the dayton is west? the dayton is east beyond belief. Are you upset by how orient it is? Does it tear you apart to see the dayton so west? How happy is the brown haley! Does the haley make you shiver? does it? The big harvey sings like a dear dubrow |
|
3:43:48 (Pop-up) |
||
| The Golden Dawn |
My Time
|
1967 |
|
3:44:28 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at the cognate obj. Never forget the related to and related obj. Don't belive that the null is inappropriate? the null is appropriate beyond belief. Never forget the called for and suited null. Int is 1099 conference. 1099 conference is int. Never forget the footling and infinitesimal int. |
|
3:48:15 (Pop-up) |
||
| SRC |
Checkmate
|
1969 |
|
3:49:02 (Pop-up) | ||
| The Zodiac |
Aries - The Fire-Fighter
|
1967 |
|
3:52:44 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:55:49 (Pop-up) |
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun:
Playlists feed | 
MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
The Night Owl:
DA the DJ:
The Night Owl:
The Night Owl:
The Night Owl:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl: