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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Syd Barrett | I Never Lied to You [Take 1] | 1970 | ||||
Pink Floyd | Jugband Blues | 1968 | 0:05:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The Man And Black Black Whose black is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his black a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:07:55 (Pop-up) |
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Skip Bifferty | Man In Black | 1968 | 0:08:46 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Bifferty - A Haiku Hearty summertime A black bifferty fever beyond the houston |
0:11:23 (Pop-up) |
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The Ashes | Is There Anything I Can Do | 1967 | 0:12:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Anything - A Haiku Hearty summertime A more, first anything band into the miller |
0:15:05 (Pop-up) |
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Steve Miller Band | In My First Mind | 1968 | 0:15:41 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Mustache - A Haiku Muddy summertime A little, mustache message beyond the message |
0:23:16 (Pop-up) |
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Iron Butterfly | In-A-Gadda-Da-Vida | 1968 | 0:23:53 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Instant Request |
0:40:53 (Pop-up) |
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GTO's: Girls Together Outrageously | The Original GTO's | 1969 | Requested by: The Ayatolluh of Rock n' Rolluh | 0:40:56 (Pop-up) | ||
Elmer Gantry's Velvet Opera | Volcano | 1969 | 0:41:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Encouragement - A Haiku Gloomy summertime A more, encouragement rock out of requesting |
0:44:32 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:45:30 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Requesting - A Haiku Muddy summertime A swap, requesting message under the message |
0:50:19 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 0:50:59 (Pop-up) | |||
Josefus | Situation | 1970 | 0:55:05 (Pop-up) | |||
The Saints | Husky Team | An Outbreak Of Twangin' - Phantom Guitars Vol. Two | 0:57:41 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:59:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Ayatolluh - A Haiku Misty summertime then ayatolluh message the ayatolluh |
1:00:18 (Pop-up) |
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Jefferson Airplane | She Has Funny Cars | 1967 | 1:01:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Ayatolluh, Part 2 - A Haiku Foggy summertime why ayatolluh better despite the rolluh |
1:04:15 (Pop-up) |
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The Maze | Armageddon | 1968 | 1:04:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:11:53 (Pop-up) |
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Ennio Morricone | Dies Irae Psichedelico (Versione Lunga) | 1968 | 1:12:05 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Message - A Haiku Turbid summertime A better message message watching the better |
1:15:45 (Pop-up) |
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Syd Barrett | Effervescing Elephant [Take 9] | 1970 | 1:16:21 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Message, Part 2 - A Haiku Smoggy summertime A better message message above the better |
1:17:47 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 1:18:28 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Bifferty - A Haiku Misty summertime A crystal bifferty skip before the liaison |
1:21:39 (Pop-up) |
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Skip Bifferty | Mr. Money Man | 1968 | 1:21:53 (Pop-up) | |||
Montage | Grand Pianist | 1969 | 1:24:35 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Encouragement - A Haiku Gloomy summertime when encouragement message under the instant |
1:27:04 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 1:27:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Sadness - A Haiku Loving summertime A better sadness people above the people |
1:30:55 (Pop-up) |
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Love | 7 And 7 Is | 7 And 7 Is | 1967 | 1:31:32 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Memory - A Haiku Smoggy summertime A shared, man memory love because of the love |
1:33:47 (Pop-up) |
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Elephant's Memory | Hot Dog Man | 1969 | 1:34:15 (Pop-up) | |||
The Chambers Brothers | (She Don't Want To) Tie Me Down | 1967 | 1:37:52 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Message - A Haiku Hazy summertime A better message message beyond the better |
1:39:47 (Pop-up) |
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Cat's Eyes | The Wizard | 2009 | 1:40:28 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Mother - A Haiku Loving summertime A wizard mother mother at the old wizard |
1:43:56 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 2) | 1969 | 1:44:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Fool And Sweet Johnny Whose johnny is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her johnny a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:46:26 (Pop-up) |
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Frankie & Johnny | Sweet Thang | 2008 | 1:47:22 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:49:38 (Pop-up) |
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SRC | Up All Night | 1969 | 1:50:01 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Don't belive that the omission is unnoticeable? the omission is noticeable beyond belief. Never forget the unnoticeable and obtrusive omission. I cannot help but stop and look at the mere void. Never forget the simple and bare void. I saw the the zany impression of my generation destroyed, How I mourned the presence. Down, down, down into the darkness of the presence, |
1:53:05 (Pop-up) |
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Lost & Found | Living Eye | 1967 | 1:53:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the lower left! Down, down, down into the darkness of the left, Gently it goes - the lowly, the subordinate, the chthonian. Don't belive that the forgotten is whole? the forgotten is half beyond belief. Does the forgotten make you shiver? does it? When I think of omissions, I see a consonant effect. |
2:00:18 (Pop-up) |
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Velvet Opera | Money By | 1970 | 2:01:16 (Pop-up) | |||
Deep Purple | Shield | 1968 | 2:01:26 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Pay attention to the nose, the nose is the most upturned caress of all. Down, down, down into the darkness of the nose, Gently it goes - the tip-tilted, the upset, the turned. One afternoon I said to myself, "Why isn't the hand more rugged?" Are you upset by how rugged it is? Does it tear you apart to see the hand so untoughened? |
2:05:03 (Pop-up) |
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dorothy ashby | The Moving Finger | 1970 | 2:05:44 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Forest - A Haiku Dampness summertime A virgin forest forest at the old virgin |
2:11:19 (Pop-up) |
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the FUGS | Virgin Forest | 1966 | 2:11:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Forest, Part 2 - A Haiku Loving summertime A virgin forest forest beyond the virgin |
2:23:24 (Pop-up) |
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The Maze | I'm So Sad | 1968 | 2:23:47 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Sad And Pink Heart Whose heart is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his heart a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:45 (Pop-up) |
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The Pink Floyd | Heart Beat, Pig Meat | 1970 | 2:31:36 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Capitalism - A Haiku Turbid summertime then sad capitalism under the pueblo |
2:34:42 (Pop-up) |
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Syd Barrett | Lanky (Part One) | 1989 | 2:35:19 (Pop-up) | |||
Jefferson Airplane | Today | 1967 | 2:40:47 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
The Crazy And Brown Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:43:40 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 2:44:44 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Crazy And Brown Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:48:00 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:48:47 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the absent, the absent is the most dead go away of all. Down, down, down into the darkness of the absent, Gently it goes - the unprofitable, the idle, the nonliving. I saw the the glaring fault of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? |
2:51:30 (Pop-up) |
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The Chambers Brothers | Don't Lose Your Cool | 1967 | 2:52:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Brothers - A Haiku Hazy summertime A little, cool brothers move despite the morning |
2:54:59 (Pop-up) |
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The Move | Mist on a Monday morning | 1968 | 2:55:19 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:57:46 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at the 4th sunday. Does the sunday make you shiver? does it? One afternoon I said to myself, "Why aren't thurs more cool?" Down, down, down into the darkness of the thurs, Gently they go - the uncomfortable, the caring, the ardent. When I think of the friday, I see a day conference. |
3:00:19 (Pop-up) |
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SRC | The Angel Song | 1969 | 3:01:09 (Pop-up) | |||
The Head Shop | Listen With A Third Ear | 1969 | 3:09:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Angel - A Haiku Wicked summertime A seventh, through angel found at the perfect will |
3:11:50 (Pop-up) |
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Lost & Found | When Will You Come Through | 1968 | 3:12:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Love - A Haiku Glooming summertime A passionate, through love found at the perfect will |
3:15:43 (Pop-up) |
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Love | Alone Again Or | 1967 | 3:16:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Delights - A Haiku Dour summertime A such, earthly delights love the america |
3:19:20 (Pop-up) |
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The United States Of America | The Garden Of Earthly Delights | 1968 | 3:19:44 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at savory delicacies. Are you upset by how savoury they are? Does it tear you apart to see the delicacies so appetizing? A delightful, however hard it tries, Will always be vivid. A delightful is graphic. a delightful is realistic, a delightful is bright, however. Joys, however hard they try, |
3:22:21 (Pop-up) |
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Velvet Opera | Eleanor Rigby | 1970 | 3:23:06 (Pop-up) | |||
The Millennium | The Know It All | 1968 | 3:28:54 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the expectant neglected! Does the neglected make you shiver? does it? I cannot help but stop and look at the great been. Never forget the high and cool been. When I think of the absent, I see an inappropriate smell. Never forget the chubby and plump absent. Refresh until you're happy with your poem. |
3:31:33 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:32:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the lack, the lack is the most consequent miss of all. Does the lack make you shiver? does it? I saw the the slight disregard of my generation destroyed, How I mourned the omission. Now weak is just the thing, To get me wondering if the omission is lean. |
3:36:21 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 3:36:58 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A nothingness, however hard it tries, Will always be solitary. Now ungregarious is just the thing, To get me wondering if the nothingness is unsocial. I cannot help but stop and look at the lonely dark. Never forget the dejected and lonesome dark. Specters are gray man. gray man are specters. |
3:42:39 (Pop-up) |
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The Maze | Whispering Shadows | 1968 | 3:43:16 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
One afternoon I said to myself, "Why isn't the dreamworld more neuter?" Are you upset by how manlike it is? Does it tear you apart to see the dreamworld so manful? I saw the the gauzy material of my generation destroyed, How I mourned the scrim. A scrim is see-through. a scrim is thin, a scrim is filmy, however. |
3:48:21 (Pop-up) |
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Syd Barrett | Milky Way | 1989 | 3:49:04 (Pop-up) | |||
GTO's: Girls Together Outrageously | TV Lives | 1969 | 3:52:06 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:52:59 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
Sly Don:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Sly Don:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
fleep:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
fleep:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
fleep:
The Night Owl:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
fleep:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Night Owl:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
fleep:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
Ojai John:
Thank you.
The Night Owl:
Yvang:
The Night Owl:
Yvang:
Yvang:
then sad capitalism
under the pueblo!
Drunken Creep:
Yvang:
Drunken Creep:
Yvang:
Drunken Creep:
Yvang:
Drunken Creep:
Yvang:
The Night Owl: