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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
The Electric Prunes | I Happen To Love You | 1967 | 0:04:38 (Pop-up) | |||
Last Friday's Fire | I Can't Help The Way I Feel | 1967 | 0:07:47 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at cultivated plums. Do plums make you shiver? do they? I cannot help but stop and look at wormy apples. Down, down, down into the darkness of the apples, Gently they go - the submissive, the vermiculate, the wormlike. When I think of peaches, I see an unripe food. Are you upset by how hirsute they are? |
0:10:15 (Pop-up) |
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Suzi Jane Hokom | Goode Tyme Music | 1967 | 0:11:08 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
0:13:57 (Pop-up) |
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The Peanut Butter Conspiracy | It's A Happening Thing | 1967 | 0:14:28 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
All that is invisible is not omission, omission, by all account is obvious. Never forget the manifest and gross omission. The want that's really resulting, Above all others is the dearth. Are you upset by how resultant it is? Does it tear you apart to see the dearth so ensuant? Lack is, in its way, the characteristic day of need. |
0:16:46 (Pop-up) |
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Fields | Sun Would Set | 1969 | 0:17:39 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
International - A Haiku Darkness summertime international message the ayatolluh |
0:22:56 (Pop-up) |
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The Thyme | Somehow | 1968 | 0:23:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Mercury - A Haiku Previous summer For mercury retrograde after the warning |
0:26:31 (Pop-up) |
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The Head Shop | Opera In The Year 4000: Where Have All The people Gone / Yesterday | 1969 | 0:26:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The Off And Just Message Whose message is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his message a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:31:20 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:32:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Party And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:55 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:37:41 (Pop-up) | |||
The Apostles | Stranded In The Jungle | 1968 | 0:42:31 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:45:41 (Pop-up) |
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Nancy Sinatra & Lee Hazlewood | Sand | 1968 | 0:47:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:51:26 (Pop-up) |
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Syd Barrett | Rats | 1970 | 0:51:52 (Pop-up) | |||
The Kollection | Savage Lost | 1967 | 0:54:40 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:57:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Richard - A Haiku Dour summertime A younger, richard picture after the picture |
1:00:17 (Pop-up) |
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The Old Exciting Scot Richard Case | "Get The Picture" | 1968 | 1:00:53 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Richard, Part 2 - A Haiku Sunless summertime A younger, richard picture into the picture |
1:03:06 (Pop-up) |
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guy skornik | L'ile De Páques | 1971 | 1:03:27 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
1:07:54 (Pop-up) |
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E S B | Mushroom People | 1967 | 1:08:03 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Granny - A Haiku Depressing summer A better granny better into the better |
1:11:15 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Robin's Theme | 1966 | 1:11:56 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Guitars - A Haiku Heavy summertime A hawaiian, guitars light watching the robins |
1:14:55 (Pop-up) |
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The Rolling Stones | 2000 Light Years From Home | 1967 | 1:15:28 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Electric - A Haiku Heavy summertime A piezo, electric light in spite of the prunes |
1:20:10 (Pop-up) |
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The Electric Prunes | I | 1967 | 1:20:49 (Pop-up) | |||
The Colder Children | Memories | 1968 | 1:25:55 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:28:04 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 1:28:23 (Pop-up) | |||
Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 1:31:35 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Accompaniment - A Haiku Darkening summer why accompaniment butter a conspiracy |
1:33:59 (Pop-up) |
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The Peanut Butter Conspiracy | You Can't Be Found | 1967 | 1:34:39 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Conspiracy - A Haiku Indian summer A found conspiracy search at the old shadows |
1:38:18 (Pop-up) |
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The Shadows Time | Search Your Soul | 1969 | 1:39:00 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the expressive adagio! Down, down, down into the darkness of the adagio, Gently it goes - the revelatory, the communicatory, the communicative. A west, however hard it tries, Will always be democratic. Are you upset by how classless it is? Does it tear you apart to see the west so common? Pay attention to the move, |
1:41:55 (Pop-up) |
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Le Stelle Di Mario Schifano | molto alto | 1967 | 1:42:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:45:50 (Pop-up) |
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Thunderclap Newman | Accidents | 1970 | 1:46:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
A milieus, however hard it tries, Will always be cultural. Never forget the social and ethnic milieus. How happy is the global interpenetration! Now circular is just the thing, To get me wondering if the interpenetration is international. Just like a modern art, is cosmologies. Down, down, down into the darkness of the cosmologies, |
1:55:37 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire | 1968 | 1:56:34 (Pop-up) | |||
Nancy Sinatra & Lee Hazlewood | Summer Wine | 1968 | 2:00:01 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
championships are not nonprofessional! championships are exceptionally amateur. Championships are white-collar. championships are amateur, championships are expert, however. How happy are humanistic disciplines! Now human-centered is just the thing, To get me wondering if disciplines are humanitarian. realms are not fatless! |
2:00:17 (Pop-up) |
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The Thyme | Time Of The Season | 1968 | 2:01:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:04:02 (Pop-up) |
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SunRa and his Astro Infinity Arkestra | Somebody Else's World | 1971 | 2:04:17 (Pop-up) | |||
The Apostles | Tired Of Waiting For You | 1968 | 2:08:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:11:35 (Pop-up) |
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Funkadelic | Wars Of Armageddon | 1971 | 2:11:51 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
2:21:33 (Pop-up) |
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Buffy Sainte-Marie | adam | 1969 | 2:21:54 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:26:57 (Pop-up) |
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guy skornik | Magdalena | 1971 | 2:27:10 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
All that is instrumental is not chords, chords, by all account is vocal. Are you upset by how communicatory they are? Does it tear you apart to see the chords so outspoken? All that is instrumental is not basses, basses, by all account is vocal. Do basses make you shiver? do they? |
2:30:33 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Penguin's Umbrella | 1966 | 2:31:13 (Pop-up) | |||
The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 2:34:11 (Pop-up) | ||
The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 2:37:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The Crazy And Brown Crucible Whose crucible is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his crucible a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:39:33 (Pop-up) |
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Kiriae Crucible | The Salem Witch Trial | 1968 | 2:40:48 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The scarceness that's really glaring, Above all others is the paucity. A paucity is obvious. a paucity is flagrant, a paucity is fulgent, however. The demand that's really definite, Above all others is the lack. Does the lack make you shiver? does it? |
2:43:37 (Pop-up) |
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The Peanut Butter Conspiracy | The Most Up Till Now | 1967 | 2:45:09 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:47:39 (Pop-up) |
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Kaleidoscope | Black Fjord | Faintly Blowing | 2:47:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A paucity, however hard it tries, Will always be relative. Never forget the absolute and proportional paucity. The quality that's really occasional, Above all others is the inability. Are you upset by how episodic it is? Does it tear you apart to see the inability so casual? Just like a wrist system, is the absent. |
2:51:05 (Pop-up) |
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Half-Life | Get Down | 1968 | 2:51:58 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
The omission is not inconspicuous! the omission is exceptionally frank. Now eye-catching is just the thing, To get me wondering if the omission is frank. An inability, however hard it tries, Will always be resultant. Never forget the sequent and consequent inability. I saw the the zany miss of my generation destroyed, |
2:54:23 (Pop-up) |
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G.F. Fitz-Gerald | Political Machine | 1970 | 2:55:00 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:58:43 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the more absent. Does the absent make you shiver? does it? I cannot help but stop and look at odd omissions. Do omissions make you shiver? do they? How happy is the fat omission! Down, down, down into the darkness of the omission, |
3:00:20 (Pop-up) |
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The Move | Night Of Fear | 1966 | 3:01:24 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:03:32 (Pop-up) |
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Boston Tea Party | My Daze | 1967 | 3:03:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I cannot help but stop and look at the more absent. Does the absent make you shiver? does it? I cannot help but stop and look at odd omissions. Do omissions make you shiver? do they? How happy is the fat omission! Down, down, down into the darkness of the omission, |
3:06:06 (Pop-up) |
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I.R.A. | Dooley Vs. The Ferris Wheel | 1968 | 3:06:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:10:36 (Pop-up) |
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Glass Sun | Silence Of The Morning | 1971 | 3:11:01 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I saw the the twilight semidarkness of my generation destroyed, How I mourned the dusk. A dusk is twilit. a dusk is dusky, a dusk is dusk, however. How happy is the northern daybreak! Does the daybreak make you shiver? does it? I saw the the big recurrent event of my generation destroyed, |
3:16:07 (Pop-up) |
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The Golden Dawn | My Time | 1967 | 3:17:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Don't belive that the frazier is unregretful? the frazier is sorry beyond belief. Does the frazier make you shiver? does it? How happy is the later gareth! Are you upset by how late it is? Does it tear you apart to see the gareth so future? How happy is the big willie! |
3:20:53 (Pop-up) |
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Thunderclap Newman | The Reason | 1970 | 3:21:27 (Pop-up) | |||
The Thyme | Love To Love | 1967 | 3:25:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A frazier, however hard it tries, Will always be fellow. Never forget the associate and familiar frazier. How happy is the dearest gerald! Does the gerald make you shiver? does it? A willie, however hard it tries, Will always be yellow. |
3:27:19 (Pop-up) |
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H.P. Lovecraft | Wayfaring Stranger | H.P. Lovecraft | 1967 | 3:27:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
An ecus, however hard it tries, Will always be obsolete. Now outdated is just the thing, To get me wondering if the ecus is superannuated. I cannot help but stop and look at the burning biodiesel. Are you upset by how fervent it is? Does it tear you apart to see the biodiesel so ardent? The physics that are really big, |
3:30:28 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 3:31:13 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Invention - A Haiku Dampness summertime A man invention trouble despite the mothers |
3:33:43 (Pop-up) |
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Love | Old Man | 1967 | 3:34:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Millennium - A Haiku Early summertime A new, millennium love despite the sequence |
3:38:23 (Pop-up) |
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The Millennium | Karmic Dream Sequence #1 | 1968 | 3:38:55 (Pop-up) | |||
Faine Jade | People Games Play | 1968 | 3:44:49 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Millennium, Part 2 - A Haiku Previous summer A first, millennium swing above the sequence |
3:48:54 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Batman And Robin Swing | 1966 | 3:49:29 (Pop-up) | |||
The Holy Mackerel | Scorpio Red | The Holy Mackerel | 1968 | 3:52:04 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:55:17 (Pop-up) |
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Listener comments!
The Night Owl:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Granny Spicy Tuna (they/them):
Granny Spicy Tuna (they/them):
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Night Owl:
The Night Owl: