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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:18 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
The Peanut Butter Conspiracy | Twice Is Life | 1967 | 0:03:54 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
synths are not internal! synths are exceptionally extraneous. Do synths make you shiver? do they? I cannot help but stop and look at sweet violins. Violins are odoriferous. violins are syrupy, violins are confectionery, however. When I think of banjos, I see dueling leaves. |
0:06:37 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | The Bat Cave | 1966 | 0:07:20 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Ayatolluh - A Haiku Dour summertime where ayatolluh message an ayatolluh |
0:10:05 (Pop-up) |
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Music behind DJ: David Axelrod |
The Human Abstract |
Shoulder - A Haiku Early summertime A cold, last shoulder shoulder at the perfect thyme |
0:25:13 (Pop-up) |
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The Thyme | Very Last Day | 1967 | 0:25:39 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Streetcar - A Haiku Early summertime An open, last streetcar taste on the hamilton |
0:28:45 (Pop-up) |
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Hamilton Streetcar | Now I Taste The Tears | Original Lp - Dot Records DLP 25939 | 1969 | 0:29:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the like hey! A hey is alike. a hey is same, a hey is similar, however. I cannot help but stop and look at great yours. Now capital is just the thing, To get me wondering if yours are corking. I cannot help but stop and look at the big haha. Never forget the double and extensive haha. |
0:32:00 (Pop-up) |
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Graf Zepplin | You're In My Mind | 1968 | 0:32:46 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Message - A Haiku Indian summer A better message message despite the better |
0:35:23 (Pop-up) |
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Thunderclap Newman | I Dont Know | 1970 | 0:35:52 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Instant Request |
0:39:33 (Pop-up) |
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Maurice McAlister | I'd Rather Do It Myself | Baby Hang On / I'd Rather Do It Myself | For: DA the DJ | 0:39:35 (Pop-up) | ||
Brainticket | Black Sand | 1971 | 0:41:45 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
International - A Haiku Dampen summertime international message the ayatolluh |
0:45:45 (Pop-up) |
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The Monkees | Porpoise Song | 1968 | 0:46:54 (Pop-up) | |||
The Scot Richard Case | Who Is That Girl? | 1967 | 0:50:58 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
All that is explicable is not disappearances, disappearances, by all account is inexplicable. Disappearances are inscrutable. disappearances are paradoxical, disappearances are incomprehensible, however. I cannot help but stop and look at being whereabouts. Do whereabouts make you shiver? do they? Deceased is second reasons. |
0:53:43 (Pop-up) |
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Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 0:55:30 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:57:53 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Ayatolluh - A Haiku Early summertime How ayatolluh message an ayatolluh |
1:00:16 (Pop-up) |
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The Prime Movers | I'm A Man | 1966 | 1:01:16 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Movers - A Haiku Previous summer A recent, prime movers prime because of the prime |
1:05:06 (Pop-up) |
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amon düül II | rattlesnakeplumcake | 1970 | 1:05:35 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Orchestra - A Haiku Early summertime A moody orchestra knight by the festival |
1:08:40 (Pop-up) |
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The Moody Blues with The London Festival Orchestra conducted by Peter Knight | The Night: Nights In White Satin | 1967 | 1:09:21 (Pop-up) | |||
The Peanut Butter Conspiracy | Why Did I Get So High | 1967 | 1:17:27 (Pop-up) | |||
Chocolate Watch Band | Voyage Of The Trieste | 1968 | 1:19:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:23:02 (Pop-up) |
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The Move | The Disturbance | 1966 | 1:23:21 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:26:04 (Pop-up) |
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Group 1850 | A Point In This Life | 1968 | 1:26:14 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Accompaniment - A Haiku Indian summer before accompaniment point on the electric |
1:31:19 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 1:31:44 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Accompaniment, Part 2 - A Haiku Previous summer before accompaniment point by the electric |
1:33:55 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 1:34:23 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Telephone - A Haiku Indian summer A long, pink telephone point because of the floyd |
1:37:48 (Pop-up) |
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Love | The Red Telephone | 1967 | 1:38:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Telephone, Part 2 - A Haiku Previous summer A first, found telephone found enjoying the thyme |
1:43:55 (Pop-up) |
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The Thyme | I Found A Love | 1968 | 1:44:16 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Nicolai - A Haiku Dampish summertime An old, nicolai found into the bruno |
1:47:08 (Pop-up) |
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Bruno Nicolai | Drug Party | 1970 | 1:47:46 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:51:11 (Pop-up) |
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Pearls Before Swine | Uncle John | 1967 | 1:51:21 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
1:54:08 (Pop-up) |
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The Human Expression | Every Night | 1966 | 1:54:30 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 1:57:03 (Pop-up) | ||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:59:33 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Expression - A Haiku Glooming summertime An ancient expression grease after the children |
2:00:17 (Pop-up) |
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Ancient Grease | Women And Children First | 1970 | 2:00:58 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Children - A Haiku Indian summer An ancient children follow under the ancient |
2:07:28 (Pop-up) |
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notes from the undergorund | Follow Me Down | 1968 | 2:07:53 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
2:13:29 (Pop-up) |
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Andwellas Dream | The Days grew longer for love | 1969 | 2:13:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:18:29 (Pop-up) |
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Mij | Two Stars | 1969 | 2:18:42 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:22:30 (Pop-up) |
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The Who | I Can See For Miles | 1967 | 2:22:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:26:40 (Pop-up) |
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Tim Buckley | Wings | 1966 | 2:26:51 (Pop-up) | |||
GTO's: Girls Together Outrageously | Who's Jim Sox? | 1969 | 2:29:17 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:29:35 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:29:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. I cannot help but stop and look at the town cryer. Does the cryer make you shiver? does it? A moby, however hard it tries, |
2:32:37 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 2:33:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Because I could not hang for plummer, it did kindly hang for me. Plummer, plummer, every where, Yet not a drop to hang. I cannot help but stop and look at the town cryer. Does the cryer make you shiver? does it? A moby, however hard it tries, |
2:37:50 (Pop-up) |
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Arzachel | Leg | 1969 | 2:38:30 (Pop-up) | |||
Pat Kilroy | Cancereal | 1966 | 2:44:37 (Pop-up) | |||
Yankee Dollar | The Times They Are A-Changin' | 1968 | 2:48:55 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Cancereal - A Haiku Indian summer before set cancereal love despite the kilroy |
2:51:56 (Pop-up) |
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Love | You Set The Scene | 1967 | 2:52:24 (Pop-up) | |||
The London Studio Group | Pop Spot | 2:59:09 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Scene - A Haiku Indian summer An entire, dark scene love enjoying the dark |
3:00:17 (Pop-up) |
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The Ashes | Dark On You Now | 1967 | 3:00:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Friendly - A Haiku Previous summer A gay, friendly friendly touch whilst watching the touch |
3:04:44 (Pop-up) |
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Touch | Friendly Birds | 1969 | 3:05:09 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Flocks, however hard they try, Will always be migrant. Never forget the unsettled and migratory flocks. Crows, however hard they try, Will always be necked. Crows are neckless. crows are throated, crows are turtlenecked, however. How happy are fat pigeons! |
3:09:58 (Pop-up) |
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Pearls Before Swine | I Shall Not Care | 1967 | 3:10:48 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Bonniwell - A Haiku Previous summer before sound bonniwell sound on the harrisson |
3:16:01 (Pop-up) |
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Affinity | Night Flight | 1970 | 3:18:51 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
3:26:03 (Pop-up) |
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featuring John Zacherle | Gravy (With Some Cyanide) | Monster Mash | 3:26:16 (Pop-up) | |||
notes from the undergorund | What Am I Doing Here | 1968 | 3:28:34 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:30:47 (Pop-up) |
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Andwellas Dream | Cocaine | 1969 | 3:31:10 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Canterbury - A Haiku Previous summer A fair canterbury fair by the andwellas |
3:36:03 (Pop-up) |
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Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 3:36:23 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Canterbury, Part 2 - A Haiku Indian summer A pure, canterbury love an america |
3:39:15 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:39:50 (Pop-up) | ||
Tim Buckley | Song Slowly Song | 1966 | 3:44:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Harmonica - A Haiku Early summertime A mean, harmonica love the america |
3:48:35 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:49:57 (Pop-up) | ||||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:57:39 (Pop-up) |
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Listener comments!
The Night Owl:
DA the DJ:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
Sly Don:
DA the DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl: