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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:20 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
The Byrds | John Riley | The Byrds | 0:03:15 (Pop-up) | |||
Love | Laughing Stock | 1968 | 0:06:08 (Pop-up) | |||
Aphrodite's Child | Plastics Nevermore | 1968 | 0:08:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the early haywood! A haywood is matutinal. a haywood is archeozoic, a haywood is embryonic, however. I cannot help but stop and look at the celebrated cunha. Are you upset by how storied it is? Does it tear you apart to see the cunha so glorious? The cunning whiteside sings like a late temper Are you upset by how crafty it is? |
0:12:04 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 1 | 1968 | 0:13:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:17:15 (Pop-up) |
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Chad Stuart & Jeremy Clyde | Sunstroke | 1968 | 0:17:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Rotary And Burning Connection Whose connection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his connection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:21:39 (Pop-up) |
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Rotary Connection | Burning Of The Midnight Lamp | 1969 | 0:22:35 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The Rotary And Burning Connection Whose connection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his connection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:27:06 (Pop-up) |
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The Pink Floyd | Paint Box | 1967 | 0:27:51 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:31:31 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
The Pink And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:33:55 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:34:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Instant Request |
0:39:37 (Pop-up) |
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Baby Ray And The Ferns | The World's Greatest Sinner | 1963 | Requested by: The Ayatolluh of Rock n' Rolluh | 0:39:40 (Pop-up) | ||
Traffic | Smiling Phases | 1967 | 0:42:02 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
0:45:29 (Pop-up) |
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Musique De William Sheller | Generissimo | 1969 | 0:45:59 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:47:40 (Pop-up) |
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Phil Upchurch: | Peter, Peter | The Way I Feel | 0:47:56 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A barrett, however hard it tries, Will always be american. Does the barrett make you shiver? does it? How happy is the british wolfe! Does the wolfe make you shiver? does it? Mccarthy is born son. |
0:51:27 (Pop-up) |
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daughters of albion | hat off, arms out, ronnie | 1968 | 0:52:01 (Pop-up) | |||
The Flower Pot | Gentle People | 1967 | 0:54:47 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:57:26 (Pop-up) | ||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:00:14 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the paucity, the paucity is the most noticeable scarcity of all. Now obtrusive is just the thing, To get me wondering if the paucity is pronounced. I saw the the dreadful discharge of my generation destroyed, How I mourned the void. Down, down, down into the darkness of the void, Gently it goes - the fearful, the alarming, the horrendous. |
1:00:19 (Pop-up) |
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Lothar & The Hand People | Nobody Knows | 1968 | 1:01:41 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The vanish that's really beloved, Above all others is the absent. Does the absent make you shiver? does it? The error that's really inadvertent, Above all others is the omission. Now unintended is just the thing, To get me wondering if the omission is accidental. |
1:04:12 (Pop-up) |
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Procol Harum | A Whiter Shade Of Pale | 1967 | 1:04:52 (Pop-up) | |||
13th Floor Elevators | Nobody To Love | 1967 | 1:08:40 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the suggestive absent! An absent is indicative. an absent is meaningful, an absent is significative, however. The paucity is not invisible! the paucity is exceptionally ostentatious. Are you upset by how inconspicuous it is? Does it tear you apart to see the paucity so ostentatious? Just like prolonged prices, is the unavailability. |
1:11:29 (Pop-up) |
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Screamin' Jay Hawkins | I'm Lonely | 1970 | 1:13:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I saw the the satsuma united nations agency of my generation destroyed, How I mourned the imo. Does the imo make you shiver? does it? I cannot help but stop and look at the keskh leben. Does the leben make you shiver? does it? How happy are fat dis! |
1:15:49 (Pop-up) |
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The Red Krayola | Night Song | 1968 | 1:16:26 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the twice stolen! Does the stolen make you shiver? does it? I cannot help but stop and look at the strong absent. Does the absent make you shiver? does it? The little lost sings like dead leaves Never forget the diminutive and soft lost. |
1:18:16 (Pop-up) |
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William Sheller | Adieu Kathy | 1969 | 1:18:52 (Pop-up) | |||
The Asylum Choir | Soul Food | 1968 | 1:21:02 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The Through And Colored Level Whose level is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her level a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:23:15 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 1:24:03 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
America - A Haiku Darkness summertime A white, america split beyond the looking |
1:27:07 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:27:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Beefheart - A Haiku Indian summer suddenly beefheart captain under the captain |
1:32:12 (Pop-up) |
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Captain Beefheart and His Magic Band | Who Do You Think You're Fooling? | 1966 | 1:32:47 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the latter left! A left is last. a left is later, a left is former, however. I cannot help but stop and look at the miserable neglected. Down, down, down into the darkness of the neglected, Gently it goes - the meager, the wretched, the pitiable. Pay attention to the omission, the omission is the most wooly fault of all. |
1:35:22 (Pop-up) |
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The Head Shop | Heaven Here We Come | 1969 | 1:36:10 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The feeling that's really mere, Above all others is the presence. Does the presence make you shiver? does it? The vanish that's really thrombocytopenia, Above all others is the absent. Does the absent make you shiver? does it? |
1:38:52 (Pop-up) |
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Captain Beefheart & His Magic Band | Sugar 'N Spikes | 1970 | 1:39:28 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Accompaniment - A Haiku Early summertime where accompaniment captain before the beefheart |
1:41:56 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: A Thousand Ages From The Sun | 1968 | 1:42:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Accompaniment, Part 2 - A Haiku Hazy summertime How accompaniment crest out near the electric |
1:44:43 (Pop-up) |
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Jason Crest | Black Mass | 1969 | 1:45:18 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Underground - A Haiku Indian summer A german, underground light into the velvet |
1:50:00 (Pop-up) |
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The Velvet Underground | White Light / White Heat | 1967 | 1:50:24 (Pop-up) | |||
The Yardbirds | Ha Ha Said The Clown | 1967 | 1:53:07 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Underground, Part 2 - A Haiku Hazy summertime An active, underground floor into the thirteenth |
1:55:25 (Pop-up) |
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Thirteenth Floor Elevators | Baby Blue | 1967 | 1:56:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Thirteenth - A Haiku Foggy summertime A book, thirteenth thirteenth floor an elevators |
2:00:19 (Pop-up) |
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Blonde On Blonde | Time Is Passing | 1970 | 2:01:01 (Pop-up) | |||
The Bob Crewe Generation Orchestra | I Love All The Love In You (Vocal: The Glitterhouse) | 1968 | 2:01:12 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The un agency that's really single, Above all others is the imo. Down, down, down into the darkness of the imo, Gently it goes - the individual, the widowed, the undivided. How happy is the hard leben! Now heavy is just the thing, To get me wondering if the leben is easy. Prob is real system. |
2:03:36 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 2:04:16 (Pop-up) | |||
Blood Sweat & Tears | Meagan's Gypsy Eyes | 1968 | 2:08:32 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The Wild And Young Young Whose young is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her young a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:11:50 (Pop-up) |
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The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 2:13:37 (Pop-up) | |||
John Zacherle | Igor | 1958 | 2:16:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Electric - A Haiku Cloudy summertime A non, electric blossom into the blossom |
2:19:28 (Pop-up) |
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Blossom Toes | Love Is | 1967 | 2:20:15 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Gandalf - A Haiku Gloomy summertime A poor, dark gandalf blossom before the blossom |
2:22:54 (Pop-up) |
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Gandalf | Can You Travel In The Dark Alone | 1969 | 2:23:19 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Velvett - A Haiku Foggy summertime A blacke, dark velvett travel watching the gandalf |
2:26:18 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:26:49 (Pop-up) | ||
The Joyride | The Crystal Ship | 0 | 1967 | 2:32:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Don't belive that the plough is straight? the plough is crooked beyond belief. A plough is asymmetrical. a plough is writhen, a plough is knobbed, however. One afternoon I said to myself, "Why isn't the tammany more insubstantial?" Does the tammany make you shiver? does it? |
2:35:14 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 2:36:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Humanoid - A Haiku Cloudy summertime A hairy, humanoid band on the tomorrow |
2:39:21 (Pop-up) |
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Bonzo Dog Band | Humanoid Boogie | 1968 | 2:39:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Invention - A Haiku Previous summer A human, invention band on the humanoid |
2:42:43 (Pop-up) |
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The Mothers Of Invention | Lonely Little Girl | Frank Zappa & The Mothers Of Invention | 1967 | 2:43:14 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Invention, Part 2 - A Haiku Foggy summertime A mere, invention rapture watching the rapture |
2:45:55 (Pop-up) |
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Judy Henske & Jerry Yester | Rapture | 1969 | 2:46:23 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Rapture - A Haiku Early summertime A colored rapture rapture despite the people |
2:50:21 (Pop-up) |
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Lothar And The Hand People | Rose Colored Glasses | 1967 | 2:50:55 (Pop-up) | |||
Daughters Of Albion | Story Of Sad | 1968 | 2:53:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Isabella - A Haiku Previous summer For isabella people above the jeanette |
2:56:07 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 2:56:44 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:00:20 (Pop-up) |
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Chayns | Live with the Moon | 2008 | 3:00:28 (Pop-up) | |||
The Millennium | It's You | 1968 | 3:00:48 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
3:03:54 (Pop-up) |
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July | Dandelion Seeds | 1968 | 3:04:13 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Pay attention to the tuesday, the tuesday is the most providence weekday of all. Does the tuesday make you shiver? does it? I cannot help but stop and look at the bom april. Does the april make you shiver? does it? The fat feb sings like a dec day |
3:07:21 (Pop-up) |
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Fifty Foot Hose....... | Red The Sign Post | 1968 | 3:07:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
River - A Haiku Darkening summer A merciful river foot betrayed by the monks |
3:11:47 (Pop-up) |
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Mad River | Merciful Monks | 1968 | 3:12:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Ibiza - A Haiku Indian summer A composed ibiza pink under the river |
3:15:47 (Pop-up) |
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played and composed by the pink floyd | Ibiza Bar | 1969 | 3:16:24 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Moles - A Haiku Hazy summertime A complete, composed moles part whilst watching the moles |
3:19:25 (Pop-up) |
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The Moles | We Are The Moles (Part 2) | 1968 | 3:20:00 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Cardboard - A Haiku Darkness summertime A stiff, cardboard cardboard part because of the moles |
3:22:41 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 3:23:05 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Cardboard, Part 2 - A Haiku Indian summer A gray, cardboard cardboard box on the sullivan |
3:26:23 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:26:49 (Pop-up) | ||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 3:29:21 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:30:28 (Pop-up) |
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Moby Grape | He | 1967 | 3:30:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
3:35:25 (Pop-up) |
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Aorta | Catalyptic | 1969 | 3:35:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
3:39:30 (Pop-up) |
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Eric Burdon & The Animals | Monterey | 1968 | 3:39:40 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:44:20 (Pop-up) |
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Ars Nova | And How Am I To Know Entracte: Dancer | 3:44:43 (Pop-up) | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:49:49 (Pop-up) | ||||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 3:57:30 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 3:59:35 (Pop-up) |
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Listener comments!
The Night Owl:
DA the DJ:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
DA the DJ:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
Benjamin: Yes, sir.
Mr. McGuire: Are you listening?
Benjamin: Yes, I am.
Mr. McGuire: Plastics.
Or as Owl Sun says “Plastics Nevermore”
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Johnny S:
Johnny S:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
Johnny S:
The Ayatolluh of Rock n' Rolluh:
Johnny S:
Sly Don:
Sly Don:
The Night Owl: