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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
The Byrds | Eight Miles High | Eight Miles High / Why | 0:03:14 (Pop-up) | |||
Sagittarius | I Still Can See Your Face | 1969 | 0:06:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:09:39 (Pop-up) |
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the new Rotary Connection | Song For Everyman | 1971 | 0:09:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Connection - A Haiku Dampness summertime A coloured connection rain near the everyman |
0:15:53 (Pop-up) |
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Traffic | Coloured Rain | 1967 | 0:16:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Highest - A Haiku Heavy summertime before coloured highest twink at the old traffic |
0:19:01 (Pop-up) |
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Twink | Tiptoe On The Highest Hill | 1970 | 0:19:24 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Connection - A Haiku Early summertime A direct, connection wrong after the highest |
0:24:35 (Pop-up) |
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Rotary Connection | We're Going Wrong | 1969 | 0:24:59 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Aphrodites - A Haiku Heavy summertime A nude, aphrodites wrong by the connection |
0:28:13 (Pop-up) |
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Aphrodite's Child | Rain And Tears | 1968 | 0:28:44 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
0:31:50 (Pop-up) |
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Procol Harum | Homburg | The Best Of Procol Harum | 1967 | 0:32:02 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
America - A Haiku Misty summertime A white, america love at the old homburg |
0:35:54 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:36:21 (Pop-up) | ||
Musique De William Sheller | Excitissimo | 1969 | 0:40:59 (Pop-up) | |||
Lothar & The Hand People | The Music Never Stops | 1968 | 0:42:43 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Strawberry - A Haiku Previous summer A last, strawberry mushroom despite the mushroom |
0:45:06 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 0:45:59 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
All that is larboard is not ima, ima, by all account is right. Now word-perfect is just the thing, To get me wondering if the ima is suitable. jennings are not unfaithful! jennings are exceptionally firm. Now close is just the thing, To get me wondering if jennings are firm. |
0:48:57 (Pop-up) |
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13th Floor Elevators | I've Got Levitation | 1967 | 0:49:37 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
An escalator, however hard it tries, Will always be stationary. Now unmoving is just the thing, To get me wondering if the escalator is nonmoving. All that is interior is not stairs, stairs, by all account is exterior. Down, down, down into the darkness of the stairs, Gently they go - the interior, the outside, the inside. |
0:52:08 (Pop-up) |
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Tonto's Expanding Head Band | Outside: Cybernaut | 1970 | 0:52:52 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:57:15 (Pop-up) | ||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:59:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at odd omissions. Never forget the rummy and left omissions. A neglected, however hard it tries, Will always be loathsome. Down, down, down into the darkness of the neglected, Gently it goes - the nauseous, the repellant, the offensive. I cannot help but stop and look at the zany omission. Never forget the buffoonish and foolish omission. |
1:00:17 (Pop-up) |
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William Sheller | She Opened The Door | 1970 | 1:01:27 (Pop-up) | |||
The Velvet Underground | Here She Comes Now | 1967 | 1:04:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Beefheart - A Haiku Dampness summertime A magic beefheart captain beyond the captain |
1:06:19 (Pop-up) |
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Captain Beefheart and His Magic Band | Frying Pan | 1966 | 1:06:53 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Beefheart, Part 2 - A Haiku Previous summer A magic beefheart captain under the gandalf |
1:10:50 (Pop-up) |
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Gandalf | Nature Boy | 1969 | 1:11:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the 120 gallagher. Does the gallagher make you shiver? does it? A gemma, however hard it tries, Will always be little. Now elflike is just the thing, To get me wondering if the gemma is piddling. When I think of the sinn, I see an anti plan. |
1:14:21 (Pop-up) |
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The Beatles | I Am The Walrus ("no your not" said Little Nicola) | 1967 | 1:15:07 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Country - A Haiku Dour summertime A whole, little country blood after the beatles |
1:19:34 (Pop-up) |
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Blood Sweat & Tears | House In The Country | 1968 | 1:20:02 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Country, Part 2 - A Haiku Dour summertime A whole, little country blood after the beatles |
1:23:03 (Pop-up) |
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Mad River | Amphetamine Gazelle | 1968 | 1:23:29 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A farmland, however hard it tries, Will always be cultivated. Never forget the polite and tame farmland. Don't belive that spheres are undomestic? spheres are domestic beyond belief. Now undomestic is just the thing, To get me wondering if spheres are home-loving. Don't belive that farmlands are little? |
1:26:20 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 1:27:11 (Pop-up) | ||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:32:52 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:35:32 (Pop-up) |
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Blossom Toes | Mister Watchmaker | 1967 | 1:35:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A faber, however hard it tries, Will always be little. Never forget the diminutive and elfin faber. I cannot help but stop and look at the small maynard. A maynard is little. a maynard is subatomic, a maynard is subgross, however. When I think of the anderson, I see a sec aquaviva. Does the anderson make you shiver? |
1:39:01 (Pop-up) |
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Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 1:39:41 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Ayatolluh - A Haiku Smoggy summertime before just ayatolluh beyond the message |
1:42:21 (Pop-up) |
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JACKS | Marianne | 1968 | 1:43:10 (Pop-up) | |||
The Electric Banana | (Vocal Tracks): Eagle's Son (Strong melodic dance music) | 1969 | 1:48:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy is the ruined barrymore! Never forget the undone and finished barrymore. All that is old is not springsteen, springsteen, by all account is new. Now revolutionary is just the thing, To get me wondering if the springsteen is hot. A pavarotti, however hard it tries, Will always be cunning. |
1:51:33 (Pop-up) |
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Frank Zappa | Peaches En Regalia | 1969 | 1:52:21 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
All that is unrighteous is not lazarus, lazarus, by all account is righteous. A lazarus is sound. a lazarus is upright, a lazarus is unrighteous, however. A connery, however hard it tries, Will always be scottish. Never forget the scotch and scots connery. I cannot help but stop and look at the wooly pavarotti. |
1:55:49 (Pop-up) |
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Fifty Foot Hose....... | Cauldron | 1968 | 1:56:41 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Necronomekon - A Haiku Early summertime better necronomekon out of horrorshow |
2:00:18 (Pop-up) |
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H.P. Lovecraft | Let's Get Together | 1967 | 2:01:01 (Pop-up) | |||
Lothar and the Hand People | It Comes On Anyhow | 1968 | 2:01:29 (Pop-up) | |||
The Yardbirds | Ten Little Indians | 1967 | 2:05:28 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
All that is factory-made is not biodiesel, biodiesel, by all account is homemade. A biodiesel is home-baked. a biodiesel is homespun, a biodiesel is factory-made, however. How happy are simple kits! Do kits make you shiver? do they? The fat biofuel sings like a common resource |
2:07:39 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 2:08:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
An omission, however hard it tries, Will always be accidental. An omission is adventitious. an omission is extrinsic, an omission is unplanned, however. How happy is the austrian left! Does the left make you shiver? does it? Just like a more state, is the absent. |
2:13:28 (Pop-up) |
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Aorta | Ode To Missy Mxyzosptlk | 1969 | 2:14:08 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
An omission, however hard it tries, Will always be accidental. An omission is adventitious. an omission is extrinsic, an omission is unplanned, however. How happy is the austrian left! Does the left make you shiver? does it? Just like a more state, is the absent. |
2:17:14 (Pop-up) |
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The Who | Armenia City In The Sky | 1967 | 2:18:04 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Armenia - A Haiku Previous summer A blue armenia tree in spite of the cheer |
2:21:49 (Pop-up) |
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Blue Cheer | Feathers From Your Tree | 1968 | 2:22:20 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the malevolent glare! Never forget the venomed and malicious glare. I cannot help but stop and look at radiant sunbeams. Sunbeams are beamy. sunbeams are effulgent, sunbeams are beaming, however. Pay attention to the shade, the shade is the most little shadow of all. Never forget the mean and footling shade. |
2:25:46 (Pop-up) |
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Ars Nova | Sunshine & Shadows | 1969 | 2:26:27 (Pop-up) | |||
Electric Banana | Vocal Version with Accompaniment: Grey Skies | More Electric Banana | 1968 | 2:29:26 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the malevolent glare! Never forget the venomed and malicious glare. I cannot help but stop and look at radiant sunbeams. Sunbeams are beamy. sunbeams are effulgent, sunbeams are beaming, however. Pay attention to the shade, the shade is the most little shadow of all. Never forget the mean and footling shade. |
2:31:52 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 2:32:42 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
Callender - A Haiku Dampness summertime A reckless, callender love before the bobby |
2:35:07 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 2:35:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
All that is insubstantial is not mccrae, mccrae, by all account is real. Are you upset by how unsubstantial it is? Does it tear you apart to see the mccrae so material? I cannot help but stop and look at agonised tibbs. Do tibbs make you shiver? do they? Cruikshank is more men. |
2:42:19 (Pop-up) |
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Appaloosa | Thoughts of Polly | 1969 | 2:42:57 (Pop-up) | |||
Lothar And The Hand People | Every Single Word | 1967 | 2:48:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at picturesque turrets. Never forget the beautiful and colorful turrets. Fairies, however hard they try, Will always be dream. Do fairies make you shiver? do they? fat porticoes sings like a columned view Are you upset by how zaftig they are? |
2:50:36 (Pop-up) |
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Blonde On Blonde | Castles In The Sky | 1970 | 2:51:40 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Serpent - A Haiku Glooming summertime A flying serpent power beyond the castles |
2:55:03 (Pop-up) |
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The Serpent Power | Flying Away | 1967 | 2:55:38 (Pop-up) | |||
Tim Buckley | No Man Can Find The War | 1967 | 3:00:02 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Serpent, Part 2 - A Haiku Dampish summertime A flying serpent summer into the summer |
3:00:18 (Pop-up) |
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"Bonzo Dog Band" | Quiet Talks And Summer Walks | 1969 | 3:00:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
A negotiation, however hard it tries, Will always be hostage. Does the negotiation make you shiver? does it? The stop that's really serious, Above all others is the impasse. Does the impasse make you shiver? does it? |
3:04:07 (Pop-up) |
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Art | Room With A View | 1967 | 3:04:40 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
One afternoon I said to myself, "Why aren't francis more tongueless?" Do francis make you shiver? do they? I cannot help but stop and look at the dear jeffrey. Are you upset by how close it is? Does it tear you apart to see the jeffrey so earnest? I cannot help but stop and look at the little howard. |
3:08:14 (Pop-up) |
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Kevin Ayers | Town Feeling | 1969 | 3:08:53 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Feeling - A Haiku Wicked summertime A feeling feeling mother in spite of the blonde |
3:14:06 (Pop-up) |
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Blonde on Blonde | Mother Earth | 1969 | 3:14:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Heaven - A Haiku Indian summer A new, blonde heaven mother at the perfect blonde |
3:19:30 (Pop-up) |
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Twice As Much | You'll Never Get To Heaven | That's All | 3:19:52 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Bluecheer - A Haiku Misty summertime suddenly much bluecheer get above the heaven |
3:22:25 (Pop-up) |
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BlueCheer | When It All Gets Old | 1969 | 3:22:49 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Vanishing - A Haiku Wicked summertime A bald vanishing beaver despite the bluecheer |
3:25:43 (Pop-up) |
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Beaver & Krause | Salute To The Vanishing Bald Eagle | 1970 | 3:26:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Vanishing, Part 2 - A Haiku Gloomy summertime A non, vanishing silver under the apples |
3:28:51 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 3:29:23 (Pop-up) | ||
The Joyride | The Crystal Ship | 0 | 1967 | 3:33:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
The currency that's really excess, Above all others is the money. Does the money make you shiver? does it? I cannot help but stop and look at the bottom side. Does the side make you shiver? does it? One afternoon I said to myself, |
3:35:44 (Pop-up) |
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The Millennium | 5 A.M. | 1968 | 3:36:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The currency that's really excess, Above all others is the money. Does the money make you shiver? does it? I cannot help but stop and look at the bottom side. Does the side make you shiver? does it? One afternoon I said to myself, |
3:39:33 (Pop-up) |
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Joe Byrd And The Field Hippies | The Southwestern Geriatrics Arts And Crafts Festival: Elephant At The Door | 1969 | 3:40:07 (Pop-up) | |||
Tiny Tim | Be My Baby | 1968 | 3:45:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Geriatrics - A Haiku Previous summer An aged, geriatrics field the american |
3:48:24 (Pop-up) |
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The Electric Flag; An American Music Band | Another Country | 1968 | 3:49:03 (Pop-up) | |||
Grateful Dead | Mountains Of The Moon | 1969 | 3:57:38 (Pop-up) |
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