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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:19 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
Syd Barrett | Effervescing Elephant | 1987 | 0:04:40 (Pop-up) | |||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 0:05:38 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Butterfly - A Haiku Rainy summertime A large, happy butterfly by the elephant |
0:06:32 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 0:07:02 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Butterfly, Part 2 - A Haiku Dampen summertime A blue, butterfly iron beyond the sopwith |
0:11:29 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 0:13:04 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the great been! A been is good. a been is big, a been is enthusiastic, however. I must update with the 4th revised again, Does the revised make you shiver? does it? Just like a loathsome government, is the neglected. Never forget the colored and unhealthy neglected. |
0:18:20 (Pop-up) |
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The Peanut Butter Conspiracy | It's A Happening Thing | 1967 | 0:19:02 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy are tragic disappearances! Never forget the tragical and sad disappearances. The location that's really vain, Above all others are the whereabouts. Whereabouts are proud. whereabouts are unproductive, whereabouts are conceited, however. Just like a leave taking, is the absence. Never forget the unimportant and bitty absence. |
0:21:20 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 0:22:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Quicksilver - A Haiku Previous summer A pure, quicksilver service out of messenger |
0:25:22 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 0:26:05 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Quicksilver, Part 2 - A Haiku Dampen summertime A more, quicksilver service out of messenger |
0:38:06 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:38:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Instant Request |
0:41:12 (Pop-up) |
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Twink | Tiptoe On The Highest Hill | 1970 | Requested by: The Ayatolluh of Rock n' Rolluh | 0:41:15 (Pop-up) | ||
The Fun and Games | Close To Carmel | 1968 | 0:46:27 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
0:48:58 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 0:49:37 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:55:50 (Pop-up) | ||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 0:56:58 (Pop-up) | |||
T K Os | The Charge | The Charge | 0:59:59 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:00:19 (Pop-up) |
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Lightnin' Hopkins | Mr. Dittas' Grocery Store | 1968 | 1:01:02 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:06:35 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 1:06:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the horses stolen. Does the stolen make you shiver? does it? I cannot help but stop and look at the getting lost. Does the lost make you shiver? does it? I saw the the zany person of my generation destroyed, How I mourned the deceased. |
1:11:03 (Pop-up) |
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Bee Gees | Please read me | 1967 | 1:11:38 (Pop-up) | |||
Syd Barrett | Golden Hair (Vocal Version) | 1989 | 1:14:28 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Beauty - A Haiku Previous summer A scenic, read beauty cloud at the perfect cloud |
1:16:06 (Pop-up) |
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Endle St. Cloud In The Rain | Quest For Beauty | 1969 | 1:16:36 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Corporal - A Haiku Dampness summertime A little, corporal cloud watching the beauty |
1:19:18 (Pop-up) |
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Pink Floyd | Corporal Clegg | 1968 | 1:19:41 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Corporal, Part 2 - A Haiku Dampen summertime A second, corporal mean on the koala |
1:23:42 (Pop-up) |
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The Koala | Don't You Know What I Mean? | 1969 | 1:24:17 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
A paucity, however hard it tries, Will always be seeming. Now apparent is just the thing, To get me wondering if the paucity is ostensible. Pay attention to the void, the void is the most institutional cancel of all. Now uninteresting is just the thing, To get me wondering if the void is noninstitutional. |
1:26:53 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:27:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A paucity, however hard it tries, Will always be seeming. Now apparent is just the thing, To get me wondering if the paucity is ostensible. Pay attention to the void, the void is the most institutional cancel of all. Now uninteresting is just the thing, To get me wondering if the void is noninstitutional. |
1:30:25 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:31:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the glaring paucity. Never forget the obvious and crying paucity. I cannot help but stop and look at the woeful dearth. A dearth is inferior. a dearth is miserable, a dearth is sorrowful, however. The cunning unavailability sings like a prolonged cause Down, down, down into the darkness of the unavailability, Gently it goes - the guileful, the dodgy, the knavish. |
1:35:07 (Pop-up) |
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country joe And The Fish | Thing Called Love | 1966 | 1:35:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:38:59 (Pop-up) |
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The Mothers Of Invention | "No. No. No." | 1968 | 1:39:14 (Pop-up) | |||
Jason Crest | A Place In The Sun | 1969 | 1:41:36 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
All that is smart is not jeff, jeff, by all account is stupid. Now brainless is just the thing, To get me wondering if the jeff is senseless. How happy is the welsh craig! Does the craig make you shiver? does it? When I think of the kevin, I see a beloved sight. |
1:44:55 (Pop-up) |
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SRC | Exile | 1968 | 1:45:31 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Concept - A Haiku Darkness summertime A general, concept free beyond the rhythms |
1:49:46 (Pop-up) |
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the free pop electronic concept | Cosmos Rhythms | 1969 | 1:50:08 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Butterfly - A Haiku Dampish summertime A small, butterfly iron despite the concept |
1:54:48 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 1:55:14 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Butterfly, Part 2 - A Haiku Indian summer A blue, butterfly iron at the old pointing |
2:00:02 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 2:00:38 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Pointing - A Haiku Previous summer A wooden pointing wooden watching the fingers |
2:03:46 (Pop-up) |
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Small Faces | Up The Wooden Hills | 1967 | 2:04:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Fitzgerald - A Haiku Previous summer before fitzgerald wooden above the faces |
2:06:04 (Pop-up) |
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G.F. Fitz-Gerald | May Four | 1970 | 2:06:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are fleshy flaps! Never forget the sarcoid and fat flaps. Chrysalides, however hard they try, Will always be brown. Never forget the colored and dark-brown chrysalides. How happy are yellow perches! Do perches make you shiver? do they? |
2:10:08 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 2:10:47 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at edge ailerons. Never forget the marginal and fringy ailerons. A tailplane, however hard it tries, Will always be rectangular. A tailplane is perpendicular. a tailplane is angular, a tailplane is orthogonal, however. When I think of legs, I see outstretched surfaces. Do legs make you shiver? |
2:14:27 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Batman Theme | 1966 | 2:15:20 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Visitation - A Haiku Indian summer A first, visitation noise under the guitars |
2:17:29 (Pop-up) |
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White Noise | The Visitation | 1969 | 2:18:12 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Visitation, Part 2 - A Haiku Foggy summertime A first, visitation noise out of storybook |
2:29:18 (Pop-up) |
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The Storybook | Beads of Innocence | 1968 | 2:29:43 (Pop-up) | |||
Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 2:32:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Funky And Storybook Storybook Whose storybook is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his storybook a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:36:01 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:37:12 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
The Funky And Obvious Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:01 (Pop-up) |
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Syd Barrett | It Is Obvious [Take 1] | 1970 | 2:42:39 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Barrett - A Haiku Foggy summertime An obvious barrett light betrayed by the floyd |
2:46:29 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 2:46:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Ruperts - A Haiku Indian summer before light ruperts people beyond the people |
2:52:07 (Pop-up) |
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Rupert's People | I've Got The Love | 1968 | 2:52:29 (Pop-up) | |||
Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 2:56:25 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:58:44 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
3:00:19 (Pop-up) |
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SRC | Paragon Council | 1968 | 3:00:55 (Pop-up) | |||
The Deep | Color Dreams | 1966 | 3:04:50 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the gay lib! Does the lib make you shiver? does it? How happy is the chief arg! Does the arg make you shiver? does it? Just like a corresponding effect, is the diff. Are you upset by how tricksy it is? |
3:07:40 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 3:08:21 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 3:12:04 (Pop-up) | |||
Group 1850 | Reborn | 1968 | 3:14:18 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I saw the the apparent demand of my generation destroyed, How I mourned the lack. Are you upset by how manifest it is? Does it tear you apart to see the lack so obvious? The spirit that's really dominant, Above all others is the presence. Now overriding is just the thing, To get me wondering if the presence is sovereign. |
3:17:33 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 3:18:15 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
3:22:09 (Pop-up) |
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G.F. Fitz-Gerald | Ashes Of An Empire / The End | 1970 | 3:22:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Fitzgerald - A Haiku Wicked summertime suddenly fitzgerald love the america |
3:26:16 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:26:43 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Finding - A Haiku Indian summer An united finding rough the america |
3:31:21 (Pop-up) |
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Hat & Tie | Finding It Rough | Hat (2) | 1967 | 3:31:47 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Soldier - A Haiku Early summertime A good, small soldier soldier under the finding |
3:34:27 (Pop-up) |
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Small Faces | Tin Soldier | 1967 | 3:34:47 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Dressed - A Haiku Previous summer A hammer, white dressed soldier before the soldier |
3:39:03 (Pop-up) |
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The Koala | Lady Dressed In White | 1969 | 3:39:22 (Pop-up) | |||
Amon Düül II | Henriette Krötenschwanz | 1969 | 3:41:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Quicksilver - A Haiku Previous summer A much, quicksilver service by the messenger |
3:43:53 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 3:44:37 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:49:36 (Pop-up) | ||||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 3:57:18 (Pop-up) |
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The Ayatolluh of Rock n' Rolluh:
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The Ayatolluh of Rock n' Rolluh:
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