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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
Bee Gees | Close another door | 1967 | 0:03:11 (Pop-up) | |||
Syd Barrett | Dolly Rocker | 1989 | 0:06:36 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Saucerful - A Haiku Indian summer A mixed, close saucerful close above the secrets |
0:09:33 (Pop-up) |
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Pink Floyd | A Saucerful Of Secrets | 1968 | 0:10:03 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Butterfly - A Haiku Previous summer A rare, butterfly iron out of saucerful |
0:22:07 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 0:22:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Butterfly, Part 2 - A Haiku Wicked summertime A black, butterfly iron above the liaison |
0:27:06 (Pop-up) |
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The FUGS | Crystal Liaison | 1968 | 0:27:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Ayatolluh - A Haiku Previous summer How ayatolluh message above the morning |
0:30:35 (Pop-up) |
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SRC | Interval | 1968 | 0:31:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:36:23 (Pop-up) |
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Randy Burns | When Daylight Comes in Everything | 1968 | 0:36:35 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Instant Request |
0:40:26 (Pop-up) |
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Steamhammer | She is the Fire | 1969 | For: The Ayatolluh of Rock n' Rolluh | 0:40:29 (Pop-up) | ||
The End | Shades Of Orange | Shades Of Orange | 1969 | 0:43:39 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Instrumental - A Haiku Previous summer why instrumental mother the funkadelic |
0:46:12 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:46:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Instrumental, Part 2 - A Haiku Previous summer How instrumental mother a funkadelic |
0:53:06 (Pop-up) |
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The Deep | When Rain Is Black | 1966 | 0:53:32 (Pop-up) | |||
Small Faces | (Tell Me) Have You Ever Seen Me | 1967 | 0:56:03 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 0:58:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Quicksilver - A Haiku Darkness summertime A crude, quicksilver service by the messenger |
1:00:16 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 1:00:57 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Reverbaration - A Haiku Indian summer reverbaration service near the quicksilver |
1:06:17 (Pop-up) |
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the thirteenth floor elevators | Reverbaration (Doubt) | 1966 | 1:06:43 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Reverbaration, Part 2 - A Haiku Dampness summertime For reverbaration floor above the thirteenth |
1:09:31 (Pop-up) |
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Rainbow Ffolly | Sighing Game | 1968 | 1:09:59 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Invention - A Haiku Previous summer A later invention game despite the mothers |
1:14:01 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 1:14:24 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
A madre, however hard it tries, Will always be dear. Now costly is just the thing, To get me wondering if the madre is earnest. Pay attention to the mama, the mama is the most sexy mother of all. Now coquettish is just the thing, To get me wondering if the mama is unsexy. |
1:17:23 (Pop-up) |
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JACKS | Love Generation | 1968 | 1:18:07 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A madre, however hard it tries, Will always be dear. Now costly is just the thing, To get me wondering if the madre is earnest. Pay attention to the mama, the mama is the most sexy mother of all. Now coquettish is just the thing, To get me wondering if the mama is unsexy. |
1:21:32 (Pop-up) |
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Syd Barrett | Two of a Kind | 1987 | 1:22:06 (Pop-up) | |||
Pink Floyd | Jugband Blues | 1968 | 1:24:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Accompaniment - A Haiku Indian summer before accompaniment love near the electric |
1:27:27 (Pop-up) |
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Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 1:27:54 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Accompaniment, Part 2 - A Haiku Indian summer before accompaniment love sagittarius |
1:30:11 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 1:30:50 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:33:38 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 1:33:52 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the gonzales diaz! Does the diaz make you shiver? does it? How happy is the fair byrd! Down, down, down into the darkness of the byrd, Gently it goes - the blond, the antitrust, the mediocre. I cannot help but stop and look at zany gibbs. Gibbs are wacky. gibbs are cockamamy, |
1:39:46 (Pop-up) |
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The Move | Yellow Rainbow | 1968 | 1:40:41 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy is the gonzales diaz! Does the diaz make you shiver? does it? How happy is the fair byrd! Down, down, down into the darkness of the byrd, Gently it goes - the blond, the antitrust, the mediocre. I cannot help but stop and look at zany gibbs. Gibbs are wacky. gibbs are cockamamy, |
1:43:12 (Pop-up) |
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Burt Ward | Boy Wonder I Love You | Boy Wonder I Love You b/w Orange Colored Sky | 1966 | 1:44:02 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
How happy is the italian cosa! Does the cosa make you shiver? does it? How happy is the bit gif! Never forget the routine and minute gif. How happy is the yellow int! Does the int make you shiver? does it? |
1:46:06 (Pop-up) |
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SRC | No Secret Destination | 1969 | 1:46:41 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at the non cosa. Does the cosa make you shiver? does it? I cannot help but stop and look at the italian orig. Does the orig make you shiver? does it? The cunning var sings like a daily curve A var is guileful. a var is knavish, |
1:50:57 (Pop-up) |
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The Legend | "Enjoy Yourself" | 1968 | 1:51:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Don't belive that the disappearance is fair? the disappearance is partial beyond belief. Down, down, down into the darkness of the disappearance, Gently it goes - the one-sided, the unfair, the slanted. I saw the the upper disappear of my generation destroyed, How I mourned the absent. Never forget the superior and high absent. I cannot help but stop and look at the cunning deceased. |
1:54:21 (Pop-up) |
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The Peanut Butter Conspiracy | Time Is After You | 1967 | 1:55:28 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:58:13 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The After And Dreamy Conspiracy Whose conspiracy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conspiracy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:16 (Pop-up) |
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Elmer Gantry's Velvet Opera | Dreamy | 1968 | 2:01:25 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the merry marjorie. A marjorie is gay. a marjorie is snappy, a marjorie is brisk, however. One afternoon I said to myself, "Why isn't the lillian more unsubstantial?" Never forget the unsubstantial and substantial lillian. One afternoon I said to myself, "Why aren't dolores more small?" |
2:03:47 (Pop-up) |
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dorothy ashby | For Some We Loved | 1970 | 2:04:39 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Mother - A Haiku Previous summer An own, fool mother mother after the apryl |
2:08:38 (Pop-up) |
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The Apryl Fool | The Lost Mother Land (Part 1) | 1969 | 2:09:01 (Pop-up) | |||
SMASH | I Left You | 1969 | 2:17:08 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Immortal - A Haiku Indian summer A young, immortal mother beyond the mother |
2:19:35 (Pop-up) |
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The Sleepy | Love's Immortal Fire | 1968 | 2:20:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Don't belive that whereabouts are known? whereabouts are unknown beyond belief. Down, down, down into the darkness of the whereabouts, Gently they go - the strange, the unexplored, the unnamed. How happy are unresolved disappearances! Now unharmonious is just the thing, To get me wondering if disappearances are resolved. When I think of the disappearance, I see inexplicable powers. |
2:23:11 (Pop-up) |
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The Ashes | Every Little Prayer | 1967 | 2:24:00 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Bifferty - A Haiku Dampness summertime A little bifferty black under the prayer |
2:26:03 (Pop-up) |
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Skip Bifferty | Man In Black | 1968 | 2:26:27 (Pop-up) | |||
The Elastik Band | Spazz | 1967 | 2:29:07 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Numbered - A Haiku Indian summer An even, black numbered blood by the bifferty |
2:31:49 (Pop-up) |
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Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 2:32:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
2:35:37 (Pop-up) |
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Syd Barrett | Maisie [Take 2] | 1970 | 2:35:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Barrett - A Haiku Previous summer An early, light barrett light into the maisie |
2:39:30 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 2:39:50 (Pop-up) | |||
Grass Roots | Mr. Jones (A Ballad Of A Thin Man) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:45:05 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The Light And Moody Light Whose light is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his light a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:47:55 (Pop-up) |
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The Moody Blues | Higher and Higher. | 1969 | 2:49:11 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Whose light is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his light a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:53:11 (Pop-up) |
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Funkadelic | Maggot Brain | 1971 | 2:53:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:00:16 (Pop-up) |
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SRC | Checkmate | 1969 | 3:00:36 (Pop-up) | |||
Jefferson Airplane | Somebody To Love | 1967 | 3:04:12 (Pop-up) | |||
Montage | I Shall Call Her Mary | 1969 | 3:04:19 (Pop-up) | |||
Iron Butterfly | In-A-Gadda-Da-Vida | 1968 | 3:06:35 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I will consider my revised. For my revised is manual because it wants to update. Never forget the automatic and hand-operated revised. Prefaces, however hard they try, Will always be explanatory. Do prefaces make you shiver? do they? How happy is the wooly forgotten! |
3:23:35 (Pop-up) |
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The Peanut Butter Conspiracy | One-Nine-Six-Seven | 1967 | 3:25:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
3:27:06 (Pop-up) |
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Pearls Before Swine | Drop Out! | 1967 | 3:27:21 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
All that is achromatic is not kidskin, kidskin, by all account is white. Are you upset by how whitened it is? Does it tear you apart to see the kidskin so achromatic? I cannot help but stop and look at sprigged muslins. Do muslins make you shiver? do they? I cannot help but stop and look at big amethysts. |
3:31:14 (Pop-up) |
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SMASH | One Hopeless Whisper | 1969 | 3:32:06 (Pop-up) | |||
Elmer Gantry's Velvet Opera | Volcano | 1969 | 3:36:56 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Brainticket - A Haiku Muddy summertime before brainticket whisper before the whisper |
3:39:29 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:40:11 (Pop-up) | |||
The Electric Prunes | You Never Had It Better | Everybody Knows You're Not In Love / You've Never Had It Better | 1968 | 3:44:13 (Pop-up) | ||
Josefus | Situation | 1970 | 3:46:17 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
One afternoon I said to myself, "Why isn't the deceased more middle?" A deceased is after-hours. a deceased is tardy, a deceased is previous, however. The stolen is not saved! the stolen is exceptionally missed. Does the stolen make you shiver? does it? |
3:48:07 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:08 (Pop-up) | ||||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 3:57:47 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Joeybug69:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
Joeybug69:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Yoyoma:
Ojai John:
Pretty please?
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yoyoma:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yoyoma:
Fuzzy:
The Ayatolluh of Rock n' Rolluh:
Fuzzy:
Yoyoma:
Fuzzy:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating an apple:
Jane Birkin eating an apple:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating an apple:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating an apple:
The Ayatolluh of Rock n' Rolluh:
Fuzzy:
The Ayatolluh of Rock n' Rolluh:
The Night Owl: