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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:18 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
The Beatles | Baby, You're A Rich Man | 1967 | 0:03:54 (Pop-up) | |||
Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 0:06:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Children - A Haiku Previous autumn when a normal, children man watching the beatles |
0:10:16 (Pop-up) |
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The Misunderstood | Children Of The Sun | Children Of The Sun / I Unseen | 1969 | 0:10:52 (Pop-up) | ||
Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 0:15:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69 |
0:18:26 (Pop-up) |
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Living Guitars | Vibrations | 1968 | 0:19:02 (Pop-up) | |||
Brother Love | Rotary Connection | The Listening Post | 0:21:03 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Brown And Living Living Whose living is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his living a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:22:34 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 0:24:11 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
One afternoon I said to myself, "Why isn't the been more first?" A been is up-to-date. a been is next-to-last, a been is ultimate, however. The parcel of land that's really upstage, Above all others is the left. Does the left make you shiver? does it? |
0:27:28 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:28:30 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Illuminowlti - A Haiku Beautiful autumn better illuminowlti illuminowlti |
0:33:20 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:34:10 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Encouragement - A Haiku Early dampness fall A strong, encouragement rock the ayatolluh |
0:37:16 (Pop-up) |
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The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 0:37:54 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
Instant Request |
0:41:46 (Pop-up) |
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Moby Grape | Omaha | 1967 | For: The Collective Cult of Woolly Lydia | 0:41:49 (Pop-up) | ||
Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 0:44:24 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Encouragement, Part 2 - A Haiku Beautiful autumn A strong, encouragement rock the ayatolluh |
0:48:40 (Pop-up) |
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Composed And Arranged By David Axelrod | Merlin's Prophecy | Song Of Innocence | 0:49:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Boulevard - A Haiku Early dampness fall A lined, boulevard message out of boulevard |
0:52:26 (Pop-up) |
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The Licorice Schtik | The Kissin' Game | The Kissin' Game b/w Flowers, Flowers | 1968 | 0:53:09 (Pop-up) | ||
Gandalf | Nature Boy | 1969 | 0:55:09 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 0:58:14 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Welcome - A Haiku Previous autumn A welcome welcome welcome watching the tonight |
1:00:18 (Pop-up) |
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Procol Harum | Homburg | The Best Of Procol Harum | 1967 | 1:01:12 (Pop-up) | ||
The Elastik Band | I Would Still Love You | 1968 | 1:05:11 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:07:26 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:07:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
A trachea, however hard it tries, Will always be stenotic. Does the trachea make you shiver? does it? Airwaves, however hard they try, Will always be open. Airwaves are unopen. airwaves are barefaced, airwaves are unprejudiced, however. |
1:10:12 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 1:10:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the little dancy! Down, down, down into the darkness of the dancy, Gently it goes - the bitty, the smallest, the weeny. I cannot help but stop and look at the simple strummer. A strummer is lancelike. a strummer is cordate, a strummer is easy, however. Just like a real man, is the groovy. Are you upset by how muddled it is? |
1:14:55 (Pop-up) |
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Dave Allen | Terp | 2008 | 1:15:38 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:18:09 (Pop-up) |
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The Byrds | Lady Friend | Lady Friend | 1967 | 1:18:36 (Pop-up) | ||
The October Country | October Country | October Country | 1968 | 1:21:03 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:23:35 (Pop-up) |
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The Household Sponge | Scars | Scars b/w Second Best | 1967 | 1:23:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
1:26:28 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:26:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Ayatolluh - A Haiku Glorious autumn when ayatolluh message under the message |
1:29:33 (Pop-up) |
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Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 1:30:07 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe |
Canterbury - A Haiku Previous autumn A fair canterbury fair near the animals |
1:34:23 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 1:35:00 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:38:18 (Pop-up) |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | 1:38:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Instrumental - A Haiku Previous autumn why instrumental balloon before the lightnin |
1:42:37 (Pop-up) |
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Pretty Things | Balloon Burning (A Phase In The Life Of S.F. Sorrow) | Private Sorrow | 1968 | 1:43:17 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Quicksilver - A Haiku Last dampen autumn A more, quicksilver service on the messenger |
1:47:01 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 1:47:41 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The sector is not unproductive! the sector is exceptionally amentaceous. Does the sector make you shiver? does it? I cannot help but stop and look at processing industries. Do industries make you shiver? do they? How happy are fat professions! |
1:52:42 (Pop-up) |
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Alice Cooper | Fields of Regret | Pretties For You | 1969 | 1:53:19 (Pop-up) | ||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 1:58:59 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:00:19 (Pop-up) |
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October Country | I Wish I Was A Fire | October Country | 1968 | 2:00:42 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:02:29 (Pop-up) |
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Blood Sweat & Tears | My Days Are Numbered | Blood, Sweat And Tears | 1968 | 2:02:43 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
An inability, however hard it tries, Will always be genuine. Now actual is just the thing, To get me wondering if the inability is honest-to-goodness. I saw the the frequent belief of my generation destroyed, How I mourned the presence. A presence is predominant. a presence is infrequent, a presence is regular, however. |
2:05:54 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 2:06:46 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Don't belive that the failing is worst? the failing is best beyond belief. Never forget the unexcelled and unexceeded failing. How happy is the twice stolen! Does the stolen make you shiver? does it? Gone is all fish. all fish is gone. |
2:12:03 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 2:12:51 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
The defect that's really epidermal, Above all others is the nevus. Does the nevus make you shiver? does it? Don't belive that springtails are big? springtails are small beyond belief. Springtails are weeny. springtails are microscopical, springtails are miserly, however. |
2:17:14 (Pop-up) |
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Donovan | The Fat Angel | 1966 | 2:18:07 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:22:14 (Pop-up) |
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Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 2:22:27 (Pop-up) | ||
The Joyride | The Crystal Ship | 0 | 1967 | 2:25:38 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
2:27:59 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 2:28:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Encouragement - A Haiku Previous autumn A more, encouragement page above the hiding |
2:31:00 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:31:42 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at drunken staggers. Are you upset by how drunk they are? Does it tear you apart to see the staggers so sottish? I cannot help but stop and look at japanese flounders. Do flounders make you shiver? do they? How happy are yellow mellows! Do mellows make you shiver? |
2:34:12 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 2:35:08 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Husbands, however hard they try, Will always be elderly. Never forget the older and senior husbands. I cannot help but stop and look at female children. Never forget the pistillate and feminine children. Just like a young youth, is teenagers. Now dishonorable is just the thing, To get me wondering if teenagers are chickenhearted. |
2:39:08 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 2:39:54 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Workmanship - A Haiku Glorious autumn A good, workmanship wimple after the british |
2:42:24 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 2:42:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Brotherhood - A Haiku Beautiful autumn A true, brotherhood wimple by the workmanship |
2:45:51 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 2:46:14 (Pop-up) | ||
The Troggs | Any Way You Want Me | 2:48:54 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Brotherhood, Part 2 - A Haiku Previous autumn A colored brotherhood split watching the sunshine |
2:51:47 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 2:52:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Feelings - A Haiku Beautiful autumn A such, colored feelings breeze before the looking |
2:55:43 (Pop-up) |
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Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 2:56:05 (Pop-up) | ||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 2:57:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The ambivalence is not counterfeit! the ambivalence is exceptionally true. Never forget the sincere and true ambivalence. I cannot help but stop and look at happy memories. Now fortunate is just the thing, To get me wondering if memories are bright. Vibes are uneasy man. uneasy man are vibes. |
3:00:19 (Pop-up) |
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Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 3:01:24 (Pop-up) | ||
The West Coast Pop Art Experimental Band | Smell Of Incense | The West Coast Pop Art Experimental Band | 1967 | 3:04:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:06:38 (Pop-up) |
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Kaleidoscope | Holiday Maker | Tangerine Dream | 1967 | 3:07:01 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
All that is good is not night, night, by all account is bad. Are you upset by how stale it is? Does it tear you apart to see the night so uncollectible? Don't belive that the road is collateral? the road is direct beyond belief. Never forget the man-to-man and plainspoken road. All that is little is not day, |
3:10:12 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 3:10:52 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I saw the the available wealth of my generation destroyed, How I mourned the money. Never forget the forthcoming and gettable money. A dope, however hard it tries, Will always be axle. Does the dope make you shiver? does it? I cannot help but stop and look at the zany side. |
3:14:52 (Pop-up) |
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The Montanas | Doctor Nero | 2009 | 3:15:28 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Montanas - A Haiku Beautiful autumn A sweet montanas machine at the old machine |
3:18:05 (Pop-up) |
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The Soft Machine | Love Makes Sweet Music | Love Makes Sweet Music | 1967 | 3:18:28 (Pop-up) | ||
The End | Shades Of Orange | Shades Of Orange | 1969 | 3:20:54 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus |
Machine - A Haiku Glorious autumn A rolling machine machine at the old music |
3:23:26 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 3:24:04 (Pop-up) | ||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:28:16 (Pop-up) | ||
Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 3:28:33 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
cheviots are not west! cheviots are exceptionally eastern. Down, down, down into the darkness of the cheviots, Gently they go - the eastmost, the eastern, the eastward. I cannot help but stop and look at the southern somerset. Now grey is just the thing, To get me wondering if the somerset is south. I cannot help but stop and look at the wooly derwentwater. |
3:31:31 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 3:33:34 (Pop-up) | ||
Electric Mind Sound By Unfolding | Acid Rock: Girl from Nowhere | 1967 | 3:36:14 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:39:17 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 3:39:41 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:43:35 (Pop-up) |
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Ultimate Spinach | Ego Trip | 1968 | 3:43:57 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Connection - A Haiku Previous autumn A causal, connection teach on the ultimate |
3:47:03 (Pop-up) |
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Rotary Connection | Trip II: Teach Me How To Fly | Aladdin | 1968 | 3:47:23 (Pop-up) | ||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:37 (Pop-up) | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 3:58:16 (Pop-up) |
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Sly Don:
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Surly Bennett Surf, on the Gay Boulevard:
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